Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 4 hours ago).
"Production was really good throughout, which I didn't really expect. Especially towards the end from the instrumental track onwards. As expected, Earl delivers as a lyricist, though thematically this album seems all over the place and without a clear direction. Earl's flow and delivery, always a ...""Production was really good throughout, which I didn't really expect. Especially towards the end from the instrumental track onwards. As expected, Earl delivers as a lyricist, though thematically this album seems all over the place and without a clear direction.
Earl's flow and delivery, always a bit laid back (and sorta "sleepy" if you know what I mean) has never been his strongest point I think (though admittedly it fits perfectly with some verses like on Super Rich Kids, or Chum), at least compared to someone like Tyler, but while I was worried it could get grating in large doses, I have to say it didn't bother me at all on the album. Partly because there was some attempt to change that (also by vocal effects on some tracks) but I think also because there were a lot of features. Which were rarely on Earl's level (Domo is one exception), but I for one welcomed them...
Overall, I expected a lot, and I am not disappointed. Also, I have to say, since it dropped at the end of last year, Chum has become one of my favourite hip hop songs ever."[+]Reply
"When these sisters nail a pop/rock song, they do so just as good if not better than female-fronted artists of the 80s like fleetwood mac and the bangles. I think it was a pitchfork article that brought my attention to how much their music seems influenced by music of 1987, or the late 80s to be l...""When these sisters nail a pop/rock song, they do so just as good if not better than female-fronted artists of the 80s like fleetwood mac and the bangles. I think it was a pitchfork article that brought my attention to how much their music seems influenced by music of 1987, or the late 80s to be less specific. From their predilection to rock out a bit like heart or the bangles or the Jacko-like vocal tics of lead singer Este, both elements illustrated well on "forever", these girls bring the pop/rock with a splash of R&B. (Ok, check out defiant breakup song "the wire" for even more michael jacksonesque singing style and stevie nicks-like rhythm.) For this type of music, the first 4 songs are UNstoppable with an awesome display of songcraft. The rest is pretty good too, but just short of the near perfection of "falling" and "if i could change your mind" (with awesome backing vox on chorus). But DAMN -- this is their debut and a stellar debut at that. I look forward to hearing their interpretation of pop/rock circa 1990 on their next album! ;-)"[+]Reply
"FINDING YOUR HOME But tonight I just want to stay in And be with you, And be with you - Every Night The right girl (or boy) can make all the difference. When she comes along it’s like all of a sudden a huge weight is lifted from your shoulders. From your spirit. You suddenly feel at peace. You re...""FINDING YOUR HOME
But tonight I just want to stay in
And be with you,
And be with you - Every Night
The right girl (or boy) can make all the difference. When she comes along it’s like all of a sudden a huge weight is lifted from your shoulders. From your spirit. You suddenly feel at peace. You realize that unconsciously you had felt somehow incomplete. And this incompleteness caused a striving to make things right. To correct that imbalance. And we unconsciously try to correct that incompleteness with all sorts of stuff - bad tv, drugs, becoming a workaholic, what have you! It's different for everyone. But we are trying to fill a void we didn’t even know was there. And there all kinds of ways to fill that emptiness. Like making charts. lol. Or collecting things fanatically. There’s this pressure of more and more. And then all of suddenly the right girl comes along and BAM… this huge weight is lifted. A weight you didn’t even know you were carrying. And this weight makes us feel that something’s not right. , It makes us hurried. Rushing about our day. Not settled. And when that weight is lifted, you feel this incredible sense of peace and comfort. That you are exactly in the right place and the right time. There is no where else we need to be. Nothing else we need to do. That finally you are in the right place. That you are at home.
There’s a Feeling that you can do - ANYTHING! And she will still love you. Because she knows you. Really, really, knows you. And accepts your for what you are - quirks and all. Especially those quirks. She’s your cheerleader. She’s got you’re back. When you’re with her you have nothing to worry about. And that’s what this album is really all about. And what really tips it off are those instrumentals.. Tracks like “Valentine Day” and “Momma Miss america.” McCartney just doesn’t give a fuck. He’s free. Loose. Just ready to rip and have some fun. Embracing life like we all should. And it’s easy when you’re with the right girl. God knows I’ve been there. So if you find one. Find a girl that truly loves you. Someone who laughs at your jokes, can nurture you when your sick and really looks at you when you’re talking to her. That makes you feel like you’re at home. Embrace it, brothers. Settle down and make a home. Because you’re already there.
