My Overall Chart: 1601-1700
by 
Romanelli 
- Chart updated: 26 hours ago
- (Created: 02/10/2024 23:38).
- Chart size: 100 albums.
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[First added to this chart: 03/19/2024]
Year of Release:
1968
Appears in:
Rank Score:
9,013
Rank in 1968:
Rank in 1960s:
Overall Rank:
Average Rating:
Comments:
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[First added to this chart: 11/07/2025]
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[First added to this chart: 09/03/2025]
Year of Release:
1993
Appears in:
Rank Score:
470
Rank in 1993:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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[First added to this chart: 02/11/2024]
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2000 – AMERICAN
Produced By RICK RUBIN & JOHN CARTER CASH
1. I Won’t Back Down
2. Solitary Man
3. That Lucky Old Sun (Just Rolls Around Heaven All Day)
4. One
5. Nobody
6. I See A Darkness
7. The Mercy Seat
8. Would You Lay With Me (In A Field Of Stone)
9. Field Of Diamonds
10. Before My Time
11. Country Trash
12. Mary Of The Wild Moor
13. I’m Leavin’ Now
14. Wayfaring Stranger
By 2000, Johnny Cash was running out of time. He was sick, and it was starting to tug at his once powerful voice. But he was driven to continue working, by his wife June, producer Rick Rubin, and mostly by himself. American III was the third of the six American albums series. It was also the second to last studio album released during his lifetime. He was no longer touring, but he was still one tough hombre. On this album, he growls out songs of stubbornness and defiance, culling from artists who listened to him as kids that wrote in styles once unfamiliar to Cash. But Johnny had been proving for years that he didn’t care what kind of artist you were…he could cover your damned song. And indeed, late in his career especially, Cash had become an expert interpreter.
He takes on Tom Petty (“I Won’t Back Down”), Neil Diamond (“Solitary Man”) and U2 (“One”) with relative ease. He’s also not afraid of the likes of Will Oldham and Nick Cave. But this isn’t just Cash taking on youngsters. He also reaches back to older days with “That Lucky Old Sun” and the even older “Nobody” (from 1906). The traditional “Wayfaring Stranger” is in good hands, as is David Allan Coe’s “Field Of Stone”. In the second half, he even reaches back into his own catalog with re-recordings of three songs he wrote himself. Petty joins in on the opener, and even Merle Haggard shows up to sing on “I’m Leavin’ Now”. The next album would be a bigger hit (thanks to “Hurt”), but don’t sleep on American III. This is Cash at his older but still driven best. A sleeping classic of an album. [First added to this chart: 05/03/2025]
Produced By RICK RUBIN & JOHN CARTER CASH
1. I Won’t Back Down
2. Solitary Man
3. That Lucky Old Sun (Just Rolls Around Heaven All Day)
4. One
5. Nobody
6. I See A Darkness
7. The Mercy Seat
8. Would You Lay With Me (In A Field Of Stone)
9. Field Of Diamonds
10. Before My Time
11. Country Trash
12. Mary Of The Wild Moor
13. I’m Leavin’ Now
14. Wayfaring Stranger
By 2000, Johnny Cash was running out of time. He was sick, and it was starting to tug at his once powerful voice. But he was driven to continue working, by his wife June, producer Rick Rubin, and mostly by himself. American III was the third of the six American albums series. It was also the second to last studio album released during his lifetime. He was no longer touring, but he was still one tough hombre. On this album, he growls out songs of stubbornness and defiance, culling from artists who listened to him as kids that wrote in styles once unfamiliar to Cash. But Johnny had been proving for years that he didn’t care what kind of artist you were…he could cover your damned song. And indeed, late in his career especially, Cash had become an expert interpreter.
