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491.

Freak Out! 

 The Mothers Of Invention

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"This is a brilliant commentary on society in the 60's that is still extremely relevant to this day with the consumerism we have present in modern society. It is also a genius parody of the music in the 60's but also a demonstration of how it could be made to a higher musical quality if artists st...""This is a brilliant commentary on society in the 60's that is still extremely relevant to this day with the consumerism we have present in modern society. It is also a genius parody of the music in the 60's but also a demonstration of how it could be made to a higher musical quality if artists strived towards making better sounds rather than just catchy songs that get people hooked on so they would sell. This satire from Zappa is best demonstrated on songs like Wowie Zowie, Anyway The Wind Blows and Go Cry On Somebody Else's Shoulder. Zappa then goes completely against what people wanted and made creative sound collages which utilised his raw sound and formed some songs that on first listen are not enjoyable for us to hear at all. However, through the use of his orchestral arrangements and instrumental diversity the quality and depth of the sound shines through after a few listens as you start to see how complex and rich his sound is. You start to appreciate the musicianship on show and admire how self aware and intellectual the release is. The lyrics the whole way through are fantastic as well and I can see why they might not appeal to some people but for me they work perfectly and I love the commentary Zappa gives. Also, I would like to give a special mention to the protest song Trouble Every Day which is a personal highlight for me. Overall, this is a genius record that has something to say that is still relevant to this very day and does it in a musically rich and grand fashion and I think this record deserves more recognition and praise than it gets. "  [+]  Reply

- Untitled | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1966

Appears in:

585 charts

Rank Score:

3,492

Rank in 1966:

6

Rank in 1960s:

62

Overall Rank:

491

Average Rating:

 80 (742 votes)

Comments:

44

492.

For Your Pleasure 

 Roxy Music

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"Glam-art-rockers were up and coming, full of talent, and sure of it. FYP feels a little too self-consciously charismatic to provide the effortlessly classy pop they became known for, but is interesting enough to fool around with from time to time."  Reply

- swhaze | Helpful?  (Log in to vote) | +6 votes (7 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1973

Appears in:

536 charts

Rank Score:

3,491

Rank in 1973:

12

Rank in 1970s:

110

Overall Rank:

492

Average Rating:

 80 (671 votes)

Comments:

29

493.

Antics 

 Interpol

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"These days, Interpol are a three-piece unit. This is a reality that tends to correlate to their recent dip in critical applause. Their latest two records, El Pintor and Marauder, both feature the absence of longtime bassist Carlos Dengler. Dengler had departed Interpol due to dissension between h...""These days, Interpol are a three-piece unit. This is a reality that tends to correlate to their recent dip in critical applause. Their latest two records, El Pintor and Marauder, both feature the absence of longtime bassist Carlos Dengler. Dengler had departed Interpol due to dissension between he and the rest of the band after 2010's self-titled album was released. Despite this change leading to reformed spiritual harmony within the trio, the band lost a sizable fragment of their sonic identity. The ex-bassist's greatest contributions to Interpol come in the form of 2004's sophomore effort, Antics. The record was received favorably by the music press but (ludicrously) didn't obtain the same amount of fanfare as their debut record. Antics is punchier, bleaker and just as addictive as Turn on the Bright Lights. It exhibits an artist unburdened by a gaping hole in their lineup and a quintet feverishly relishing their collective creative prime. Antics begins by lighting a slow-burning fuse titled Next Exit. A somber, hypnotic opener introducing the listener, reluctantly, to the forthcoming tale of social turbulence. Vocalist Paul Banks remarks, "You've been building up steam, ignited by this fight, so do this thing with me instead of tying on a tight one tonight", calling for bravery in the face of a discouraging, drug-infused descent. The fuse then greets the explosive with second track, Evil. The track is powered by Dengler's intoxicating bassline that cradles the song throughout its duration. The jovial tinge of the track is diversified by Banks' lyrics that conjure the personas of infamous British serial killers Fred and Rosemary West. Spoken from the perspective of the former, Banks chants, "Rosemary, heaven restores you in life, you're coming with me, through the aging, the fearing, the strife." Fourth track, Take You on a Cruise, serves as the centerpiece, fading in slowly like a ship through a dense fog bank. Banks himself has described this as a slight departure from the pathos of the album. He claims, "It has a different tone to the rest of the record for that reason. It’s a tacky seduction story: this guy who may be worldly and well-educated but he’s trying to get laid with a cocktail waitress." The coalescence of the rhythm section in the second half of the track is as majestic as the maritime imagery Banks' poetry frames. This conglomerate plays wonderfully aside Banks chanting, "White Goddess, red Goddess, black Temptress of the sea, you treat me right," calling upon Greek mythology. The finale serves as one of the band's most overlooked cuts. A Time to Be So Small has sonic textures that fashion an appropriate ending for the album with Banks' baritone bathed in reverb as the track floats away. Fogarino's drum hits here have such a fascinating sense of weight that they can be felt within your chest cavity. The song itself is said to be written from the point of view of a crustacean watching a family squabble between a father and son. Go figure. However, aquatic anomaly aside, the lyrics convey a more sinister coloring. The LP ends with Banks proclaiming, "When the cadaverous mob saves its doors for the dead men, you cannot leave," sharpening the threat of death at sea. Unfortunately for the immensely gifted ensemble, Antics would serve as the band's final full-length classic. Here, the synthesis of emotional tonnage into harmonious elixir is strikingly effortless. Interpol would go on to produce four more above-average, but never legendary albums. As conversed earlier, a portion of it spawned from the crater left by their skillful bass player, but this came long after they'd pumped out their fourth outing. Others would potentially point out that the fracture left behind from the infighting did more damage to the psyche of the band rather than the group's sonic capabilities. Whatever it was, Interpol would never reach these heights again but with that said, not many artists have. A very small sector of the music-making landscape could brandish not one, but two classics to start a recording career. Interpol swam in the deepest of waters with the most fearsome of fauna and emerged remarkably relevant and intact. They've climbed back into their luxury liner with two first-class albums shoveling coal into their furnaces. Interpol has earned the right to go at their own pace now and anything they serve us in the future is a much obliged bonus. The timid, sharply dressed boys from the big city have nothing more to prove. "If time is my vessel, then learning to love Might be my way back to sea The flying, the metal, the turning above These are just ways to be seen" -Public Pervert Standout Tracks: 1. Take You on a Cruise 2. A Time to Be So Small 3. C'mere 95 "  [+]  Reply

