My Overall Chart: 1601-1700
by 
Romanelli 
- Chart updated: 39 hours ago
- (Created: 02/10/2024 23:38).
- Chart size: 100 albums.
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[First added to this chart: 09/03/2025]
Year of Release:
1993
Appears in:
Rank Score:
471
Rank in 1993:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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1970 – ELEKTRA
Produced By PAUL A ROTHCHILD
1. House Announcer
2. Who Do You Love
3. Alabama Song
4. Backdoor Man
5. Love Hides
6. Five To One
7. Build Me A Woman
8. When The Music’s Over
9. Close To You
10. Universal Mind
11. Petition: The Lord With Prayer
12. Dead Cats, Dead Rats
13. Break On Through #2
14. Lions In The Street
15. Wake Up
16. A Little Game
17. The Hill Dwellers
18. Not To Touch The Earth
19. Names Of The Kingdom
20. The Palace Of Exile
21. Soul Kitchen
Absolutely Live is the only live album released by The Doors during the lifetime of Jim Morrison, and the only one to come out during the active career of the band. It came out in 1970, between the albums Morrison Hotel and L.A. Woman. There are some real positives here. Absolutely Live showcases the instrumental abilities of guitarist Robby Krieger and keyboardist Ray Manzarek, and it features a handful of songs not on their studio albums. It also includes the full performance of “Celebration Of The Lizard” (tracks 14 through 20). And there are spots where Morrison sounds great. But there are also places where he sounds like he couldn’t care less about what was going around him. And, of course, as goes Morrison, so go The Doors.
Producer Paul Rothchild has said that there are around 2000 edits on this album. He would have to sometimes piece together one song from multiple shows because he couldn’t get complete takes that were solid enough. The idea was to get the ultimate Doors live experience, but that doesn’t seem to be what they honestly got. Truth is, Absolutely Live is at it’s best when Morrison isn’t singing…or talking, or screaming (the lead vocal on “Close To You” is actually by Manzarek). “When The Music’s Over” is the high point, with Morrison interacting with the crowd perfectly and the band in a complete frenzy. Absolutely Live is, ultimately, a hit and miss affair. Great one moment, flat the next. It’s a live rollercoaster, interesting and important because of who it is. Not their best work, but worth at least a listen. [First added to this chart: 02/07/2025]
Produced By PAUL A ROTHCHILD
1. House Announcer
2. Who Do You Love
3. Alabama Song
4. Backdoor Man
5. Love Hides
6. Five To One
7. Build Me A Woman
8. When The Music’s Over
9. Close To You
10. Universal Mind
11. Petition: The Lord With Prayer
12. Dead Cats, Dead Rats
13. Break On Through #2
14. Lions In The Street
15. Wake Up
16. A Little Game
17. The Hill Dwellers
18. Not To Touch The Earth
19. Names Of The Kingdom
20. The Palace Of Exile
21. Soul Kitchen
Absolutely Live is the only live album released by The Doors during the lifetime of Jim Morrison, and the only one to come out during the active career of the band. It came out in 1970, between the albums Morrison Hotel and L.A. Woman. There are some real positives here. Absolutely Live showcases the instrumental abilities of guitarist Robby Krieger and keyboardist Ray Manzarek, and it features a handful of songs not on their studio albums. It also includes the full performance of “Celebration Of The Lizard” (tracks 14 through 20). And there are spots where Morrison sounds great. But there are also places where he sounds like he couldn’t care less about what was going around him. And, of course, as goes Morrison, so go The Doors.