He takes on Tom Petty (“I Won’t Back Down”), Neil Diamond (“Solitary Man”) and U2 (“One”) with relative ease. He’s also not afraid of the likes of Will Oldham and Nick Cave. But this isn’t just Cash taking on youngsters. He also reaches back to older days with “That Lucky Old Sun” and the even older “Nobody” (from 1906). The traditional “Wayfaring Stranger” is in good hands, as is David Allan Coe’s “Field Of Stone”. In the second half, he even reaches back into his own catalog with re-recordings of three songs he wrote himself. Petty joins in on the opener, and even Merle Haggard shows up to sing on “I’m Leavin’ Now”. The next album would be a bigger hit (thanks to “Hurt”), but don’t sleep on American III. This is Cash at his older but still driven best. A sleeping classic of an album. [First added to this chart: 05/03/2025]
Year of Release:
2000
Appears in:
Rank Score:
998
Rank in 2000:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
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1997 – VIRGIN
Produced By JANET JACKSON, JIMMY JAM & TERRY LEWIS
1. Interlude – Twisted Elegance
2. Velvet Rope (Feat. Vanessa-Mae)
3. You
4. Got ‘Til It’s Gone (Feat, Q-Tip & Joni Mitchell)
5. Interlude – Speaker Phone
6. My Need
7. Interlude - Fasten Your Seatbelts
8. Go Deep
9. Free Xone
10. Interlude – Memory
11. Together Again
12. Interlude – Online
13. Empty
14. Interlude – Full
15. What About
16. Every Time
17. Tonight’s The Night
18. I Get Lonely
19. Rope Burn
20. Anything
21. Interlude – Sad
22. Special
Janet Jackson had spent her entire life as the little sister of the Jackson 5…and more specifically, of her impossibly famous brother Michael. Just watching Michael’s transformation into a very messed up adult, you had to know that the youngest Jackson would have her own issues. She certainly did. And they all came to the forefront on The Velvet Rope, her sixth album. Not in a bad way…this album is the work of an artist fighting her way to the other side of a publicly problematic life. Janet had a mental breakdown before going into the studio to record this, and to her credit, she made a record that was personally healing, very open, and brutally honest about her demons. The Velvet Rope is about Janet as a lost person with pain and trying her best to deal with it. Rarely does an artist make an album so raw and truthful, but that’s what Janet did.
Her music has always taken a back seat to everyone else in her family, especially Michael. It’s never helped her that she sounds so similar to her siblings. But give this girl credit…she does have her own voice, and she’s not afraid to use it, no matter how much it hurts. Musically, The Velvet Rope might seem like empty dance pop in spots, but pay attention to her lyrics, because that’s what’s important here. The chances she takes aren’t in the instrumentation, but in her words. She deals with her sexual issues, her childhood issues, and her insecurities being who she just so happens to be. Janet Jackson has always been a star, but she has also always struggled to be taken seriously. The Velvet Rope is as close to knowing who she really is as we have ever gotten. [First added to this chart: 01/05/2025]
Produced By JANET JACKSON, JIMMY JAM & TERRY LEWIS
1. Interlude – Twisted Elegance
2. Velvet Rope (Feat. Vanessa-Mae)
3. You
4. Got ‘Til It’s Gone (Feat, Q-Tip & Joni Mitchell)
5. Interlude – Speaker Phone
6. My Need
7. Interlude - Fasten Your Seatbelts
8. Go Deep
9. Free Xone
10. Interlude – Memory
11. Together Again
12. Interlude – Online
13. Empty
14. Interlude – Full
15. What About
16. Every Time
17. Tonight’s The Night
18. I Get Lonely
19. Rope Burn
20. Anything
21. Interlude – Sad
22. Special
Janet Jackson had spent her entire life as the little sister of the Jackson 5…and more specifically, of her impossibly famous brother Michael. Just watching Michael’s transformation into a very messed up adult, you had to know that the youngest Jackson would have her own issues. She certainly did. And they all came to the forefront on The Velvet Rope, her sixth album. Not in a bad way…this album is the work of an artist fighting her way to the other side of a publicly problematic life. Janet had a mental breakdown before going into the studio to record this, and to her credit, she made a record that was personally healing, very open, and brutally honest about her demons. The Velvet Rope is about Janet as a lost person with pain and trying her best to deal with it. Rarely does an artist make an album so raw and truthful, but that’s what Janet did.
