Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 58,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 1 hour ago).
"For about two years in the early 80s the only two albums I listened to were "Private Parts" by Robert Ashley and this album "Colossal Youth" by Young Marble Giants. Alison's voice was so sublimely melancoly and her pristine voice was the perfect musical vehicle for Stuart's dark existential lyric...""For about two years in the early 80s the only two albums I listened to were "Private Parts" by Robert Ashley and this album "Colossal Youth" by Young Marble Giants. Alison's voice was so sublimely melancoly and her pristine voice was the perfect musical vehicle for Stuart's dark existential lyrics. YMG's trademark sound centered around a weird mix of Philip's steel-hawser bass, Stuart's punchy rhythm guitar (played on a mapleglo Rickenbacker 425) and haunting, rhythmic Galanti electric organ lines, with Statton's vocals tentatively suspended in the space between them, their sound was unlike anything anyone had heard before. The fourth member of the band, Peter Joyce never appeared on stage with the bands but was a key player in the YMG sound. Joyce was a telephone engineer and an electronics whizz, who had made his own synthesiser from a kit. This was a small touch-sensitive keyboard with an attache case-like box of circuitry, with several knobs and dials. It made sounds similar to Eno's synths in the early Roxy Music and Kraftwerk, who employed similar 'low-tech/high-tech' electronics. The YMGs used tape recordings of Peter's home-made drum machine in the studio to record "Colossal Youth." "Colossal Youth" is important because the quirky and eccentric music of YMG became a touchstone a whole new generation of low tech electronica rockers like East River Pipe, Aphex Twin, Luna, Mazzy Star, Magnetic Fields, Will Oldham & Beck. I was lucky enough to see YMG during their first and only American tour at CBGBs in New York and I still have a primative film of that concert. After YMG broke up Alison formed a world music band with Spike and issued three excellent albums and Stuart made an album called "SignalPath." Both Alison's and Stuart's efforts were excellent but none of their post-YMG efforts became the musical zeitgeist that "Colossal Youth" was in 1979 when pop music stood at the crossroads of the punk rebellion & emerging post-punk indie music. YMG have periodically reunited and played concerts in England, Wales and other destinations in Europe, since 2007. Find out more about the current YMG adventures at their MySpace page @ http://www.myspace.com/youngmarblegiants "[+]Reply
"Rundgren's master stroke. It should be called Something/Everything since he pretty much does it all on this inspired smorgasbord of styles, ranging from hard rock and ballads to blue-eyed soul and grunge. And, of course, that tape hiss. Hugely influential, it is a miniature pop world unto itself."Reply
"Suede were always very large to put non-album tracks on their single releases so 19 of the bonus-tracks come from the singles "The Wild Ones" New Generation "," Trash "," Beautiful Ones "," Saturday Night "," Lazy "and " Filmstar ". The first two are actually "Dog Star Man" singles, but the recor...""Suede were always very large to put non-album tracks on their single releases so 19 of the bonus-tracks come from the singles "The Wild Ones" New Generation "," Trash "," Beautiful Ones "," Saturday Night "," Lazy "and " Filmstar ". The first two are actually "Dog Star Man" singles, but the recordings do not feature original guitarist Bernard Butler.
"Trash" was suedes biggest hit but also the subsequent "Coming Up" singles ( "Beautiful Ones", "Saturday Night", "Lazy" and "Filmstar" ) reached the top-ten rankings.
"Coming Up" is on the whole an unusually homogenous album where most songs have classic potential. Among the album-tracks Brett Anderson's beautiful ballad "By the Sea" should be highlighted. "Picnic by the Motorway" and "The Chemistry Between Us" are also fine ballads, while "She" and and "Star Crazy" really could have been released as singles.
The deluxe version of this, Suede's best-selling album, has no less than 28 bonus tracks. Besides singles b-sides, demos and alternate versions, it has DVD videos and footage from two concert performances.
The many b-sides are mostly solid enough, but few hardly really essential. As the best and most interesting I would highlight "Europe is Our Playground", "Every Monday Morning Comes" and "Sound of the Streets". The demo version of "She" is interesting - slower and more heavy."[+]Reply
"You love to see it. An album that I enjoyed enough to write two pages of the track by track breakdowns on. All my favorite songs: This song could’ve flown under the radar in the grander scheme of Weezer tracks but the orchestration is really what pulls everything together. The complex chords are ...""You love to see it. An album that I enjoyed enough to write two pages of the track by track breakdowns on.
