My Overall Chart: 401-500
by 
Romanelli 
- Chart updated: 09/13/2026 16:15
- (Created: 12/28/2012 00:29).
- Chart size: 100 albums.
There are 2 comments for this chart from BestEverAlbums.com members and My Overall Chart: 401-500 has an average rating of 89 out of 100 (from 7 votes). Please log in or create an account to leave a comment or assign a rating.
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[First added to this chart: 01/01/2019]
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1991-ATLANTIC
Produced By MARK OPITZ & INXS
1. New Sensation
2. Guns in The Sky
3. Mystify
4. By My Side
5. Shining Star
6. Need You Tonight
7. Mediate
8. One X One
9. Burn For You
10. The One Thing
11. This Time
12. The Stairs
13. Suicide Blonde
14. Hear That Sound
15. Never Tear Us Apart
16. What You Need
This live album by INXS at the top of their popularity should be a great deal: the tracklist is pretty much the ultimate INXS compilation album, and it’s all taken from a very successful world tour. Unfortunately, this just doesn’t work. The 16 songs are pulled from 14 different tour stops, and it sounds pieced together. And the sound itself is atrocious. This album sounds more like it was recorded on a fan cell phone (from 1990) than it sounds like a professional recording. Which is too bad, because it sounds like underneath it all might have been some pretty good performances. Live Baby Live sounds bad, and it’s tediously long.
The popularity of INXS took a nosedive the following year, thanks to the emergence of grunge. The band recorded three more studio albums before the suicide of lead singer Michael Hutchence. The only other live album from INXS was 1993’s Live At Barker Hanger, an even longer affair recorded at a small show at the Santa Monica airport. Live Baby Live was, unfortunately, the beginning of a slow decline for INXS. Wish there was a better live album out there from them. Unfortunately, this will have to do.
[First added to this chart: 08/29/2026]
Produced By MARK OPITZ & INXS
1. New Sensation
2. Guns in The Sky
3. Mystify
4. By My Side
5. Shining Star
6. Need You Tonight
7. Mediate
8. One X One
9. Burn For You
10. The One Thing
11. This Time
12. The Stairs
13. Suicide Blonde
14. Hear That Sound
15. Never Tear Us Apart
16. What You Need
This live album by INXS at the top of their popularity should be a great deal: the tracklist is pretty much the ultimate INXS compilation album, and it’s all taken from a very successful world tour. Unfortunately, this just doesn’t work. The 16 songs are pulled from 14 different tour stops, and it sounds pieced together. And the sound itself is atrocious. This album sounds more like it was recorded on a fan cell phone (from 1990) than it sounds like a professional recording. Which is too bad, because it sounds like underneath it all might have been some pretty good performances. Live Baby Live sounds bad, and it’s tediously long.
The popularity of INXS took a nosedive the following year, thanks to the emergence of grunge. The band recorded three more studio albums before the suicide of lead singer Michael Hutchence. The only other live album from INXS was 1993’s Live At Barker Hanger, an even longer affair recorded at a small show at the Santa Monica airport. Live Baby Live was, unfortunately, the beginning of a slow decline for INXS. Wish there was a better live album out there from them. Unfortunately, this will have to do.
[First added to this chart: 08/29/2026]
Available from
[First added to this chart: 10/11/2013]
Available from
[First added to this chart: 01/08/2013]
Available from
[First added to this chart: 01/08/2013]
Available from
1972-WARNER BROS.
Produced By TED TEMPLEMAN
1. Listen To The Music
2. Rockin’ Down The Highway
3. Mamaloi
4. Toulouse Street
5. Cotton Mouth
6. Don’t Start Me To Talkin’
7. Jesus Is Just Alright
8. White Sun
9. Disciple
10. Snake Man
The Doobie Brothers always had a kind of Southern New Orleans tinge to their music, but they were, in fact, a very California band. In the early years, they were favorites of the Hells Angels, and were led by Tom Johnston, a true rocker, who kept an edge to their sound. Later, after Johnston had his role diminished due to exhaustion and health issues, the band brought in Jeff “Skunk:” Baxter and Michael MacDonald from Steely Dan, changing the band’s sound entirely. But this is the Doobies at their early best. It showcases the band’s early ability to crank out hit singles, and gives at look at them at their best…and their most unspectacular. With two songwriters in Johnston and Patrick Simmons, they nonetheless included three covers on this album, surprising given the abilities they had.