WARNING!: Don’t get spoiled. Don’t expect that every woman is going to love you like that. I was blessed to be in several great relationships. Girls who loved me even when I was sick. And I took it for granted. Got those old wandering eyes. Gouge them out, brother. Gouge them out. lol.
Grade: A. This album is a fun, boisterous romp through young love. It instantly brightens my day. It’s care free and easy. Because McCartney didn’t have a care in the world at this point of time. The huge pressure of expectations that were the Beatles had been lifted. He with the love of his life - “The Lovely Linda” - living on a country farm free to do whatever he wanted. And his happiness and confidence fill this record. And fill me when I listen to it. Instantly bringing in the summer and the sun. And like a wild flower after a heavy rain it shoots up my chart to number 17.
Dedicated to my boy, NoisyBeast and his “Lovely Linda.” You guys are the greatest! "[+]Reply
"Good blues, with some of Clapton's best playing outside of Layla propelling it to classic level. If you like Clapton, it's an absolute must. If you like blues, I recommend a listen at the least."Reply
"sorry in advance for the following: (Basically, I liked it. Everyone or nearly everyone reading this knows who this band is and what Post rock is and that this band and that genre are linked inextricably. It's a solid album. Leave now unless you want to read my unending comment which starts in 3....""sorry in advance for the following:
(Basically, I liked it. Everyone or nearly everyone reading this knows who this band is and what Post rock is and that this band and that genre are linked inextricably. It's a solid album. Leave now unless you want to read my unending comment which starts in 3... 2... )
1... ---------I don't know how I feel about this album. Not exactly. Same goes for this iconic band. And, as this band's work encompasses all existence and transcends life and is up in the ether hobnobbing with Infinity itself per their most ardent fans, I suppose this means I don't know what to think of life, the universe, or anything. Which, come to think of it, is true.
But, to elaborate, I don't know where my thoughts fall yet after 2 listens to this album about urine of god ending states. As with all GY!BE albums, this is a detailed and many-layered beast, grasping for questions and answers rarely asked or sought in rock music. All this without saying a thing. On first listen I was transfixed and transported and when the album ended I said "well, shit" and wondered if this was going to be my end-of-year number 1 album. On second listen my subjective response was a bit muted. Although, certain crescendos (they sure do love their crescendos and builds... don't worry this won't be yet another annoying nerdy asshat rant about "Crescendocore" and "oh, oh, this has been done, like, a million times, gosh!" or "wtf can't anyone hear that this is not gooood? it's nothing compared to Tortoise." blah blah blah. Don't worry, I can't stand those people as much as you can't stand them. ) and moments are just as mindboggling on second and now third listen as they were in my first. The things that maybe I was less engaged with were the shorter and less "buildy" songs, or, rather, parts or pieces. Although without exception each one of these tracks/parts, short and long, are rich and well-conceived, some of the hors d'oevre tracks left me less than blown away. I suspect this is an opinion that will change or at least develop with repeat listens and perhaps I'll start mentally stitching this newest Godspeed conception together. For now though some of the sounds at the beginning of the 2 main 20 minute pieces didn't engage me a whole lot.
But see, as I write this I am listening a third time, and you know what? I'm already starting to feel my opinions shift mercurially as I type. Damn you, Godspeed! Now I'm wondering again if this is AOTY contender. And this vacillation is making for a REALLY shitty comment. (Future self, 1 hour after typing last sentence, I end up yet again in between Really solid and AOTY, as of now, after 4 listens, its like top 10 album of year, okay lets continue and see what other crazy shit this wild ginger says...)
Let me talk through a couple of these tracks here and see if that helps clarify my opinions... Okay, starting with the end, "OUR SIDE HAS TO WIN (for D.H.)" is a pitch perfect, tear-inducing, muddy, noisy, serene and haunting ambient piece and a perfect closer to the album. The last minute of this thing made me feel like Frodo rolling out of Rivendell with the boys.
