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1321.

The Parable Of Arable Land 

 The Red Crayola With The Familiar Ugly

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"I have listened to bits and pieces. I'll listen to this when I get the copy for my cd player, seems like something I would have to pay a lot of attention to. Are those 'Free Form Freak Outs' part of the album? They sound like a novel idea."  Reply

- | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1967

Appears in:

184 charts

Rank Score:

1,298

Rank in 1967:

25

Rank in 1960s:

137

Overall Rank:

1,321

Average Rating:

 74 (228 votes)

Comments:

14

1322.

Substance 
Compilation

 Joy Division

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"The only noteworthy thing in the previous comment is : "it's possibly their best"."  Reply

- CellarDoor | Helpful?  (Log in to vote) | +5 votes (6 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1988

Appears in:

232 charts

Rank Score:

1,297

Rank in 1988:

21

Rank in 1980s:

211

Overall Rank:

1,322

Average Rating:

 82 (382 votes)

Comments:

16

1323.

Geek The Girl 

 Lisa Germano

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"It's really hard for me to listen to '...A Psychopath' because of the 911 audio. Really creepy."  Reply

- joannajewsom | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1994

Appears in:

167 charts

Rank Score:

1,296

Rank in 1994:

37

Rank in 1990s:

235

Overall Rank:

1,323

Average Rating:

 77 (160 votes)

Comments:

12

1324.

Fisherman's Blues 

 The Waterboys

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"They absolutely nail Sweet Thing...it's a good album but a little too inconsistent to be great."  Reply

- LittleM1971 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1988

Appears in:

230 charts

Rank Score:

1,294

Rank in 1988:

22

Rank in 1980s:

212

Overall Rank:

1,324

Average Rating:

 79 (234 votes)

Comments:

8

1325.

Genesis 

 Genesis

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"Like most of the albums of Genesis' pop phase, this one is quite inconsistent. The good songs can stand up to the band's prog staples, but the bad songs are lightyears behind even the worst songs on Nursery Crime through A Trick of the Tail. "Mama" is one of Genesis' best tracks. It's eerie, ener...""Like most of the albums of Genesis' pop phase, this one is quite inconsistent. The good songs can stand up to the band's prog staples, but the bad songs are lightyears behind even the worst songs on Nursery Crime through A Trick of the Tail. "Mama" is one of Genesis' best tracks. It's eerie, energetic, and atmospheric. It combines the best of Collins' solo career with the best of Genesis' keyboard-driven acrobatics. Simply outstanding. "That's All" is certainly good enough to be on the radio, even if it's not mind blowing. "Home By the Sea" is another outstanding track: both parts are great, and the song is both catchy and proggy. Great keys, melodies, and singing. After that, the album tanks pretty hard: most of the other songs are below average throwaways. "Illegal Alien" is fun, though."  [+]  Reply

- Deckiller | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1983

Appears in:

241 charts

Rank Score:

1,294

Rank in 1983:

24

Rank in 1980s:

213

Overall Rank:

1,325

Average Rating:

 73 (392 votes)

Comments:

24

1326.

Flood 

 They Might Be Giants

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"Incredible album, funny as hell and amazingly eclectic and complex when it comes to execution, it is one of those little gems that may be far more trascendental than what they appeared to be..."  Reply

- covecove | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1990

Appears in:

232 charts

Rank Score:

1,293

Rank in 1990:

20

Rank in 1990s:

236

Overall Rank:

1,326

Average Rating:

 77 (300 votes)

Comments:

23

1327.

Presence 

 Led Zeppelin

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"I think that the problem with this album is that, if any other band had released it, it would have been considered a good album, because it can from the greatest band of all time, many people consider it a let down. Compared to I, II, III etc. yes, it's not as good but it's not as bad as people m...""I think that the problem with this album is that, if any other band had released it, it would have been considered a good album, because it can from the greatest band of all time, many people consider it a let down. Compared to I, II, III etc. yes, it's not as good but it's not as bad as people make out."  [+]  Reply

- Johnnyo | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1976

Appears in:

324 charts

Rank Score:

1,293

Rank in 1976:

24

Rank in 1970s:

259

Overall Rank:

1,327

Average Rating:

 75 (840 votes)

Comments:

63

1328.

