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1061.

Gunfighter Ballads And Trail Songs 

 Marty Robbins

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"Ah back when country music had some class. Songs about something other than the pap crap that passes for country today. A classic and classy record in every sense of the word."  Reply

- Coconut | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1959

Appears in:

224 charts

Rank Score:

1,636

Rank in 1959:

9

Rank in 1950s:

28

Overall Rank:

1,061

Average Rating:

 76 (219 votes)

Comments:

13

1062.

On The Corner 

 Miles Davis

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"Fucking Miles Davis. Just when you thought he'd already broken more new ground and created more timeless masterpieces than could ever be matched, he drops this piece of fusion genius, which is probably the most ambitious thing Davis ever released in his career. And I mean this is fucking Miles Da...""Fucking Miles Davis. Just when you thought he'd already broken more new ground and created more timeless masterpieces than could ever be matched, he drops this piece of fusion genius, which is probably the most ambitious thing Davis ever released in his career. And I mean this is fucking Miles Davis we're talking about. Made really just as an attempt to reconnect with a younger audience who had strayed from jazz, Davis ended up crafting what would later be seen as an important forerunner of everything from post-punk to drum'N'Bass. He played with weird structures and repetition and all kinds of avant-whatever else he felt like screwing with because he's Miles fucking Davis. He mastered the electronic music aesthetic before electronic music was really even a thing. As "out there" as all this sounds, throw in some funk and still maintain some jazz, and what could have been a Stockhausen tribute instead becomes a funky as fuck Stockhausen tribute album. The avant-garde has never been so catchy. It’s not surprising that, upon its initial release, On the Corner was met with not only critical scorn projected by those who just really didn’t get what they were listening to, but with a massive backlash from anyone who had been a dedicated fan of Davis’ jazz for any great amount of time. To them, this album must’ve felt like a complete abandonment, a monstrosity that marked the fall of a giant. But really it was quite the opposite; Miles Davis had hit a point where his artistic ambitions required him to advance sonically, and so advance he did. Fuck anyone who didn’t like it. Oh and I’m sure the shocking offense which was the actual music of this album was only worsened by those who cared to look into those credited, because holy shit what a lineup. Prominent featurings of everyone from Chick Corea to John McLaughlin to Herbie Hancock (just to name a few), what could possibly go wrong? Well in the eyes of the 70s jazz community, everything. In actuality, not a goddamn thing. No matter how many unexpected sounds are thrown at you, not matter how unfamiliar this album is from most anything the average listener is likely to have heard, its “weirdness” is the furthest possible thing from a hindrance on what is, in the end, an album without fault. Though I can’t really make statements like that when On The Corner doesn’t exactly have any peers to which I should be comparing it to judge its relative awesomeness. Though I’m sure if it did, they would all fall flat. tl;dr I agree with Borve"  [+]  Reply

- | Helpful?  (Log in to vote) | +11 votes (11 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1972

Appears in:

302 charts

Rank Score:

1,636

Rank in 1972:

23

Rank in 1970s:

221

Overall Rank:

1,062

Average Rating:

 80 (347 votes)

Comments:

16

1063.

Get Behind Me Satan 

 The White Stripes

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"I'm going to tell you that this is The White Stripes' best album so hang with me. I get that you all are attached to White Blood Cells. I get the appeal of that album, it's a jolt of rock. This album is not White Blood Cells. It requires an acquired taste, an open mind. The White Stripes fan base...""I'm going to tell you that this is The White Stripes' best album so hang with me. I get that you all are attached to White Blood Cells. I get the appeal of that album, it's a jolt of rock. This album is not White Blood Cells. It requires an acquired taste, an open mind. The White Stripes fan base expect rock, which is why this album is often cited as their worst. From a songwriting standpoint, this is their best. I like to start the album off with "The Nurse" and not "Blue Orchid" because I feel like "Blue Orchid" was slapped in there at the last minute just so this album could have a single. "The Nurse" sets the correct tone for the album, it is also the best track. I understand why some people do not like "The Nurse", but keep in mind that "The Nurse" is a song about murder (at least from my interpretation), so it should be uncomfortable to listen to. It really gets me into the right frame of mind for the rest of the album. So for the sake of being a snob, I'm going to pretend like "Blue Orchid" doesn't exist. Get Behind Me Satan explores many themes, but the one that stands out the most for me is how to overcome seclusion. Every track represents a different scenario that deals with the issue. One of the more stunning tracks, "White Moon", is about a soldier who carries a photograph of Rita Hayworth to symbolize his "girl back home" that he never had. In this album, Hayworth represents the unobtainable dream, which grows obsessive in "Take, Take, Take", a song about seeing Hayworth in the flesh. Another standout track, "Little Ghost" is about still being attached to the memory of a dead spouse. "Every morning I awoke And I see my little ghost Wondering if it's really her that's lying there I lean to touch her and I whisper But not brave enough to kiss her When I held her I was really holding air" What makes a song like this so great is its devastating lyrics being accompanied by one of the most joyful melodies The White Stripes ever created. The White Stripes use this trick throughout most of the album. The final track "I'm Lonely" is a heartbreaking ending to the album. This song tells the listener that there is always love in family, even though the family is out of reach in a place far away. Which may be about Jack's own feelings about touring. In any case, it's still an amazing song. Overall, my interpretation of this album might be different from your own. This is one of the many reasons why this album so unique. In the end, I feel satisfied, which is what really counts."  [+]  Reply

