My Overall Chart: 401-500
by 
Romanelli 
- Chart updated: 07/31/2026 19:45
- (Created: 12/28/2012 00:29).
- Chart size: 100 albums.
There are 2 comments for this chart from BestEverAlbums.com members and My Overall Chart: 401-500 has an average rating of 89 out of 100 (from 7 votes). Please log in or create an account to leave a comment or assign a rating.
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[First added to this chart: 01/08/2013]
[First added to this chart: 01/08/2013]
1972-WARNER BROS.
Produced By TED TEMPLEMAN
1. Listen To The Music
2. Rockin’ Down The Highway
3. Mamaloi
4. Toulouse Street
5. Cotton Mouth
6. Don’t Start Me To Talkin’
7. Jesus Is Just Alright
8. White Sun
9. Disciple
10. Snake Man
The Doobie Brothers always had a kind of Southern New Orleans tinge to their music, but they were, in fact, a very California band. In the early years, they were favorites of the Hells Angels, and were led by Tom Johnston, a true rocker, who kept an edge to their sound. Later, after Johnston had his role diminished due to exhaustion and health issues, the band brought in Jeff “Skunk:” Baxter and Michael MacDonald from Steely Dan, changing the band’s sound entirely. But this is the Doobies at their early best. It showcases the band’s early ability to crank out hit singles, and gives at look at them at their best…and their most unspectacular. With two songwriters in Johnston and Patrick Simmons, they nonetheless included three covers on this album, surprising given the abilities they had.
The album contains three hits: Johnston’s “Listen To The Music” and “Rockin’ Down The Highway” are excellent. “Jesus Is Just Alright” follows the earlier version by The Byrds almost to the letter. From there, the quality of material drops. The two Simmons contributions, “Mamaloi” and “Toulouse Street” are average at best. “Cotton Mouth” is from, of all people, Seals & Crofts. Nothing else stands out, and although the playing is exceptional, there’s nothing outside of the three hits that will really grab you. Particularly in the early days, this is a band whose singles are great but surrounded by filler. A better way to experience the early days of this band is on Best Of The Doobies, which leaves the filler behind. [First added to this chart: 03/22/2020]
Produced By TED TEMPLEMAN
1. Listen To The Music
2. Rockin’ Down The Highway
3. Mamaloi
4. Toulouse Street
5. Cotton Mouth
6. Don’t Start Me To Talkin’
7. Jesus Is Just Alright
8. White Sun
9. Disciple
10. Snake Man
The Doobie Brothers always had a kind of Southern New Orleans tinge to their music, but they were, in fact, a very California band. In the early years, they were favorites of the Hells Angels, and were led by Tom Johnston, a true rocker, who kept an edge to their sound. Later, after Johnston had his role diminished due to exhaustion and health issues, the band brought in Jeff “Skunk:” Baxter and Michael MacDonald from Steely Dan, changing the band’s sound entirely. But this is the Doobies at their early best. It showcases the band’s early ability to crank out hit singles, and gives at look at them at their best…and their most unspectacular. With two songwriters in Johnston and Patrick Simmons, they nonetheless included three covers on this album, surprising given the abilities they had.
The album contains three hits: Johnston’s “Listen To The Music” and “Rockin’ Down The Highway” are excellent. “Jesus Is Just Alright” follows the earlier version by The Byrds almost to the letter. From there, the quality of material drops. The two Simmons contributions, “Mamaloi” and “Toulouse Street” are average at best. “Cotton Mouth” is from, of all people, Seals & Crofts. Nothing else stands out, and although the playing is exceptional, there’s nothing outside of the three hits that will really grab you. Particularly in the early days, this is a band whose singles are great but surrounded by filler. A better way to experience the early days of this band is on Best Of The Doobies, which leaves the filler behind. [First added to this chart: 03/22/2020]
2005-VIRGIN
Produced By TONY HOFFER
1. Seaside
2. See The World
3. Sofa Song
4. Eddie’s Gun
5. Ooh La
6. You Don’t Love Me
7. She Moves In Her own Way
8. Matchbox
9. Naïve
10. I Want You
11. If Only
12. Jackie Big Tits
13. Time Awaits
14. Got No Love
15. Do You Love Me Still?
Ah, Britpop. Inside In/Inside Out is the clumsily titled debut album from The Kooks, a kind of breath of fresh air for rock and roll in the latter half of the 2000’s. The Kooks are high energy, but it’s the right kind of energy in a sea of mopey and intelligent sounding bands. Their sound is very modern, but you can hear the influence of the 60’s British Invasion constantly trying to break free from their sound. The band has had big mainstream success for good reason: they write unbelievably catchy good songs that simply can’t be denied. Unfortunately, they have been a hit pretty much everywhere in the world except for the US, where this album has yet to reach gold status.