- DriftingOrpheus | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2004

Appears in:

517 charts

Rank Score:

3,486

Rank in 2004:

8

Rank in 2000s:

80

Overall Rank:

493

Average Rating:

 79 (767 votes)

Comments:

38

494.

Piñata 

 Freddie Gibbs & Madlib

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"One of my favorite producers, Madlib, and one of the best gangsta rappers of his generation, Freddie Gibbs, collaborate on one of the best old school albums of the decade. We agree, "Piñata" does not represent a revolution in rap, we can even call this album nostalgic. Nostalgic of the time when ...""One of my favorite producers, Madlib, and one of the best gangsta rappers of his generation, Freddie Gibbs, collaborate on one of the best old school albums of the decade. We agree, "Piñata" does not represent a revolution in rap, we can even call this album nostalgic. Nostalgic of the time when we wore a pair of Jordans, where we did not have a cell phone and where Biggie was alive. But "Piñata" remains a very successful record, both in terms of production and performance of Freddie Gibbs. The duo works very well, even if listening to Piñata does not manage to forget the association of Madlib with DOOM on "Madvillainy", or Jaylib and his "Champion Sound". This album is perfect for fans of Madlib (like me) who will have the opportunity to put in the mouth of all new beats of the Loopdigga, but it will also satisfy listeners looking for a gangsta rap quality. As Gibbs himself says in opening of "Thuggin": "Niggas be like" Fred, you're not never lied ", Fuck the rap shit my gangsta been solidified, Still do my business on the side".   9/10 Best track: "Deeper" "  [+]  Reply

- Kurtco | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

438 charts

Rank Score:

3,479

Rank in 2014:

6

Rank in 2010s:

67

Overall Rank:

494

Average Rating:

 80 (498 votes)

Comments:

37

495.

Lifes Rich Pageant 

 R.E.M.

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"I was just talking with my dad the other day about what a great album Lifes Rich Pageant is. We're of very different generations musically, and this is one of those rare points of total agreement. The song he singled out for particular praise was "The Flowers of Guatemala," and I couldn't agree m...""I was just talking with my dad the other day about what a great album Lifes Rich Pageant is. We're of very different generations musically, and this is one of those rare points of total agreement. The song he singled out for particular praise was "The Flowers of Guatemala," and I couldn't agree more; it might be the single greatest song R.E.M. ever recorded. It's a haunting political song about the horrific refugee crisis in Guatemala during the early eighties, largely a product of the Reagan administration's meddling in central American political and military affairs. The song itself is an incredibly warm and compassionate depiction of the refugees affected by this situation, with its evocative metaphor of deadly amanita mushrooms as "flowers." Pete Buck's searing guitar solo in this song gives me goosebumps even now, even after listening to this album for the thousandth time. Just a brilliant piece of work."  [+]  Reply

- buzzdainer | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1986

Appears in:

525 charts

Rank Score:

3,476

Rank in 1986:

8

Rank in 1980s:

74

Overall Rank:

495

Average Rating:

 80 (769 votes)

Comments:

47

496.