The album contains three hits: Johnston’s “Listen To The Music” and “Rockin’ Down The Highway” are excellent. “Jesus Is Just Alright” follows the earlier version by The Byrds almost to the letter. From there, the quality of material drops. The two Simmons contributions, “Mamaloi” and “Toulouse Street” are average at best. “Cotton Mouth” is from, of all people, Seals & Crofts. Nothing else stands out, and although the playing is exceptional, there’s nothing outside of the three hits that will really grab you. Particularly in the early days, this is a band whose singles are great but surrounded by filler. A better way to experience the early days of this band is on Best Of The Doobies, which leaves the filler behind.
[First added to this chart: 03/22/2020]
Produced By TED TEMPLEMAN
1. Listen To The Music
2. Rockin’ Down The Highway
3. Mamaloi
4. Toulouse Street
5. Cotton Mouth
6. Don’t Start Me To Talkin’
7. Jesus Is Just Alright
8. White Sun
9. Disciple
10. Snake Man
The Doobie Brothers always had a kind of Southern New Orleans tinge to their music, but they were, in fact, a very California band. In the early years, they were favorites of the Hells Angels, and were led by Tom Johnston, a true rocker, who kept an edge to their sound. Later, after Johnston had his role diminished due to exhaustion and health issues, the band brought in Jeff “Skunk:” Baxter and Michael MacDonald from Steely Dan, changing the band’s sound entirely. But this is the Doobies at their early best. It showcases the band’s early ability to crank out hit singles, and gives at look at them at their best…and their most unspectacular. With two songwriters in Johnston and Patrick Simmons, they nonetheless included three covers on this album, surprising given the abilities they had.
The album contains three hits: Johnston’s “Listen To The Music” and “Rockin’ Down The Highway” are excellent. “Jesus Is Just Alright” follows the earlier version by The Byrds almost to the letter. From there, the quality of material drops. The two Simmons contributions, “Mamaloi” and “Toulouse Street” are average at best. “Cotton Mouth” is from, of all people, Seals & Crofts. Nothing else stands out, and although the playing is exceptional, there’s nothing outside of the three hits that will really grab you. Particularly in the early days, this is a band whose singles are great but surrounded by filler. A better way to experience the early days of this band is on Best Of The Doobies, which leaves the filler behind.
[First added to this chart: 03/22/2020]
Available from
2005-VIRGIN
Produced By TONY HOFFER
1. Seaside
2. See The World
3. Sofa Song
4. Eddie’s Gun
5. Ooh La
6. You Don’t Love Me
7. She Moves In Her own Way
8. Matchbox
9. Naïve
10. I Want You
11. If Only
12. Jackie Big Tits
13. Time Awaits
14. Got No Love
15. Do You Love Me Still?
Ah, Britpop. Inside In/Inside Out is the clumsily titled debut album from The Kooks, a kind of breath of fresh air for rock and roll in the latter half of the 2000’s. The Kooks are high energy, but it’s the right kind of energy in a sea of mopey and intelligent sounding bands. Their sound is very modern, but you can hear the influence of the 60’s British Invasion constantly trying to break free from their sound. The band has had big mainstream success for good reason: they write unbelievably catchy good songs that simply can’t be denied. Unfortunately, they have been a hit pretty much everywhere in the world except for the US, where this album has yet to reach gold status.
Although Inside In/Inside Out is not perfect, it’s a solid and exciting debut. “Ooh La”, “Eddie’s Gun”, “Sofa Song”, “She Moves In Her Owen Way”…all would have been nice, fresh additions to the American charts, which have been loaded with garbage for years. No matter…The Kooks are still at it, with two more albums out since then. Luke Pritchard’s very English vocals can be a chore, but if you can dig that, you’ll like this strong debut album a lot.
