My Overall Chart: 401-500
by 
Romanelli 
- Chart updated: 06/10/2026 17:15
- (Created: 12/28/2012 00:29).
- Chart size: 100 albums.
There are 2 comments for this chart from BestEverAlbums.com members and My Overall Chart: 401-500 has an average rating of 89 out of 100 (from 7 votes). Please log in or register to leave a comment or assign a rating.
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[First added to this chart: 01/08/2013]
1972-WARNER BROS.
Produced By TED TEMPLEMAN
1. Listen To The Music
2. Rockin’ Down The Highway
3. Mamaloi
4. Toulouse Street
5. Cotton Mouth
6. Don’t Start Me To Talkin’
7. Jesus Is Just Alright
8. White Sun
9. Disciple
10. Snake Man
The Doobie Brothers always had a kind of Southern New Orleans tinge to their music, but they were, in fact, a very California band. In the early years, they were favorites of the Hells Angels, and were led by Tom Johnston, a true rocker, who kept an edge to their sound. Later, after Johnston had his role diminished due to exhaustion and health issues, the band brought in Jeff “Skunk:” Baxter and Michael MacDonald from Steely Dan, changing the band’s sound entirely. But this is the Doobies at their early best. It showcases the band’s early ability to crank out hit singles, and gives at look at them at their best…and their most unspectacular. With two songwriters in Johnston and Patrick Simmons, they nonetheless included three covers on this album, surprising given the abilities they had.
The album contains three hits: Johnston’s “Listen To The Music” and “Rockin’ Down The Highway” are excellent. “Jesus Is Just Alright” follows the earlier version by The Byrds almost to the letter. From there, the quality of material drops. The two Simmons contributions, “Mamaloi” and “Toulouse Street” are average at best. “Cotton Mouth” is from, of all people, Seals & Crofts. Nothing else stands out, and although the playing is exceptional, there’s nothing outside of the three hits that will really grab you. Particularly in the early days, this is a band whose singles are great but surrounded by filler. A better way to experience the early days of this band is on Best Of The Doobies, which leaves the filler behind. [First added to this chart: 03/22/2020]
Produced By TED TEMPLEMAN
1. Listen To The Music
2. Rockin’ Down The Highway
3. Mamaloi
4. Toulouse Street
5. Cotton Mouth
6. Don’t Start Me To Talkin’
7. Jesus Is Just Alright
8. White Sun
9. Disciple
10. Snake Man
The Doobie Brothers always had a kind of Southern New Orleans tinge to their music, but they were, in fact, a very California band. In the early years, they were favorites of the Hells Angels, and were led by Tom Johnston, a true rocker, who kept an edge to their sound. Later, after Johnston had his role diminished due to exhaustion and health issues, the band brought in Jeff “Skunk:” Baxter and Michael MacDonald from Steely Dan, changing the band’s sound entirely. But this is the Doobies at their early best. It showcases the band’s early ability to crank out hit singles, and gives at look at them at their best…and their most unspectacular. With two songwriters in Johnston and Patrick Simmons, they nonetheless included three covers on this album, surprising given the abilities they had.
The album contains three hits: Johnston’s “Listen To The Music” and “Rockin’ Down The Highway” are excellent. “Jesus Is Just Alright” follows the earlier version by The Byrds almost to the letter. From there, the quality of material drops. The two Simmons contributions, “Mamaloi” and “Toulouse Street” are average at best. “Cotton Mouth” is from, of all people, Seals & Crofts. Nothing else stands out, and although the playing is exceptional, there’s nothing outside of the three hits that will really grab you. Particularly in the early days, this is a band whose singles are great but surrounded by filler. A better way to experience the early days of this band is on Best Of The Doobies, which leaves the filler behind. [First added to this chart: 03/22/2020]
2005-VIRGIN
Produced By TONY HOFFER
1. Seaside
2. See The World
3. Sofa Song
4. Eddie’s Gun
5. Ooh La
6. You Don’t Love Me
7. She Moves In Her own Way
8. Matchbox
9. Naïve
10. I Want You
11. If Only
12. Jackie Big Tits
13. Time Awaits
14. Got No Love
15. Do You Love Me Still?
Ah, Britpop. Inside In/Inside Out is the clumsily titled debut album from The Kooks, a kind of breath of fresh air for rock and roll in the latter half of the 2000’s. The Kooks are high energy, but it’s the right kind of energy in a sea of mopey and intelligent sounding bands. Their sound is very modern, but you can hear the influence of the 60’s British Invasion constantly trying to break free from their sound. The band has had big mainstream success for good reason: they write unbelievably catchy good songs that simply can’t be denied. Unfortunately, they have been a hit pretty much everywhere in the world except for the US, where this album has yet to reach gold status.