- NubbinBased | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2005

Appears in:

373 charts

Rank Score:

1,633

Rank in 2005:

19

Rank in 2000s:

158

Overall Rank:

1,063

Average Rating:

 76 (660 votes)

Comments:

38

1064.

You're Dead! 

 Flying Lotus

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"Genres exist because it’s human nature to want to categorize things. We want to put everything, people, art, everything that exists, into little categories with certain attributes so that we don’t have to spend all of our time examining each individual thing to observe its unique properties. It’s...""Genres exist because it’s human nature to want to categorize things. We want to put everything, people, art, everything that exists, into little categories with certain attributes so that we don’t have to spend all of our time examining each individual thing to observe its unique properties. It’s just easier that way, it’s easier to see something and say “I now know what this thing is” because of how it has been categorized, either by us or someone else. This can be problematic though, especially in the world of music genres. If any one album fits perfectly into the hole of one genre, then chances are, that album is not particularly interesting (though this is not necessarily true). The best albums, the best music, transcends genres, they look genres in the face and directly defy them. The best music is the music that, when your friends ask about it, you say “It’s kind of a mix between….well it’s kind of like….. you know what just listen to it.” That’s what “You’re Dead!” is. There are so many different genres shoved into this 38-minute, 15-second album that it’ll make your head spin. This is one of the most all-over-the-place, neurotic, chaotic albums that I’ve ever heard. It’s really hard to pin it down in words, and that’s the beauty of it. Listening to this album is like being on a roller coaster with a loose lap-bar. The whole album deals with life and death, it feels like this album is about the futility of life, the futility of what you do with your life. It’s an album that absolutely requires, and will take by force, your whole attention, and needs multiple listenings, and even then, you might not even fully grasp what has just happened, as if you just witnessed a man resurrected from the dead, this album will be swirling around in your head and you may even question whether or not it actually happened, but be assured, it happened, and you loved every glorious, frantic second of it."  [+]  Reply

- RockyRaccoon | Helpful?  (Log in to vote) | +10 votes (11 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

337 charts

Rank Score:

1,628

Rank in 2014:

16

Rank in 2010s:

153

Overall Rank:

1,064

Average Rating:

 79 (455 votes)

Comments:

25

1065.

We Are The 21st Century Ambassadors Of Peace And Magic 

 Foxygen

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"Yeah, it rips off almost every great record from '66 to '70 but, boy, it's a whole lot of fun to listen to!"  Reply

- ButterThumbz | Helpful?  (Log in to vote) | +9 votes (11 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2013

Appears in:

340 charts

Rank Score:

1,627

Rank in 2013:

17

Rank in 2010s:

154

Overall Rank:

1,065

Average Rating:

 76 (533 votes)

Comments:

81

1066.

Ascension 

 John Coltrane

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"Props to purple, whose album comment delivers a great impression of this site's own beloved member RFNAPLES. ... This jazzy album-length-track is both chaotic and precise. I especially like the piano and drum work near the end."  Reply

- paladisiac | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1966

Appears in:

271 charts

Rank Score:

1,626

Rank in 1966:

11

Rank in 1960s:

115

Overall Rank:

1,066

Average Rating:

 77 (331 votes)

Comments:

18

1067.

