My Overall Chart: 1601-1700
by 
Romanelli 
- Chart updated: 6 hours ago
- (Created: 02/10/2024 23:38).
- Chart size: 100 albums.
There are 0 comments for this chart from BestEverAlbums.com members and this chart has not been rated yet. Please log in or register to leave a comment or assign a rating.
View the complete list of 57,000 charts on BestEverAlbums.com from The Charts page.
This chart is currently filtered to only show albums from the 1990s. (Remove this filter)
Buy album
- #Sponsored
[First added to this chart: 09/03/2025]
Year of Release:
1993
Appears in:
Rank Score:
472
Rank in 1993:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
7
Buy album
- #Sponsored
[First added to this chart: 02/11/2024]
Buy album
- #Sponsored
[First added to this chart: 01/05/2025]
Year of Release:
1997
Appears in:
Rank Score:
1,266
Rank in 1997:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Buy album
- #Sponsored
1993 – CAPITOL
Produced By YOUTH & CROWDED HOUSE
1. Kare Kare
2. In My Command
3. Nails In My Feet
4. Black And White Boy
5. Fingers Of Love
6. Pineapple Head
7. Locked Out
8. Private Universe
9. Walking On The Spot
10. Distant Sun
11. Catherine Wheels
12. Skin Feeling
13. Together Alone
The best thing about Crowded House is that they never sucked. Together Alone is no exception. This is their fourth album, and it’s the follow up to the ridiculously great Woodface from 1991. And even though Neil Finn’s brother Tim had come and gone by the time of this disc, the momentum from Woodface carries on quite well here. This is not as perfect as Woodface, but it’s not far from it. Finn’s songwriting is growing by leaps and bounds here, and while there’s and added maturity, he doesn’t have to sacrifice the fun and the hooks to achieve it. Also, like its predecessor, Together Alone is massively underrated. Even though the album boasts seven singles…it’s mostly a forgotten gem.
Especially in the US, Together Again missed being a big hit. “Locked Out” was the only track that caught on here, and that was because it was included on the Reality Bites soundtrack. The album did well in the UK, New Zealand, and the band’s native Australia, but it was otherwise ignored. That’s our loss, folks. Excellent songs like “Distant Sun”, “Nails In My Feet”, “Pineapple Head”, and “Private Universe” missed the American radar. And for that matter, much of the rest of the world as well. This is a fine album. Not as perfect, and not as exciting as Woodface or Crowded House, but close enough to be an album you should definitely hear. Neil Finn is as fine a songwriter and performer as there is, and this is an album worth seeking out for sure. [First added to this chart: 01/15/2025]
Produced By YOUTH & CROWDED HOUSE
1. Kare Kare
2. In My Command
3. Nails In My Feet
4. Black And White Boy
5. Fingers Of Love
6. Pineapple Head
7. Locked Out
8. Private Universe
9. Walking On The Spot
10. Distant Sun
11. Catherine Wheels
12. Skin Feeling
13. Together Alone
The best thing about Crowded House is that they never sucked. Together Alone is no exception. This is their fourth album, and it’s the follow up to the ridiculously great Woodface from 1991. And even though Neil Finn’s brother Tim had come and gone by the time of this disc, the momentum from Woodface carries on quite well here. This is not as perfect as Woodface, but it’s not far from it. Finn’s songwriting is growing by leaps and bounds here, and while there’s and added maturity, he doesn’t have to sacrifice the fun and the hooks to achieve it. Also, like its predecessor, Together Alone is massively underrated. Even though the album boasts seven singles…it’s mostly a forgotten gem.