Although Inside In/Inside Out is not perfect, it’s a solid and exciting debut. “Ooh La”, “Eddie’s Gun”, “Sofa Song”, “She Moves In Her Owen Way”…all would have been nice, fresh additions to the American charts, which have been loaded with garbage for years. No matter…The Kooks are still at it, with two more albums out since then. Luke Pritchard’s very English vocals can be a chore, but if you can dig that, you’ll like this strong debut album a lot. [First added to this chart: 04/26/2026]
Produced By TONY HOFFER
1. Seaside
2. See The World
3. Sofa Song
4. Eddie’s Gun
5. Ooh La
6. You Don’t Love Me
7. She Moves In Her own Way
8. Matchbox
9. Naïve
10. I Want You
11. If Only
12. Jackie Big Tits
13. Time Awaits
14. Got No Love
15. Do You Love Me Still?
Ah, Britpop. Inside In/Inside Out is the clumsily titled debut album from The Kooks, a kind of breath of fresh air for rock and roll in the latter half of the 2000’s. The Kooks are high energy, but it’s the right kind of energy in a sea of mopey and intelligent sounding bands. Their sound is very modern, but you can hear the influence of the 60’s British Invasion constantly trying to break free from their sound. The band has had big mainstream success for good reason: they write unbelievably catchy good songs that simply can’t be denied. Unfortunately, they have been a hit pretty much everywhere in the world except for the US, where this album has yet to reach gold status.
Although Inside In/Inside Out is not perfect, it’s a solid and exciting debut. “Ooh La”, “Eddie’s Gun”, “Sofa Song”, “She Moves In Her Owen Way”…all would have been nice, fresh additions to the American charts, which have been loaded with garbage for years. No matter…The Kooks are still at it, with two more albums out since then. Luke Pritchard’s very English vocals can be a chore, but if you can dig that, you’ll like this strong debut album a lot. [First added to this chart: 04/26/2026]
Year of Release:
2006
Appears in:
Rank Score:
576
Rank in 2006:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 01/08/2013]
Year of Release:
1964
Appears in:
Rank Score:
2,404
Rank in 1964:
Rank in 1960s:
Overall Rank:
Average Rating:
Comments:
1991-EG
Produced By ROBERT FRIPP
1. Listen
2. Eye Of The Needle
3. Askesis
4. Bicycling To Afghanistan
5. Here Comes My Sweetie
6. An Easy Way
7. Scaling The Whales
8. The Moving Force
9. A Connecticut Yankee In The Court Of King Arthur
10. This Yes
11. Are You Abel? (Ready And Able To Rock & Roll)
12. Spasm For Juanita
13. Hard Times
14. Burning Siesta
15. Empty Magazine
16. Circulation
17. Chiara
18. Asturias
19. Ease God's Sorrow
Yeah, this is some odd stuff. The mastermind behind King Crimson, Robert Fripp, puts out a record that includes 17 guitar players, one female vocalist and one viola. This is what's called musician's music. Play it live, and your audience will include pretty much nothing but guitar players curious about how this works, and no one else.
The songs are actually songs, and you won't find much in the way of solos, which is good...it's not a wankfest. The vocals are sparse, sung only on a few songs a capella. Show Of Hands is really a lot better than it sounds on paper, but you probably won't dig it much unless you play yourself. Still, surprisingly listenable and far more entertaining than the lineup would suggest. [First added to this chart: 03/13/2013]
Produced By ROBERT FRIPP
1. Listen
2. Eye Of The Needle
3. Askesis
4. Bicycling To Afghanistan
5. Here Comes My Sweetie
6. An Easy Way
7. Scaling The Whales
8. The Moving Force
9. A Connecticut Yankee In The Court Of King Arthur
10. This Yes
11. Are You Abel? (Ready And Able To Rock & Roll)
12. Spasm For Juanita
13. Hard Times
14. Burning Siesta
15. Empty Magazine
16. Circulation
17. Chiara
18. Asturias
19. Ease God's Sorrow
Yeah, this is some odd stuff. The mastermind behind King Crimson, Robert Fripp, puts out a record that includes 17 guitar players, one female vocalist and one viola. This is what's called musician's music. Play it live, and your audience will include pretty much nothing but guitar players curious about how this works, and no one else.