All my favorite songs: This song could’ve flown under the radar in the grander scheme of Weezer tracks but the orchestration is really what pulls everything together. The complex chords are so emotional and gosh dang those horns in that last section of the song are amazing. Lyrically it also does a really good job of just prepping you for the theme of the album. This is the only song that examines the idea of people being draining so you look for a way to escape them which is actually really interesting in the larger scheme of the album.
Aloo Gobi: This song sort of takes a look at the monotony of daily life and the anger that comes from wanting your life to be something greater than it is. The song starts with the bombastic orchestra but throughout the songs, the strings pop in and out. Notably on the second verse you really just have piano and vocals to sort of capitalize on the minimalism of daily life. And that refrain of “What is happening to me” speaks volumes from the delivery to the way the instruments accompany it. SMOOTH TRANSITION INTO
Grapes Of Wrath: Now knowing that Rivers is tired of the monotony of his life it makes perfect sense that he would like to take a route of escapism. In this case, that’s through listening to audiobooks. You think he cares? He just don’t care.
Numbers: The heaviest hitter on this album for me. Starting off with really somber strings as Rivers sings about being too short for the team and having an IQ too low for poetry. An obvious knock at his critics that as recently as last week when my favorite songs came out, shot at Rivers for rhyming “bad, sad and mad”. As this line is read our man Pat comes in clutch with the drums to give the song some more drive that is really fitting. After the refrain of “numbers are out to get you”, we are greeted to an amazing soaring chorus reflecting the pain of these criticisms but countering them by seeking solace in others and I think that’s the beautiful message of this song. In the end, the critics are just numbers in a machine and they can’t do anything to come between real feelings between real people.
Playing My Piano: Once again returning to the idea of escapism but this time through music. It’s hard to tell if this is a romanticizing of getting lost playing music for days or a criticism of himself for wishing he could spend more time with his family. Honestly, I don’t see why it can’t be both. It’s a great thing to lose yourself in what you love but you can’t lose sight of the other things that are important in your life. However, this song does a great job of showing what that journey of playing music is really like. It starts off with slow, really heartfelt melodic lines but shifts into a more forward and driving direction as the chorus kicks in and the lyrics reflect just how much he’s getting into playing. “Pounding out the bass singing out the tune, never see the sun like I’m living in my room” incredibly relatable lines for anyone who’s gotten lost in music. The second verse is more of a reflection of once you’re already in that groove as opposed to the start of your sessions.
Mirror Image: This one is a pretty straightforward love song but I think placing it after Playing My Piano makes a ton of sense especially with my theory of that song being a criticism of himself. That’s not even taking into consideration the last few seconds of THIS song where Rivers says something to the extent of being shut out of heaven. That’s a pretty heavy statement to make just once for a few seconds on this album and I honestly don’t want to speculate too much as to why he’d say this but it’s interesting nonetheless.
Screens: The opening piano and strings are instantly catchy and help get the ball rolling for this track. I do like what they were trying to do lyrically on this track but I don’t think it lands as much as the other tracks do. Rivers takes more of “my mate is going through this thing” when actually he’s talking about himself and really everyone I guess. I just don’t think the idea of losing yourself to your phone is shown as great as it is on the rest of the album and this track is especially over before you know it. I like it but it doesn’t make as much of an impact as it could’ve with some more length and personal lyrics.
Bird With A Broken Wing: Along the lines of Eulogy For A Rock Band, we’re taken on a retrospective journey through the musical career of Weezer. I believe the broken wing referring the multiple critical failures the band has had behind them. The cat also is a reference to those same critics who put them down. Through all these experiences though, Rivers hasn’t lost his drive to sing what he has for the world, and I’m so grateful for that. The world is a better place because of his drive to create music for us. I think this song also would’ve been stunning as a closer but I don’t mind that they chose a different one.
Dead Roses: I honestly don’t know what to say about this one. It’s a little more abstract lyrically than the other songs or maybe I’m just stupid. I’ve got some ideas about the lyrics but it’s all very speculative. I do really like the line “beat you until you beg to live” but I’m not confident enough about its meaning to say anything other than, it’s a good track but it could’ve been longer.
Everything Happens For a Reason: I don’t know why this had to be its own song especially since it leads straight into here comes the rain but hey…. Everything happens for a reason.
Here Comes The Rain: A really happy go lucky song about how even after a bad day, good things will come your way. Very fun but once again, not as heavy-hitting as other tracks.
