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1201.

Workingman's Dead 

 Grateful Dead

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"The Dead will always be known as a touring band, and one of the best ever. Their genius came from turning their somewhat loosely constructed songs from the record into epic explorations on the stage. In 1970 they shocked everyone by releasing two folky, acoustic-based albums, just months apart. W...""The Dead will always be known as a touring band, and one of the best ever. Their genius came from turning their somewhat loosely constructed songs from the record into epic explorations on the stage. In 1970 they shocked everyone by releasing two folky, acoustic-based albums, just months apart. When I think of American Beauty and this one, I think of them together, almost as if they are part of a double album. To the uninitiated, I would suggest Live/Dead to give you a feel of the 'real' band. But I would say either of these - why not both! - next."  [+]  Reply

- ninecurses | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1970

Appears in:

275 charts

Rank Score:

1,441

Rank in 1970:

34

Rank in 1970s:

244

Overall Rank:

1,201

Average Rating:

 79 (436 votes)

Comments:

19

1202.

Dig Your Own Hole 

 The Chemical Brothers

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""Dig Your Own Hole" is a masterpiece. Why ? The answer in 10 points: 1) This is the best big beat album ever made. We have never heard such a powerful mix of electro-hip-hop-rock. 2) You can dance without stopping on the first 8 tracks. 3) My body temperature rises to 39 ° when I hear the intro o..."""Dig Your Own Hole" is a masterpiece. Why ? The answer in 10 points: 1) This is the best big beat album ever made. We have never heard such a powerful mix of electro-hip-hop-rock. 2) You can dance without stopping on the first 8 tracks. 3) My body temperature rises to 39 ° when I hear the intro of "Electrobank". 4) "It Does not Matter" is the best tribute to Daft Punk. 5) It's a real electro record. Not a pop album, like the excellent "Surrender", released 2 years later. 6) You can also choose to listen to it sitting on your rockingchair. 7) This is a real album designed in its entirety. 8) The last two songs are more psyche things, in a 1967 mode. 9) Noel Gallagher participates in a song. 10) This album is just perfect. 9/10 Best track: "Setting Sun""  [+]  Reply

- Kurtco | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1997

Appears in:

307 charts

Rank Score:

1,440

Rank in 1997:

23

Rank in 1990s:

223

Overall Rank:

1,202

Average Rating:

 76 (423 votes)

Comments:

20

1203.

Eli And The Thirteenth Confession 

 Laura Nyro

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"An absolutely stunning record. Eli, is constantly overlooked and underrated, it is simply one of the greatest albums ever. Fusing pop, jazz, folk, and, soul, Nyro creates something wholly original and continually uplifting. Every song is a mini masterpiece, including, sweet soul picnic, and my fa...""An absolutely stunning record. Eli, is constantly overlooked and underrated, it is simply one of the greatest albums ever. Fusing pop, jazz, folk, and, soul, Nyro creates something wholly original and continually uplifting. Every song is a mini masterpiece, including, sweet soul picnic, and my favourite track, sweet blindness. Nyro's voice is excellent throughout, as is her piano playing. This is an excellent album that deserves way more attention than it has now. Everyone should have a copy. Brilliant. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1968

Appears in:

245 charts

Rank Score:

1,435

Rank in 1968:

23

Rank in 1960s:

123

Overall Rank:

1,203

Average Rating:

 79 (213 votes)

Comments:

13

1204.

Their Satanic Majesties Request 

 The Rolling Stones

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"They never did anything like this before, nor after. Many say, and I agree to a certain extent, that this was an attempt to match 'Sgt Peppers Lonely Hearts Club Band' by The Beatles. There may have been some self-inflicted peer pressure to do something psychedelic but I don't see 'Sgt Pepper' as...""They never did anything like this before, nor after. Many say, and I agree to a certain extent, that this was an attempt to match 'Sgt Peppers Lonely Hearts Club Band' by The Beatles. There may have been some self-inflicted peer pressure to do something psychedelic but I don't see 'Sgt Pepper' as that psychedelic, apart from a few exceptions. This album is more in the realms of 'We Love You', The Beatles' 'Strawberry Fields Forever', 'All You Need is Love' and generally early Pink Floyd and The Incredible String Band. What this album doesn't share, is the characters of Ray Davies, Syd Barrett, early Bowie and The Beatles' 'Mr Kite'. Instead we have a full immersion into trippy and exoctic instrumentation and songs set in a dreamworld. This album could only have been released in 1967. Is it any good? Does it deserve the bad press it got? I think the decades have been kind on this album and it is generally well received now and features in most YouTuber's top tens. I love this album. Being born in 1970, I could not hear it on release, I first heard it when I was 15 and it was a total surprise. There was no internet to warn me of what to expect. It's got a hazy, druggy vibe but the songs are a mix of excellent pop and 60's rock with eastern and psycadelic touches. We have the beautiful 'She's a Rainbow', the spacy '2000 Light Years From Home', the country tinged but poppy '2000 Man', the music hall pastiche of 'On With the Show' and the rest is fairly psycadelic. Some excellent moments with the latter but a stinker with the over long 'Sing This All Together (See What Happens)'. An artefact of it's time but thoroughly enjoyable generally. I have commented on each individual track, if you have the time. "  [+]  Reply

- turbottski | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1967

Appears in:

376 charts

Rank Score:

1,435

Rank in 1967:

23

Rank in 1960s:

124

Overall Rank:

1,204

Average Rating:

 73 (628 votes)

Comments:

55

1205.