Her music has always taken a back seat to everyone else in her family, especially Michael. It’s never helped her that she sounds so similar to her siblings. But give this girl credit…she does have her own voice, and she’s not afraid to use it, no matter how much it hurts. Musically, The Velvet Rope might seem like empty dance pop in spots, but pay attention to her lyrics, because that’s what’s important here. The chances she takes aren’t in the instrumentation, but in her words. She deals with her sexual issues, her childhood issues, and her insecurities being who she just so happens to be. Janet Jackson has always been a star, but she has also always struggled to be taken seriously. The Velvet Rope is as close to knowing who she really is as we have ever gotten. [First added to this chart: 01/05/2025]
Year of Release:
1997
Appears in:
Rank Score:
1,262
Rank in 1997:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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[First added to this chart: 01/07/2025]
Buy album
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[First added to this chart: 01/10/2025]
Buy album
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1980 – EX RECORDS
Produced By DOLF
1. The Sky Is Blue Again
2. Map
3. Outlook-Army
4. Sucking Pig
5. A Sense Of Tumour
6. Meanwhile
7. Rules
8. Squatsong
9. Warning-Shot
10. New Wars
11. Introduction
12. Human Car
13. Punk
14. Horse
Not all of the early punk bands came from Britain. The Ex came out of Amsterdam in 1980 with their debut album, Disturbing Domestic Peace. Fast and quick…the 10 songs made for an album so short that the band decided to release it as a 45 RPM disc, and added a 7 inch 4 song live disc…the 14 songs came to a grand total of 30 minutes. It’s good…it’s not great. It has its place in punk history for sure, and The Ex has built a long and storied career from these beginnings. But they were never on the same level as Sex Pistols or The Clash, or even The Damned. Still…this is definitelyworth taking a listen to.
The Ex, who have morphed over the years into noise rock and post punk, then jazz and even African music, were sufficiently politically charged here. They cover issues like police brutality, sexual assault and squatting (which was a Dutch issue at the time). And there’s certainly no wasted space here. They’re at fourteen studio albums and still going, not known for hits…but it’s REAL punk bands who don’t care for that. And to their credit…The Ex have survived for all these years while keeping their punk sensibilities intact. Disturbing Domestic Peace is more historical than great…but it’s also not bad at all. [First added to this chart: 01/15/2025]
Produced By DOLF
1. The Sky Is Blue Again
2. Map
3. Outlook-Army
4. Sucking Pig
5. A Sense Of Tumour
6. Meanwhile
7. Rules
8. Squatsong
9. Warning-Shot
10. New Wars
11. Introduction
12. Human Car
13. Punk
14. Horse
Not all of the early punk bands came from Britain. The Ex came out of Amsterdam in 1980 with their debut album, Disturbing Domestic Peace. Fast and quick…the 10 songs made for an album so short that the band decided to release it as a 45 RPM disc, and added a 7 inch 4 song live disc…the 14 songs came to a grand total of 30 minutes. It’s good…it’s not great. It has its place in punk history for sure, and The Ex has built a long and storied career from these beginnings. But they were never on the same level as Sex Pistols or The Clash, or even The Damned. Still…this is definitelyworth taking a listen to.
The Ex, who have morphed over the years into noise rock and post punk, then jazz and even African music, were sufficiently politically charged here. They cover issues like police brutality, sexual assault and squatting (which was a Dutch issue at the time). And there’s certainly no wasted space here. They’re at fourteen studio albums and still going, not known for hits…but it’s REAL punk bands who don’t care for that. And to their credit…The Ex have survived for all these years while keeping their punk sensibilities intact. Disturbing Domestic Peace is more historical than great…but it’s also not bad at all. [First added to this chart: 01/15/2025]
Year of Release:
1980
Appears in:
Rank Score:
2
Rank in 1980:
Rank in 1980s:
Average Rating:
Comments:
Buy album
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1993 – CAPITOL
Produced By YOUTH & CROWDED HOUSE
1. Kare Kare
2. In My Command
3. Nails In My Feet
4. Black And White Boy
5. Fingers Of Love
6. Pineapple Head
7. Locked Out
8. Private Universe
9. Walking On The Spot
10. Distant Sun
11. Catherine Wheels
12. Skin Feeling
13. Together Alone
The best thing about Crowded House is that they never sucked. Together Alone is no exception. This is their fourth album, and it’s the follow up to the ridiculously great Woodface from 1991. And even though Neil Finn’s brother Tim had come and gone by the time of this disc, the momentum from Woodface carries on quite well here. This is not as perfect as Woodface, but it’s not far from it. Finn’s songwriting is growing by leaps and bounds here, and while there’s and added maturity, he doesn’t have to sacrifice the fun and the hooks to achieve it. Also, like its predecessor, Together Alone is massively underrated. Even though the album boasts seven singles…it’s mostly a forgotten gem.