Especially in the US, Together Again missed being a big hit. “Locked Out” was the only track that caught on here, and that was because it was included on the Reality Bites soundtrack. The album did well in the UK, New Zealand, and the band’s native Australia, but it was otherwise ignored. That’s our loss, folks. Excellent songs like “Distant Sun”, “Nails In My Feet”, “Pineapple Head”, and “Private Universe” missed the American radar. And for that matter, much of the rest of the world as well. This is a fine album. Not as perfect, and not as exciting as Woodface or Crowded House, but close enough to be an album you should definitely hear. Neil Finn is as fine a songwriter and performer as there is, and this is an album worth seeking out for sure. [First added to this chart: 01/15/2025]
Year of Release:
1993
Appears in:
Rank Score:
816
Rank in 1993:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Buy album
- #Sponsored
1994 – IMAGO
Produced By KEVIN KILLEN
1. Happy Home
2. I Am So Ordinary
3. Saturn Girl
4. Watch The Woman’s Hands
5. Bethlehem
6. Chiaroscuro
7. Black Boots
8. Oh John
9. Our Revenge
10. Dear Gertrude
11. Hitler’s Brothers
12. She Can’t Feel Anything Anymore
13. Garden Of Eden
14. The Ladder
Paula Cole gained label attention as a backup singer for Peter Gabriel in the early nineties. She would have great success with her album This Fire…but first, there was her debut album, 1994’s Harbinger. If you’ve followed Cole’s career at all, you know that she is rarely the same person from album to album, which has been her ultimate downfall. The same exciting singer who gave us the Dawson’s Creek theme (“I Don’t Want To Wait”) and the amazingly bright single “Where Have All The Cowboys Gone” on her next album was a scowling, dark and depressing tortured artist just two years earlier. Rumor has it that this album makes even the best shoegaze bands cry.
And to make matters even more depressing, right after this was released, her label (Imago) went out of business, meaning that Harbinger got pretty much zero support. Which turns out to be okay…while this isn’t terrible, the only track really worth hearing more than once is “I Am So Ordinary”…which hardly inspires a party. There are some good moments here, and the seeds of the much finer This Fire are indeed planted here…but ultimately, Harbinger is an average downer of a record. Cole followed up her excellent second album by completely changing course again and alienating her fans…but at least we have that album. Paula Cole is a fine talent who just never seemed to figure out what she wanted to sound like. Too bad for her, and for us. [First added to this chart: 01/30/2025]
Produced By KEVIN KILLEN
1. Happy Home
2. I Am So Ordinary
3. Saturn Girl
4. Watch The Woman’s Hands
5. Bethlehem
6. Chiaroscuro
7. Black Boots
8. Oh John
9. Our Revenge
10. Dear Gertrude
11. Hitler’s Brothers
12. She Can’t Feel Anything Anymore
13. Garden Of Eden
14. The Ladder
Paula Cole gained label attention as a backup singer for Peter Gabriel in the early nineties. She would have great success with her album This Fire…but first, there was her debut album, 1994’s Harbinger. If you’ve followed Cole’s career at all, you know that she is rarely the same person from album to album, which has been her ultimate downfall. The same exciting singer who gave us the Dawson’s Creek theme (“I Don’t Want To Wait”) and the amazingly bright single “Where Have All The Cowboys Gone” on her next album was a scowling, dark and depressing tortured artist just two years earlier. Rumor has it that this album makes even the best shoegaze bands cry.
