My Overall Chart: 501-600
by 
Romanelli 
- Chart updated: 14 hours ago
- (Created: 01/24/2013 09:25).
- Chart size: 100 albums.
There are 3 comments for this chart from BestEverAlbums.com members and My Overall Chart: 501-600 has an average rating of 89 out of 100 (from 8 votes). Please log in or register to leave a comment or assign a rating.
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[First added to this chart: 11/11/2018]
0
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[First added to this chart: 09/29/2024]
Year of Release:
2002
Appears in:
Rank Score:
4,426
Rank in 2002:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
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[First added to this chart: 07/03/2024]
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[First added to this chart: 09/14/2013]
Year of Release:
1979
Appears in:
Rank Score:
841
Rank in 1979:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
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[First added to this chart: 07/16/2025]
Year of Release:
1975
Appears in:
Rank Score:
2,453
Rank in 1975:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
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1984 – ELEKTRA
Produced By JIMMY HAYNES & STEEL PULSE
1. Steppin’ Out
2. Tightrope
3. Throne Of Gold
4. Roller Skates
5. Earth Crisis
6. Bodyguard
7. Grab Education
8. Wild Goose Chase
British reggae inspired by Bob Marley. Steel Pulse came together in 1975, and have been playing ever since. They hold the distinction of being the first non-Jamaican reggae band to win a Best Reggae Album Grammy Award. Earth Crisis is their fifth album, and marks their first decade together. And as pleasant and danceable as it sounds, it covers some serious ground. The album cover gives you ample warning about that…Reagan and Andropov are shown as leaders of the cold war. It also includes images of the Pope, the Ku-Klux Klan, Vietnam refugees and starving African children. Quite the picture. The music is not that depressing, even with the subject matter not being all about love and roses.
“Steppin’ Out” was a hit, and everything else follows suit. Earth Crisis is labeled as a serious protest album, but it’s really not much more than some danceable reggae. Nothing really stands out, making it basically background music. This was a step back from their previous album, True Democracy, and a step behind their next, which would be the Grammy winning Babylon The Bandit. Their label, at the time of Earth Crisis, was trying to move the band into a more mainstream direction, which may be why this seems a bit tentative. Even though they are still together, Steel Pulse has slowed way down. Since 2004, they have released just a pair of records (although the last was nominated for another Grammy). Unfortunately, Earth Crisis is simply not remarkable enough to hold much interest. [First added to this chart: 03/27/2025]
Produced By JIMMY HAYNES & STEEL PULSE
1. Steppin’ Out
2. Tightrope
3. Throne Of Gold
4. Roller Skates
5. Earth Crisis
6. Bodyguard
7. Grab Education
8. Wild Goose Chase
British reggae inspired by Bob Marley. Steel Pulse came together in 1975, and have been playing ever since. They hold the distinction of being the first non-Jamaican reggae band to win a Best Reggae Album Grammy Award. Earth Crisis is their fifth album, and marks their first decade together. And as pleasant and danceable as it sounds, it covers some serious ground. The album cover gives you ample warning about that…Reagan and Andropov are shown as leaders of the cold war. It also includes images of the Pope, the Ku-Klux Klan, Vietnam refugees and starving African children. Quite the picture. The music is not that depressing, even with the subject matter not being all about love and roses.
“Steppin’ Out” was a hit, and everything else follows suit. Earth Crisis is labeled as a serious protest album, but it’s really not much more than some danceable reggae. Nothing really stands out, making it basically background music. This was a step back from their previous album, True Democracy, and a step behind their next, which would be the Grammy winning Babylon The Bandit. Their label, at the time of Earth Crisis, was trying to move the band into a more mainstream direction, which may be why this seems a bit tentative. Even though they are still together, Steel Pulse has slowed way down. Since 2004, they have released just a pair of records (although the last was nominated for another Grammy). Unfortunately, Earth Crisis is simply not remarkable enough to hold much interest. [First added to this chart: 03/27/2025]
