Listed below are the best albums of the 1970s as calculated from their overall rankings in over 58,000 greatest album charts. (Chart last updated: 7 hours ago).
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"1 December 2013 "Blood On The Tracks". It's an album almost synonymous with maturity and the absolute expression of all the nuances of love and loss. It's an album that I notice I love more and more as my life ticks along. When I first heard it at the age of 12 I didn't get it. I didn't see what ...""1 December 2013
"Blood On The Tracks". It's an album almost synonymous with maturity and the absolute expression of all the nuances of love and loss. It's an album that I notice I love more and more as my life ticks along. When I first heard it at the age of 12 I didn't get it. I didn't see what was so great about it. And even now to this day, I feel their is a more relatable feeling I get from his 60s music. I am 24 years old as I write this. Dylan was 21 and 24 when he made my other 2 favorite albums of his. Is that all it comes down to? Perhaps.
As for this album, well it's a legendary piece of art. It transcends my amateur description. There are just so many themes and details and emotions that are expressed here. The album is a roller coaster, it takes you through all the highs of love found and all the lows of regret. And in the end you leave this record wiser than when you entered.
To name the highlights is basically to name off every track. It's literally that great. The songs that just absolutely gut me every time I hear them are "Simple Twist of Fate" (perhaps one of the most sobering songs ever), "You're A Big Girl Now", "Meet Me In The Morning" (so simple and beautiful and the fucking steel guitar and slide guitar at the end is pure aesthetic perfection), "Shelter From The Storm", and the closer "Buckets of Rain".
Oh and about this closer...it's perfect. I use that word "perfect" too much, I know. But this song AS A CLOSER is perfection. It's like a little nugget of almost simpleton-level wisdom that floats in and soothes us after the emotional journey of the rest of the album that just ended. It's so damn simple and playful and REAL.
This album feels so absolutely relaxed and natural. It's a grand example of the plain expression of very exact and thought-out art. It's an album that opens up more and more not only with each listen but also with each passing year of living. It's an album that is always there to help get me through.
Thanks, Bob.
Grade 100/100"[+]Reply
"One of the interesting things about this album is that it is punk while bearing many opposite qualities from what you traditionally associate with punk. Punk is thought of as short songs, aggressive, political, rudimentary, whereas Marquee Moon has a song approaching 11 minutes, is often laid-bac...""One of the interesting things about this album is that it is punk while bearing many opposite qualities from what you traditionally associate with punk. Punk is thought of as short songs, aggressive, political, rudimentary, whereas Marquee Moon has a song approaching 11 minutes, is often laid-back, totally apolitical, and very technically proficient. Fantastic guitar counter-melodies sprinkled throughout, I just love it."[+]Reply
"“In the morning, I’ll be alright my friend, but soon the night will bring the pain. Flying high in the friendly sky” What do you get when you combine the smoothest voice in the history of music with the greatest bass lines in the history of music, and hotbox a Motown studio full of marijuana? An ...""“In the morning, I’ll be alright my friend, but soon the night will bring the pain. Flying high in the friendly sky”
What do you get when you combine the smoothest voice in the history of music with the greatest bass lines in the history of music, and hotbox a Motown studio full of marijuana? An album that is better than anything in its genre and in its decade - which is saying a lot when you consider all that happened in the 1970’s.
If heroin could sing, it still wouldn’t sound as good as Marvin Gaye. I stand very firmly behind my opinion that Marvin Gaye possessed the greatest voice of all time. There are countless things to love about this album musically, the tight bass lines, the smooth aesthetic, the jazz feel, liberal use of assorted wind and stringed instruments, and the variety of percussion the crystal clear production that sounds as incredible in 2015 as it did in 1971. However, it’s Marvin’s show, and it’s his voice that carries the listener through the album. The man clearly had enormous talent, and it is displayed in its entirety on “What’s Going On”.
Listening to Marvin Gaye perform live was akin to watching Michael Jordan make the final shot of the 1998 NBA finals, except better by several orders of magnitude because music is clearly a domain of excellence far superior to sports. One of his studio assistants was questioned at one point what the most difficult thing was when working with Marvin Gaye. The response was that it was so difficult to select which takes of his voice to keep and which to discard, because they were all so beautiful that it felt wrong to delete anything that he recorded.
“What’s Going On” is about discontent - with culture, with politics, with discrimination, with the imperfect self. It came at a time when the Barry Gordy’s Motown record label was interested only in pumping out radio hits for profit and wasn’t interested in any of this introspective, challenging music. Gaye demanded it be released as he envisioned it and was nearly close to breaking ties with the record label.
Marvin Gaye had a wild and remarkable career, plagued by the internal conflict which is was clear from his art, as well as his ongoing struggle with depression and multiple suicide attempts and drug addiction. It’s this struggle that fuels the beauty that is his music. His angelic voice carries just enough of a painful undertone to send shivers down the listener’s spine. That’s “What’s Going On”"[+]Reply
"I don't care what anyone says, this is a top 100 album of all time. No question. Hands down. Let's move on. It is so much better than many albums ahead of it on our website. Objectively I would put it in the top 50. Anyway, this is an album any fan of music should take in at some point. It is Ste...""I don't care what anyone says, this is a top 100 album of all time. No question. Hands down. Let's move on. It is so much better than many albums ahead of it on our website. Objectively I would put it in the top 50.
