Listed below are the best albums of the 1970s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 2 hours ago).
"Who are you, is one of The Who's weakest albums, it's obvious that Pete Townshend is struggling for inspiration, and in truth, the band should have knocked it on the head after the, quadrophenia, record. Opener, new song, is extremely disappointing, a song about having nothing to write about, it ...""Who are you, is one of The Who's weakest albums, it's obvious that Pete Townshend is struggling for inspiration, and in truth, the band should have knocked it on the head after the, quadrophenia, record. Opener, new song, is extremely disappointing, a song about having nothing to write about, it sums up the record, at least in a lyrical sense. It really is a dull and lazy LP, most songs are forgettable and, where's the guitar?, all you hear is synths, which it makes it sound even more dreary. Only two songs really stand out, that's the excellent, music must change, sounding nothing like The Who, and off course, the majestic title track, a brilliant rock anthem. Who are you, would be the last album to feature Keith Moon, who would die shortly after it's release, and should have been the reason for the band to call it a day. Amazingly, it wasn't and the band would struggle on for another two albums, The Who were well and truly passed it by this stage. "[+]Reply
"If you’ve listened to Mothership Connection and passed on this, you’ve made an error. Funkentelechy easily blows MC out of the water. MC doesn’t have anything half as good as “Flash Light”, for starters."Reply
"Ah yes the "Christian Years". This is generally regarded as a bad time in Bob Dylan's career. Musically the music became very dramatic, religious, overbearing, clean and kind of self-righteous. And this is the album where it all got kicked off. I'm not a big fan of the new thematic direction Dyla...""
Ah yes the "Christian Years". This is generally regarded as a bad time in Bob Dylan's career. Musically the music became very dramatic, religious, overbearing, clean and kind of self-righteous. And this is the album where it all got kicked off.
I'm not a big fan of the new thematic direction Dylan went with this album. I'm not anti-Christian but I just don't count myself as someone who likes hearing his idol preach da gospel. However, one of the best things about this album is the production is so great most of the way through that it manages to distract me from the lyrics. I mostly find myself marveling at the beauty of the keyboards, singers, horns, organ and guitar so much the words jut pass me by. Really, I just can't get enough of the organ work on here. It adds so much beauty to even the most overwhelmingly preachy song.
But in the end the thing is, this is a Bob Dylan album. Lyrics, in the main, are pretty much a huge deal with the man. No matter how great the production is, the general displeasure at the song lyrics and vibes of the album turns me off a good bit.
"Gotta Serve Somebody", works as an opener to not just this album but this era. It serves as a mission statement, a religious, somewhat dogmatic, warning to the masses. It works as those things, but it annoys me. I don't like the lyrics, the song and much of anything else about it.
The album does get much more enjoyable from there. I really love track 2, "Precious Angel". It just possesses a certain carefree, breezy, classic rock element that just really works here. And I love the vocals. Dylan just seems to turn back the clock to '66 vocally and it sounds so glorious!
Track 4 - "Slow Train" is SEXYYYY and funky and absolutely amazing! Love those loud, biting guitar leads and riffs and those organ lines and those back up singers! OMG! What a beauty! Wexler killed it here and really captured the slinking, paranoid, dark aspects of the song without taking out the groove and fun of it.
Another stand out is "Man Gave Names To All The Animals". Its totally cool! The big surprise is it is totally Reggae-fied and really well done really. The song itself, the lyrics, are really uninspired and quite annoying. But the coolness of the track does it's densest to make up for it.
Overall, for all Jerry Wexler's and Barry Becket's best efforts this album doesn't really live up to the production and the tracks. The lyrical content just feels wrong. The vocals are delivered with a mostly bombastic, preachy feel that turns me off more than I'd like. But, outside of those 2 main gripes, the album is really quite pleasant.
Grade: 70/100"[+]Reply
"what the hell did i just listen to!? it's weird, as alluded by the title (and that creepy album art). but it's strangely captivating. i need to listen again a couple of times. this is either a new favorite or, er, do i even know? it's bizarre. that is a sure thing."Reply
"The bing-bang of a way of life, think, be. An incomparable sound and a marvellous simplicity by a magician, Sam Philips. One exceptional voice absorbed by blues,country, for make something completely fresh, new, unrepeatable."Reply
"Nevermind: the whole damn thing is superb. Another excellent work from Pharoah that nearly rivals Karma. There's no beating Karma, but this is still an essential album. It has a very cool flow to it; always moving and changing and progressing, while always toeing the line between form and formles...""Nevermind: the whole damn thing is superb. Another excellent work from Pharoah that nearly rivals Karma. There's no beating Karma, but this is still an essential album. It has a very cool flow to it; always moving and changing and progressing, while always toeing the line between form and formlessness.