Willy And The Poor Boys 

 Creedence Clearwater Revival

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"A notch below Cosmo's for me but obviously a great American rock album. The guitar riff and drumbeat on Feelin Blue are irresistible. Some less than stellar tracks, Came out of the sky comes to mind. All in all a really solid album."  Reply

- jmo32087 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1969

Appears in:

537 charts

Rank Score:

3,464

Rank in 1969:

19

Rank in 1960s:

63

Overall Rank:

496

Average Rating:

 82 (624 votes)

Comments:

25

497.

Pretty Hate Machine 

 Nine Inch Nails

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"Pretty Hate Machine is Nine Inch Nail's first album, and it is awesome. Much dancier than any other NIN record, Pretty Hate Machine mixes synthpop with the industrial influences that would dominate the rest of his work. However, this album is not lacking in humanity, but incorporates it in the ly...""Pretty Hate Machine is Nine Inch Nail's first album, and it is awesome. Much dancier than any other NIN record, Pretty Hate Machine mixes synthpop with the industrial influences that would dominate the rest of his work. However, this album is not lacking in humanity, but incorporates it in the lyrics seamlessly with the industrial dance music beneath. "Head Like A Hole" is a classic, but the song that best showed Trent's potential is "Something I Could Never Have". An excellent album, and even though his subsequent releases wouldn't adapt this same sound, I think it's an incredible debut."  [+]  Reply

- souplipton | Helpful?  (Log in to vote) | +10 votes (10 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1989

Appears in:

501 charts

Rank Score:

3,457

Rank in 1989:

8

Rank in 1980s:

75

Overall Rank:

497

Average Rating:

 79 (715 votes)

Comments:

45

498.

St. Vincent 

 St. Vincent

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"Annie Clark has delivered her masterpiece. Every song on here is excellent and the album has an overall fun, raunchy, yet beautiful vibe. Very high replay value. Outstanding. Favorite tracks: "Birth In Reverse", "Huey Newton", "Regret", "Psychopath", "Severed Crossed Fingers""  Reply

- iamthewalrus | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

577 charts

Rank Score:

3,455

Rank in 2014:

7

Rank in 2010s:

68

Overall Rank:

498

Average Rating:

 79 (803 votes)

Comments:

60

499.

The Seer 

 Swans

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"In the future filmakers who make war movies are totally going to use these songs for their soundtracks. Haunting, rough, and downright scary, this is definitely the best art rock album to emerge from 2012."  Reply

- VanillaBean | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2012

Appears in:

494 charts

Rank Score:

3,454

Rank in 2012:

9

Rank in 2010s:

69

Overall Rank:

499

Average Rating:

 81 (666 votes)

Comments:

47

500.

The Yes Album 

 Yes

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"What strikes me about this album is how LISTENABLE it is. While the songs certainly qualify as prog rock, they never fall into the trap of being overly complex and challenging for the sake of it, a criticism that can be made of many of the legendary prog rock groups such as ELP or King Crimson (n...""What strikes me about this album is how LISTENABLE it is. While the songs certainly qualify as prog rock, they never fall into the trap of being overly complex and challenging for the sake of it, a criticism that can be made of many of the legendary prog rock groups such as ELP or King Crimson (not to mention later Yes). As it is, The Yes Album is an exceptionally enjoyable album to listen to. The vocals of Jon Anderson, as well as Steve Howe and Chris Squire in harmony, are a treat to hear. The instrumentation is, of course, excellent. The standout tracks to me are Starship Trooper and I've Seen All Good People, which expertly mix quite distinct musical sections into cohesive wholes. Both songs have beautiful openings and truly epic conclusions, with Trooper's gradual intensification and I've Seen All Good People's descending key changes being particularly hair-raising moments. 90/100"  [+]  Reply

- Caesar01 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

506 charts

Rank Score:

3,447

Rank in 1971:

21

Rank in 1970s:

111

Overall Rank:

500

Average Rating:

 82 (721 votes)

Comments:

49

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Total albums: 10,000. Page 50 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	35	0%
1950s	303	3%
1960s	709	7%
1970s	1,426	14%
1980s	1,409	14%
1990s	1,600	16%
2000s	1,743	17%
2010s	1,950	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,013	50%
	2,652	27%
	430	4%
	335	3%
	219	2%
	157	2%
	133	1%
Show all

Compilation?	Albums	%
No	9,728	97%
Yes	272	3%

Live?	Albums	%
No	9,738	97%
Yes	262	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%