Solid Air 

 John Martyn

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"I always feel grateful to hear John Martyns voice. He shares a lot of himself. This album is both deep and playful and somehow manages to comfort my emotions and then rip them apart again. Solid Air is like an old friend. It never fades. Everyone should own this"  Reply

- maitredj | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1973

Appears in:

239 charts

Rank Score:

1,435

Rank in 1973:

27

Rank in 1970s:

245

Overall Rank:

1,205

Average Rating:

 78 (259 votes)

Comments:

14

1206.

Our Endless Numbered Days 

 Iron & Wine

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"A nice album. Nice for singing along, or as the cover shows, just laying the grass and relaxing to."  Reply

- Hayden | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2004

Appears in:

269 charts

Rank Score:

1,430

Rank in 2004:

18

Rank in 2000s:

183

Overall Rank:

1,206

Average Rating:

 77 (322 votes)

Comments:

12

1207.

Flying Microtonal Banana 

 King Gizzard & The Lizard Wizard

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"I had high expectations for this album and it's even better than I hoped. The jamming nature of opening track Rattlesnake sets up the album allowing the listener to adjust to the microtonal sound and from then on it's a lot of fun. Immediately wanted to listen to it again after first listen."  Reply

- Purplepash | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2017

Appears in:

270 charts

Rank Score:

1,429

Rank in 2017:

18

Rank in 2010s:

175

Overall Rank:

1,207

Average Rating:

 79 (460 votes)

Comments:

31

1208.

The Powers That B 
Compilation

 Death Grips

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"For a while, The Money Store was Death Grips' best album. But The Powers That B (TPTB) is really contending for that spot. It's a bit of an unfair competition considering the fact that TPTB's two sides give it great variety. One really interesting pointer is that both sides feature someone who ha...""For a while, The Money Store was Death Grips' best album. But The Powers That B (TPTB) is really contending for that spot. It's a bit of an unfair competition considering the fact that TPTB's two sides give it great variety. One really interesting pointer is that both sides feature someone who has not directly worked with the band before. On the first part, Niggas on the Moon (NOTM) it's Icelandic singer Bjork. On the second half, Jenny Death (JD) it's guitarist Nick Reinhart of Tera Melos. While all the songs on NOTM feature Bjork's vocals (in fact, it features none of Flatlander's abrasive synths. Replacing that is Bjork's heavily edited vocals), only tracks 3, 4, 7, 8 and 9 feature Nick's guitar. NOTM is another foray into the experimental side of Death Grips, more or less continuing on from the path they took starting from No Love Deep Web. While not nearly as abrasive and in-your-face as, say, Exmilitary and The Money Store, NOTM is still an entertaining listen, with Zach really pulling of some great drumming in each of the 8 tracks. However, NOTM's variety is, unfortunately, a bit too homogenous. Each track sounds very similar to the last, and none of them have MC Ride's infamous yelled vocals (although several songs hint at it). To put simply, all the songs are far softer and less abrasive. Instead a lot of the real content is in the lyrics, which thankfully are far more understandable due to MC Ride not shouting (this may possibly be the explanation for the lack of his shouted vocals). The songs' themes range from racism (Black Quarterback, Say Hey Kid) and paranoia (Up My Sleeves) to the lifelessness of modern sex (Billy Not Really, Have a Sad Cum, Fuck Me Out) and the idolization of celebrities (Voila). Either way the lyrical content on here is, as always, cryptic but has some sort of meaning behind it. JD, the much hyped second half, is quite literally the culmination of everything they've done. From the extremely loud, harsh and unforgiving I Break Mirrors With My Face in the United States to the almost ballad-like instrumentation of On GP (which stands for On General Principle by the way. It has absolutely nothing to do with their previous album Government Plates), this side has far more variety and content than the 32 minute NOTM (JD is 50 minutes, in comparison). It opens with the I Break Mirrors With My Face in the United States, which as I described earlier, is extremely loud, harsh and unforgiving. It features MC Ride's infamous yelled vocals, something which was completely absent from NOTM. The track is so quickly paced and short that despite how much there is going on, it goes by in a flash, as if it never happened. Then we get Inanimate Sensation, which is probably the most progressive song Death Grips has ever written. Although following the old "verse-chorus-verse" structure, each verse is drastically different from the other. The track opens with a chorus of voices ascending pitch. It's quite difficult to explain, really. The first verse is your average Death Grips verse, opening with the line "IN-ANIMATE SEN-SUH-A-TION", in MC Rides typical yelled rapping style. Then we get the chorus "BLOWNOUT, BASE", which leads to the second verse, which is rapped entirely in MC Ride's whispering voice, with the exception of the line "I'M NOT WITH YOU". Then we have the chorus again, and we move on to the third verse, which is rapped entirely with MC Ride's shouted vocals pitch shifted down. The third chorus continues with these pitch shifted vocals, and we have the fourth verse, where MC Ride makes multiple references to classic rock and popular music in general. Then we have the chorus again, and we have a miniature fifth verse which is quite similar to the first verse. And then we finally end with the chorus. Either way the entire 6 minute experience is extremely thrilling. The next song is Turned Off, which really does sound like a nu metal piece. Thankfully, it isn't terrible, in fact it's one of the best songs on the album. Then we have Why a Bitch Gotta Lie?, which follows the same nu metal style that Turned Off had. Although this song is less accessible than Turned Off due to the strange digital manipulation on MC Ride's vocals, it's actually pretty good once you get used to it. Then Pss Pss plays, a song about the lifelessness of sex. This song, quite interestingly, also references Have a Sad Cum early on. After that we get the title track, which is easily the loudest, sludgiest, heaviest, and most brutal thing Death Grips has ever put out. It's quite the experience, and really is quite indescribable. Then it's Beyond Alive, which would probably be my least favorite track on here if not for the final track (I'll get to that one later). It retains the nu metal style from tracks 3 and 4 but simply does not have the same magic that the aforementioned tracks have. Then we have Centuries of Damn, which, while good, has nothing too special about it to make it stand out. After this we have On GP, which in my opinion is one of the best tracks on JD as a whole, alongside Inanimate Sensation. Nick's guitar is extremely prominent on this track, and he really adds on to Flatlander's sound. It's also probably the closest Death Grips will be to a ballad or anything of the sort. The track glitches into the final (and most disappointing) track, Death Grips 2.0. From its name you'd expect some sort of amazing and revolutionary piece that will mark a complete change in Death Grips' style. But unfortunately, it isn't. It's just a repetitive instrumental track which was stretched out for way too long. Either way, the LP is abso-fucking-lutely phenomenal, perhaps even better than 2012's critically acclaimed The Money Store. Only time will tell if Death Grips can continue their streak of amazing albums. "  [+]  Reply

- | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2015

Appears in:

195 charts

Rank Score:

1,428

Rank in 2015:

16

Rank in 2010s:

176

Overall Rank:

1,208

Average Rating:

 79 (379 votes)

Comments:

31

1209.

Replica 

 Oneohtrix Point Never

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"The epitome of informed simplicity. Its cold vibrations invade my spine and bend me to its will."  Reply

- SquishypuffDave | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2011

Appears in:

217 charts

Rank Score:

1,426

Rank in 2011:

23

Rank in 2010s:

177

Overall Rank:

1,209

Average Rating:

 76 (240 votes)

Comments:

9

1210.

Who Will Cut Our Hair When We're Gone? 

 The Unicorns

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"I hate that I like this so much. I mean, as I was reading the lyrics on spotify, I got a "wonderful" picture of a girl in a unicorn costume holding a tiny yippy dog- also in a unicorn costume. But theey have brilliant sporatic songwriting (Kinda reminds me of the Microphones "the glow, pt. 2"), b...""I hate that I like this so much. I mean, as I was reading the lyrics on spotify, I got a "wonderful" picture of a girl in a unicorn costume holding a tiny yippy dog- also in a unicorn costume. But theey have brilliant sporatic songwriting (Kinda reminds me of the Microphones "the glow, pt. 2"), but do it in a very poppy, yet also not poppy way. I don't know if I'm actually making sense or not here- so just listen to it yourself."  [+]  Reply

- ShadowColossi | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2003

Appears in:

225 charts

Rank Score:

1,422

Rank in 2003:

24

Rank in 2000s:

184

Overall Rank:

1,210

Average Rating:

 79 (304 votes)

Comments:

20

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Total albums: 10,000. Page 121 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	37	0%
1950s	303	3%
1960s	715	7%
1970s	1,439	14%
1980s	1,435	14%
1990s	1,616	16%
2000s	1,726	17%
2010s	1,999	20%
2020s	728	7%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Various Artists	26	0%
Neil Young	25	0%
Show all

Country	Albums	%
	5,011	50%
	2,666	27%
	429	4%
	315	3%
	222	2%
	160	2%
	137	1%
Show all

Compilation?	Albums	%
No	9,723	97%
Yes	277	3%

Live?	Albums	%
No	9,729	97%
Yes	271	3%

Soundtrack?	Albums	%
No	9,882	99%
Yes	118	1%