My Overall Chart: 1601-1700 by 
Romanelli 
- Chart updated: 2 hours ago
- (Created: 02/10/2024 23:38).
- Chart size: 100 albums.
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2000 – AMERICAN
Produced By RICK RUBIN & JOHN CARTER CASH
1. I Won’t Back Down
2. Solitary Man
3. That Lucky Old Sun (Just Rolls Around Heaven All Day)
4. One
5. Nobody
6. I See A Darkness
7. The Mercy Seat
8. Would You Lay With Me (In A Field Of Stone)
9. Field Of Diamonds
10. Before My Time
11. Country Trash
12. Mary Of The Wild Moor
13. I’m Leavin’ Now
14. Wayfaring Stranger
By 2000, Johnny Cash was running out of time. He was sick, and it was starting to tug at his once powerful voice. But he was driven to continue working, by his wife June, producer Rick Rubin, and mostly by himself. American III was the third of the six American albums series. It was also the second to last studio album released during his lifetime. He was no longer touring, but he was still one tough hombre. On this album, he growls out songs of stubbornness and defiance, culling from artists who listened to him as kids that wrote in styles once unfamiliar to Cash. But Johnny had been proving for years that he didn’t care what kind of artist you were…he could cover your damned song. And indeed, late in his career especially, Cash had become an expert interpreter.
He takes on Tom Petty (“I Won’t Back Down”), Neil Diamond (“Solitary Man”) and U2 (“One”) with relative ease. He’s also not afraid of the likes of Will Oldham and Nick Cave. But this isn’t just Cash taking on youngsters. He also reaches back to older days with “That Lucky Old Sun” and the even older “Nobody” (from 1906). The traditional “Wayfaring Stranger” is in good hands, as is David Allan Coe’s “Field Of Stone”. In the second half, he even reaches back into his own catalog with re-recordings of three songs he wrote himself. Petty joins in on the opener, and even Merle Haggard shows up to sing on “I’m Leavin’ Now”. The next album would be a bigger hit (thanks to “Hurt”), but don’t sleep on American III. This is Cash at his older but still driven best. A sleeping classic of an album. [First added to this chart: 05/03/2025]
Produced By RICK RUBIN & JOHN CARTER CASH
1. I Won’t Back Down
2. Solitary Man
3. That Lucky Old Sun (Just Rolls Around Heaven All Day)
4. One
5. Nobody
6. I See A Darkness
7. The Mercy Seat
8. Would You Lay With Me (In A Field Of Stone)
9. Field Of Diamonds
10. Before My Time
11. Country Trash
12. Mary Of The Wild Moor
13. I’m Leavin’ Now
14. Wayfaring Stranger
By 2000, Johnny Cash was running out of time. He was sick, and it was starting to tug at his once powerful voice. But he was driven to continue working, by his wife June, producer Rick Rubin, and mostly by himself. American III was the third of the six American albums series. It was also the second to last studio album released during his lifetime. He was no longer touring, but he was still one tough hombre. On this album, he growls out songs of stubbornness and defiance, culling from artists who listened to him as kids that wrote in styles once unfamiliar to Cash. But Johnny had been proving for years that he didn’t care what kind of artist you were…he could cover your damned song. And indeed, late in his career especially, Cash had become an expert interpreter.
