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851.

Some Rap Songs 

 Earl Sweatshirt

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"First impressions: 1.Really like how all over the place the album is it feels like little fragments of Earl's psyche. 2. Instrumentals are extremely unique. 3. Earl continues to have one of the most assured flows of any rapper of his generation. 4. It is the perfect length based on how short the ...""First impressions: 1.Really like how all over the place the album is it feels like little fragments of Earl's psyche. 2. Instrumentals are extremely unique. 3. Earl continues to have one of the most assured flows of any rapper of his generation. 4. It is the perfect length based on how short the tracks are. The songs are pretty dreary. If the length got to be any longer it would risk losing it's unique fleeting impact. I am going straight back to relisten to the album. Great job Earl! "  [+]  Reply

- DJENNY | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2018

Appears in:

316 charts

Rank Score:

2,047

Rank in 2018:

11

Rank in 2010s:

119

Overall Rank:

851

Average Rating:

 78 (393 votes)

Comments:

31

852.

Dare 

 The Human League

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"I believe that the relatively low score of 73 for this album reflects the number of purists or 'rockers' - or whatever you want to call them - who want to immediately attack it because it's heavily based on the synthesizer. Or, they know only the hit song and can't appreciate it (see comment rega...""I believe that the relatively low score of 73 for this album reflects the number of purists or 'rockers' - or whatever you want to call them - who want to immediately attack it because it's heavily based on the synthesizer. Or, they know only the hit song and can't appreciate it (see comment regarding 'worst single ever'). Make no mistake, it is a great single: fantastic hook, well-constructed, wonderfully produced. The album is actually a lot more forward-looking than its slightly dated synth makes it sound. A very good album, almost a great one."  [+]  Reply

- ninecurses | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1981

Appears in:

415 charts

Rank Score:

2,046

Rank in 1981:

9

Rank in 1980s:

131

Overall Rank:

852

Average Rating:

 75 (474 votes)

Comments:

35

853.

Untitled Unmastered. 

 Kendrick Lamar

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"Kendrick just keeps solidifying his greatness. I'm convinced when his career is all said and done he will be widely considered the greatest hip-hop artist to ever walk on the planet."  Reply

- travelful | Helpful?  (Log in to vote) | +18 votes (18 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2016

Appears in:

413 charts

Rank Score:

2,043

Rank in 2016:

15

Rank in 2010s:

120

Overall Rank:

853

Average Rating:

 80 (859 votes)

Comments:

52

854.

The Good Son 

 Nick Cave & The Bad Seeds

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"This was the most accessible Nick Cave album to date when it was released in 1990. It's still a dark record, but the music is now approaching a beauty you certainly wouldn't have expected a few years before. Opener, foi na cruz, is lovely, as is, the weeping song. The most beautiful track though ...""This was the most accessible Nick Cave album to date when it was released in 1990. It's still a dark record, but the music is now approaching a beauty you certainly wouldn't have expected a few years before. Opener, foi na cruz, is lovely, as is, the weeping song. The most beautiful track though is the brilliant, the ship song, one of Cave's greatest ballads. There's no weak songs here, and, Lucy, is a great closing track. It's amazing how Nick Cave can effortlessly move from one extreme to another, from, the tender prey, to this. A true genius, one of the greatest songwriters ever. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +9 votes (9 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1990

Appears in:

300 charts

Rank Score:

2,040

Rank in 1990:

11

Rank in 1990s:

150

Overall Rank:

854

Average Rating:

 79 (406 votes)

Comments:

15

855.

After Hours 

 The Weeknd

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"These songs are gorgeously produced and this album is insanely listenable, but this man is a goddamned clown. Here's a verse on the album that I may have made up, but still feels less outrageous than most of what is on this record. I'm filled with so much sadness And all these hoes are filled wit...""These songs are gorgeously produced and this album is insanely listenable, but this man is a goddamned clown. Here's a verse on the album that I may have made up, but still feels less outrageous than most of what is on this record. I'm filled with so much sadness And all these hoes are filled with as much of my dick as I am with sadness And I should stop having sex, because it makes me sad But with all these tears and all this pussy, I can't stop getting it wet"  [+]  Reply

- HoldenM | Helpful?  (Log in to vote) | +10 votes (10 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2020

Appears in:

312 charts

Rank Score:

2,036

Rank in 2020:

8

Rank in 2020s:

23

Overall Rank:

855

Average Rating:

 74 (453 votes)

Comments:

25

856.

