XO
by Elliott Smith

From VictorVale 06/16/2023 23:16 | #297646

Genial!

A brilliant demonstration of Elliott Smith's musicianship and lyricism that only adds to the already deep discography of quality albums. Smith once again has written a masterclass with this album with every song being full of depth and character. It is well worth reading the lyrics alongside listening to this release as then you can get a true experience and understand better what he was saying. The music itself is brilliant as well with it being full of depth and diverse instrumentation. Smith himself demonstrates his talents on a huge array of instruments on this record with each of them only adding to the intrigue and excitement of the sound he has created. The production is simply amazing also and really improves the experience for the listener. Overall, another consistent and elite level album from Elliott Smith that is so enjoyable to listen to.

From Jboy56 04/19/2022 06:38 | #284386

Extra prima good...

From teague 09/28/2021 18:52 | #274339

Elliott Smith trades in the intimate lo-fi indie offerings for some baroque pop influenced Nick Drake type ballads. It loses a lot of its charm from Either/Or, but it really shows how great Smith was at songwriting.

From Brad1770 11/21/2019 01:10 | #245040

August 6th 2019 would have been Elliott Smiths 50th birthday and to acknowledge this milestone a deluxe edition has been released featuring the original album plus 9 additional tracks from around that period

Personal favourites include a very early version of "Bottle Up & Explode" , "Some Song" and finally the true and correct "Miss Misery" track is available separate to the 'Good Will Hunting Soundtrack' for the very first time

For fans of the artist and in particular this album this deluxe edition is a must

From Brad1770 02/22/2019 02:27 | #232322 | TOP COMMENT Vote up your preferred comments and the comments with the most votes will be flagged.

To fully appreciate and understand 'XO' context is really important

The 'XO' journey really begins the year prior in 1997 with Smiths break through release 'Either/Or'as well as his appearance on the Good Will Hunting Soundtrack ("Miss Misery") and with their release the genie was out of the bottle - Smith was suddenly huge outside of the Portland area. Clearly the shy and reserved Smith struggled with his new found notoriety as his drinking , drug use and depression spiralled out of controlled around this same time , eventually friends and family would perform an intervention in Chicago resulting in Smith departing Portland and relocating to Brooklyn New York. Much of 'XO' was written around this tumultuous time in Smiths life

Fast forward to 1998 and much the much of the angst Smith was feeling the year prior comes pouring out on 'XO' most notably in "Everybody Cares Everybody Understands" questioning the wisdom of the intervention and pretty much asking everyone to leave him the fuck alone , whilst "Waltz 2" (Lyrics: " XO, mom / It's ok, it's alright, nothing's wrong/Tell mr. man with impossible plans to just leave me alone" ) explores similar themes

The title of 'XO' says it all - it's X (kiss ) O (Hug) , see ya later , all the best no hard feelings

'XO' is Smiths most accomplished work and is a diary of an artist struggling with fame and fraying apart at the seems seemingly into the abyss

Its an often over used term but 'XO' isn't just Smith's masterpiece but it's a master class in song writing by a generational artist

'I'm never gonna know you now, but I'm gonna love you anyhow'

Tasked with quickly following up his burst to the mainstream after signing with DreamWorks, Smith didn't crumble to either the pressure or money. If Either/Or is balanced and melodic, this must be… I don't know. Perfection. From another universe. The abrupt explosion of “Sweet Adeline” followed by the typical acoustic ballad of “Tomorrow Tomorrow” and then the consecutive run of masterpieces from “Waltz #2 (XO)” to “Waltz #1” is just mind-blowing. Breathtaking. A miniscule dip in quality on “Amity” doesn't necessarily throw off the record, and it just keeps marching on confidently to the heartbreaking conclusion of “I Didn't Understand”. The production is all over the place, but this time the greater variety of colors and tones adds distinct power and each song is placed in the perfect spot on the tracklist.
Favorites: “Waltz #2 (XO)”, “Baby Britain”, “Pitseleh”, “Sweet Adeline”, “Independence Day”, “Bled White”, “Tomorrow Tomorrow”, “Bottle Up and Explode!”, "Waltz #1"

From the first time I heard this record, it really resonated with me. The song writing is great, as usual with Smith, and the production enhances the sound. Waltz #2 is possibly my favorite song of all time.

Elliot Smith will forever be a cult figure. Like most rock post 1995, wouldn't have received a lot more attention if he was making music in an earlier era such as the 1970's. I think this is his finest album and Waltz #5 his finest song.

This improves from Either/Or in terms of production, however the songs themselves, that's a major debate. I love both of them and I can't decide which one I prefer. Really taking a liking to Elliott's music...