He takes on Tom Petty (“I Won’t Back Down”), Neil Diamond (“Solitary Man”) and U2 (“One”) with relative ease. He’s also not afraid of the likes of Will Oldham and Nick Cave. But this isn’t just Cash taking on youngsters. He also reaches back to older days with “That Lucky Old Sun” and the even older “Nobody” (from 1906). The traditional “Wayfaring Stranger” is in good hands, as is David Allan Coe’s “Field Of Stone”. In the second half, he even reaches back into his own catalog with re-recordings of three songs he wrote himself. Petty joins in on the opener, and even Merle Haggard shows up to sing on “I’m Leavin’ Now”. The next album would be a bigger hit (thanks to “Hurt”), but don’t sleep on American III. This is Cash at his older but still driven best. A sleeping classic of an album. [First added to this chart: 05/03/2025]
Year of Release:
2000
Appears in:
Rank Score:
1,007
Rank in 2000:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
11
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[First added to this chart: 01/30/2025]
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[First added to this chart: 02/11/2025]
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[First added to this chart: 02/12/2025]
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2003 – PALM PICTURES
Produced By IVAN BENAVIDES & RICHARD BLAIR
1. Deja
2. Mas Papaya
3. Me Gustas (No Me Disgustas)
4. Donde Va Mi Soledad
5. In The Beats We Trust
6. Dame Tu Querer
7. Aunque Me Duela La Vida
8. No Llorare
9. Walking
10. Llegare
Sidestepper is a Colombian band with its roots deep in the heart of…England. Richard Blair was an studio engineer for Peter Gabriel when he fell in love with the music of a Colombian singer named Toto La Momposina. He journeyed to Colombia to visit her for a couple of weeks, and ended up staying for three years. His growing love of the local music led to the formation of Sidestepper, and it’s been Blair’s passion since 1996. 3AM (In Beats We Trust) is the group’s third album, and it’s maybe their best. Sidestepper is important as they were able to bring the traditional sounds of Colombia and meld them with a modern electronic drum and bass sound. The results are pretty fantastic.
No singles were released from 3AM, and there were no hits. It was never a huge seller, so its exposure to English speaking audiences, particularly in America, has been limited. But this is an album that you may want to take the time to search for…there are plenty of rhythmic and catchy surprises, and you’ll find that it’s not just good instrumentally, but also all but one track features vocals. Probably the best thing about Sidestepper is that it’s evident from the first listen that this is truly a labor of love. Blair didn’t just fall in love with this music…he honors it. He expands on it, and he makes records that are fine tributes to it. Well worth checking out. [First added to this chart: 02/13/2025]
Produced By IVAN BENAVIDES & RICHARD BLAIR
1. Deja
2. Mas Papaya
3. Me Gustas (No Me Disgustas)
4. Donde Va Mi Soledad
5. In The Beats We Trust
6. Dame Tu Querer
7. Aunque Me Duela La Vida
8. No Llorare
9. Walking
10. Llegare
Sidestepper is a Colombian band with its roots deep in the heart of…England. Richard Blair was an studio engineer for Peter Gabriel when he fell in love with the music of a Colombian singer named Toto La Momposina. He journeyed to Colombia to visit her for a couple of weeks, and ended up staying for three years. His growing love of the local music led to the formation of Sidestepper, and it’s been Blair’s passion since 1996. 3AM (In Beats We Trust) is the group’s third album, and it’s maybe their best. Sidestepper is important as they were able to bring the traditional sounds of Colombia and meld them with a modern electronic drum and bass sound. The results are pretty fantastic.
No singles were released from 3AM, and there were no hits. It was never a huge seller, so its exposure to English speaking audiences, particularly in America, has been limited. But this is an album that you may want to take the time to search for…there are plenty of rhythmic and catchy surprises, and you’ll find that it’s not just good instrumentally, but also all but one track features vocals. Probably the best thing about Sidestepper is that it’s evident from the first listen that this is truly a labor of love. Blair didn’t just fall in love with this music…he honors it. He expands on it, and he makes records that are fine tributes to it. Well worth checking out. [First added to this chart: 02/13/2025]
Year of Release:
2003
Appears in:
Rank Score:
3
Rank in 2003:
Rank in 2000s:
Average Rating:
Comments:
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2005 – PHILO
Produced By GURF MORLIX
1. The Beauty Way
2. Rock And Roll Gypsies
3. Dallas After Midnight
4. Torn In Two
5. Drivin’ Wheel
6. This Mornin’ I Am Born Again
7. Dust Of The Chase
8. Roll And I Tumble
9. Cooler-N-Hell
10. Choctaw Bingo
One of my biggest country influences and heroes. If every country album sounded like a Ray Wylie Hubbard album, I would be the happiest country fan on the planet. He first gained fame in 1973 when Jerry Jeff Walker had a hit with his “Up Against The Wall, Redneck Mother”, and his star and his legend has grown steadily ever since. He sings beautiful songs…and then he’ll scare you to death with some dark portraits of life you thought you’d never hear. Delirium Tremolos is Hubbard’s 12th album, and it’s about as perfect as can be. This is an outlaw country classic, filled with amazing tracks like “This Mornin’ I Am Born Again”, “Dallas After Midnight”, and “Cooler-N-Hell”.