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1997 – MERCURY
Produced By ROBERT JOHN “MUTT” LANGE
1. Man! I Feel Like A Woman!
2. I’m Holdin’ On To Love (To Save My Life)
3. Love Gets Me Every Time
4. Don’t Be Stupid (You Know I Love You)
5. From This Moment On
6. Come On Over
7. When
8. Whatever You Do! Don’t!
9. If You Wanna Touch Her, Ask!
10. You’re Still The One
11. Honey, I’m Home
12. That Don’t Impress Me Much
13. Black Eyes, Blue Tears
14. I Won’t Leave You Lonely
15. Rock This Country!
16. You’ve Got A Way
The collaboration between Shania Twain and Robert John “Mutt” Lange reached its peak in 1997 with the album Come On Over. Her third album wasn’t just a hit…it destroyed like very few albums in history ever had. Coming off of the huge success of The Woman In Me, no one expected this much more in the way of sales. 40 million worldwide. Twelve of the sixteen tracks were released as singles, with eight in the top ten. Three went to number one. Just in America. Twain and Lange had found a formula, alright. And it was, at least for a few years, a winner. But more than that. This is the album where the line was crossed into the dark world of pop country. And unfortunately, Nashville has never been the same since. So there’s that.
Come On Over has some great moments. “When” and “From This Moment On” are more country than pop, and are great. But those aren’t the songs that made this a smash. “Man! I Feel Like A Woman!”, “That Don’t Impress Me Much”, and the awful “Don’t Be Stupid (You Know I Love You)” formed the unholy trilogy of pop country excess. Fiddles and twangy guitars can’t hide the fact that this record is less country than pop, the keyboards are awful and out of place, and Twain’s trademark “whoo” is more than tired by this time. But none of that matters. Because Come On Over made Twain a massive star, it made pop country a thing that is chased to this day, and it defined Twain as less of a country artist and more of a pop star. All of which is too bad, because the majority of this album is not bad. Not great, but not as terrible as its legacy suggests. [First added to this chart: 03/31/2025]
Produced By ROBERT JOHN “MUTT” LANGE
1. Man! I Feel Like A Woman!
2. I’m Holdin’ On To Love (To Save My Life)
3. Love Gets Me Every Time
4. Don’t Be Stupid (You Know I Love You)
5. From This Moment On
6. Come On Over
7. When
8. Whatever You Do! Don’t!
9. If You Wanna Touch Her, Ask!
10. You’re Still The One
11. Honey, I’m Home
12. That Don’t Impress Me Much
13. Black Eyes, Blue Tears
14. I Won’t Leave You Lonely
15. Rock This Country!
16. You’ve Got A Way
The collaboration between Shania Twain and Robert John “Mutt” Lange reached its peak in 1997 with the album Come On Over. Her third album wasn’t just a hit…it destroyed like very few albums in history ever had. Coming off of the huge success of The Woman In Me, no one expected this much more in the way of sales. 40 million worldwide. Twelve of the sixteen tracks were released as singles, with eight in the top ten. Three went to number one. Just in America. Twain and Lange had found a formula, alright. And it was, at least for a few years, a winner. But more than that. This is the album where the line was crossed into the dark world of pop country. And unfortunately, Nashville has never been the same since. So there’s that.
Come On Over has some great moments. “When” and “From This Moment On” are more country than pop, and are great. But those aren’t the songs that made this a smash. “Man! I Feel Like A Woman!”, “That Don’t Impress Me Much”, and the awful “Don’t Be Stupid (You Know I Love You)” formed the unholy trilogy of pop country excess. Fiddles and twangy guitars can’t hide the fact that this record is less country than pop, the keyboards are awful and out of place, and Twain’s trademark “whoo” is more than tired by this time. But none of that matters. Because Come On Over made Twain a massive star, it made pop country a thing that is chased to this day, and it defined Twain as less of a country artist and more of a pop star. All of which is too bad, because the majority of this album is not bad. Not great, but not as terrible as its legacy suggests. [First added to this chart: 03/31/2025]
Year of Release:
1997
Appears in:
Rank Score:
486
Rank in 1997:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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1994-CREATION
Produced By OASIS & MARK COYLE
1. Rock ‘N’ Roll Star
2. Shakermaker
3. Live Forever
4. Up In The Sky
5. Columbia
6. Supersonic
7. Bring It On Down
8. Cigarettes & Alcohol
9. Digsy’s Diner
10. Slide Away
11. Married With Children
Hard to believe that it’s been 20 years since Oasis became the biggest band in Britain, and one of the biggest bands in the world. On the strength of three advance singles, “Supersonic”, “Shakermaker” and “Live Forever”, their debut album Definitely Maybe was released to the largest hoopla in England since the Beatles, coming straight out of the gates at number one. It’s not thet Oasis was really THAT great, but that they came along at a time when the British music scene needed a shot in the arm…and Oasis (along with bands like Blur) delivered. The ride for Oasis was incredible, short, and very rocky, but over their first two albums, they were at the top of their craft. Guitarist Noel Gallagher wrote the songs, which were sung and sneered by his brother Liam, and the formula created a storm of hits.