Although Inside In/Inside Out is not perfect, it’s a solid and exciting debut. “Ooh La”, “Eddie’s Gun”, “Sofa Song”, “She Moves In Her Owen Way”…all would have been nice, fresh additions to the American charts, which have been loaded with garbage for years. No matter…The Kooks are still at it, with two more albums out since then. Luke Pritchard’s very English vocals can be a chore, but if you can dig that, you’ll like this strong debut album a lot. [First added to this chart: 04/26/2026]
Produced By TONY HOFFER
1. Seaside
2. See The World
3. Sofa Song
4. Eddie’s Gun
5. Ooh La
6. You Don’t Love Me
7. She Moves In Her own Way
8. Matchbox
9. Naïve
10. I Want You
11. If Only
12. Jackie Big Tits
13. Time Awaits
14. Got No Love
15. Do You Love Me Still?
Ah, Britpop. Inside In/Inside Out is the clumsily titled debut album from The Kooks, a kind of breath of fresh air for rock and roll in the latter half of the 2000’s. The Kooks are high energy, but it’s the right kind of energy in a sea of mopey and intelligent sounding bands. Their sound is very modern, but you can hear the influence of the 60’s British Invasion constantly trying to break free from their sound. The band has had big mainstream success for good reason: they write unbelievably catchy good songs that simply can’t be denied. Unfortunately, they have been a hit pretty much everywhere in the world except for the US, where this album has yet to reach gold status.
Although Inside In/Inside Out is not perfect, it’s a solid and exciting debut. “Ooh La”, “Eddie’s Gun”, “Sofa Song”, “She Moves In Her Owen Way”…all would have been nice, fresh additions to the American charts, which have been loaded with garbage for years. No matter…The Kooks are still at it, with two more albums out since then. Luke Pritchard’s very English vocals can be a chore, but if you can dig that, you’ll like this strong debut album a lot. [First added to this chart: 04/26/2026]
Year of Release:
2006
Appears in:
Rank Score:
582
Rank in 2006:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 01/08/2013]
Year of Release:
1964
Appears in:
Rank Score:
2,416
Rank in 1964:
Rank in 1960s:
Overall Rank:
Average Rating:
Comments:
1991-EG
Produced By ROBERT FRIPP
1. Listen
2. Eye Of The Needle
3. Askesis
4. Bicycling To Afghanistan
5. Here Comes My Sweetie
6. An Easy Way
7. Scaling The Whales
8. The Moving Force
9. A Connecticut Yankee In The Court Of King Arthur
10. This Yes
11. Are You Abel? (Ready And Able To Rock & Roll)
12. Spasm For Juanita
13. Hard Times
14. Burning Siesta
15. Empty Magazine
16. Circulation
17. Chiara
18. Asturias
19. Ease God's Sorrow
Yeah, this is some odd stuff. The mastermind behind King Crimson, Robert Fripp, puts out a record that includes 17 guitar players, one female vocalist and one viola. This is what's called musician's music. Play it live, and your audience will include pretty much nothing but guitar players curious about how this works, and no one else.
The songs are actually songs, and you won't find much in the way of solos, which is good...it's not a wankfest. The vocals are sparse, sung only on a few songs a capella. Show Of Hands is really a lot better than it sounds on paper, but you probably won't dig it much unless you play yourself. Still, surprisingly listenable and far more entertaining than the lineup would suggest. [First added to this chart: 03/13/2013]
Produced By ROBERT FRIPP
1. Listen
2. Eye Of The Needle
3. Askesis
4. Bicycling To Afghanistan
5. Here Comes My Sweetie
6. An Easy Way
7. Scaling The Whales
8. The Moving Force
9. A Connecticut Yankee In The Court Of King Arthur
10. This Yes
11. Are You Abel? (Ready And Able To Rock & Roll)
12. Spasm For Juanita
13. Hard Times
14. Burning Siesta
15. Empty Magazine
16. Circulation
17. Chiara
18. Asturias
19. Ease God's Sorrow
Yeah, this is some odd stuff. The mastermind behind King Crimson, Robert Fripp, puts out a record that includes 17 guitar players, one female vocalist and one viola. This is what's called musician's music. Play it live, and your audience will include pretty much nothing but guitar players curious about how this works, and no one else.