And to make matters even more depressing, right after this was released, her label (Imago) went out of business, meaning that Harbinger got pretty much zero support. Which turns out to be okay…while this isn’t terrible, the only track really worth hearing more than once is “I Am So Ordinary”…which hardly inspires a party. There are some good moments here, and the seeds of the much finer This Fire are indeed planted here…but ultimately, Harbinger is an average downer of a record. Cole followed up her excellent second album by completely changing course again and alienating her fans…but at least we have that album. Paula Cole is a fine talent who just never seemed to figure out what she wanted to sound like. Too bad for her, and for us. [First added to this chart: 01/30/2025]
Buy album
- #Sponsored
[First added to this chart: 02/14/2025]
Year of Release:
1990
Appears in:
Rank Score:
504
Rank in 1990:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Buy album
- #Sponsored
1999 – KILL ROCK STARS
Produced By ROGER MOUTENOT
1. Start Together
2. Hot Rock
3. The End Of You
4. Burn, Don’t Freeze
5. God Is A Number
6. Banned From The End Of The World
7. Don’t Talk Like
8. Get Up
9. One Song For You
10. The Size Of Our Love
11. Living In Exile
12. Memorize Your Lines
13. A Quarter To Three
I was late to the party, but I do love me some Sleater-Kinney. From the quirky and shrill immediacy of Corin Tucker’s vocals to Carrie Brownstein’s guitar playing to the power of their songwriting, this all female trio simply rules (there is no bass player!). They took an extended break from 2006 to 2014, but they are one of the most important American indie bands to have emerged in the 90’s. Hailing from Olympia, Washington, they have been riot grrrls, punks, strongly feminist and smartly political. The Hot Rock is their fourth album, and marked a change in their sound to a more melodic and relaxed sound. Fortunately, Tucker and Brownstein have the songs and the smarts to make the transition seamless…it works very well. While this may not have the bite and snarl of their first three discs (Sleater-Kinney, Call The Doctor and Dig Me Out), it’s still very good.
The best songs here are “A Quarter To Three” and “Get Up”, but there is plenty more to love. “Living In Exile” recalls their earlier work…quirky, powerful and melodic. And like their previous records, The Hot Rock is entertaining, powerful and very listenable. Sleater-Kinney has always been high on the cool end of indie rock, and this one definitely holds up against their best work. Tucker and Brownstein have released a pair of albums since they got back together, as well as solo work and recordings with other bands…not to mention Brownstein’s excellent comedic turn with Fred Armisen in Portlandia. This is a band that’s always worth hearing, so if you see a Sleater-Kinney album, do yourself a favor and pick it up. You will not regret it. [First added to this chart: 03/02/2025]
Produced By ROGER MOUTENOT
1. Start Together
2. Hot Rock
3. The End Of You
4. Burn, Don’t Freeze
5. God Is A Number
6. Banned From The End Of The World
7. Don’t Talk Like
8. Get Up
9. One Song For You
10. The Size Of Our Love
11. Living In Exile
12. Memorize Your Lines
13. A Quarter To Three
I was late to the party, but I do love me some Sleater-Kinney. From the quirky and shrill immediacy of Corin Tucker’s vocals to Carrie Brownstein’s guitar playing to the power of their songwriting, this all female trio simply rules (there is no bass player!). They took an extended break from 2006 to 2014, but they are one of the most important American indie bands to have emerged in the 90’s. Hailing from Olympia, Washington, they have been riot grrrls, punks, strongly feminist and smartly political. The Hot Rock is their fourth album, and marked a change in their sound to a more melodic and relaxed sound. Fortunately, Tucker and Brownstein have the songs and the smarts to make the transition seamless…it works very well. While this may not have the bite and snarl of their first three discs (Sleater-Kinney, Call The Doctor and Dig Me Out), it’s still very good.