The three advance singles are excellent, particularly “Live Forever”. “Cigarettes & Alcohol” and “Rock ‘N’ Roll Star” are also great singles, but the album as a whole is very good. The only drawback is that the band didn’t really have much in the way of original ideas…you can hear bits of many popular songs on the album. But they knew how to make the recycled riffs work, and work very well. Definitely Maybe could be seen as a near perfect storm (the follow up, (What’s The Story) Morning Glory is somehow even better), a band on the verge of total greatness before the excesses of rock & roll took over and ruined them. But in the mid 90’s, there was no one like Oasis, and their first two albums are among the most exciting works of the decade. Definitely a moment to not be missed from the 90’s. [First added to this chart: 07/13/2013]
Produced By OASIS & MARK COYLE
1. Rock ‘N’ Roll Star
2. Shakermaker
3. Live Forever
4. Up In The Sky
5. Columbia
6. Supersonic
7. Bring It On Down
8. Cigarettes & Alcohol
9. Digsy’s Diner
10. Slide Away
11. Married With Children
Hard to believe that it’s been 20 years since Oasis became the biggest band in Britain, and one of the biggest bands in the world. On the strength of three advance singles, “Supersonic”, “Shakermaker” and “Live Forever”, their debut album Definitely Maybe was released to the largest hoopla in England since the Beatles, coming straight out of the gates at number one. It’s not thet Oasis was really THAT great, but that they came along at a time when the British music scene needed a shot in the arm…and Oasis (along with bands like Blur) delivered. The ride for Oasis was incredible, short, and very rocky, but over their first two albums, they were at the top of their craft. Guitarist Noel Gallagher wrote the songs, which were sung and sneered by his brother Liam, and the formula created a storm of hits.
The three advance singles are excellent, particularly “Live Forever”. “Cigarettes & Alcohol” and “Rock ‘N’ Roll Star” are also great singles, but the album as a whole is very good. The only drawback is that the band didn’t really have much in the way of original ideas…you can hear bits of many popular songs on the album. But they knew how to make the recycled riffs work, and work very well. Definitely Maybe could be seen as a near perfect storm (the follow up, (What’s The Story) Morning Glory is somehow even better), a band on the verge of total greatness before the excesses of rock & roll took over and ruined them. But in the mid 90’s, there was no one like Oasis, and their first two albums are among the most exciting works of the decade. Definitely a moment to not be missed from the 90’s. [First added to this chart: 07/13/2013]
Year of Release:
1994
Appears in:
Rank Score:
11,396
Rank in 1994:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Buy album
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1987 – BLANCO Y NEGRO
Produced By WILLIAM REID, BILL PRICE & JOHN LODER
1. Darklands
2. Deep One Perfect Morning
3. Happy When It Rains
4. Down On Me
5. Nine Million Rainy Days
6. April Skies
7. Fall
8. Cherry Came Too
9. On The Wall
10. About You
In 1985, The Jesus And Mary Chain changed the course of British music with their stunning debut album, Psychocandy. It was a dark, loud and sonically mesmerizing album, and it stood out amazingly in the midst of the eighties. The band had always (and always have had) problems keeping the drummer spot filled (they have had twelve different drummers to date) , so when they went into the studio to record the follow up to Psychocandy, they decided to just use a drum machine and make a more intimate acoustic album. The resulting album, Darklands, is a thing of beauty, and set the course they would follow for the rest of their careers. Darklands is just that…it’s dark. But it’s also got a certain warmth to it, which makes it a lot more relatable than their debut album.