And then there’s “Choctaw Bingo”, and eight plus minute journey to a family reunion of meth cookers and moonshiners. In other words…the outlaw country “Stairway”. This song alone is worth the price of the album, heavy, dark, hilarious and fully believable. It’s Hubbard’s crowning achievement, and the perfect cap to a perfect album. Ray Wylie is cruising in his seventies now, but his legend as a songwriter and performer continues to grow. Delirium Tremolos is deliciously perfect. And the players…he has guests like James McMurtry, Slaid Cleaves, Cody Canada, Patty Griffin, Ian McLagan and more. You can’t go wrong with anything by Ray Wylie, but Delirium Tremolos is truly exceptional. [First added to this chart: 02/22/2025]
Produced By GURF MORLIX
1. The Beauty Way
2. Rock And Roll Gypsies
3. Dallas After Midnight
4. Torn In Two
5. Drivin’ Wheel
6. This Mornin’ I Am Born Again
7. Dust Of The Chase
8. Roll And I Tumble
9. Cooler-N-Hell
10. Choctaw Bingo
One of my biggest country influences and heroes. If every country album sounded like a Ray Wylie Hubbard album, I would be the happiest country fan on the planet. He first gained fame in 1973 when Jerry Jeff Walker had a hit with his “Up Against The Wall, Redneck Mother”, and his star and his legend has grown steadily ever since. He sings beautiful songs…and then he’ll scare you to death with some dark portraits of life you thought you’d never hear. Delirium Tremolos is Hubbard’s 12th album, and it’s about as perfect as can be. This is an outlaw country classic, filled with amazing tracks like “This Mornin’ I Am Born Again”, “Dallas After Midnight”, and “Cooler-N-Hell”.
And then there’s “Choctaw Bingo”, and eight plus minute journey to a family reunion of meth cookers and moonshiners. In other words…the outlaw country “Stairway”. This song alone is worth the price of the album, heavy, dark, hilarious and fully believable. It’s Hubbard’s crowning achievement, and the perfect cap to a perfect album. Ray Wylie is cruising in his seventies now, but his legend as a songwriter and performer continues to grow. Delirium Tremolos is deliciously perfect. And the players…he has guests like James McMurtry, Slaid Cleaves, Cody Canada, Patty Griffin, Ian McLagan and more. You can’t go wrong with anything by Ray Wylie, but Delirium Tremolos is truly exceptional. [First added to this chart: 02/22/2025]
Year of Release:
2005
Appears in:
Rank Score:
2
Rank in 2005:
Rank in 2000s:
Average Rating:
Comments:
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2006 – EPIC / IMMORTAL
Produced By BRENDAN O’BRIEN
1. Quicksand
2. A Kiss To Send Us Off
3. Dig
4. Anna Molly
5. Love Hurts
6. Light Grenades
7. Earth To Bella (Part I)
8. Oil And Water
9. Diamonds And Coal
10. Rogues
11. Paper Shoes
12. Pendulous Threads
13. Earth To Bella (Part II)
At the beginning of the 2000’s, Incubus had an impressive run of hits and platinum albums that made them one of the more popular alternative rock bands of the time. That run ended with 2006’s Light Grenades. The album debuted at number one, and then immediately fell to number 37, at the time the largest drop from the top spot in history. It marked the end of their run of platinum records, preceded an extended recording hiatus, and marked a permanent decline in the band’s popularity. So what went wrong here? Despite having four singles hit the US alternative top ten, and two of them (“Anna Molly” and “Love Hurts”) go to number one, the album simply fails to work together as a group of songs. Overall, it just doesn’t click.
