Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 6 hours ago).
"Ok, so screw the Fantano review, I'm giving my own feedback now. I'm not the biggest Tool fan, but as far as comebacks go this is a pretty good one (7/10). They are not reinventing the wheel or anything with this record, but that's because they don't need to. It all feels very Tool, which I would...""Ok, so screw the Fantano review, I'm giving my own feedback now. I'm not the biggest Tool fan, but as far as comebacks go this is a pretty good one (7/10). They are not reinventing the wheel or anything with this record, but that's because they don't need to. It all feels very Tool, which I would describe as some sort of "meditative" prog metal. Long songs, big build-ups, and an overall slow pace. Tool is for patient metalheads, on a couple of levels. I think the 13 year wait has satisfied the hype, but IMO not exceeded it. I have listened to the album about 4 times now, perhaps my rating might go up with more listens.
Favourites: Pneuma, Invincible, Culling Voices"[+]Reply
"This sounds like I'm working at a sweet quaint farm. I wake up to the birds chiming and the rooster cockle-doodling, and I skip along a vast field of daisies (daisies again, why does female folk remind me of daisies all the time?), and I'm happy as can be. I bask in the sun and Vashti and I decid...""This sounds like I'm working at a sweet quaint farm. I wake up to the birds chiming and the rooster cockle-doodling, and I skip along a vast field of daisies (daisies again, why does female folk remind me of daisies all the time?), and I'm happy as can be. I bask in the sun and Vashti and I decide to call it a night, we sit by our sweet little fireplace and sing each song on this album accompanied by a cute little piano and a ukulele. Aww, if only.
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"Yes that is the same sample White Town used, and being able to recognize it immediately makes me feel really fucking old. Anyways I actually really dig this! maybe doesn't quite have enough of the "Future" that's promised early on at least sonically (except on "Don't Start Now", which feels like ...""Yes that is the same sample White Town used, and being able to recognize it immediately makes me feel really fucking old.
Anyways I actually really dig this! maybe doesn't quite have enough of the "Future" that's promised early on at least sonically (except on "Don't Start Now", which feels like a laser'd-up version of one her earlier hits), but with nostalgia that for once sounds this, yes, fresh and purposeful it's hard to complain. Maybe because it takes more of it's ideas from late 70s disco-1980 disco and that turn of the millenium-to-early '00s stage when the dance hits had a more noticeable house influence, it doesn't just melt into another tired 80s pastiche that felt promised (except on the the aptly-titled "Physical", which is engaging enough to forgive anyways).
In many ways I'm reminded of last year's Dedicated, another album with a similar sultry-yet-sinewy sound that had a lot of similar influences and that musically was very attractive... but always felt like it was missing something, or that it just wasn't a good album for Carly Rae personally, as much as I love her dearly. Now it seems clear that it needed that kind of larger-than-life swagger that's also slyly circumvent about when to push the music deeper into the surface that Dua provides here. It's one snappy velvet-rope of a release, with only one truly forgettable moment ("Hallucinate"), that works pretty seamlessly as a singular sound but also (I can't stress this enough) how it finally reminds the pop world about the beauty of brevity. This is not some turgid 18 track dumping ground, trying to tick as many streams and find it's way onto the highest number of playlists as possible, at 37 minutes it almost never loses it's steam or feels un-neccessarily flabby, where nearly every moment she knows exactly what she's doing and how best to maximize the potential of each track without over-doing it....
... well, usually. Unavoidably it feels like we just can't have a constiently immaculate pop release that can simply announce it's importance based on the music alone, now everything has to have it's obligatory Very Important Message moment. The problem here (the offending number "Boys Will Be Boys") is that it feels like it both wants to be a button-pushing conversation starter but also end up feeling as blandly inspirational as a latter-day Pink or Alessa what'shername track, which means you get big orchestral arrangements (yes, and a fucking choir too) with simplified sloganeering lyrics- delivered in Dua Lipa's coolly detached prescence that hitherto has worked so well but at this moment guarantees any attempt at a provocation useless. Even if it was secretly intended as the most basic cheeky kiss-off. When the album should've been enjoying an ecstatic victory lap or a more organic swell to a thundering closer, this becomes a limp attempt at political relevance that brings nothing new to the table and hammers the ending flat in the process (in many ways the album could've ended with the more early 00s hip-hop influenced "Good in Bed", not dissimilar in themes but less blandly preachy and a far more congenial way to go out).
