Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 1 hour ago).
"I know I'm in a huge minority, but this is the album I come back to, More than the previous 2. Let it be and Tim are fine albums, But this one gets me juiced more. Alex chilton and can't hardly wait Are two of my favorite songs of all time, and skyway is just emotionally Gorgeous"Reply
"Elvis Presley's second album is obviously nowhere near as significant or important as his first, but it is a more consistent record. Some great rock'n'roll classics sung with gusto serve to make this a thoroughly enjoyable album. Elvis at his early best."Reply
"This album and Licensed To Ill by the Beastie Boys bring back some many memories of High School. Both records are a perfect and play together well as a mix."Reply
"Bob Dylan's return to form after the artistic and commercial disasters of knocked out loaded and down in the groove. The key to this success, aside from Dylan's songs, was Bono's urging to use Daniel Lanois as producer. It's a perfect marriage. Lanois' production brings an atmospheric soundscape ...""Bob Dylan's return to form after the artistic and commercial disasters of knocked out loaded and down in the groove. The key to this success, aside from Dylan's songs, was Bono's urging to use Daniel Lanois as producer. It's a perfect marriage. Lanois' production brings an atmospheric soundscape to the album, much as what he did on U2's Joshua tree record. The opener, political world, sounds nothing like Dylan's done before. Best tracks are three songs that appear in the middle of the album. Ring them bells, the man in the long black coat, and my favourite, most of the time. Praise also to, what good am I?, and closing track, shooting star. This was Dylan's best album since, desire. Unfortunately, Bob would slip back into the drivel of the previous two albums with his next release, under the red sky, but as far as oh mercy is concerned, Dylan's best album of the 80's. "[+]Reply
"Rattle and hum, is U2 taking us on a journey of the history of rock. There's covers of The Beatles and Dylan, Hendrix appears on the record, and the band record a handful of songs at sun studios where Elvis recorded his earliest songs. Elsewhere, there's songs about Billie Holiday, references to ...""Rattle and hum, is U2 taking us on a journey of the history of rock. There's covers of The Beatles and Dylan, Hendrix appears on the record, and the band record a handful of songs at sun studios where Elvis recorded his earliest songs. Elsewhere, there's songs about Billie Holiday, references to John Coltrane, Miles Davis and a dedication to John Lennon. It's as if U2 are inducting themselves into the rock and roll hall of fame, as if they are saying, hey, we belong here too. As for the music itself, it's really a two part album, live songs and new studio tracks. Off the studio jobs, desire, Angel of Harlem, and, all I want is you, are the best of 'em, van diemens land is a good protest number, the others so-so. Off the live tracks, included is an absolutely dreadful version of Dylan's, all along the watchtower, did the band know the song? Does the edge know what key they're in? Oh well, I still haven't found what I'm looking for, is enjoyable, but by the time we get to, silver and gold? Yes, Bono, you are starting to bug me. Rattle and hum, is hubristic, pompous and overblown, but some of it's okay, it would have been better and more dignified if they had just released an e.p of new songs. Having said all that, it can be an enjoyable listen. "[+]Reply
"Arguably Elvis Presley's finest album. After he said goodbye to Hollywood and with the success of his '68 comeback special, Presley was ready to take his music a bit more seriously. Presley's voice is grittier here, more ragged, and, yes, more passionate for probably the first time in years. Ther...""Arguably Elvis Presley's finest album. After he said goodbye to Hollywood and with the success of his '68 comeback special, Presley was ready to take his music a bit more seriously. Presley's voice is grittier here, more ragged, and, yes, more passionate for probably the first time in years. There are some great songs here in, wearin'that loved on look, in the ghetto, and, long black limousine, which is my favourite track on the album. Presley clawed back a bit of respectability with this release. Great LP. "[+]Reply
"This just oozes 1950s French art film, in the best way possible. It feels a bit disjointed in places, but the music is so good, I'm willing to forgo that complaint completely."Reply
"The Smile return with a second offering that's even more interesting than "A Light for Attracting Attention". I was a very big fan of their debut. After all, Radiohead is my favorite band, so I was naturally drawn to this side project. Many people have argued that The Smile sounds exactly like Ra...""The Smile return with a second offering that's even more interesting than "A Light for Attracting Attention". I was a very big fan of their debut. After all, Radiohead is my favorite band, so I was naturally drawn to this side project. Many people have argued that The Smile sounds exactly like Radiohead, while others haven't been able to get too much into this band. What I'm going to say is that, while it obviously has many similarities, because Thom Yorke is the lyricist and together with Jonny Greenwood they compose the music (with Skinner, alright), this band is able to create and get deep into another sound *just* because they *are* another band with another name.