The songs are actually songs, and you won't find much in the way of solos, which is good...it's not a wankfest. The vocals are sparse, sung only on a few songs a capella. Show Of Hands is really a lot better than it sounds on paper, but you probably won't dig it much unless you play yourself. Still, surprisingly listenable and far more entertaining than the lineup would suggest. [First added to this chart: 03/13/2013]
1987-WARNER BROTHERS
Produced By BOB MOULD & GRANT HART
1. These Important Years
2. Charity, Chastity, Prudence, And Hope
3. Standing In The Rain
4. Back From Somewhere
5. Ice Cold Ice
6. You're A Soldier
7. Could You Be The One?
8. Too Much Spice
9. Friend, You've Got To Fall
10. Visionary
11. She Floated Away
12. Bed Of Nails
13. Tell You Why Tomorrow
14. It's Not Peculiar
15. Actual Condition
16. No Reservations
17. Turn It Around
18. She's A Woman (And Now He Is A Man)
19. Up In The Air
20. You Can Live At Home
Warehouse is the 7th and final album from Minnesota's indie rock heroes Husker Du. A trio with 2 main songwriters, Bob Mould and Grant Hart, they were one of the first underground bands to get a major record deal, but they are better known for their internal fighting, which led to the breakup. Mould had famously told Hart, "You will never have more than 45% of the writing credits on any album". They broke up on tour for this album, with Hart having drug problems. Mould went on to form Sugar.
As for Warehouse, it's a double album which should have been pared down to a single. It's more polished than their previous work, which works well in spots but not so much in others. "Could You Be The One" and "Ice Cold Ice" are the standouts. They had grown in their approach by this time, but the in-fighting is as palpable as it is on the White Album. Not the best farewell album, but still worth a listen...just keep the remote handy to change tracks. [First added to this chart: 11/06/2022]
Produced By BOB MOULD & GRANT HART
1. These Important Years
2. Charity, Chastity, Prudence, And Hope
3. Standing In The Rain
4. Back From Somewhere
5. Ice Cold Ice
6. You're A Soldier
7. Could You Be The One?
8. Too Much Spice
9. Friend, You've Got To Fall
10. Visionary
11. She Floated Away
12. Bed Of Nails
13. Tell You Why Tomorrow
14. It's Not Peculiar
15. Actual Condition
16. No Reservations
17. Turn It Around
18. She's A Woman (And Now He Is A Man)
19. Up In The Air
20. You Can Live At Home
Warehouse is the 7th and final album from Minnesota's indie rock heroes Husker Du. A trio with 2 main songwriters, Bob Mould and Grant Hart, they were one of the first underground bands to get a major record deal, but they are better known for their internal fighting, which led to the breakup. Mould had famously told Hart, "You will never have more than 45% of the writing credits on any album". They broke up on tour for this album, with Hart having drug problems. Mould went on to form Sugar.
As for Warehouse, it's a double album which should have been pared down to a single. It's more polished than their previous work, which works well in spots but not so much in others. "Could You Be The One" and "Ice Cold Ice" are the standouts. They had grown in their approach by this time, but the in-fighting is as palpable as it is on the White Album. Not the best farewell album, but still worth a listen...just keep the remote handy to change tracks. [First added to this chart: 11/06/2022]
Year of Release:
1987
Appears in:
Rank Score:
952
Rank in 1987:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 09/17/2013]
2005 – OH BOY
Produced By JOHN PRINE & GARY PACZOSA
1. Glory Of True Love
2. Crazy As A Loon
3. Long Monday
4. Taking A Walk
5. Some Humans Ain’t Human
6. My Darlin’ Hometown
7. Morning Train
8. The Moon Is Down
9. Clay Pigeons
10. She Is My Everything
11. I Hate It When That Happens To Me
12. Bear Creek Blues
13. Other Side Of Town (Live)
14. Safety Joe
From his debut album in 1971 through German Afternoons in 1986, John Prine was a fairly prolific artist. He continued to put out albums after that, but studio albums with new material began to be few and far between. There were only two studio albums in the next decade, after which it was another ten years before Fair & Square showed up. He wasn’t invisible during that time…there was a live album, a duet album and a German release where he re-recorded many of his greatest songs. So, Fair & Square was a most welcome addition. It finds Prine in fine voice, with a band that can’t be argued with (including Alison Krauss & Union Station). On the surface, this sounds just fine. But this is also the point where Prine shows that he has run out of songwriting gas. His material had begun to thin out years ago, but here, it’s a whole different Prine. Gone is most of his sense of humor, and he’s using more co-writers and more covers than ever before.