The Chain is led by the Reid brothers, William and Jim. In the synth laden atmosphere of the late eighties, this album is all guitar, and it’s beautiful. The title track is a stunning introduction to the new sound of the band. “April Skies” is wonderful, and “Happy When It Rains” is one of their very best songs. They have never matched the quality of their first two albums, so the ones to own from this band are definitely Psychocandy and Darklands (although 1994’s Stoned And Dethroned comes close). It’s rare when such downward gazing music like this sounds so melodic and grooves like this, which is what makes this album more special. Maybe someday they will duplicate this sound…if they are able to, we will all be in for quite a treat. [First added to this chart: 09/18/2024]
Produced By WILLIAM REID, BILL PRICE & JOHN LODER
1. Darklands
2. Deep One Perfect Morning
3. Happy When It Rains
4. Down On Me
5. Nine Million Rainy Days
6. April Skies
7. Fall
8. Cherry Came Too
9. On The Wall
10. About You
In 1985, The Jesus And Mary Chain changed the course of British music with their stunning debut album, Psychocandy. It was a dark, loud and sonically mesmerizing album, and it stood out amazingly in the midst of the eighties. The band had always (and always have had) problems keeping the drummer spot filled (they have had twelve different drummers to date) , so when they went into the studio to record the follow up to Psychocandy, they decided to just use a drum machine and make a more intimate acoustic album. The resulting album, Darklands, is a thing of beauty, and set the course they would follow for the rest of their careers. Darklands is just that…it’s dark. But it’s also got a certain warmth to it, which makes it a lot more relatable than their debut album.
The Chain is led by the Reid brothers, William and Jim. In the synth laden atmosphere of the late eighties, this album is all guitar, and it’s beautiful. The title track is a stunning introduction to the new sound of the band. “April Skies” is wonderful, and “Happy When It Rains” is one of their very best songs. They have never matched the quality of their first two albums, so the ones to own from this band are definitely Psychocandy and Darklands (although 1994’s Stoned And Dethroned comes close). It’s rare when such downward gazing music like this sounds so melodic and grooves like this, which is what makes this album more special. Maybe someday they will duplicate this sound…if they are able to, we will all be in for quite a treat. [First added to this chart: 09/18/2024]
Year of Release:
1987
Appears in:
Rank Score:
2,102
Rank in 1987:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
Buy album
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2004-REPRISE
Produced By ROB CAVALLO & GREEN DAY
1. American Idiot
2. Jesus Of Suburbia
3. Holiday
4. Boulevard Of Broken Dreams
5. Are We Waiting
6. St. Jimmy
7. Give Me Novacaine
8. She’s A Rebel
9. Extraordinary Girl
10. Letterbomb
11. Wake Me Up When September Ends
12. Homecoming
13. Whatsername
Man. I really wanted to hate this album. I mean, why on earth would a punk band that had seemingly lost their way all of a sudden decide they were The Who and make a freaking rock opera? Well, that’s what Green Day did. After the failure of the album Warning, they recorded Cigarettes And Valentines, only to have the master tapes stolen. They started over instead of re-recording the album, and American Idiot was born. The album marked the beginning of what has remained an extremely prolific period for the band, and although this is most definitely a Green Day album, it marks a new direction as far as their approach to songwriting.
American Idiot is the story of Jesus Of Suburbia. Along the way he meets St. Jimmy and a girl named Whatsername. The album is about rage versus love, and ends in a kind of tragedy. The fact that it ws later turned into a Broadway play is irrelevant: the story is passable, and there is enough catchy music here to keep you interested to the end. The title track, “Holiday”, “Boulevard Of Broken Dreams”, “Wake Me Up When September Comes”, and the two longer pieces, “Jesus Of Suburbia” and “Homecoming”, are all excellent. And as catchy as anything the band has ever done. The result is a really damn fine and listenable album. Green Day has proven with this album that they are nothing if not ambitious, and you’ve got to respect that in a climate where one album every four years is now the norm. [First added to this chart: 03/16/2025]
Produced By ROB CAVALLO & GREEN DAY
1. American Idiot
2. Jesus Of Suburbia
3. Holiday
4. Boulevard Of Broken Dreams
5. Are We Waiting
6. St. Jimmy
7. Give Me Novacaine
8. She’s A Rebel
9. Extraordinary Girl
10. Letterbomb
11. Wake Me Up When September Ends
12. Homecoming
13. Whatsername
Man. I really wanted to hate this album. I mean, why on earth would a punk band that had seemingly lost their way all of a sudden decide they were The Who and make a freaking rock opera? Well, that’s what Green Day did. After the failure of the album Warning, they recorded Cigarettes And Valentines, only to have the master tapes stolen. They started over instead of re-recording the album, and American Idiot was born. The album marked the beginning of what has remained an extremely prolific period for the band, and although this is most definitely a Green Day album, it marks a new direction as far as their approach to songwriting.
