Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 2 hours ago).
"I was just talking with my dad the other day about what a great album Lifes Rich Pageant is. We're of very different generations musically, and this is one of those rare points of total agreement. The song he singled out for particular praise was "The Flowers of Guatemala," and I couldn't agree m...""I was just talking with my dad the other day about what a great album Lifes Rich Pageant is. We're of very different generations musically, and this is one of those rare points of total agreement. The song he singled out for particular praise was "The Flowers of Guatemala," and I couldn't agree more; it might be the single greatest song R.E.M. ever recorded. It's a haunting political song about the horrific refugee crisis in Guatemala during the early eighties, largely a product of the Reagan administration's meddling in central American political and military affairs. The song itself is an incredibly warm and compassionate depiction of the refugees affected by this situation, with its evocative metaphor of deadly amanita mushrooms as "flowers." Pete Buck's searing guitar solo in this song gives me goosebumps even now, even after listening to this album for the thousandth time. Just a brilliant piece of work."[+]Reply
"A notch below Cosmo's for me but obviously a great American rock album. The guitar riff and drumbeat on Feelin Blue are irresistible. Some less than stellar tracks, Came out of the sky comes to mind. All in all a really solid album."Reply
"What strikes me about this album is how LISTENABLE it is. While the songs certainly qualify as prog rock, they never fall into the trap of being overly complex and challenging for the sake of it, a criticism that can be made of many of the legendary prog rock groups such as ELP or King Crimson (n...""What strikes me about this album is how LISTENABLE it is. While the songs certainly qualify as prog rock, they never fall into the trap of being overly complex and challenging for the sake of it, a criticism that can be made of many of the legendary prog rock groups such as ELP or King Crimson (not to mention later Yes).
As it is, The Yes Album is an exceptionally enjoyable album to listen to. The vocals of Jon Anderson, as well as Steve Howe and Chris Squire in harmony, are a treat to hear. The instrumentation is, of course, excellent.
The standout tracks to me are Starship Trooper and I've Seen All Good People, which expertly mix quite distinct musical sections into cohesive wholes. Both songs have beautiful openings and truly epic conclusions, with Trooper's gradual intensification and I've Seen All Good People's descending key changes being particularly hair-raising moments.
90/100"[+]Reply
"Annie Clark has delivered her masterpiece. Every song on here is excellent and the album has an overall fun, raunchy, yet beautiful vibe. Very high replay value. Outstanding. Favorite tracks: "Birth In Reverse", "Huey Newton", "Regret", "Psychopath", "Severed Crossed Fingers""Reply
"These days, Interpol are a three-piece unit. This is a reality that tends to correlate to their recent dip in critical applause. Their latest two records, El Pintor and Marauder, both feature the absence of longtime bassist Carlos Dengler. Dengler had departed Interpol due to dissension between h...""These days, Interpol are a three-piece unit. This is a reality that tends to correlate to their recent dip in critical applause. Their latest two records, El Pintor and Marauder, both feature the absence of longtime bassist Carlos Dengler. Dengler had departed Interpol due to dissension between he and the rest of the band after 2010's self-titled album was released. Despite this change leading to reformed spiritual harmony within the trio, the band lost a sizable fragment of their sonic identity. The ex-bassist's greatest contributions to Interpol come in the form of 2004's sophomore effort, Antics. The record was received favorably by the music press but (ludicrously) didn't obtain the same amount of fanfare as their debut record. Antics is punchier, bleaker and just as addictive as Turn on the Bright Lights. It exhibits an artist unburdened by a gaping hole in their lineup and a quintet feverishly relishing their collective creative prime.