Incubus sounds tired here. Their inability to put together a cohesive sound makes the album pale in comparison to their earlier albums like Make Yourself, Morning View and A Crow Left Of The Murder. The playing is great, the production is fine…it’s just that this group of songs as a whole doesn’t work. Who knows what happened? Maybe these guys simply were running out of gas. Maybe they were running out of songs. Maybe they were trying to expand their sound by so much that it started to not sound so much like a single band anymore. At any rate…there are tracks here worth hearing, but you’re just not going to get the same level of excitement that Incubus brought on their previous (and most successful) three albums. Average at best. [First added to this chart: 03/14/2025]
Produced By BRENDAN O’BRIEN
1. Quicksand
2. A Kiss To Send Us Off
3. Dig
4. Anna Molly
5. Love Hurts
6. Light Grenades
7. Earth To Bella (Part I)
8. Oil And Water
9. Diamonds And Coal
10. Rogues
11. Paper Shoes
12. Pendulous Threads
13. Earth To Bella (Part II)
At the beginning of the 2000’s, Incubus had an impressive run of hits and platinum albums that made them one of the more popular alternative rock bands of the time. That run ended with 2006’s Light Grenades. The album debuted at number one, and then immediately fell to number 37, at the time the largest drop from the top spot in history. It marked the end of their run of platinum records, preceded an extended recording hiatus, and marked a permanent decline in the band’s popularity. So what went wrong here? Despite having four singles hit the US alternative top ten, and two of them (“Anna Molly” and “Love Hurts”) go to number one, the album simply fails to work together as a group of songs. Overall, it just doesn’t click.
Incubus sounds tired here. Their inability to put together a cohesive sound makes the album pale in comparison to their earlier albums like Make Yourself, Morning View and A Crow Left Of The Murder. The playing is great, the production is fine…it’s just that this group of songs as a whole doesn’t work. Who knows what happened? Maybe these guys simply were running out of gas. Maybe they were running out of songs. Maybe they were trying to expand their sound by so much that it started to not sound so much like a single band anymore. At any rate…there are tracks here worth hearing, but you’re just not going to get the same level of excitement that Incubus brought on their previous (and most successful) three albums. Average at best. [First added to this chart: 03/14/2025]
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2002-RCA
Produced By DAVID BENDETH
1. Heartbreak Hotel
2. Don't Be Cruel
3. Hound Dog
4. Love Me Tender
5. Too Much
6. All Shook Up
7. (Let Me Be Your) Teddy Bear
8. Jailhouse Rock
9. Don't
10. Hard Headed Woman
11. One Night
12. (Now And Then There's) A Fool Such As I
13. A Big Hunk O' Love
14. Stuck On You
15. It's Now Or Never
16. Are You Lonesome Tonight?
17. Wooden Heart
18. Surrender
19. (Marie's The Name) His Latest Flame
20. Can't Help Falling In Love
21. Good Luck Charm
22. She's Not you
23. Return To Sender
24. (You're The) Devil In Disguise
25. Crying In The Chapel
26. In The Ghetto
27. Suspicious Minds
28. The Wonder Of You
29. Burning Love
30. Way Down
31. A Little Less Conversation (JXL Radio Edit Remix)
What to say? A collection of #1 hits from Elvis. It can't be bad. You may already have all of these songs, and if you do, this is pretty moot except for the last track, which was new in 2002. But this is why Elvis is so loved: his hits were bigger than life. And every track here is just that: bigger than life.