Bottomless Pit 

 Death Grips

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"I don't think there is a single weak track on this album, although there are certainly plenty of stand-out tracks. Giving Bad People Good Ideas rivals Get Got and Beware for the title of "best opener to a Death Grips album". The well-sung female vocals counter Ride's outbursts and the extremely a...""I don't think there is a single weak track on this album, although there are certainly plenty of stand-out tracks. Giving Bad People Good Ideas rivals Get Got and Beware for the title of "best opener to a Death Grips album". The well-sung female vocals counter Ride's outbursts and the extremely aggressive instrumentation brilliantly. Hot Head has been significantly improved from its relatively primitive earlier release, mostly down to a stronger intro and the bassline added to the main body of the song. Spikes is one of the album's bangers, and carries one of the catchiest hooks on any Death Grips track since The Fever (Aye Aye). The track Houdini is a fine showcase of Flatlander's impressive production ability. In addition, Ride's mutterings of "three, four, fuck you baby, disjointed Houdini baby" are very hard to resist muttering along to. Three Bedrooms In A Good Neighborhood is perhaps my favourite track on the entire album. The beat is absolutely killer and many of the best lyrical features on the album can be found herein. Finally, the title track closes the album with one of the most aggressive and oppressive songs Death Grips have every released, and Ride's threats of "I'll fuck you in half" somehow come off as terrifying and amusing at the same time. Bottomless Pit represents the strongest and most cohesive set of tracks the band have released since The Money Store. 86/100."  [+]  Reply

- | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2016

Appears in:

225 charts

Rank Score:

1,292

Rank in 2016:

23

Rank in 2010s:

200

Overall Rank:

1,328

Average Rating:

 80 (432 votes)

Comments:

21

1329.

The Marble Index 

 Nico

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"One of the eeriest,darkest,bleakest thing I've ever heard. And also one of the greatest."  Reply

- giulius06 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1968

Appears in:

229 charts

Rank Score:

1,291

Rank in 1968:

26

Rank in 1960s:

138

Overall Rank:

1,329

Average Rating:

 76 (266 votes)

Comments:

12

1330.