American Idiot is the story of Jesus Of Suburbia. Along the way he meets St. Jimmy and a girl named Whatsername. The album is about rage versus love, and ends in a kind of tragedy. The fact that it ws later turned into a Broadway play is irrelevant: the story is passable, and there is enough catchy music here to keep you interested to the end. The title track, “Holiday”, “Boulevard Of Broken Dreams”, “Wake Me Up When September Comes”, and the two longer pieces, “Jesus Of Suburbia” and “Homecoming”, are all excellent. And as catchy as anything the band has ever done. The result is a really damn fine and listenable album. Green Day has proven with this album that they are nothing if not ambitious, and you’ve got to respect that in a climate where one album every four years is now the norm. [First added to this chart: 03/16/2025]
Year of Release:
2004
Appears in:
Rank Score:
9,364
Rank in 2004:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
Total albums: 100. Page 1 of 10
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My Overall Chart: 501-600 composition
| Decade | Albums | % | |
|---|---|---|---|
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| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 2 | 2% | |
| 1960s | 4 | 4% | |
| 1970s | 19 | 19% | |
| 1980s | 25 | 25% | |
| 1990s | 35 | 35% | |
| 2000s | 13 | 13% | |
| 2010s | 2 | 2% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
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| John Lennon | 2 | 2% | |
| Talking Heads | 2 | 2% | |
| Nanci Griffith | 2 | 2% | |
| X (US) | 2 | 2% | |
| Eagles | 2 | 2% | |
| Steel Pulse | 1 | 1% | |
| Journey | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
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| |
58 | 58% | |
 |
29 | 29% | |
 |
4 | 4% | |
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3 | 3% | |
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2 | 2% | |
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2 | 2% | |
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1 | 1% | |
| Show all | |||
My Overall Chart: 501-600 chart changes
| Biggest fallers |
|---|
| Down 1 from 24th to 25th Attack & Release by The Black Keys |
| Down 1 from 25th to 26th Highway Companion by Tom Petty |
| Down 1 from 26th to 27th Where Have All The Merrymakers Gone? by Harvey Danger |
| Leavers |
|---|
 We Can't Danceby Genesis |
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My Overall Chart: 501-600 ratings
89/100 (from 8 votes)
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Showing latest 5 ratings for this chart. | Show all 8 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
 100/100  | 05/03/2020 06:47 | DJENNY | | 100/100 |
| 90/100 | 10/22/2018 02:07 |  pjohnsongolf | | 89/100 |
| 100/100 | 10/01/2016 19:25 |  Onater | | 90/100 |
| 80/100 | 04/01/2016 19:46 |  dihansse | | 84/100 |
| 90/100 | 02/15/2014 20:10 | PauloPaz | | 89/100 |
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My Overall Chart: 501-600 favourites
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My Overall Chart: 501-600 comments
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80/100
From dihansse 04/01/2016 19:46
dihansse 04/01/2016 19:46
William Shatner next to Bob Dylan and the Stones: wonderful !
#163109 | Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
90/100
From 
Antonio-Pedro 10/24/2013 22:21
Antonio-Pedro 10/24/2013 22:21
Wow Someone Picked "X" I Loved This Chart
#89155 | Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
100/100
From 
ffudnebbuh 10/24/2013 11:43
ffudnebbuh 10/24/2013 11:43
You must have a huge record collection
#89061 | Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
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We work very hard to ensure our site is as fast (and FREE!) as possible, and we respect your privacy.