Producer Paul Rothchild has said that there are around 2000 edits on this album. He would have to sometimes piece together one song from multiple shows because he couldn’t get complete takes that were solid enough. The idea was to get the ultimate Doors live experience, but that doesn’t seem to be what they honestly got. Truth is, Absolutely Live is at it’s best when Morrison isn’t singing…or talking, or screaming (the lead vocal on “Close To You” is actually by Manzarek). “When The Music’s Over” is the high point, with Morrison interacting with the crowd perfectly and the band in a complete frenzy. Absolutely Live is, ultimately, a hit and miss affair. Great one moment, flat the next. It’s a live rollercoaster, interesting and important because of who it is. Not their best work, but worth at least a listen. [First added to this chart: 02/07/2025]
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2008 – FINE FEATHERED MUSIC
No Production Credit
1. Kittery Tide
2. This Is Me
3. Hey Rose
4. Tuning And Drinking
5. Everything’s Easy
6. Introductions
7. Speechless
8. Cannons
9. All Through The Night
10. The Dong
11. Young James Dean
12. Evil Seagulls
13. Storms Were Mine
14. Wrong Song
15. Viola
16. Hava Nagila
17. Angel Of The Morning
18. Joyful Sign
19. Song For Voice And Drum
20. Say Goodbye
21. Let’s Go To Church
22. Postcards From Mexico
23. Somewhere Different Now
24. Lighting The Wick
25. Through To Sunrise
26. Ghosts Of Girlyman
27. Benediction
28. Son Of A Preacher Man
29. Moose In The Road
Girlyman was a folk rock band from New York City that ended up in Atlanta. Their first two albums were released on Daemon Records, which is owned by Amy Ray of Indigo Girls. In their decade together, this band that described their music as “harmony-driven gender pop” released five studio albums and this live record. Girlyman was a three piece band at this point…drummer JJ Jones had not yet joined them. This recording left in the stage banter, false starts and oddities that happen at live shows, which gives it a more realistic live feel, but also a sloppiness. It’s also the only live album from this band that never got as big as they maybe could have, and that might have stuck around for longer than they did. But each band has its shelf life, and Girlyman’s was over by 2013.
Part of the reason for Girlyman’s short life was that they simply were not very successful commercially. And this live set didn’t exactly set the world on fire. In fact, few at the time even knew it existed. This band was big with the gay community, but not really anywhere else. On this album, Girlyman was 3 singers (Tylan Greenstein, Doris Muramatsu and Nate Borofsky, who were the group’s founding members) with guitars, mandolins, banjo and percussion. They split up into a pair of groups that fizzled (Django Jones and Mouths Of Babes), and have never regrouped. This album has only sixteen actual songs on it, thirteen of which are Girlyman originals. The rest is mostly wasted space that can be tiresome…it was probably more entertaining if you were actually there. A mostly forgotten live disc from a mostly forgotten band. [First added to this chart: 04/22/2025]
No Production Credit
1. Kittery Tide
2. This Is Me
3. Hey Rose
4. Tuning And Drinking
5. Everything’s Easy
6. Introductions
7. Speechless
8. Cannons
9. All Through The Night
10. The Dong
11. Young James Dean
12. Evil Seagulls
13. Storms Were Mine
14. Wrong Song
15. Viola
16. Hava Nagila
17. Angel Of The Morning
18. Joyful Sign
19. Song For Voice And Drum
20. Say Goodbye
21. Let’s Go To Church
22. Postcards From Mexico
23. Somewhere Different Now
24. Lighting The Wick
25. Through To Sunrise
26. Ghosts Of Girlyman
27. Benediction
28. Son Of A Preacher Man
29. Moose In The Road
Girlyman was a folk rock band from New York City that ended up in Atlanta. Their first two albums were released on Daemon Records, which is owned by Amy Ray of Indigo Girls. In their decade together, this band that described their music as “harmony-driven gender pop” released five studio albums and this live record. Girlyman was a three piece band at this point…drummer JJ Jones had not yet joined them. This recording left in the stage banter, false starts and oddities that happen at live shows, which gives it a more realistic live feel, but also a sloppiness. It’s also the only live album from this band that never got as big as they maybe could have, and that might have stuck around for longer than they did. But each band has its shelf life, and Girlyman’s was over by 2013.