The best songs here are “A Quarter To Three” and “Get Up”, but there is plenty more to love. “Living In Exile” recalls their earlier work…quirky, powerful and melodic. And like their previous records, The Hot Rock is entertaining, powerful and very listenable. Sleater-Kinney has always been high on the cool end of indie rock, and this one definitely holds up against their best work. Tucker and Brownstein have released a pair of albums since they got back together, as well as solo work and recordings with other bands…not to mention Brownstein’s excellent comedic turn with Fred Armisen in Portlandia. This is a band that’s always worth hearing, so if you see a Sleater-Kinney album, do yourself a favor and pick it up. You will not regret it. [First added to this chart: 03/02/2025]
Buy album
- #Sponsored
[First added to this chart: 03/23/2025]
Buy album
- #Sponsored
1998 – MATADOR
Produced By JASON CHASKO, SCOTT LITT, LIZ PHAIR & BRAD WOOD
1. White Chocolate Space Egg
2. Big Tall Man
3. Perfect World
4. Johnny Feelgood
5. Polyester Bride
6. Love Is Nothing
7. Baby Got Going
8. Uncle Alvarez
9. Only Son
10. Go On Ahead
11. Headache
12. Ride
13. What Makes You Happy
14. Fantasize
15. Shitloads Of Money
16. Girls’ Room
On the journey Liz Phair took from being the coolest indie female singer on the planet on her magnificent Exile In Guyville to her career crippling reinvention as a pop singer on her 2005 self-titled album (which one critic called Exile In Avril-Ville), she made a notable stop here with whitechocolatespaceegg. Moving away from the themes of sex and relationships that had dominated Exile and her second album, Whip-Smart, Phair’s third album was a much more mature affair. She had turned 30, had married and was now a mother, which are the main themes of this record. Good for you, Liz. Unfortunately, that doesn’t translate to a great album for the rest of us. Liz Phair was once that dangerous hot girl you wanted to lay, but you were afraid she might burn your house down in the process…
…But now, she’d marry you, have your kids, and be pretty predictable. The thing about Exile era Liz Phair was that she could snarl pieces like “Fuck And Run” and “Divorce Song” with such glee and energy that you only wanted to hear more. On Whip-Smart, she started to lose the songwriting…and on this album it was the energy that was fading to black. There’s just enough here to keep it from falling apart…”What Makes You Happy”, for example…but for the most part, this is not much more than the continuation of the descent of Liz Phair into the “she was once so cool” file. And after this album, it was further downhill. Still, there is enough worthy material on whitechocolatespageegg to keep it from being a complete failure, but this is, only two albums later, a far cry from the heights that she once travelled. [First added to this chart: 04/03/2025]
Produced By JASON CHASKO, SCOTT LITT, LIZ PHAIR & BRAD WOOD
1. White Chocolate Space Egg
2. Big Tall Man
3. Perfect World
4. Johnny Feelgood
5. Polyester Bride
6. Love Is Nothing
7. Baby Got Going
8. Uncle Alvarez
9. Only Son
10. Go On Ahead
11. Headache
12. Ride
13. What Makes You Happy
14. Fantasize
15. Shitloads Of Money
16. Girls’ Room
On the journey Liz Phair took from being the coolest indie female singer on the planet on her magnificent Exile In Guyville to her career crippling reinvention as a pop singer on her 2005 self-titled album (which one critic called Exile In Avril-Ville), she made a notable stop here with whitechocolatespaceegg. Moving away from the themes of sex and relationships that had dominated Exile and her second album, Whip-Smart, Phair’s third album was a much more mature affair. She had turned 30, had married and was now a mother, which are the main themes of this record. Good for you, Liz. Unfortunately, that doesn’t translate to a great album for the rest of us. Liz Phair was once that dangerous hot girl you wanted to lay, but you were afraid she might burn your house down in the process…
…But now, she’d marry you, have your kids, and be pretty predictable. The thing about Exile era Liz Phair was that she could snarl pieces like “Fuck And Run” and “Divorce Song” with such glee and energy that you only wanted to hear more. On Whip-Smart, she started to lose the songwriting…and on this album it was the energy that was fading to black. There’s just enough here to keep it from falling apart…”What Makes You Happy”, for example…but for the most part, this is not much more than the continuation of the descent of Liz Phair into the “she was once so cool” file. And after this album, it was further downhill. Still, there is enough worthy material on whitechocolatespageegg to keep it from being a complete failure, but this is, only two albums later, a far cry from the heights that she once travelled. [First added to this chart: 04/03/2025]