While that might be a bit of a dissapointing post-script (nobody goes to the club awaiting a scrapped-together lecture at 1:57 am), it doesn't destroy the appeal of what came before it. I think it's best to temper expectations somewhat as the over-praise has been a bit unavoidable (in these apocalyptic times anything this sleek and sexy and well-produced and get-the-bootstraps-kicking is bound to get that treatment), and whether this does end up delivering on the initial promise of being the start of something big or just a great little pop capsule in it's own right I can't imagine it will ever stop sounding this exquisite in the... *tongue out* Future. "[+]Reply
"If you're a rock fan and haven't listened to this yet, do so as soon as you can. At times, this almost sounds like a documentary on African music- just listen to "Hush Your Mouth". But this is also the origins of hard, garage, and psychedelic music we all love, and much of that has to do with McD...""If you're a rock fan and haven't listened to this yet, do so as soon as you can. At times, this almost sounds like a documentary on African music- just listen to "Hush Your Mouth". But this is also the origins of hard, garage, and psychedelic music we all love, and much of that has to do with McDaniel's creative lyricism."[+]Reply
"With the release of “Every Picture Tells A Story” Rod Stewart solidified his career as a solo artist. Faces would release one more album before Rod The Mod swaggered off to a very lucrative and sometimes maligned solo career. For everything we think about Stewart after 1974-ish, this album stands...""With the release of “Every Picture Tells A Story” Rod Stewart solidified his career as a solo artist. Faces would release one more album before Rod The Mod swaggered off to a very lucrative and sometimes maligned solo career. For everything we think about Stewart after 1974-ish, this album stands as an absolute classic. The covers are perfect, the originals are perfect, the band is perfect and the recording itself is perfect while all of it is completely flawed. This is the true genius of the album. Without all the gloss and perfection, with a band that used a healthy dose of bang and smash on every song, sometimes even chopping up the tempo, the album is subtle, deep and wonderfully listenable. Musically and lyrically interesting, it’s a wonderful showcase for Stewart’s voice and it’s the pinnacle of his career."[+]Reply
"I'm going to tell you that this is The White Stripes' best album so hang with me. I get that you all are attached to White Blood Cells. I get the appeal of that album, it's a jolt of rock. This album is not White Blood Cells. It requires an acquired taste, an open mind. The White Stripes fan base...""I'm going to tell you that this is The White Stripes' best album so hang with me. I get that you all are attached to White Blood Cells. I get the appeal of that album, it's a jolt of rock. This album is not White Blood Cells. It requires an acquired taste, an open mind. The White Stripes fan base expect rock, which is why this album is often cited as their worst.
From a songwriting standpoint, this is their best. I like to start the album off with "The Nurse" and not "Blue Orchid" because I feel like "Blue Orchid" was slapped in there at the last minute just so this album could have a single. "The Nurse" sets the correct tone for the album, it is also the best track. I understand why some people do not like "The Nurse", but keep in mind that "The Nurse" is a song about murder (at least from my interpretation), so it should be uncomfortable to listen to. It really gets me into the right frame of mind for the rest of the album. So for the sake of being a snob, I'm going to pretend like "Blue Orchid" doesn't exist.
Get Behind Me Satan explores many themes, but the one that stands out the most for me is how to overcome seclusion. Every track represents a different scenario that deals with the issue. One of the more stunning tracks, "White Moon", is about a soldier who carries a photograph of Rita Hayworth to symbolize his "girl back home" that he never had. In this album, Hayworth represents the unobtainable dream, which grows obsessive in "Take, Take, Take", a song about seeing Hayworth in the flesh.
Another standout track, "Little Ghost" is about still being attached to the memory of a dead spouse.
"Every morning I awoke
And I see my little ghost
Wondering if it's really her that's lying there
I lean to touch her and I whisper
But not brave enough to kiss her
When I held her I was really holding air"
What makes a song like this so great is its devastating lyrics being accompanied by one of the most joyful melodies The White Stripes ever created. The White Stripes use this trick throughout most of the album.
The final track "I'm Lonely" is a heartbreaking ending to the album. This song tells the listener that there is always love in family, even though the family is out of reach in a place far away. Which may be about Jack's own feelings about touring. In any case, it's still an amazing song.
Overall, my interpretation of this album might be different from your own. This is one of the many reasons why this album so unique. In the end, I feel satisfied, which is what really counts."[+]Reply
"Despising this Album at first, it quickly grew on me. Now its one of my absolute favorites, from the trippy feel of Dramamine to Space Travel is Boring. It established Modest Mouse as a unique alternative band."Reply
"Well what I thought was going to be one of my favorite post punk albums of the year turned out to be some of the greatest progressive rock in a long time."Reply