The collection itself is nice with cool pictures and excellent (yet short) liner notes for each song. Pretty much a perfect hits collection: and how many artists can honestly say that they have 30 of them? It's just scratching the surface with The King... [First added to this chart: 02/11/2024]
Produced By DAVID BENDETH
1. Heartbreak Hotel
2. Don't Be Cruel
3. Hound Dog
4. Love Me Tender
5. Too Much
6. All Shook Up
7. (Let Me Be Your) Teddy Bear
8. Jailhouse Rock
9. Don't
10. Hard Headed Woman
11. One Night
12. (Now And Then There's) A Fool Such As I
13. A Big Hunk O' Love
14. Stuck On You
15. It's Now Or Never
16. Are You Lonesome Tonight?
17. Wooden Heart
18. Surrender
19. (Marie's The Name) His Latest Flame
20. Can't Help Falling In Love
21. Good Luck Charm
22. She's Not you
23. Return To Sender
24. (You're The) Devil In Disguise
25. Crying In The Chapel
26. In The Ghetto
27. Suspicious Minds
28. The Wonder Of You
29. Burning Love
30. Way Down
31. A Little Less Conversation (JXL Radio Edit Remix)
What to say? A collection of #1 hits from Elvis. It can't be bad. You may already have all of these songs, and if you do, this is pretty moot except for the last track, which was new in 2002. But this is why Elvis is so loved: his hits were bigger than life. And every track here is just that: bigger than life.
The collection itself is nice with cool pictures and excellent (yet short) liner notes for each song. Pretty much a perfect hits collection: and how many artists can honestly say that they have 30 of them? It's just scratching the surface with The King... [First added to this chart: 02/11/2024]
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2002– RIGHTEOUS BABE
Produced By ANDRES LEVIN, ARTO LINDSAY, BERNA CEPPAS, KASSIN & MELVIN GIBBS
1. Illuminated
2. Predigo
3. Ultra Privileged
4. Over / Run
5. Invoke
6. You Decide
7. In The City That Reads
8. Delegada
9. Uma
10. Clemency
11. Unseen
12. Beija-Me
Arto Lindsay is an interesting guy, for sure. He’s American born, but grew up in Brazil. He played early on with some of the most off kilter bands of the 80’s, including DNA and Ambitious Lovers. His voice of soft and strange, and his guitar playing is rough and strange. He’s avant-garde, no wave, and brings it all together with a Brazilian flair. Invoke is Lindsay’s sixth solo album. The cover art is from a placard used in the 1968 Memphis sanitation workers strike, which was led by Dr. Martin Luther King Jr. (“I AM A MAN”). Musically, it’s about what you expect from Lindsay as a solo artist. The music here is challenging at times, but there are also moments where he switches to an almost gentle style.
There aren’t any hits here, and while the album is expertly played, there’s nothing that really stands out and makes you take notice. The Brazilian rhythms are cool, but you get the feeling that Lindsay is kind of playing it safe on this one. The chances he takes aren’t too far from the center, which is unlike the Arto Lindsay norm. Overall, Invoke plays out as a very average work, pleasant and at times interesting, but also at times on the verge of maybe putting his audience to sleep. Earlier solo outings like Mundo Civilizado and Noon Chill are better albums, and his earlier band work is much stronger. Lindsay can also be found collaborating with the likes of John Zorn, Caetano Veloso, David Byrne and They Might Be Giants. [First added to this chart: 04/22/2025]
Produced By ANDRES LEVIN, ARTO LINDSAY, BERNA CEPPAS, KASSIN & MELVIN GIBBS
1. Illuminated
2. Predigo
3. Ultra Privileged
4. Over / Run
5. Invoke
6. You Decide
7. In The City That Reads
8. Delegada
9. Uma
10. Clemency
11. Unseen
12. Beija-Me
Arto Lindsay is an interesting guy, for sure. He’s American born, but grew up in Brazil. He played early on with some of the most off kilter bands of the 80’s, including DNA and Ambitious Lovers. His voice of soft and strange, and his guitar playing is rough and strange. He’s avant-garde, no wave, and brings it all together with a Brazilian flair. Invoke is Lindsay’s sixth solo album. The cover art is from a placard used in the 1968 Memphis sanitation workers strike, which was led by Dr. Martin Luther King Jr. (“I AM A MAN”). Musically, it’s about what you expect from Lindsay as a solo artist. The music here is challenging at times, but there are also moments where he switches to an almost gentle style.