Especially in the US, Together Again missed being a big hit. “Locked Out” was the only track that caught on here, and that was because it was included on the Reality Bites soundtrack. The album did well in the UK, New Zealand, and the band’s native Australia, but it was otherwise ignored. That’s our loss, folks. Excellent songs like “Distant Sun”, “Nails In My Feet”, “Pineapple Head”, and “Private Universe” missed the American radar. And for that matter, much of the rest of the world as well. This is a fine album. Not as perfect, and not as exciting as Woodface or Crowded House, but close enough to be an album you should definitely hear. Neil Finn is as fine a songwriter and performer as there is, and this is an album worth seeking out for sure. [First added to this chart: 01/15/2025]
Produced By YOUTH & CROWDED HOUSE
1. Kare Kare
2. In My Command
3. Nails In My Feet
4. Black And White Boy
5. Fingers Of Love
6. Pineapple Head
7. Locked Out
8. Private Universe
9. Walking On The Spot
10. Distant Sun
11. Catherine Wheels
12. Skin Feeling
13. Together Alone
The best thing about Crowded House is that they never sucked. Together Alone is no exception. This is their fourth album, and it’s the follow up to the ridiculously great Woodface from 1991. And even though Neil Finn’s brother Tim had come and gone by the time of this disc, the momentum from Woodface carries on quite well here. This is not as perfect as Woodface, but it’s not far from it. Finn’s songwriting is growing by leaps and bounds here, and while there’s and added maturity, he doesn’t have to sacrifice the fun and the hooks to achieve it. Also, like its predecessor, Together Alone is massively underrated. Even though the album boasts seven singles…it’s mostly a forgotten gem.
Especially in the US, Together Again missed being a big hit. “Locked Out” was the only track that caught on here, and that was because it was included on the Reality Bites soundtrack. The album did well in the UK, New Zealand, and the band’s native Australia, but it was otherwise ignored. That’s our loss, folks. Excellent songs like “Distant Sun”, “Nails In My Feet”, “Pineapple Head”, and “Private Universe” missed the American radar. And for that matter, much of the rest of the world as well. This is a fine album. Not as perfect, and not as exciting as Woodface or Crowded House, but close enough to be an album you should definitely hear. Neil Finn is as fine a songwriter and performer as there is, and this is an album worth seeking out for sure. [First added to this chart: 01/15/2025]
Year of Release:
1993
Appears in:
Rank Score:
810
Rank in 1993:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Total albums: 100. Page 1 of 10
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My Overall Chart: 1601-1700 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 2 | 2% | |
| 1960s | 5 | 5% | |
| 1970s | 12 | 12% | |
| 1980s | 12 | 12% | |
| 1990s | 31 | 31% | |
| 2000s | 32 | 32% | |
| 2010s | 6 | 6% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| Elvis Presley | 3 | 3% | |
| The Rolling Stones | 2 | 2% | |
| Spriguns | 1 | 1% | |
| Robin & Linda Williams | 1 | 1% | |
| Echobelly | 1 | 1% | |
| Social Distortion | 1 | 1% | |
| Lucero | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
| |
62 | 62% | |
 |
21 | 21% | |
 |
5 | 5% | |
 |
2 | 2% | |
 |
2 | 2% | |
 |
1 | 1% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart: 1601-1700 chart changes
| Biggest fallers |
|---|
| Down 1 from 82nd to 83rd Worldwide 50 Gold Award Hits Vol. 1 by Elvis Presley |
| Down 1 from 83rd to 84th Roots Of A Revolution by James Brown |
| Down 1 from 84th to 85th Rearviewmirror (Greatest Hits 1991-2003) by Pearl Jam |
| Leavers |
|---|
| Live At The China Club by Dramarama |
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My Overall Chart: 1601-1700 ratings
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m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
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| Best Artists of the 1980s | |
|---|---|
| 1. The Smiths | |
| 2. Prince | |
| 3. Pixies | |
| 4. The Cure | |
| 5. Talking Heads | |
| 6. U2 | |
| 7. Metallica | |
| 8. Kate Bush | |
| 9. R.E.M. | |
| 10. The Stone Roses | |
| 11. Sonic Youth | |
| 12. Michael Jackson | |
| 13. Bruce Springsteen | |
| 14. Iron Maiden | |
| 15. Prince And The Revolution | |
| 16. Tom Waits | |
| 17. Joy Division | |
| 18. New Order | |
| 19. Talk Talk | |
| 20. Rush |