Bo Diddley 

 Bo Diddley

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"If you're a rock fan and haven't listened to this yet, do so as soon as you can. At times, this almost sounds like a documentary on African music- just listen to "Hush Your Mouth". But this is also the origins of hard, garage, and psychedelic music we all love, and much of that has to do with McD...""If you're a rock fan and haven't listened to this yet, do so as soon as you can. At times, this almost sounds like a documentary on African music- just listen to "Hush Your Mouth". But this is also the origins of hard, garage, and psychedelic music we all love, and much of that has to do with McDaniel's creative lyricism."  [+]  Reply

- poppmusic | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1958

Appears in:

213 charts

Rank Score:

1,626

Rank in 1958:

6

Rank in 1950s:

29

Overall Rank:

1,067

Average Rating:

 77 (159 votes)

Comments:

11

1068.

Madman Across The Water 

 Elton John

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"For me this is Elton John at his peak. Tackling progressive rock, Elton John and Bernie Taupin expanded their songcraft and in doing so created my personal favourite album of all time. What helps Madman Across the Water to be so exceptional are a couple of things. Firstly, the album holds some of...""For me this is Elton John at his peak. Tackling progressive rock, Elton John and Bernie Taupin expanded their songcraft and in doing so created my personal favourite album of all time. What helps Madman Across the Water to be so exceptional are a couple of things. Firstly, the album holds some of the most incredible musicianship both Elton and his band produced. Elton John is stunning on piano as usual and he has also evolved vocally, however Elton can't take all the credit for Madman Across the Water. Drummers Roger Pope, Barry Morgan and Terry Cox are all great as well as bass guitarists David Glover, Brian Odgers, Herbie Flowers, electric guitarists Caleb Quaye, Chris Spedding and acoustic guitarist Davey Johnstone. The real standout here though is Paul Buckmaster with his soaring string arrangements on 7 of the 9 songs. This album also has 4 of not just Elton John's greatest songs, but in my opinion 4 of the greatest songs ever. "Tiny Dancer" is one of Elton's enduring classics and deserves to be. "Levon" is an epic tale which features some of Taupin's most cryptic lyrics and a sublime Elton melody transforming into a grandiose crescendo. "Madman Across the Water" is a dark, brooding portrait written from the perspective of a psychopath in an asylum - "Is the nightmare black, or are the windows painted” - which starts off quietly with Davey Johnstone on acoustic guitar and then fades into one of the greatest battles in music history between Chris Spedding (electric guitar) and Paul Buckmaster (strings). "Indian Sunset" is an underrated masterpiece which chronicles the story of an unnamed American Indian warrior on the verge of defeat from the white man and has one of Elton John's most delicate vocal performances."  [+]  Reply

- Seventiesfan | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

329 charts

Rank Score:

1,623

Rank in 1971:

31

Rank in 1970s:

222

Overall Rank:

1,068

Average Rating:

 78 (452 votes)

Comments:

26

1069.

British Steel 

 Judas Priest

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"Released in the same year Black Sabbath released Heaven and Hell and Saxon released Wheels of Steel. The metal scene at the time was sizzling with new talent and this album with its iconic timeless cover was timed perfectly. Rob Halford's voice has taken me a while to gravitate to but there is no...""Released in the same year Black Sabbath released Heaven and Hell and Saxon released Wheels of Steel. The metal scene at the time was sizzling with new talent and this album with its iconic timeless cover was timed perfectly. Rob Halford's voice has taken me a while to gravitate to but there is no denying the power that this album delivers. Now that I have the vinyl version I enjoy it much more."  [+]  Reply

- Junomoogmello | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1980

Appears in:

316 charts

Rank Score:

1,621

Rank in 1980:

25

Rank in 1980s:

163

Overall Rank:

1,069

Average Rating:

 78 (395 votes)

Comments:

27

1070.

Morning Phase 

 Beck

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"I actually thought there were a few really gorgeous tracks here. Most notably Heart is a Drum. I don't know.. I don't think this is that much weaker than his "big" releases at all..."  Reply

- 19loveless91 | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

341 charts

Rank Score:

1,620

Rank in 2014:

17

Rank in 2010s:

155

Overall Rank:

1,070

Average Rating:

 75 (547 votes)

Comments:

42

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Total albums: 10,000. Page 107 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	37	0%
1950s	303	3%
1960s	720	7%
1970s	1,436	14%
1980s	1,431	14%
1990s	1,612	16%
2000s	1,735	17%
2010s	1,993	20%
2020s	731	7%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,010	50%
	2,663	27%
	431	4%
	318	3%
	222	2%
	159	2%
	136	1%
Show all

Compilation?	Albums	%
No	9,725	97%
Yes	275	3%

Live?	Albums	%
No	9,729	97%
Yes	271	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%