Anyway, this is an album any fan of music should take in at some point. It is Stevie's masterpiece (even though he had 5 incredible albums). It is so well composed, organized, and performed. So much soul and passion put into this album that took more than 2 years to be released.
I was lucky enough to see him play it live in its entirety and I was given an entirely new view on this beautiful work of art. And as I type this, I have it spinning on the turntable. Again, what a work of art."[+]Reply
"Bruce Springsteen's most iconic album, and his breakthrough. It's amazing to think now, that he could have been dropped from his record label if this album had flopped. Fortunately for Springsteen and for us, it didn't, and we have one of the greatest careers in rock/pop music to enjoy. Born to r...""Bruce Springsteen's most iconic album, and his breakthrough. It's amazing to think now, that he could have been dropped from his record label if this album had flopped. Fortunately for Springsteen and for us, it didn't, and we have one of the greatest careers in rock/pop music to enjoy. Born to run, Bruce Springsteen's most important record kicks off with the stunning, thunder road, my all time favourite track, ever, but this is different to it's predecessor. Bruce isn't happy treading the boardwalk anymore, he wants to get out, 'cos he's scared he ain't that young anymore. Next up, it's the semi-autobiographical, tenth avenue freeze out, where the E street band gets together, where the 'big man' joins the band. The frantic, night, gives way to the friendship epic, backstreets. The title track shows Bruce with a little more faith, as he still believes he is still young enough , but he still wants out, although to what?, he doesn't know, after all, he thinks of himself as a tramp. After what's gone so far, she's the one, feels a little lightweight lyrically, but it's still an excellent bluesy rocker. Meeting across the river, shows two down on their luck hustlers, determined to make it right this time, show 'em all, especially the narrator's love interest . This brilliant album ends in breathtaking style, with the epic, jungleland. It's Bob Dylan and Phil Spector re-writing west side story. It's glorious, and features surely Clarence Clemon's greatest and most iconic solo on a Springsteen track. And that's it, that's what all the fuss is about. It's a masterpiece, it's a highway 61 for the seventies, it's born to run. "[+]Reply
"Probably Stevie Wonder's most perfect record. Innervisions, May not be your favourite Wonder LP, and you may not even think it's his best, but it is his one album that ticks all the boxes. It doesn't feel indulgent or overlong, there's no filler, weak tracks or any missteps, it's simply Stevie Wo...""Probably Stevie Wonder's most perfect record. Innervisions, May not be your favourite Wonder LP, and you may not even think it's his best, but it is his one album that ticks all the boxes. It doesn't feel indulgent or overlong, there's no filler, weak tracks or any missteps, it's simply Stevie Wonder firing on all cylinders, making a tight, cohesive and unforgettable LP. Great songs in, living for the city, higher ground, and, all in love is fair. Simply breathtaking. "[+]Reply
"These songs seem to have always existed, perhaps even before they were written... timeless Classics on an album which I think, let me check, ... yes, it is law to own a copy."Reply
"There's always been something of the urban hipster in Lou Reed's aesthetic, and as a result I've always felt there was something about his musical style that misaligns with my tastes. That said, I've always found a way to like him nonetheless. I first came to appreciate him in high school when I ...""There's always been something of the urban hipster in Lou Reed's aesthetic, and as a result I've always felt there was something about his musical style that misaligns with my tastes. That said, I've always found a way to like him nonetheless. I first came to appreciate him in high school when I first heard his aptly named live album Rock 'n' Roll Animal, but it's Transformer that has emerged as my favorite Lou Reed album. The great "Walk on the Wild Side" is here, of course, but for me it's songs such "Satellite of Love" and "Perfect Day" that beautifully encapsulate Lou Reed's gifts as a lyricist as well as his skill as a musical artist. That "Satellite of Love" has been covered by a bunch as eclectic as Morrissey, U2, Porno for Pyros, Leo Sayer, and Milla Jovovich is testimony to its wide-ranging influence. "[+]Reply
"This album is brilliant from the the first bass notes of "Black Cow" to the last notes of "Josie." "Deacon Blues" is one of my all-time favorite songs."Reply
"One of the best jazz albums out there. Basically everyone here has that one album that got them into jazz, and it usually holds a dear position in their mind. I see for a lot of people that that album is Kind of Blue, and sometimes A Love Supreme. They're good albums, but when I listned to them b...""One of the best jazz albums out there. Basically everyone here has that one album that got them into jazz, and it usually holds a dear position in their mind. I see for a lot of people that that album is Kind of Blue, and sometimes A Love Supreme. They're good albums, but when I listned to them both, trying to get into jazz, they didn't really click for me. But then I listened to bitches brew, and it all made sense. This album isn't just jazz, it's never noodling for the sake of noodling, it is art. Pure and simple."[+]Reply