There aren’t any hits here, and while the album is expertly played, there’s nothing that really stands out and makes you take notice. The Brazilian rhythms are cool, but you get the feeling that Lindsay is kind of playing it safe on this one. The chances he takes aren’t too far from the center, which is unlike the Arto Lindsay norm. Overall, Invoke plays out as a very average work, pleasant and at times interesting, but also at times on the verge of maybe putting his audience to sleep. Earlier solo outings like Mundo Civilizado and Noon Chill are better albums, and his earlier band work is much stronger. Lindsay can also be found collaborating with the likes of John Zorn, Caetano Veloso, David Byrne and They Might Be Giants. [First added to this chart: 04/22/2025]
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2008 – FINE FEATHERED MUSIC
No Production Credit
1. Kittery Tide
2. This Is Me
3. Hey Rose
4. Tuning And Drinking
5. Everything’s Easy
6. Introductions
7. Speechless
8. Cannons
9. All Through The Night
10. The Dong
11. Young James Dean
12. Evil Seagulls
13. Storms Were Mine
14. Wrong Song
15. Viola
16. Hava Nagila
17. Angel Of The Morning
18. Joyful Sign
19. Song For Voice And Drum
20. Say Goodbye
21. Let’s Go To Church
22. Postcards From Mexico
23. Somewhere Different Now
24. Lighting The Wick
25. Through To Sunrise
26. Ghosts Of Girlyman
27. Benediction
28. Son Of A Preacher Man
29. Moose In The Road
Girlyman was a folk rock band from New York City that ended up in Atlanta. Their first two albums were released on Daemon Records, which is owned by Amy Ray of Indigo Girls. In their decade together, this band that described their music as “harmony-driven gender pop” released five studio albums and this live record. Girlyman was a three piece band at this point…drummer JJ Jones had not yet joined them. This recording left in the stage banter, false starts and oddities that happen at live shows, which gives it a more realistic live feel, but also a sloppiness. It’s also the only live album from this band that never got as big as they maybe could have, and that might have stuck around for longer than they did. But each band has its shelf life, and Girlyman’s was over by 2013.
Part of the reason for Girlyman’s short life was that they simply were not very successful commercially. And this live set didn’t exactly set the world on fire. In fact, few at the time even knew it existed. This band was big with the gay community, but not really anywhere else. On this album, Girlyman was 3 singers (Tylan Greenstein, Doris Muramatsu and Nate Borofsky, who were the group’s founding members) with guitars, mandolins, banjo and percussion. They split up into a pair of groups that fizzled (Django Jones and Mouths Of Babes), and have never regrouped. This album has only sixteen actual songs on it, thirteen of which are Girlyman originals. The rest is mostly wasted space that can be tiresome…it was probably more entertaining if you were actually there. A mostly forgotten live disc from a mostly forgotten band. [First added to this chart: 04/22/2025]
No Production Credit
1. Kittery Tide
2. This Is Me
3. Hey Rose
4. Tuning And Drinking
5. Everything’s Easy
6. Introductions
7. Speechless
8. Cannons
9. All Through The Night
10. The Dong
11. Young James Dean
12. Evil Seagulls
13. Storms Were Mine
14. Wrong Song
15. Viola
16. Hava Nagila
17. Angel Of The Morning
18. Joyful Sign
19. Song For Voice And Drum
20. Say Goodbye
21. Let’s Go To Church
22. Postcards From Mexico
23. Somewhere Different Now
24. Lighting The Wick
25. Through To Sunrise
26. Ghosts Of Girlyman
27. Benediction
28. Son Of A Preacher Man
29. Moose In The Road
Girlyman was a folk rock band from New York City that ended up in Atlanta. Their first two albums were released on Daemon Records, which is owned by Amy Ray of Indigo Girls. In their decade together, this band that described their music as “harmony-driven gender pop” released five studio albums and this live record. Girlyman was a three piece band at this point…drummer JJ Jones had not yet joined them. This recording left in the stage banter, false starts and oddities that happen at live shows, which gives it a more realistic live feel, but also a sloppiness. It’s also the only live album from this band that never got as big as they maybe could have, and that might have stuck around for longer than they did. But each band has its shelf life, and Girlyman’s was over by 2013.