90/100"[+]Reply
"THE REAL REASON JOE WALSH JOINED THE EAGLES Everyone thinks it was for the money. Or the copious groupies. Good guesses but … WRONG! It was THIS, their debut album - one of the best mixtures of both hard and soft rock of the entire 70s. I mean I LOVE Joe Walsh and consider his James Gang Rides Ag...""THE REAL REASON JOE WALSH JOINED THE EAGLES
Everyone thinks it was for the money. Or the copious groupies. Good guesses but … WRONG! It was THIS, their debut album - one of the best mixtures of both hard and soft rock of the entire 70s. I mean I LOVE Joe Walsh and consider his James Gang Rides Again LP to be utterly essential hard rock, but even he never made an album this good. And neither would The Eagles ever again. lol. Yes, unfortunately it was all downhill from here folks. But, what a hill!!!
That’s right. The Eagles used to be good. Damn good. I swear! Long before they became one of the first yacht rock bands peddling soft assed singles on the seas of cheese with cuts like “The Long Run” (barf!) they were a really good & innovative country rock outfit picking up the torch from The Almighty Byrds and putting out solid albums of HARD and soft rock in great balance from a veritable stable of awesome songwriters boasting the likes of Jackson Browon, Glen Frey, DonHenley, Bernie Leadon, Randy Meisner, & soon to be secret weapon JD Souther. I mean they had talent! And this is their best.
Most people have the misconception that this album consists of three killer singles and lots & lots of filler. WRONG AGAIN, people! Every track on here is friggin’ amazing (okay, Tryin, the last cut, is just good. I admit it, already.)
Another thing most people don’t realize is how influential this album was on both hard rock and the future of metal. In fact, I almost entitled this piece The Future of Metal because … well it was. At least the 80s hair metal variant that dominated the rock & pop charts and more importantly the halls of my junior and senior highs forever altering the DNA of our young little Repo.
Now hard rock/heavy metal ballads have taken their fair share of shit over the years. But, when they’re good, they can be life altering. I mean those sappy ballads have done more to foster good times & getting laid by kids of all ages than all the classical music made in the last one hundred years combined. That’s right! Heavy metal ballads are where babies come from, children. That stork stuff is utter rubbish.
And “Take The Devil” is the seminal Heavy Metal ballad. I mean Heart literally lifted it's riffs for their huge hit “Barracuda.” And more importantly, Bon Jovi made an entire frickin’ career off this one track. Just ask, Daydreamer!
The Eagles would delve even further into this hair metal territory on their second album - Desperado - which I swear could pass for a Proto-Hair Metal if any album could. I mean tell me “Control” doesn’t remind you just a bit of Quiet Riot or Krokus. lol. And check out the lyrics to “The Outlaw Man” sometime. And tell me its totally over the top silly and cheesy lyrics didn't inspire a legion of metal songs.
Anyways would love to get RockyRaccoon’s -the king of hair metal - opinion on this. And Gowi’s why we’re at it. I know Rocky at least has to love this album (Don’t let me down, Rocky! lol)
Grade: A. This is not just Eagles best album. It's one of the best albums of the entire 70s. It’s a killer, unpretentious mixture of hard rockers, soft rockers, country rockers and by far their best ballads & singles. I mean songs like “Peaceful Easy Feeling” lives eternal and its words are still words to carve down on your grade school desk and live by. (If only I'd listened!) And I typically burn out on most classic rock staples. But, not this. So put your lighters high in the air and salute the glorious Eagles as they fly all the way up my chart to perch at number 19.
Dedicated to my good friend Leah who’s single-handedly helped me out of a few tricky jams over the past month or so. Thanks, Leah!
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"Much more uneven album than the prior greats from the Eagles, without any career-defining highlights, so it's quite comfortably my least favorite of their "classic six" records. That said, there's still good stuff here—Heartache Tonight and In the City are fun, and Timothy Schmit gives a nice per...""Much more uneven album than the prior greats from the Eagles, without any career-defining highlights, so it's quite comfortably my least favorite of their "classic six" records. That said, there's still good stuff here—Heartache Tonight and In the City are fun, and Timothy Schmit gives a nice performance on I Can't Tell You Why. Though, to my ears, the two best songs are easily the non-hits Those Shoes and King of Hollywood."[+]Reply
"Jethro Tull have 3 types of albums: a) near perfect masterpieces; b) good albums; c) weak albums. This one is a good album. You should not get this album as an introduction to the band but if you heard a bit of them and tend to like it, this one is a good choice to get some more. On the heavier s...""Jethro Tull have 3 types of albums: a) near perfect masterpieces; b) good albums; c) weak albums. This one is a good album. You should not get this album as an introduction to the band but if you heard a bit of them and tend to like it, this one is a good choice to get some more. On the heavier side of Tull."[+]Reply
"This man is the glue that holds Crosby Stills and Nash together, the other two gents write a little too sickly sentimentally for my taste, but when Stills brings his blues dimension (and a suggestion of country music) to proceedings they are the incredible unit we know and love, listen to this al...""This man is the glue that holds Crosby Stills and Nash together, the other two gents write a little too sickly sentimentally for my taste, but when Stills brings his blues dimension (and a suggestion of country music) to proceedings they are the incredible unit we know and love, listen to this album to see just what that dimension is in isolation, and you'll have also discovered a small treasure"[+]Reply