The songs are actually songs, and you won't find much in the way of solos, which is good...it's not a wankfest. The vocals are sparse, sung only on a few songs a capella. Show Of Hands is really a lot better than it sounds on paper, but you probably won't dig it much unless you play yourself. Still, surprisingly listenable and far more entertaining than the lineup would suggest. [First added to this chart: 03/13/2013]
1987-WARNER BROTHERS
Produced By BOB MOULD & GRANT HART
1. These Important Years
2. Charity, Chastity, Prudence, And Hope
3. Standing In The Rain
4. Back From Somewhere
5. Ice Cold Ice
6. You're A Soldier
7. Could You Be The One?
8. Too Much Spice
9. Friend, You've Got To Fall
10. Visionary
11. She Floated Away
12. Bed Of Nails
13. Tell You Why Tomorrow
14. It's Not Peculiar
15. Actual Condition
16. No Reservations
17. Turn It Around
18. She's A Woman (And Now He Is A Man)
19. Up In The Air
20. You Can Live At Home
Warehouse is the 7th and final album from Minnesota's indie rock heroes Husker Du. A trio with 2 main songwriters, Bob Mould and Grant Hart, they were one of the first underground bands to get a major record deal, but they are better known for their internal fighting, which led to the breakup. Mould had famously told Hart, "You will never have more than 45% of the writing credits on any album". They broke up on tour for this album, with Hart having drug problems. Mould went on to form Sugar.
As for Warehouse, it's a double album which should have been pared down to a single. It's more polished than their previous work, which works well in spots but not so much in others. "Could You Be The One" and "Ice Cold Ice" are the standouts. They had grown in their approach by this time, but the in-fighting is as palpable as it is on the White Album. Not the best farewell album, but still worth a listen...just keep the remote handy to change tracks. [First added to this chart: 11/06/2022]
Produced By BOB MOULD & GRANT HART
1. These Important Years
2. Charity, Chastity, Prudence, And Hope
3. Standing In The Rain
4. Back From Somewhere
5. Ice Cold Ice
6. You're A Soldier
7. Could You Be The One?
8. Too Much Spice
9. Friend, You've Got To Fall
10. Visionary
11. She Floated Away
12. Bed Of Nails
13. Tell You Why Tomorrow
14. It's Not Peculiar
15. Actual Condition
16. No Reservations
17. Turn It Around
18. She's A Woman (And Now He Is A Man)
19. Up In The Air
20. You Can Live At Home
Warehouse is the 7th and final album from Minnesota's indie rock heroes Husker Du. A trio with 2 main songwriters, Bob Mould and Grant Hart, they were one of the first underground bands to get a major record deal, but they are better known for their internal fighting, which led to the breakup. Mould had famously told Hart, "You will never have more than 45% of the writing credits on any album". They broke up on tour for this album, with Hart having drug problems. Mould went on to form Sugar.
As for Warehouse, it's a double album which should have been pared down to a single. It's more polished than their previous work, which works well in spots but not so much in others. "Could You Be The One" and "Ice Cold Ice" are the standouts. They had grown in their approach by this time, but the in-fighting is as palpable as it is on the White Album. Not the best farewell album, but still worth a listen...just keep the remote handy to change tracks. [First added to this chart: 11/06/2022]
Year of Release:
1987
Appears in:
Rank Score:
932
Rank in 1987:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 09/17/2013]
[First added to this chart: 08/31/2020]
[First added to this chart: 12/27/2021]
2006-BRUSHFIRE
Produced By TOM DUMONT & PHIL EK
1. Cold December
2. Astair
3. Sweet Thursday
4. Sunshine
5. These Arms
6. Ballad Of Miss Kate
7. Sweet Rose
8. Songs We Sing
9. Yellow Taxi
10. I Tried
11. Behind The Moon
12. Oh Dear
13. Wash Away
Portuguese American singer songwriter Matt Costa was 21 when his homemade demo found the ears of No Doubt guitarist Tom Dumont. The two recorded more demos, then a pair of EP’s (Matt Costa and The Elasmosaurus), which they sold basically out of the trunk of a car. The EP’s were basically put together and remixed into the original version of the album Songs We Sing, which was independently released in 2005. It was then remixed again, with a different tracklist, and put out in its current configuration on Jack Johnson’s label, Brushfire Records, in 2006 (the original album was last available on CD Baby, and has sold out with no more copies available). The trajectory of this album over three years and into increasingly more powerful hands is understandable. While not a perfect record, Songs We Sing shows real promise, and is about as charming a debut album as you’ll find. From the beginning of “Cold December”, you know that this kid has got something. He’s nowhere near as loud as No Doubt, and he’s much less jazzy than Johnson. Which is what makes Costa, and Songs we sing, so appealing. He’s like a throwback to the old singer-songwriters of the 1970’s.