La Brea Tar Pits: A really bitter-sweet way to end the album. Sonically it’s got a resolute and accomplished sound to it but the lyrics reflect a recurring fear of fading into obscurity. This is shown the best at the chorus as the lyrics describe himself sinking to his death and desperately asking for help, yet the strings sound as if there’s nothing to be scared of and that everything will be alright in the end (where have I heard that before) As he continues to sink though we return to the idea of getting help from others. Asking to be thrown a rope as he’s sinking and how the skills of someone else can help him get farther. Then as the album closes we are left with just the orchestra slowing down and resolving into a beautiful chord.
Conclusion: When this album is acting at its most concise it’s insanely touching. The ideas of taking a step away from your obsessions to spend time with those you love and learning to balance the two is an eternal idea that we need to hear. Sometimes life is boring, sometimes people are difficult, and sometimes you get kicked down, but there’s always something or someone good that will come along. Sometimes it’s the love of your life, and sometimes it’s just a really good book. The flow of this album is also something to commend. Everything feels in its right place and while other tracks shine much brighter than others, that doesn’t make the weaker ones bad at all. Also, orchestra and Weezer were meant to be.
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"S.V.E's 'Remind Me Tomorrow' is a brave move for an artist that is cut from the folk guitar cloth , but satisfyingly it works The electronic sound is jarring to the S.V.E fan upon first listen but ultimately rewards with patience and repeated listening's . The album really kicks into gear with th...""S.V.E's 'Remind Me Tomorrow' is a brave move for an artist that is cut from the folk guitar cloth , but satisfyingly it works
The electronic sound is jarring to the S.V.E fan upon first listen but ultimately rewards with patience and repeated listening's . The album really kicks into gear with the superb threesome beginning with the excellent "Comeback Kid" , followed by "Jupier 4" ( named after the instrument responsible for much of the album's sound) followed by "Seventeen"
My only complaint would be the closer "Stay" , probably the weakest track here and IMO ending things on a real bummer
Much has changed in Sharon's life since 2014's land mark 'Are We There' - she became a mum , her acting career took off and she broke through to mainstream consciousness . This album is a reflection of her new found maturity and responsibility
This album will definitely be on my year end best of list
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"Even with After Laughter now under Paramore's belt, I still feel this is their strongest album. Their success can be attributed to the fact that Paramore knew which songs were destined to be hit singles in the music scene post-Fall Out Boy's breakthrough success two years prior. While the three h...""Even with After Laughter now under Paramore's belt, I still feel this is their strongest album. Their success can be attributed to the fact that Paramore knew which songs were destined to be hit singles in the music scene post-Fall Out Boy's breakthrough success two years prior. While the three hit singles are probably the strongest offerings on the album, Miracle is the strongest of the deep cuts and I feel a case can be made that it should have been a single as well."[+]Reply
"Dark electronics mixed with guitar rifts and even some orchestral strings. This was Depeche Mode's finest and most varied album which feels gothic at times."Reply
"Ummagumma, is the dreaded two record set. Still, this one is saved by the fact they decided to give half the record over to a live recording. The live disc is great with, Eugene, and, heart of the sun, especially brilliant. The groans start on the second disc. Oh,no, this is a band without a clue...""Ummagumma, is the dreaded two record set. Still, this one is saved by the fact they decided to give half the record over to a live recording. The live disc is great with, Eugene, and, heart of the sun, especially brilliant. The groans start on the second disc. Oh,no, this is a band without a clue, without inspiration, without direction. It's just a load of middle class musical doodling, with only Water's, granchester meadows,and, the narrow way, worth a mention. The live disc is Pink Floyd at their best, the studio disc is the band at their worst, it's obvious that they were creatively stumped by Syd Barrett's departure, and it would take another few albums to finally break those shackles off and find their own voice and character."[+]Reply
"I never thought this album could be so good ! It’s almost as good as BIA for me. The tracklist is nice: starting with a classic happy hit of Supertramp, then great varied songs from both singers, and the incredible Fool’s Overture, one of their most accomplished song IMO. Standouts: Give a Little...""I never thought this album could be so good ! It’s almost as good as BIA for me. The tracklist is nice: starting with a classic happy hit of Supertramp, then great varied songs from both singers, and the incredible Fool’s Overture, one of their most accomplished song IMO.
Standouts: Give a Little Bit, EITQM, Fool’s Overture"[+]Reply