Now going back toward the beginning, I thought the opening bit with the word Military in the name, wasn't particularly special even 4 listens in, but finally 20% into "Job's Lament" shit starts getting tense and maybe i'm just too simple for this post rock stuff, but I get most hyped about those HEAVY bass notes and that staticy guitar as it builds up to the muscular close of that track. This leads into the first "Holy Shit...is you angels?" moment of the album for me, when the guitar comes searing in with the faint sound of voices melded in, that is a nice moment. Brilliant, really. Only lasts for a couple minutes, then some cool down from that high and then some gunshot noises annnnndddd close first big suite. The in-between track that follows and is jammed betwixt the 2 MEGA post rock suites "Fire At Static Valley" is quite nice. Its not the same level as the closer, but quite gorgeous.
Okay, and then as for the second big suite, I probably won't go into detail what I thought of each piece within like I did with the first, but I can say that almost everything about "GOVERNMENT CAME pretentious coordinates or something" is dope. Almost all 11 minutes of it was candy to me ears. The first 5 minutes are build up and pretty good build up as it has that dark power that is what I loved about F#A# Infinity, but its all foreplay to the moment when the soaring guitars, well, when the guitars soar. lol. Then they do that post rock thing where it gets intense and then more intense and then more and at some point you notice you're not breathing, you're eyes are squinting unflatteringly, and you're mumbled "Stop, No, I can't take it!" turns into euphoric shouts of "No, don't stop! don't STOOOOPPPP!!!!". Its orgasmic is what I'm saying. And just like orgasms, despite being played out and ever so familiar, they're quite good. From there there is more slow noodling as if they're getting themselves ready for another go-round, followed by another (less impactful, yet still gorgeous) epic crescendo. And then BOOM! We are back to where we started, which was the end, and that final god-tier ambient closing track.
The name is silly, but Idk maybe I am just basic. Seems pretty weird. The cover is, on first glance, underwhelming - BUT, I like it now that i look at it. has a certain circular, symbolic meaning. Said symbolism and cover maybe influenced my hackneyed attempt at such a round-about structure to this comment and track break down.
And as far as how this fits/ranks in their discog, well I'm far from a mega fan of this band. I like/love their 1997 album because it has the word blues in one of its songs and that is an instant winner in my books. I love their 2000 album, but of course I'm contractually obligated to say that on this site and on this internet. But in all seriousness I haven't listened to Lift Yr Skinny Fists in years, but there was a time when I was in love and thought I'd discovered the holy grail of music when i heard that. Never heard Yanqui I don't think, and I really like their legendary 1999 EP although I've only heard it once and can't say what I liked about it. When I first joined this site in 2012, I was caught up along with almost every other BEA member in the recent release of Allelujah... Don't Bend Ascend. As a matter of fact, I believe that was the VERY FIRST album comment I ever made on this site. I loved it and still do tbh. I adore how fucking brutally heavy that album is. Haven't heard their 2015 or 2017 offerings. All that is to say I don't really feel I have any strong context or freshness to any relative quality assessments. I will say that I really really liked this album. It hit me at the right time and I am very glad its in my life. I am still not someone who will get excited about Post Rock when placed as a genre on an album, as a matter of fact I kinda avoid such albums. Not sure why. Maybe I like music that is more immediate and less drawn-out than what that genre tag evokes.
Anyway, this will end up being the most unstructured (aka least structured) of all my 2021 chart/album comments and my longest and my most deserving of ridicule and the one with the most bad English (which is saying something). I will close by saying, "cool album". The highs are heaven, the lows sound like somewhat by-the-numbers GY!BE things analogous to a nice serene Nebraska cornfield.
Oh and one final added comment, regarding the general darkness or vibe of this album, I felt like it was the least dour, apocalyptic of the albums I've heard by them. All their albums have some moments of soaring beauty, but I felt this had several that felt almost religious and not in a end-of-days type of way either. Anyway, I have seen comments saying this has a a deeply dark atmosphere, and maybe that is just a personal reaction thing, but I personally found it refreshing how GY!BE sounded a little less morbid this time around.
cool album"[+]Reply
"This is actually a lot better than I anticipated, and almost the opposite of what I expected sound wise. I really thought the band would go in a more pop-direction on this album with all the recent success, but they didn't. In fact, they almost went the opposite direction with more laid out garag...""This is actually a lot better than I anticipated, and almost the opposite of what I expected sound wise. I really thought the band would go in a more pop-direction on this album with all the recent success, but they didn't. In fact, they almost went the opposite direction with more laid out garage-band types of tracks with a bit of jamming. It's actually a pretty cool album.