Richard D. James Album 

 Aphex Twin

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"If you have a heart condition and listen to this, you will die. But on the positive side, you will probably have fun doing it. It's like an episode of Teletubbies written by a sex offender, and edited on crack."  Reply

- SquishypuffDave | Helpful?  (Log in to vote) | +13 votes (13 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1996

Appears in:

348 charts

Rank Score:

2,034

Rank in 1996:

14

Rank in 1990s:

151

Overall Rank:

856

Average Rating:

 79 (517 votes)

Comments:

27

857.

New Adventures In Hi-Fi 

 R.E.M.

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"REM's excellent follow up to monster. New adventures in hi-fi, was recorded during the band's world tour of 1995/96, and features songs recorded live, at soundchecks, and in various recording studios. The album opens deceptively with, how the west was won and where it got us, which probably would...""REM's excellent follow up to monster. New adventures in hi-fi, was recorded during the band's world tour of 1995/96, and features songs recorded live, at soundchecks, and in various recording studios. The album opens deceptively with, how the west was won and where it got us, which probably wouldn't have sounded out of place on their next release, up. It's with the second track, wake up bomb, where the album starts to reveal it's true identity, it's a barnstorming rocker, similar to the sound on, monster. Other tracks along these lines are, undertow, Binky the doormat, and the excellent, so fast, so numb. Through this rock'n'roll haze, are some of REM's loveliest moments. Be mine, is good, but, electrolite, and, new test leper, are superb, arguably the best two songs on the album. Other standouts are the epic, leave, and the stoned drone of e-bow,the letter. There are a few throaways, departure, and, low desert, are hardly essential REM, but they're ok. This would be their last album with drummer Bill Berry, and would never quite be the same band again. Still, a brilliant record, one of their best. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1996

Appears in:

367 charts

Rank Score:

2,031

Rank in 1996:

15

Rank in 1990s:

152

Overall Rank:

857

Average Rating:

 77 (614 votes)

Comments:

38

858.

The Beach Boys Today! 

 The Beach Boys

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"There's three distinct periods in the Beach Boys career. Pre, post and Pet Sounds. This album is the culmination of the pre-Pet Sounds era. When Brian was still writing songs about girls, being a teenager, cars and girls. Before he scraps the drums, bass, guitar surf music style he releases what ...""There's three distinct periods in the Beach Boys career. Pre, post and Pet Sounds. This album is the culmination of the pre-Pet Sounds era. When Brian was still writing songs about girls, being a teenager, cars and girls. Before he scraps the drums, bass, guitar surf music style he releases what can be argued to be their best album. If, by some unknown reason you find Pet Sounds boring (only because I read the reviews in this site) then this album is important to know where Brian was coming from. This is the album of songs Mike Love was referring to when he told Brian he was f*cking with the formula when he first heard Pet Sounds. But Brian was moving past the beach, cars and girls topics and stretching the sound...especially in "Kiss Me Baby" "She Knows Me Too Well". Wonderful!"  [+]  Reply

- daftpunter | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1965

Appears in:

401 charts

Rank Score:

2,025

Rank in 1965:

9

Rank in 1960s:

94

Overall Rank:

858

Average Rating:

 78 (579 votes)

Comments:

39

859.