Buy album
- #Sponsored
1999 – STAX
Produced By IAN ANDERSON & BILL BELMONT
1. Call It Stormy Monday
2. Old Times
3. Pride And Joy
4. Ask Me No Questions
5. Pep Talk
6. Blues At Sunrise
7. Turn It Over
8. Overall Junction
9. Match Box Blues
10. Who Is Stevie?
11. Don’t Lie To Me
Back in 1983, this actually happened. 60 year old Albert King and 29 year old Stevie Ray Vaughan were invited to do a joint jam for live television in Canada, and both artists agreed to do it. King was Vaughan’s hero, and King knew Vaughan from when he used to hang around King’s shows years before he became well known. So there was a lot of familiarity to begin with. After the show aired, it sat unknown for years. Vaughan died in 1990, and King passed away in 1992. And then, in 1999, the recordings were made public with both a CD and a DVD release. The track listings for each are different (so you may want to own both), but this should be a joy for anyone who loves great blues guitar music. This is a posthumous gem from two of the very best, and it showcases them in the best possible light.
The album is mostly King’s set of songs (the only Stevie Ray track here is “Pride And Joy”), but the coolest thing about this is that King encourages and gives Vaughan room to explore these great songs throughout. King actually WANTS Vaughan to take the solo, to take the spotlight. Another big plus here is that there are several dialogue tracks, on which King tells Vaughan to go for it and let it out, while Stevie Ray is mostly quiet and seemingly in awe of his mentor…and then when the song begins, Vaughan simply shreds, many times to the obvious delight of King. This is a rarity in which you can actually hear the master passing his torch to the young phenom, and it is received with much gratitude. This gift from almost a decade after both of these guitar giants were taken from us is truly a wonderful thing, and if you have any love for the blues…if you have any love for music, period…you should take a listen to a pair of the best sharing a stage in the absolute best way possible. [First added to this chart: 05/10/2025]
Produced By IAN ANDERSON & BILL BELMONT
1. Call It Stormy Monday
2. Old Times
3. Pride And Joy
4. Ask Me No Questions
5. Pep Talk
6. Blues At Sunrise
7. Turn It Over
8. Overall Junction
9. Match Box Blues
10. Who Is Stevie?
11. Don’t Lie To Me
Back in 1983, this actually happened. 60 year old Albert King and 29 year old Stevie Ray Vaughan were invited to do a joint jam for live television in Canada, and both artists agreed to do it. King was Vaughan’s hero, and King knew Vaughan from when he used to hang around King’s shows years before he became well known. So there was a lot of familiarity to begin with. After the show aired, it sat unknown for years. Vaughan died in 1990, and King passed away in 1992. And then, in 1999, the recordings were made public with both a CD and a DVD release. The track listings for each are different (so you may want to own both), but this should be a joy for anyone who loves great blues guitar music. This is a posthumous gem from two of the very best, and it showcases them in the best possible light.
The album is mostly King’s set of songs (the only Stevie Ray track here is “Pride And Joy”), but the coolest thing about this is that King encourages and gives Vaughan room to explore these great songs throughout. King actually WANTS Vaughan to take the solo, to take the spotlight. Another big plus here is that there are several dialogue tracks, on which King tells Vaughan to go for it and let it out, while Stevie Ray is mostly quiet and seemingly in awe of his mentor…and then when the song begins, Vaughan simply shreds, many times to the obvious delight of King. This is a rarity in which you can actually hear the master passing his torch to the young phenom, and it is received with much gratitude. This gift from almost a decade after both of these guitar giants were taken from us is truly a wonderful thing, and if you have any love for the blues…if you have any love for music, period…you should take a listen to a pair of the best sharing a stage in the absolute best way possible. [First added to this chart: 05/10/2025]
Total albums: 32. Page 1 of 4
Don't agree with this chart? Create your own from the My Charts page!