I loved every single song in "A Light for Attracting Attention", because, yes, they sound a lot like Radiohead (mainly, my favorite cut from that record: "Speech Bubbles"), and even, many could pass off as Thom Yorke solo creations (such as with "The Same"). Having said that, I can't imagine some of those cuts having been able to be recorded by Radiohead as an entity, such as "We Don't Know What Tomorrow Brings" or "Waving a White Flag"; I think they would've been too much out of the equation with the band's history, even taking into account the countless times they've hit a left turn in terms of what people expect from them. Just starting from "zero" with a flagship that doesn't have to specifically adhere to anything prior, can loosen up what they can do, not having to respect any history or live up to any expectations. If something goes bad, well, it was just a side project! With songs like "Thin Thing" or "The Opposite", the third element from The Smile comes to life. Tom Skinner is a perfect way to round up a project that delves, even slightly, into jazz and prog territory.
Coming into "Wall of Eyes" I wasn't too sure what to expect. I saw the band live last year, and I was amazed at the way they are able to almost seeminly, communicate with their instruments. These musicians have reached a level of artistry that is hardly comparable to other rock acts. They are very technical, and also, you can feel a lot of energy and freedom in this sound. I was a pretty big fan of songs such as "Just Eyes and Mouth", that promised an even more radical direction and departure from Radiohead.
When "Bending Hectic" dropped, though, it wasn't what I was expecting. It's a hypnotizing journey that takes you into a very low point, before coming right back at you and ending on a very high note. I loved the song, but I was taken off by it at the same time. When "Wall of Eyes" was released as a single, I had a very similar reaction to it. It was good, though it mainly grew over time. My thought was "Well, I think they're going for a calmer sound and songs that take some time to get to you". And even though that's not a bad thing, I wasn't expecting too much from this album.
I was wrong!
This might be even better than "A Light For Attracting Attention". In retrospect, after talking with other fans of the band, it's true that their debut was somewhat all over the place (something I'm personally fond of). What remains in an album where 3 core members of Radiohead are absent? Some people have said it was lacking in some areas, and that it was too similar to that other main band we are all pretending doesn't exist. But "Wall of Eyes" isn't just a statement that it can do whatever it wants to, but that it can be *as* good as a Radiohead LP, *as* consistent, and even, the right amount of *different* to justify not being a Radiohead album.
"Teleharmonic" is a profoundly amazing song, that goes pretty deep into an electronic sound that doesn't sound nothing like Radiohead's past electronic endeavors, or even Thom Yorke's. "Read the Room" is a more raw and rock-ish cut that strays into post-rock, while keeping a stretched arm that manages to cohesively tie together an album that also features more calm songs such as "I Quit" or "You Know Me!".
Even though I've spent a lot of paragraph trying to argue that The Smile isn't anything like Radiohead, and I still stand by that, at the same time, I incorporate The Smile as part of the bigger Radiohead canon by saying that this might be one of the best albums ever put out by these group of people, in general. The way things blend together sonically and spiritually is *almost* as great as albums like "In Rainbows" or even "Kid A", and not because they sound the same; it's because this feels like an album that's more focused in what it's trying to do. "A Light For Attracting Attention" was testing the waters; it was a singles compilations, even, or just a traditional album in that sense. "Wall of Eyes", however, *is* more akin to what we think about as the *concept* album, or, at least, what Radiohead has delivered time and again.
The atmosphere here is dense, but at the same time, it breathes. An interesting emotion that may be derived from the fact, that for the first time in forever, Nigel Godrich isn't behind a Yorke-led project. This results in a sound that's obviously familiar, from the musicians at play, but feels somewhat different, thanks to a more "natural-sounding production".
In summary, "Wall of Eyes" is another great album from the gang, and I'm pretty excited for their unevitable third album, that's already shaping to be amazing (please, just let me listen to that studio version of "Just Eyes and Mouth"!). I talked about this on my review for the first album, but if Radiohead doesn't return with a tenth album, I'm pretty comfortable with having more albums by The Smile, even if they are the same... even if they *aren't* the same!
Favorite tracks: "Wall of Eyes", "Teleharmonic", "Read the Room", "Friend of a Friend", "I Quit", "Bending Hectic""[+]Reply
"It's easy to see why Viet Cong are so suited to a genre such as post-punk considering it came with the promise of heralding a 'limitless future' - for music at the very least. Songs often stop, take unexpected de-tours, and to paraphrase the Young Marble Giants constantly change. Like Interpol wi...""It's easy to see why Viet Cong are so suited to a genre such as post-punk considering it came with the promise of heralding a 'limitless future' - for music at the very least. Songs often stop, take unexpected de-tours, and to paraphrase the Young Marble Giants constantly change. Like Interpol with 'Turn on the Bright Lights' Viet Cong is a re-boot of a classic sound with frequent and obvious spot-the-influence moments (Gang of Four, This Heat, Wire etc etc) with some of the quirks and eccentricities that half the band shared in their previous incarnation as Women still clearly on show.
It is very much an albums album, with it's only one real concession to pop-music being the single 'Continental Shelf', all the while conjuring an oppressive Orwellian atmosphere where the buildings are healthy...even if the people aren't, it is rarely predictable even if it is a jarring, bumpy ride but it is also excellent."[+]Reply