John Wesley Harding 

 Bob Dylan

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"It's funny that most of the comments here allude to this being below par for Bob, and not on the same level as some of his other recordings. Personally I think that's absolute hogwash - this is Dylan at his very best; Dylan the mythologiser, Dylan the storyteller, Dylan the philosopher. Beginning...""It's funny that most of the comments here allude to this being below par for Bob, and not on the same level as some of his other recordings. Personally I think that's absolute hogwash - this is Dylan at his very best; Dylan the mythologiser, Dylan the storyteller, Dylan the philosopher. Beginning with the opener and title track, Dylan weaves a series of telling tales about his life and his career as told through the point of view of others. The title track is no more about John Wesley Hardin than it is about Dylan the protest-singer, or at least the one which the media chose to portray. It may seem like a simple tale of a Robin Hood-esque noble outlaw, but the song itself acts as a metaphor for Dylan's own exploits, or at least some exaggerated version of them as dreamed up by those raving, quasi-religious "followers" he was so reluctant to acknowledge in the first place. In the final verse he appears to switch to something more accurate, at least in terms of his opinion of himself and the way he could confound expectations and hopes others had of him ("no charge held against him could they prove"). And why, of all people, choose John Wesley Hardin anyway? The man was apparently so mean that he once killed a man for snoring (though this probably didn't actually happen), so why choose his name for a tale about a noble outlaw? My opinion is that Dylan chose Hardin for his reputation as a self-mythologiser, a man who would wilfully embellish his stories in order to make them more exciting, just as Dylan has been wont to do. (Anybody who seriously believes Chronicles to be a work of accurate autobiography needs their head checked.) Dylan even looks like a noble outlaw on the cover, enhancing the idea that he sees himself as Hardin, or at least the Harding of this song and this album. What people often dismiss as a series of cute folk tales and ditties, ones which I've been told pale in comparison to his apparently more focused and passionate paeans to love or justice, are arguably his most personal (or, perhaps more accurately, his most self-referencing) works, those in which he puts himself smack bang in the middle of the story, even as somebody else entirely. And we see this happen throughout the record. Dylan is the lonesome hobo who has served his time for everything except begging on the street (or is he? Would he really admit to not trusting his brother?), who in turn is the accused drifter. He is both the joker (whose wine is drunk by businessmen and whose earth is dug by ploughmen, without gratitude or recognition of his worth) and the thief (who understands that life is but a joke). Whilst he is defiant in the face of accusations (he is no martyr), he feels the pressure of expectation, the guilt that perhaps he played along and performed his role, even going so far as to bowing his head and crying in the (imagined) presence of St. Augustine (who wasn't, in fact, martyred - perhaps more mythologising on Dylan's part). Perhaps the album's two most striking moments, the parable 'The Ballad of Frankie Lee and Judas Priest' and the piano-driven 'Dear Landlord', appear to be about Dylan's relationship with his management. Judas Priest tries to force Frankie to accept his offer "before (it) all disappears"; Frankie, in his attempts to join Judas in his beautiful home, dies of thirst. Did Dylan sell his soul? Is that what he's admitting to? Or is it just a precursory warning about the trappings of fame, about mistaking paradise for that home across the road? But later, on 'Dear Landlord' (frequently thought to refer to God, but that reading doesn't wash with me, it seems far too confrontational for that), he warns that he's "not about to move to no other place". Perhaps he likes the home after all. "If you don't underestimate me", he states to the Landlord, "I won't underestimate you" - perhaps a grudging respect, or just a necessary compromise. Not all of the album's songs are so dense with cryptic tales and biblical imagery (in fact, on first inspection, not many of them seem remotely cryptic at all, but that's another story). Album closer 'I'll Be Your Baby Tonight' is a simple love song, much more in line with the stuff he'd record on Nashville Skyline, often regarded as this album's sister. That may be true musically (both definitely take their cues from roots and country music), but thematically the two couldn't be more different. Here we have Dylan the shapeshifter, the defiant myth-buster, the mischievous myth-maker, whereas on Nashville Skyline we see Dylan the hopeless romantic. And the music here is much more sparse, darker, naked. On Nashville Skyline there's a certain decadence musically, Dylan basking in the Nashville sound, with all its twangs and rhinestones. Here Dylan lays his soul bare, over fittingly austere accompaniments, often nothing more than a few shuffling guitar chords. Where The Band - whose Music from Big Pink I see as more of a sister album to John Wesley Harding than anything else - used roots music as something expansive and out-of-time (sounding at once centuries old and yet of the present, as though it has no time of reference at all, the musical equivalent of a tree that stands for hundreds of years), Dylan here uses roots music as something small and insular, music to share stories around the campfire to. Which is, essentially, what this album is. It's Dylan sharing his stories around the campfire, his fears and his guilt, and his pride in forever confounding expectation. This is Dylan the man, and Dylan the myth. This is Dylan the honest, sharing his thoughts as nakedly as he ever would, so long as you're willing to dig a little. Or maybe - just maybe - this is Dylan the deceiver, singing simple folk tales for his followers to dig into forever more, in futile search of some deeper meaning that simply isn't there. Maybe - just maybe - I've been duped, and this album does, in fact, pale in comparison to his earlier works. And maybe - just maybe - the little neighbour boy was right; "nothing is revealed"."  [+]  Reply

- Skinny | Helpful?  (Log in to vote) | +14 votes (15 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1967

Appears in:

483 charts

Rank Score:

2,023

Rank in 1967:

19

Rank in 1960s:

95

Overall Rank:

859

Average Rating:

 78 (779 votes)

Comments:

36

860.

The Köln Concert 
Live

 Keith Jarrett

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"my first foray into the world of the piano solo. What an introduction !!"  Reply

- andyw110183 | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1975

Appears in:

271 charts

Rank Score:

2,022

Rank in 1975:

13

Rank in 1970s:

179

Overall Rank:

860

Average Rating:

 81 (286 votes)

Comments:

9

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Total albums: 10,000. Page 86 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	35	0%
1950s	302	3%
1960s	708	7%
1970s	1,426	14%
1980s	1,414	14%
1990s	1,601	16%
2000s	1,729	17%
2010s	1,958	20%
2020s	825	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,008	50%
	2,657	27%
	430	4%
	335	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%