Being signed to Jack Johnson’s label has its perks…but it also brings comparisons to its owner. Costa brings more to mind John Butler than he does Johnson. He also brings to mind a lot of other people as well. Costa seems to change his style for each song, even to the point of annoyingly jumping from American to a British accent. This becomes more of a distraction than anything else, as what Costa has above all else is a batch of pretty great songs…why hide them behind different personas? Be yourself, man, and let your songs speak for themselves! Despite this, Songs We Sing does bring the same sunny disposition that Johnson and Butler bring. It’s an album loaded with potential and promise, and it’s a nice listen for the most part…just don’t let the flaws get in your way. Costa continues to record, and is still in the Jack Johnson stable. Still waiting for that huge breakthrough, though. Right off the bat, he was so close. [First added to this chart: 03/27/2022]
Produced By TOM DUMONT & PHIL EK
1. Cold December
2. Astair
3. Sweet Thursday
4. Sunshine
5. These Arms
6. Ballad Of Miss Kate
7. Sweet Rose
8. Songs We Sing
9. Yellow Taxi
10. I Tried
11. Behind The Moon
12. Oh Dear
13. Wash Away
Portuguese American singer songwriter Matt Costa was 21 when his homemade demo found the ears of No Doubt guitarist Tom Dumont. The two recorded more demos, then a pair of EP’s (Matt Costa and The Elasmosaurus), which they sold basically out of the trunk of a car. The EP’s were basically put together and remixed into the original version of the album Songs We Sing, which was independently released in 2005. It was then remixed again, with a different tracklist, and put out in its current configuration on Jack Johnson’s label, Brushfire Records, in 2006 (the original album was last available on CD Baby, and has sold out with no more copies available). The trajectory of this album over three years and into increasingly more powerful hands is understandable. While not a perfect record, Songs We Sing shows real promise, and is about as charming a debut album as you’ll find. From the beginning of “Cold December”, you know that this kid has got something. He’s nowhere near as loud as No Doubt, and he’s much less jazzy than Johnson. Which is what makes Costa, and Songs we sing, so appealing. He’s like a throwback to the old singer-songwriters of the 1970’s.
Being signed to Jack Johnson’s label has its perks…but it also brings comparisons to its owner. Costa brings more to mind John Butler than he does Johnson. He also brings to mind a lot of other people as well. Costa seems to change his style for each song, even to the point of annoyingly jumping from American to a British accent. This becomes more of a distraction than anything else, as what Costa has above all else is a batch of pretty great songs…why hide them behind different personas? Be yourself, man, and let your songs speak for themselves! Despite this, Songs We Sing does bring the same sunny disposition that Johnson and Butler bring. It’s an album loaded with potential and promise, and it’s a nice listen for the most part…just don’t let the flaws get in your way. Costa continues to record, and is still in the Jack Johnson stable. Still waiting for that huge breakthrough, though. Right off the bat, he was so close. [First added to this chart: 03/27/2022]
Total albums: 100. Page 1 of 10
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My Overall Chart: 401-500 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 1% | |
| 1960s | 5 | 5% | |
| 1970s | 27 | 27% | |
| 1980s | 14 | 14% | |
| 1990s | 28 | 28% | |
| 2000s | 21 | 21% | |
| 2010s | 4 | 4% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| The Allman Brothers Band | 2 | 2% | |
| Electric Light Orchestra | 2 | 2% | |
| The Black Crowes | 2 | 2% | |
| Johnny Cash | 2 | 2% | |
| Dire Straits | 2 | 2% | |
| Ryan Adams | 2 | 2% | |
| Alison Krauss & Union Station | 2 | 2% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
| |
61 | 61% | |
 |
28 | 28% | |
 |
5 | 5% | |
 |
2 | 2% | |
 |
1 | 1% | |
 |
1 | 1% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart: 401-500 chart changes
| Biggest fallers |
|---|
| Down 1 from 42nd to 43rdRock Of Ages (The Band In Concert) by The Band |
| Down 1 from 43rd to 44thLive by Alison Krauss & Union Station |
| Down 1 from 44th to 45thAt Fillmore East by The Allman Brothers Band |
| New entries |
|---|
| Junky Star by Ryan Bingham & The Dead Horses |
| Leavers |
|---|
| Elton John by Elton John |
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My Overall Chart: 401-500 similarity to your chart(s)
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My Overall Chart: 401-500 ratings
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Showing latest 5 ratings for this chart. | Show all 7 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
| 10/15/2019 23:38 | DJENNY | 4,336 | 100/100 | |
| 04/10/2019 15:37 |  TheDude85 | 43 | 95/100 | |
| 10/01/2016 19:24 |  Onater | 456 | 90/100 | |
| 04/01/2016 19:43 |  dihansse | 312 | 84/100 | |
| 02/13/2014 23:43 | PauloPaz | 1,759 | 89/100 |
My Overall Chart: 401-500 favourites
My Overall Chart: 401-500 comments
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From dihansse 04/01/2016 19:43 | #163106
dihansse 04/01/2016 19:43 | #163106
I thought you had forgotten R.E.M. but here they are. Master of Puppets are ranked very low but why not ;)
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From guigs13 01/10/2013 23:45 | #61019
Great!
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