[First added to this chart: 04/26/2026]
Produced By TONY HOFFER
1. Seaside
2. See The World
3. Sofa Song
4. Eddie’s Gun
5. Ooh La
6. You Don’t Love Me
7. She Moves In Her own Way
8. Matchbox
9. Naïve
10. I Want You
11. If Only
12. Jackie Big Tits
13. Time Awaits
14. Got No Love
15. Do You Love Me Still?
Ah, Britpop. Inside In/Inside Out is the clumsily titled debut album from The Kooks, a kind of breath of fresh air for rock and roll in the latter half of the 2000’s. The Kooks are high energy, but it’s the right kind of energy in a sea of mopey and intelligent sounding bands. Their sound is very modern, but you can hear the influence of the 60’s British Invasion constantly trying to break free from their sound. The band has had big mainstream success for good reason: they write unbelievably catchy good songs that simply can’t be denied. Unfortunately, they have been a hit pretty much everywhere in the world except for the US, where this album has yet to reach gold status.
Although Inside In/Inside Out is not perfect, it’s a solid and exciting debut. “Ooh La”, “Eddie’s Gun”, “Sofa Song”, “She Moves In Her Owen Way”…all would have been nice, fresh additions to the American charts, which have been loaded with garbage for years. No matter…The Kooks are still at it, with two more albums out since then. Luke Pritchard’s very English vocals can be a chore, but if you can dig that, you’ll like this strong debut album a lot.
[First added to this chart: 04/26/2026]
Year of Release:
2006
Appears in:
Rank Score:
572
Rank in 2006:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
Available from
[First added to this chart: 01/08/2013]
Year of Release:
1964
Appears in:
Rank Score:
2,444
Rank in 1964:
Rank in 1960s:
Overall Rank:
Average Rating:
Comments:
Available from
1991-EG
Produced By ROBERT FRIPP
1. Listen
2. Eye Of The Needle
3. Askesis
4. Bicycling To Afghanistan
5. Here Comes My Sweetie
6. An Easy Way
7. Scaling The Whales
8. The Moving Force
9. A Connecticut Yankee In The Court Of King Arthur
10. This Yes
11. Are You Abel? (Ready And Able To Rock & Roll)
12. Spasm For Juanita
13. Hard Times
14. Burning Siesta
15. Empty Magazine
16. Circulation
17. Chiara
18. Asturias
19. Ease God's Sorrow
Yeah, this is some odd stuff. The mastermind behind King Crimson, Robert Fripp, puts out a record that includes 17 guitar players, one female vocalist and one viola. This is what's called musician's music. Play it live, and your audience will include pretty much nothing but guitar players curious about how this works, and no one else.
The songs are actually songs, and you won't find much in the way of solos, which is good...it's not a wankfest. The vocals are sparse, sung only on a few songs a capella. Show Of Hands is really a lot better than it sounds on paper, but you probably won't dig it much unless you play yourself. Still, surprisingly listenable and far more entertaining than the lineup would suggest.
[First added to this chart: 03/13/2013]
Produced By ROBERT FRIPP
1. Listen
2. Eye Of The Needle
3. Askesis
4. Bicycling To Afghanistan
5. Here Comes My Sweetie
6. An Easy Way
7. Scaling The Whales
8. The Moving Force
9. A Connecticut Yankee In The Court Of King Arthur
10. This Yes
11. Are You Abel? (Ready And Able To Rock & Roll)
12. Spasm For Juanita
13. Hard Times
14. Burning Siesta
15. Empty Magazine
16. Circulation
17. Chiara
18. Asturias
19. Ease God's Sorrow
Yeah, this is some odd stuff. The mastermind behind King Crimson, Robert Fripp, puts out a record that includes 17 guitar players, one female vocalist and one viola. This is what's called musician's music. Play it live, and your audience will include pretty much nothing but guitar players curious about how this works, and no one else.
The songs are actually songs, and you won't find much in the way of solos, which is good...it's not a wankfest. The vocals are sparse, sung only on a few songs a capella. Show Of Hands is really a lot better than it sounds on paper, but you probably won't dig it much unless you play yourself. Still, surprisingly listenable and far more entertaining than the lineup would suggest.