By The Time I Get To Phoenix 

 Injury Reserve

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"(Dense, knotty, complex, scatter-brained, grief-filled, lost, anguished, layered Experimental Hip Hop record with lots of noisy blasts of strange random beats, glitching disorientation, fabulous and varied vocal performances and just generally a frightening and inspired and inspiring new musical ...""(Dense, knotty, complex, scatter-brained, grief-filled, lost, anguished, layered Experimental Hip Hop record with lots of noisy blasts of strange random beats, glitching disorientation, fabulous and varied vocal performances and just generally a frightening and inspired and inspiring new musical realm in album form. Give it 2 or 3 spins before writing it off.) My prior experience with really experimental or unorthodox hip hop was very limited. I love Atrocity Exhibition, enjoy some Death Grips and clipping and Dalek, never could get into Some Rap Songs or Lil Ugly Main or Coin Locker Kid. And I suppose I did also really like that Moor Mother + Billy Woods album last year…. The point is, I am not familiar with this genre, this sort of amorphous, boundary-pushing, strange, experimental side of hip hop. 90% of my favorites in the genre are from the mid 90s. Needless to say, this doesn’t bear any resemblance to Liquid Swords. On first listen I was confused. I thought the album was equal parts dense/hard to follow as well as beautiful/intriguing/weirdly addictive. After I heard it once and was sort of dumb struck, I felt a compulsion to push play and try again to unravel what the fuck this is. Now, after 3 full listens and the 4th in progress, I am getting more and more familiar with it without losing that wonder at the density of the noises and elements and soundscapes created. There are parts of this album that are sad and beautiful (“Knees”, “Top Picks for You, “Postpostpartum”). There are frightening and mentally ravaged moments (“Outside”, “Footwork in a Forest Fire”, “Wild Wild West”). There are glitchy, seemingly random noisy bits (“Superman That”, Ground Zero”) and there are even a couple honest-to-goodness songs that I can follow along with in almost traditional music listening ways (again, “Knees”). And perhaps most importantly, there aren’t clear distinctions between these sounds and emotions. Within one song there is a mixing and melding and an almost infinite variety of potential emotional responses. As a cohesive album, this succeeds in never fully showing or making clear what is the appropriate take-away from the track, whatever track you are hearing at the moment. By The Time I Get To Phoenix album is a journey, a fucked up, lost, aimless voyage through some grimy and miserable world. I keep hearing in comments from fans of IR that this album is deeply rooted in grief and loss. And that would make sense considering the death of founding member of the group Stepa J. Groggs in June of last year. However, either I just haven’t fully unpacked the lyricism here or perhaps its people projecting the emotions onto the album that aren’t fully or exclusively here. There are no on-the-nose and obvious odes or ballads or laments clearly about the loss of Groggs. There IS a distinct hazy, disorienting, vibe throughout this whole project. It feels like the mental state of the members of Injury Reserve are constantly on the edge of fully splintering and breaking apart. This head space is expressed throughout here masterfully. It feels uncomfortable being in these guys’ heads and they fully flesh out the beats and sonic spaces so that you are thrown fully into this state-of-mind. Fabulous and, yes I’ll say it, genius brilliant amazing production now that I have gotten used to it. And listening now to the closing track “Bye Storm” and I am getting emotional. It feels like the slight twinkle of light through the oppressive smoky sky, with that weird and exultant guitar sound. This closer along with the pained grief and apathy of the penultimate track “Knees”, make for a perfect and all-time classic closer to this album. Okay, maybe that is a bit hyperbolic. It is just a truly moving way to cap off this experimental and crushing album is what I’ll say. The production of Parker Corey is going to get most of the ink and praise, understandably. As, despite beats of sounds like this being around in Hip Hop for 15 years, somehow he took the level of detail and wooziness and expansiveness and just expanded it exponentially. Perhaps this isn’t a completely brand new never been remotely heard sound (nothing like that ever drops and comes out of the blue) – but it is, to these admittedly not fully educated ears, a new bar set in terms of detail and expansiveness and layered noisy experimentation. Moving to the vocal performances here, they are similarly impressive. Schizophrenic, sad and lost, slurred and drunken and in pain, cutting and fully embodying the words and living in the soundscapes. Especially the varied vocal sounds in “SS San Francisco (feat. Zelooperz)”. The deep grumbling vocal and the weird high-pitched singing set the table for some playful, sardonic, griefy bars. But its not just here, wherever the rap verses come in (and that is strangely rare, this seems to be an album where the rapping is somewhat sparse and instead there are long stretches of instrumental table-setting before Ritchie with a T comes in with the perfect vocal intonation and flow to complement the beat and sinic space. Random, fly-by thoughts: -The Yeezus-esque screams on “Footwork in a Forest Fire” is awesome and really the whole track and every phase of it is cool, but for some reason those screams got me. -Smoke Don’t Clear” is, as of now, one of the few tracks here that I don’t fully like. But I will say it works well in the context of the album more than its own noisy mess of a thing. -The way “Top Picks for You” with that dramatic melody on that… whatever sound that is… with the whispery singing and the sadness of the verses, its incredible. The whole song is great. One of my faves. -“Knees” was weird and fabulous in isolation as a single, but it feels so much deeper and more moving and beautiful within the context of the LP. One of the best tracks here, or perhaps the best. In closing, I am listening a 5th time, and it grows and grows on me. This is a dense and brilliant experimental and emotionally gripping and profound album. I recommend a couple listens or 3 before making final judgement. I had a similar arc with Atrocity Exhibition, where I was very VERY disoriented and kind of unimpressed on first listens and then over time I understood its dense complicated and knotty brilliance with further listens. Recommend the same for this. Note: This is an album that I am sure I am only scratching the surface with. I hope I listen enough to unravel it more. This comment ain't final. This 5th listen is making me hear other details and that is just really exciting."  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

191 charts

Rank Score:

1,290

Rank in 2021:

14

Rank in 2020s:

53

Overall Rank:

1,330

Average Rating:

 78 (198 votes)

Comments:

18

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Total albums: 10,000. Page 133 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	708	7%
1970s	1,424	14%
1980s	1,415	14%
1990s	1,600	16%
2000s	1,725	17%
2010s	1,967	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,999	50%
	2,657	27%
	431	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%