Part of the reason for Girlyman’s short life was that they simply were not very successful commercially. And this live set didn’t exactly set the world on fire. In fact, few at the time even knew it existed. This band was big with the gay community, but not really anywhere else. On this album, Girlyman was 3 singers (Tylan Greenstein, Doris Muramatsu and Nate Borofsky, who were the group’s founding members) with guitars, mandolins, banjo and percussion. They split up into a pair of groups that fizzled (Django Jones and Mouths Of Babes), and have never regrouped. This album has only sixteen actual songs on it, thirteen of which are Girlyman originals. The rest is mostly wasted space that can be tiresome…it was probably more entertaining if you were actually there. A mostly forgotten live disc from a mostly forgotten band. [First added to this chart: 04/22/2025]
Year of Release:
2008
Appears in:
Rank Score:
2
Rank in 2008:
Rank in 2000s:
Average Rating:
Comments:
Total albums: 22. Page 1 of 3
Don't agree with this chart? Create your own from the My Charts page!
My Overall Chart: 1601-1700 composition
| Decade | Albums | % | |
|---|---|---|---|
 |
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|
|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 2 | 2% | |
| 1960s | 3 | 3% | |
| 1970s | 18 | 18% | |
| 1980s | 20 | 20% | |
| 1990s | 31 | 31% | |
| 2000s | 22 | 22% | |
| 2010s | 4 | 4% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
 |
|
|
| Elvis Presley | 3 | 3% | |
| Chico Buarque | 1 | 1% | |
| Peter Gabriel | 1 | 1% | |
| Various Artists | 1 | 1% | |
| Crowded House | 1 | 1% | |
| Robin & Linda Williams | 1 | 1% | |
| Johnny Cash / Linda Ronstadt / Roy Clark | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|
|
|
| |
69 | 69% | |
 |
15 | 15% | |
 |
4 | 4% | |
 |
3 | 3% | |
 |
2 | 2% | |
 |
2 | 2% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart: 1601-1700 chart changes
| Biggest climbers |
|---|
| Up 13 from 63rd to 50th Ruby Red by The Dambuilders |
| Biggest fallers |
|---|
| Down 1 from 50th to 51st Worldwide 50 Gold Award Hits Vol. 1 by Elvis Presley |
| Down 1 from 51st to 52nd Roots Of A Revolution by James Brown |
| Down 1 from 52nd to 53rd Rearviewmirror (Greatest Hits 1991-2003) by Pearl Jam |
My Overall Chart: 1601-1700 similar charts
| Title | Source | Type | Published | Country |
|---|---|---|---|---|
| Top 87 Music Albums of 1990 | Romanelli | 1990 year chart | 2025 | |
| Top 71 Music Albums of 2006 | Romanelli | 2006 year chart | 2025 | |
| Top 76 Music Albums of 1989 | Romanelli | 1989 year chart | 2025 | |
| Top 56 Music Albums of 2002 | Romanelli | 2002 year chart | 2025 | |
| Top 63 Music Albums of 1999 | Romanelli | 1999 year chart | 2025 | |
| Top 50 Greatest Music Albums | dsplay | Overall chart | 2010 | |
| Top 43 Music Albums of 1971 | Romanelli | 1971 year chart | 2025 | |
| Top 50 Greatest Music Albums | pawuf | Overall chart | 2010 | |
| Top 40 Greatest Music Albums | Ma | Overall chart | 2020 |  |
| Top 50 Greatest Music Albums |  ponkine | Overall chart | 2012 |  |
My Overall Chart: 1601-1700 similarity to your chart(s)
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We work very hard to ensure our site is as fast (and FREE!) as possible, and we respect your privacy.
| Member Levels | |
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 nextorgd
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| New levels achieved over the last 7 days. Well done to all :) | |