Part of the reason for Girlyman’s short life was that they simply were not very successful commercially. And this live set didn’t exactly set the world on fire. In fact, few at the time even knew it existed. This band was big with the gay community, but not really anywhere else. On this album, Girlyman was 3 singers (Tylan Greenstein, Doris Muramatsu and Nate Borofsky, who were the group’s founding members) with guitars, mandolins, banjo and percussion. They split up into a pair of groups that fizzled (Django Jones and Mouths Of Babes), and have never regrouped. This album has only sixteen actual songs on it, thirteen of which are Girlyman originals. The rest is mostly wasted space that can be tiresome…it was probably more entertaining if you were actually there. A mostly forgotten live disc from a mostly forgotten band. [First added to this chart: 04/22/2025]
Year of Release:
2008
Appears in:
Rank Score:
2
Rank in 2008:
Rank in 2000s:
Average Rating:
Comments:
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1999 – STAX
Produced By IAN ANDERSON & BILL BELMONT
1. Call It Stormy Monday
2. Old Times
3. Pride And Joy
4. Ask Me No Questions
5. Pep Talk
6. Blues At Sunrise
7. Turn It Over
8. Overall Junction
9. Match Box Blues
10. Who Is Stevie?
11. Don’t Lie To Me
Back in 1983, this actually happened. 60 year old Albert King and 29 year old Stevie Ray Vaughan were invited to do a joint jam for live television in Canada, and both artists agreed to do it. King was Vaughan’s hero, and King knew Vaughan from when he used to hang around King’s shows years before he became well known. So there was a lot of familiarity to begin with. After the show aired, it sat unknown for years. Vaughan died in 1990, and King passed away in 1992. And then, in 1999, the recordings were made public with both a CD and a DVD release. The track listings for each are different (so you may want to own both), but this should be a joy for anyone who loves great blues guitar music. This is a posthumous gem from two of the very best, and it showcases them in the best possible light.
The album is mostly King’s set of songs (the only Stevie Ray track here is “Pride And Joy”), but the coolest thing about this is that King encourages and gives Vaughan room to explore these great songs throughout. King actually WANTS Vaughan to take the solo, to take the spotlight. Another big plus here is that there are several dialogue tracks, on which King tells Vaughan to go for it and let it out, while Stevie Ray is mostly quiet and seemingly in awe of his mentor…and then when the song begins, Vaughan simply shreds, many times to the obvious delight of King. This is a rarity in which you can actually hear the master passing his torch to the young phenom, and it is received with much gratitude. This gift from almost a decade after both of these guitar giants were taken from us is truly a wonderful thing, and if you have any love for the blues…if you have any love for music, period…you should take a listen to a pair of the best sharing a stage in the absolute best way possible. [First added to this chart: 05/10/2025]
Produced By IAN ANDERSON & BILL BELMONT
1. Call It Stormy Monday
2. Old Times
3. Pride And Joy
4. Ask Me No Questions
5. Pep Talk
6. Blues At Sunrise
7. Turn It Over
8. Overall Junction
9. Match Box Blues
10. Who Is Stevie?
11. Don’t Lie To Me
Back in 1983, this actually happened. 60 year old Albert King and 29 year old Stevie Ray Vaughan were invited to do a joint jam for live television in Canada, and both artists agreed to do it. King was Vaughan’s hero, and King knew Vaughan from when he used to hang around King’s shows years before he became well known. So there was a lot of familiarity to begin with. After the show aired, it sat unknown for years. Vaughan died in 1990, and King passed away in 1992. And then, in 1999, the recordings were made public with both a CD and a DVD release. The track listings for each are different (so you may want to own both), but this should be a joy for anyone who loves great blues guitar music. This is a posthumous gem from two of the very best, and it showcases them in the best possible light.