There are some great moments here. “Crazy As A Loon” is the high point of the album, a rambling account of a man who’s done his share of rambling. “Long Monday” is one of Prine’s prettier songs, and the live bonus track “Other Side Of Town” is classic and hilarious. His taste in covers has never been questionable, and he does fine with Blaze Foley’s “Clay Pigeons” and A.P. Carter’s “Bear Creek Blues”. But the misses are big as well. “Some Humans Ain’t Human” is 7 minutes of protest song you won’t get back. And much of the second half melds together and starts to become boring…something you’d never imagine John Prine being. Still, Prine has released some average albums in his career (Pink Cadillac, Aimless Love, Lost Dogs And Mixed Blessings come to mind) that have done nothing to cheapen his status as an American institution (which he is), and that’s just what Fair & Square is. It’s an average John Prine album that hasn’t made him any less of a legend than he was before. [First added to this chart: 08/31/2020]
Produced By JOHN PRINE & GARY PACZOSA
1. Glory Of True Love
2. Crazy As A Loon
3. Long Monday
4. Taking A Walk
5. Some Humans Ain’t Human
6. My Darlin’ Hometown
7. Morning Train
8. The Moon Is Down
9. Clay Pigeons
10. She Is My Everything
11. I Hate It When That Happens To Me
12. Bear Creek Blues
13. Other Side Of Town (Live)
14. Safety Joe
From his debut album in 1971 through German Afternoons in 1986, John Prine was a fairly prolific artist. He continued to put out albums after that, but studio albums with new material began to be few and far between. There were only two studio albums in the next decade, after which it was another ten years before Fair & Square showed up. He wasn’t invisible during that time…there was a live album, a duet album and a German release where he re-recorded many of his greatest songs. So, Fair & Square was a most welcome addition. It finds Prine in fine voice, with a band that can’t be argued with (including Alison Krauss & Union Station). On the surface, this sounds just fine. But this is also the point where Prine shows that he has run out of songwriting gas. His material had begun to thin out years ago, but here, it’s a whole different Prine. Gone is most of his sense of humor, and he’s using more co-writers and more covers than ever before.
There are some great moments here. “Crazy As A Loon” is the high point of the album, a rambling account of a man who’s done his share of rambling. “Long Monday” is one of Prine’s prettier songs, and the live bonus track “Other Side Of Town” is classic and hilarious. His taste in covers has never been questionable, and he does fine with Blaze Foley’s “Clay Pigeons” and A.P. Carter’s “Bear Creek Blues”. But the misses are big as well. “Some Humans Ain’t Human” is 7 minutes of protest song you won’t get back. And much of the second half melds together and starts to become boring…something you’d never imagine John Prine being. Still, Prine has released some average albums in his career (Pink Cadillac, Aimless Love, Lost Dogs And Mixed Blessings come to mind) that have done nothing to cheapen his status as an American institution (which he is), and that’s just what Fair & Square is. It’s an average John Prine album that hasn’t made him any less of a legend than he was before. [First added to this chart: 08/31/2020]
[First added to this chart: 12/27/2021]
Total albums: 100. Page 1 of 10
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My Overall Chart: 401-500 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 1% | |
| 1960s | 6 | 6% | |
| 1970s | 26 | 26% | |
| 1980s | 14 | 14% | |
| 1990s | 27 | 27% | |
| 2000s | 22 | 22% | |
| 2010s | 4 | 4% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
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| The Allman Brothers Band | 2 | 2% | |
| The Black Crowes | 2 | 2% | |
| Electric Light Orchestra | 2 | 2% | |
| Johnny Cash | 2 | 2% | |
| Dire Straits | 2 | 2% | |
| Talking Heads | 2 | 2% | |
| Ryan Adams | 2 | 2% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
| |
60 | 60% | |
 |
29 | 29% | |
 |
5 | 5% | |
 |
2 | 2% | |
 |
1 | 1% | |
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1 | 1% | |
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1 | 1% | |
| Show all | |||
My Overall Chart: 401-500 chart changes
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My Overall Chart: 401-500 ratings
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Showing latest 5 ratings for this chart. | Show all 7 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
| ! | 10/15/2019 23:38 | DJENNY | 4,335 | 100/100 |
| ! | 04/10/2019 15:37 |  TheDude85 | 43 | 95/100 |
| ! | 10/01/2016 19:24 |  Onater | 456 | 90/100 |
| ! | 04/01/2016 19:43 |  dihansse | 312 | 84/100 |
| ! | 02/13/2014 23:43 | PauloPaz | 1,759 | 89/100 |
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My Overall Chart: 401-500 comments
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dihansse 04/01/2016 19:43 | #163106
dihansse 04/01/2016 19:43 | #163106
I thought you had forgotten R.E.M. but here they are. Master of Puppets are ranked very low but why not ;)
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From
guigs13 01/10/2013 23:45 | #61019
Great!
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