It doesn't have knock-out songs like Howlin For You, Lonely Boy, Tighten Up or Gold On The Ceiling, but it still comes together quite well as a collective album.
Weight of Love is stellar, probably my favourite track off the entire thing, but I think the best moment of the album is the three closing tracks. Just really good rock songs.
Surprised and impressed. "[+]Reply
"NIN are a hell of a band (it’s a bit more complex than that) but they can be pretty hard to get into. Trent Reznor’s style of dark, swirling thumping music is fantastic and doesn’t really have a good comparison (perhaps later Radiohead and Marilyn Manson) but it’s easy to get lost or disintereste...""NIN are a hell of a band (it’s a bit more complex than that) but they can be pretty hard to get into. Trent Reznor’s style of dark, swirling thumping music is fantastic and doesn’t really have a good comparison (perhaps later Radiohead and Marilyn Manson) but it’s easy to get lost or disinterested before you get into it. The Downward Spiral is certainly the best of his albums, but the intros are almost Pink Floydian in how long and ridiculous they are. Pretty Hate Machine is much more accessible but has a dated quality; some of the effects sound a bit token and cliché and don’t really fit with what the band moved onto later.\r\nWith Teeth however is a straight forward, rocking, down and dirty album of squeaks, screams and awesome, awesome drumming. NIN perfected big echoy drums years ago, but Dave Grohl shows up to contribute his talents and the results are fantastic. “The Collector” has a powerful drum intro while “Y’know What You Are?” has some pounding thrash beats powering it forward.\r\n“Only” is as close as NIN ever got to a pop song, with a catchy beat and a beast of a hook; “There is no you there is only me!”. “The Hand That Feeds” is a good place to start too. “Right Where It Belongs” is a hauntingly slow paced moment of quite in the barrage of all mighty noise.\r\nOverall the album is a quite clear about recovering from an addiction but this being NIN this is twisted into a “is everything what it appears to be?” Matrix-esque muddle. It’s not going to shatter your brain cells or anything but it will stay in the back of your mind for quite some time.\r\nWith Teeth is a hell of an album and if you like it I strongly recommend digging up his/their other stuff as the quality is pretty consistent. Today Trent is winning Oscars for some stellar soundtracks, check out this collab with Karen O for The Girl With The Dragon Tattoo, it’s pretty damn awesome.\r\nMore recommendations at http://captainspacker.blogspot.com/"[+]Reply
"In my top 100 above all sorts of classics, blah blah blah. These songs, for the most part, are catchy as chlamydia, and even well written most of the time. There are most certainly better albums out there, but this is as sentimental a favorite as it gets for me. "Of All the Gin Joints in All the ...""In my top 100 above all sorts of classics, blah blah blah. These songs, for the most part, are catchy as chlamydia, and even well written most of the time. There are most certainly better albums out there, but this is as sentimental a favorite as it gets for me. "Of All the Gin Joints in All the World," "Champagne for Real Friends, Real Pain for Your Sham Friends," "A Little Less Sixteen Candles, a Little More 'Touch Me,'" and "XO" are all among Fall Out Boy's best songs. "[+]Reply
"This album is really good, it starts with a bang with Underdog, WDATLG? and Fast Fuse, all fantastic songs. Take Aim, Thick as Thieves, Vlad the Impaler are all pretty good too, and of course Fire is the killer track. Some weak tracks like West Ryder Silver Bullet and Secret Alphabets, but other ...""This album is really good, it starts with a bang with Underdog, WDATLG? and Fast Fuse, all fantastic songs. Take Aim, Thick as Thieves, Vlad the Impaler are all pretty good too, and of course Fire is the killer track.
Some weak tracks like West Ryder Silver Bullet and Secret Alphabets, but other than that, this album is very recommendable, nothing revolutionary (it's Kasabian, after all), but super enjoyable, which is what music is about after all"[+]Reply