The album is mostly King’s set of songs (the only Stevie Ray track here is “Pride And Joy”), but the coolest thing about this is that King encourages and gives Vaughan room to explore these great songs throughout. King actually WANTS Vaughan to take the solo, to take the spotlight. Another big plus here is that there are several dialogue tracks, on which King tells Vaughan to go for it and let it out, while Stevie Ray is mostly quiet and seemingly in awe of his mentor…and then when the song begins, Vaughan simply shreds, many times to the obvious delight of King. This is a rarity in which you can actually hear the master passing his torch to the young phenom, and it is received with much gratitude. This gift from almost a decade after both of these guitar giants were taken from us is truly a wonderful thing, and if you have any love for the blues…if you have any love for music, period…you should take a listen to a pair of the best sharing a stage in the absolute best way possible. [First added to this chart: 05/10/2025]
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[First added to this chart: 10/08/2025]
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[First added to this chart: 12/22/2024]
Year of Release:
1978
Appears in:
Rank Score:
469
Rank in 1978:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
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2002 – DUCK / REPRISE
Produced By ERIC CLAPTON & SIMON CLIMIE
1. Key To The Highway
2. Reptile
3. Got You On My Own
4. Tears In Heaven
5. Bell Bottom Blues
6. Change The World
7. My Father’s Eyes
8. River Of Tears
9. Going Down Slow
10. She’s Gone
1. I Want A Little Girl
2. Badge
3. Hoochie Coochie Man
4. Have You Ever Loved A Woman
5. Cocaine
6. Wonderful Tonight
7. Layla
8. Sunshine Of Your Love
9. Over The Rainbow
This live album by Eric Clapton was recorded over two nights at the Staples Center in Los Angeles in 2001. The disappointment with this long double disc starts with the setlist. With few exceptions, especially in the second half, this sounds more like a greatest hits festival show than anything else. It sold a ton of copies, given that Clapton said it was his last world tour (it wasn’t, it turned out). What we have here is Clapton playing it safe, giving the people what they wanted, and damn near putting us all to sleep in the process. He sounds tentative, somewhat bored, and overly tired throughout.
The playing here is fine. The problem is that it should have been better than fine, the song selection is lame, and outside of a cool piano solo by David Sancious on “Have You Ever Loved A Woman”, this is really uninspired. He opens with six acoustic numbers, including the woeful “Tears In Heaven”, then goes electric and starts churning out the usual hits. This is fine if you just want the hits, but if you want his better songs, you’re sure to be disappointed. If your idea of a good time is paying for a double album so you can hear “Cocaine”, “Wonderful Tonight” and “Layla” played in succession, more power to you. Otherwise, you can really skip this one. Below average and non-essential. [First added to this chart: 08/08/2025]
Produced By ERIC CLAPTON & SIMON CLIMIE
1. Key To The Highway
2. Reptile
3. Got You On My Own
4. Tears In Heaven
5. Bell Bottom Blues
6. Change The World
7. My Father’s Eyes
8. River Of Tears
9. Going Down Slow
10. She’s Gone
1. I Want A Little Girl
2. Badge
3. Hoochie Coochie Man
4. Have You Ever Loved A Woman
5. Cocaine
6. Wonderful Tonight
7. Layla
8. Sunshine Of Your Love
9. Over The Rainbow
This live album by Eric Clapton was recorded over two nights at the Staples Center in Los Angeles in 2001. The disappointment with this long double disc starts with the setlist. With few exceptions, especially in the second half, this sounds more like a greatest hits festival show than anything else. It sold a ton of copies, given that Clapton said it was his last world tour (it wasn’t, it turned out). What we have here is Clapton playing it safe, giving the people what they wanted, and damn near putting us all to sleep in the process. He sounds tentative, somewhat bored, and overly tired throughout.
The playing here is fine. The problem is that it should have been better than fine, the song selection is lame, and outside of a cool piano solo by David Sancious on “Have You Ever Loved A Woman”, this is really uninspired. He opens with six acoustic numbers, including the woeful “Tears In Heaven”, then goes electric and starts churning out the usual hits. This is fine if you just want the hits, but if you want his better songs, you’re sure to be disappointed. If your idea of a good time is paying for a double album so you can hear “Cocaine”, “Wonderful Tonight” and “Layla” played in succession, more power to you. Otherwise, you can really skip this one. Below average and non-essential. [First added to this chart: 08/08/2025]
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[First added to this chart: 11/26/2024]
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1990-CHAMELEON
Produced By VAL GARAY
1. Anything, Anything (I'll Give You)
2. Last Cigarette
3. Some Crazy Dame
4. Spare Change
5. Private World
6. Would You Like
Dramarama, from California, released their first two albums on a French label, but got lots of airplay in the US thanks to KROQ in Los Angeles. They were always something of a cult band, but everyone seemed to know who they were, thanks in large part to the hit "Anything, Anything". The best Dramarama album you'll find is this 6 song live EP. Clocking in at under 30 minutes, Live At The China Club is a perfect picture of the band playing their best material, capturing their great live energy. "Anything Anything" and "Last Cigarette" are the songs people know, but the rest are excellent as well. "Private World" is a New York Dolls cover. This disc will leave you wanting more, a perfect introduction to the band.