Antics begins by lighting a slow-burning fuse titled Next Exit. A somber, hypnotic opener introducing the listener, reluctantly, to the forthcoming tale of social turbulence. Vocalist Paul Banks remarks, "You've been building up steam, ignited by this fight, so do this thing with me instead of tying on a tight one tonight", calling for bravery in the face of a discouraging, drug-infused descent. The fuse then greets the explosive with second track, Evil. The track is powered by Dengler's intoxicating bassline that cradles the song throughout its duration. The jovial tinge of the track is diversified by Banks' lyrics that conjure the personas of infamous British serial killers Fred and Rosemary West. Spoken from the perspective of the former, Banks chants, "Rosemary, heaven restores you in life, you're coming with me, through the aging, the fearing, the strife." Fourth track, Take You on a Cruise, serves as the centerpiece, fading in slowly like a ship through a dense fog bank. Banks himself has described this as a slight departure from the pathos of the album. He claims, "It has a different tone to the rest of the record for that reason. It’s a tacky seduction story: this guy who may be worldly and well-educated but he’s trying to get laid with a cocktail waitress." The coalescence of the rhythm section in the second half of the track is as majestic as the maritime imagery Banks' poetry frames. This conglomerate plays wonderfully aside Banks chanting, "White Goddess, red Goddess, black Temptress of the sea, you treat me right," calling upon Greek mythology. The finale serves as one of the band's most overlooked cuts. A Time to Be So Small has sonic textures that fashion an appropriate ending for the album with Banks' baritone bathed in reverb as the track floats away. Fogarino's drum hits here have such a fascinating sense of weight that they can be felt within your chest cavity. The song itself is said to be written from the point of view of a crustacean watching a family squabble between a father and son. Go figure. However, aquatic anomaly aside, the lyrics convey a more sinister coloring. The LP ends with Banks proclaiming, "When the cadaverous mob saves its doors for the dead men, you cannot leave," sharpening the threat of death at sea.
Unfortunately for the immensely gifted ensemble, Antics would serve as the band's final full-length classic. Here, the synthesis of emotional tonnage into harmonious elixir is strikingly effortless. Interpol would go on to produce four more above-average, but never legendary albums. As conversed earlier, a portion of it spawned from the crater left by their skillful bass player, but this came long after they'd pumped out their fourth outing. Others would potentially point out that the fracture left behind from the infighting did more damage to the psyche of the band rather than the group's sonic capabilities. Whatever it was, Interpol would never reach these heights again but with that said, not many artists have. A very small sector of the music-making landscape could brandish not one, but two classics to start a recording career. Interpol swam in the deepest of waters with the most fearsome of fauna and emerged remarkably relevant and intact. They've climbed back into their luxury liner with two first-class albums shoveling coal into their furnaces. Interpol has earned the right to go at their own pace now and anything they serve us in the future is a much obliged bonus. The timid, sharply dressed boys from the big city have nothing more to prove.
"If time is my vessel, then learning to love
Might be my way back to sea
The flying, the metal, the turning above
These are just ways to be seen"
-Public Pervert
Standout Tracks:
1. Take You on a Cruise
2. A Time to Be So Small
3. C'mere
95
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"These guys are crazy awesome. The way Omar Rodríguez-López writes and thinks is very reminiscent of Robert Fripp/King Crimson, but the music comes at you full force like Bad Brains or Fugazi. De-Loused in the Comatorium might be their most accomplished and realized work, though I do go back and f...""These guys are crazy awesome. The way Omar Rodríguez-López writes and thinks is very reminiscent of Robert Fripp/King Crimson, but the music comes at you full force like Bad Brains or Fugazi. De-Loused in the Comatorium might be their most accomplished and realized work, though I do go back and forth between this one and their next, Frances the Mute. Definitely give it a listen."[+]Reply
"Pretty Hate Machine is Nine Inch Nail's first album, and it is awesome. Much dancier than any other NIN record, Pretty Hate Machine mixes synthpop with the industrial influences that would dominate the rest of his work. However, this album is not lacking in humanity, but incorporates it in the ly...""Pretty Hate Machine is Nine Inch Nail's first album, and it is awesome. Much dancier than any other NIN record, Pretty Hate Machine mixes synthpop with the industrial influences that would dominate the rest of his work. However, this album is not lacking in humanity, but incorporates it in the lyrics seamlessly with the industrial dance music beneath. "Head Like A Hole" is a classic, but the song that best showed Trent's potential is "Something I Could Never Have". An excellent album, and even though his subsequent releases wouldn't adapt this same sound, I think it's an incredible debut."[+]Reply
"In the future filmakers who make war movies are totally going to use these songs for their soundtracks. Haunting, rough, and downright scary, this is definitely the best art rock album to emerge from 2012."Reply