My Overall Chart: 1601-1700 composition
| Decade | Albums | % | |
|---|---|---|---|
 |
 |
|
|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 2 | 2% | |
| 1960s | 4 | 4% | |
| 1970s | 16 | 16% | |
| 1980s | 16 | 16% | |
| 1990s | 31 | 31% | |
| 2000s | 26 | 26% | |
| 2010s | 5 | 5% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
 |
|
|
| Elvis Presley | 3 | 3% | |
| The Rolling Stones | 2 | 2% | |
| Incubus | 1 | 1% | |
| Blaze Foley | 1 | 1% | |
| Mekons | 1 | 1% | |
| Neil Young | 1 | 1% | |
| Veruca Salt | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|
|
|
| |
68 | 68% | |
 |
18 | 18% | |
 |
4 | 4% | |
 |
2 | 2% | |
 |
2 | 2% | |
 |
1 | 1% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart: 1601-1700 chart changes
| Biggest fallers |
|---|
| Down 1 from 67th to 68th Worldwide 50 Gold Award Hits Vol. 1 by Elvis Presley |
| Down 1 from 68th to 69th Roots Of A Revolution by James Brown |
| Down 1 from 69th to 70th Rearviewmirror (Greatest Hits 1991-2003) by Pearl Jam |
| Leavers |
|---|
 G N' R Liesby Guns N' Roses |
My Overall Chart: 1601-1700 similar charts
| Title | Source | Type | Published | Country |
|---|---|---|---|---|
| My 2000's Decade Chart: 201-300 | Romanelli | Custom chart | 2021 | |
| Top 88 Music Albums of 1990 | Romanelli | 1990 year chart | 2025 | |
| Top 73 Music Albums of 2006 | Romanelli | 2006 year chart | 2025 | |
| Top 56 Music Albums of 2002 | Romanelli | 2002 year chart | 2025 | |
| The 50 Best Albums of 1994 | Musikexpress.de | 1994 year chart | 1994 |  |
| Top 53 Music Albums of 2000 | Romanelli | 2000 year chart | 2025 | |
| Top 50 Greatest Music Albums | pawuf | Overall chart | 2010 | |
| Top 50 Greatest Music Albums | dsplay | Overall chart | 2010 | |
| Top 54 Music Albums of 1993 | Jaymantheman | 1993 year chart | 2020 | |
| Top 43 Music Albums of 1971 | Romanelli | 1971 year chart | 2025 | |
My Overall Chart: 1601-1700 similarity to your chart(s)
Not a member? Registering is quick, easy and FREE!
Why register?
Join a passionate community of over 50,000 music fans.- Create & share your own charts.
- Have your say in the overall rankings.
- Post comments in the forums and vote on polls.
- Comment on or rate any album, artist, track or chart.
- Discover new music & improve your music collection.
- Customise the overall chart using a variety of different filters & metrics.
- Create a wishlist of albums.
- Help maintain the BEA database.
- Earn member points and gain access to increasing levels of functionality!
- ... And lots more!
Register now - it only takes a moment!
Other custom charts by Romanelli
My Overall Chart: 1601-1700 ratings
Not enough data Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Please log in or register if you want to be able to leave a rating
My Overall Chart: 1601-1700 favourites
Please log in or register if you want to be able to add a favourite
My Overall Chart: 1601-1700 comments
Be the first to add a comment for this Chart - add your comment!
Please log in or register if you want to be able to add a comment
Your feedback for My Overall Chart: 1601-1700
Let us know what you think of this chart by adding a comment or assigning a rating below!
If you enjoy our site, please consider supporting us by sparing a few seconds to disable your ad blocker.
A lot of hard work happens in the background to keep BEA running, and it's especially difficult to do this when we can't pay our hosting fees :(
We work very hard to ensure our site is as fast (and FREE!) as possible, and we respect your privacy.
A lot of hard work happens in the background to keep BEA running, and it's especially difficult to do this when we can't pay our hosting fees :(
We work very hard to ensure our site is as fast (and FREE!) as possible, and we respect your privacy.