They broke up in 1994, but got back together in 2003 thanks to the VH1 special Bands Reunited. They have since released an album, but no word on anything more coming. Grab this one if you can find it! [First added to this chart: 10/18/2024]
Produced By VAL GARAY
1. Anything, Anything (I'll Give You)
2. Last Cigarette
3. Some Crazy Dame
4. Spare Change
5. Private World
6. Would You Like
Dramarama, from California, released their first two albums on a French label, but got lots of airplay in the US thanks to KROQ in Los Angeles. They were always something of a cult band, but everyone seemed to know who they were, thanks in large part to the hit "Anything, Anything". The best Dramarama album you'll find is this 6 song live EP. Clocking in at under 30 minutes, Live At The China Club is a perfect picture of the band playing their best material, capturing their great live energy. "Anything Anything" and "Last Cigarette" are the songs people know, but the rest are excellent as well. "Private World" is a New York Dolls cover. This disc will leave you wanting more, a perfect introduction to the band.
They broke up in 1994, but got back together in 2003 thanks to the VH1 special Bands Reunited. They have since released an album, but no word on anything more coming. Grab this one if you can find it! [First added to this chart: 10/18/2024]
Year of Release:
1990
Appears in:
Rank Score:
2
Rank in 1990:
Rank in 1990s:
Average Rating:
Comments:
Total albums: 9. Page 1 of 1
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My Overall Chart: 1601-1700 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 2 | 2% | |
| 1960s | 4 | 4% | |
| 1970s | 16 | 16% | |
| 1980s | 15 | 15% | |
| 1990s | 31 | 31% | |
| 2000s | 26 | 26% | |
| 2010s | 6 | 6% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| Elvis Presley | 3 | 3% | |
| The Rolling Stones | 2 | 2% | |
| Little Feat | 1 | 1% | |
| Spriguns | 1 | 1% | |
| Robin & Linda Williams | 1 | 1% | |
| Social Distortion | 1 | 1% | |
| Lucero | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
| |
65 | 65% | |
 |
19 | 19% | |
 |
4 | 4% | |
 |
2 | 2% | |
 |
2 | 2% | |
 |
2 | 2% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart: 1601-1700 chart changes
| Biggest fallers |
|---|
| Down 1 from 70th to 71st Worldwide 50 Gold Award Hits Vol. 1 by Elvis Presley |
| Down 1 from 71st to 72nd Roots Of A Revolution by James Brown |
| Down 1 from 72nd to 73rd Rearviewmirror (Greatest Hits 1991-2003) by Pearl Jam |
| New entries |
|---|
| Random Access Memories by Daft Punk |
| Leavers |
|---|
| Modern Times by Bob Dylan |
My Overall Chart: 1601-1700 similar charts
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| Top 88 Music Albums of 1990 | Romanelli | 1990 year chart | 2025 | |
| Top 74 Music Albums of 2006 | Romanelli | 2006 year chart | 2025 | |
| Top 56 Music Albums of 2002 | Romanelli | 2002 year chart | 2025 | |
| The 50 Best Albums of 1994 | Musikexpress.de | 1994 year chart | 1994 |  |
| Top 53 Music Albums of 2000 | Romanelli | 2000 year chart | 2025 | |
| Top 50 Greatest Music Albums | pawuf | Overall chart | 2010 | |
| Top 50 Greatest Music Albums | dsplay | Overall chart | 2010 | |
| Top 54 Music Albums of 1993 | Jaymantheman | 1993 year chart | 2020 | |
| Top 43 Music Albums of 1971 | Romanelli | 1971 year chart | 2025 | |
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