[First added to this chart: 03/13/2013]
Available from
1987-WARNER BROTHERS
Produced By BOB MOULD & GRANT HART
1. These Important Years
2. Charity, Chastity, Prudence, And Hope
3. Standing In The Rain
4. Back From Somewhere
5. Ice Cold Ice
6. You're A Soldier
7. Could You Be The One?
8. Too Much Spice
9. Friend, You've Got To Fall
10. Visionary
11. She Floated Away
12. Bed Of Nails
13. Tell You Why Tomorrow
14. It's Not Peculiar
15. Actual Condition
16. No Reservations
17. Turn It Around
18. She's A Woman (And Now He Is A Man)
19. Up In The Air
20. You Can Live At Home
Warehouse is the 7th and final album from Minnesota's indie rock heroes Husker Du. A trio with 2 main songwriters, Bob Mould and Grant Hart, they were one of the first underground bands to get a major record deal, but they are better known for their internal fighting, which led to the breakup. Mould had famously told Hart, "You will never have more than 45% of the writing credits on any album". They broke up on tour for this album, with Hart having drug problems. Mould went on to form Sugar.
As for Warehouse, it's a double album which should have been pared down to a single. It's more polished than their previous work, which works well in spots but not so much in others. "Could You Be The One" and "Ice Cold Ice" are the standouts. They had grown in their approach by this time, but the in-fighting is as palpable as it is on the White Album. Not the best farewell album, but still worth a listen...just keep the remote handy to change tracks.
[First added to this chart: 11/06/2022]
Produced By BOB MOULD & GRANT HART
1. These Important Years
2. Charity, Chastity, Prudence, And Hope
3. Standing In The Rain
4. Back From Somewhere
5. Ice Cold Ice
6. You're A Soldier
7. Could You Be The One?
8. Too Much Spice
9. Friend, You've Got To Fall
10. Visionary
11. She Floated Away
12. Bed Of Nails
13. Tell You Why Tomorrow
14. It's Not Peculiar
15. Actual Condition
16. No Reservations
17. Turn It Around
18. She's A Woman (And Now He Is A Man)
19. Up In The Air
20. You Can Live At Home
Warehouse is the 7th and final album from Minnesota's indie rock heroes Husker Du. A trio with 2 main songwriters, Bob Mould and Grant Hart, they were one of the first underground bands to get a major record deal, but they are better known for their internal fighting, which led to the breakup. Mould had famously told Hart, "You will never have more than 45% of the writing credits on any album". They broke up on tour for this album, with Hart having drug problems. Mould went on to form Sugar.
As for Warehouse, it's a double album which should have been pared down to a single. It's more polished than their previous work, which works well in spots but not so much in others. "Could You Be The One" and "Ice Cold Ice" are the standouts. They had grown in their approach by this time, but the in-fighting is as palpable as it is on the White Album. Not the best farewell album, but still worth a listen...just keep the remote handy to change tracks.
[First added to this chart: 11/06/2022]
Year of Release:
1987
Appears in:
Rank Score:
947
Rank in 1987:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
Total albums: 100. Page 1 of 10
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My Overall Chart: 401-500 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 1% | |
| 1960s | 6 | 6% | |
| 1970s | 27 | 27% | |
| 1980s | 13 | 13% | |
| 1990s | 26 | 26% | |
| 2000s | 23 | 23% | |
| 2010s | 4 | 4% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
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|||
| The Black Crowes | 2 | 2% | |
| Electric Light Orchestra | 2 | 2% | |
| Talking Heads | 2 | 2% | |
| Dire Straits | 2 | 2% | |
| Johnny Cash | 2 | 2% | |
| Ryan Adams | 2 | 2% | |
| The Allman Brothers Band | 2 | 2% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
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|||
| |
60 | 60% | |
 |
29 | 29% | |
 |
4 | 4% | |
 |
2 | 2% | |
 |
2 | 2% | |
 |
1 | 1% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart: 401-500 chart changes
| Biggest fallers |
|---|
Down 1 from 1st to 2nd |
Down 1 from 2nd to 3rd |
Down 1 from 3rd to 4th |
| New entries |
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| Leavers |
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My Overall Chart: 401-500 similarity to your chart(s)
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My Overall Chart: 401-500 ratings
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Showing latest 3 ratings for this chart. | Show all 7 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
| ! | 10/15/2019 23:38 | DJENNY | 4,335 | 100/100 |
| ! | 04/10/2019 15:37 |  TheDude85 | 43 | 95/100 |
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My Overall Chart: 401-500 comments
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dihansse 04/01/2016 19:43 | #163106
dihansse 04/01/2016 19:43 | #163106
I thought you had forgotten R.E.M. but here they are. Master of Puppets are ranked very low but why not ;)
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