Top 30 Music Albums of 2011
by 
Romanelli 
- Chart updated: 04/02/2026 20:45
- (Created: 05/15/2012 02:46).
- Chart size: 30 albums.
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2011-LIGHTNING ROD
Produced By JASON ISBELL & THE 400 UNIT
1. Alabama Pines
2. Go It Alone
3. We’ve Met
4. Codeine
5. Stopping By
6. Daisy Mae
7. The Ballad Of Nobeard
8. Never Could Believe
9. Heart On A String
10. Save It For Sunday
11. Tour Of Duty
Alternative country may not be for everyone, but any list of the best current songwriters in music would have to include Jason Isbell. The Alabama native became visible during a six year sting with Drive-By Truckers, during which time he contributed songs to three of the band’s albums. He went solo in 2007, and immediately began touring and releasing albums on a regular basis. Here We Rest is his third album, and the second with his band The 400 Unit (named for a wing at a mental hospital in Alabama). The album’s opener, “Alabama Pines”, is worth the purchase alone. Named as Song Of The Year at the 2012 Americana Music Awards, “Pines” is a fine and beautiful piece of work. Not far behind are “Tour Of Duty”, “Got It Alone” and, well, just about every other track on the disc. Isbell is not only a great writer, but he is also an excellent singer and guitarist, and his band is top notch as well.
While not his best album, Here We Rest is still strong enough to stand alongside the rest of his work. Isbell continued his pattern of releasing an album every two years with 2013’s Southeastern. In addition to his four solo albums, he also has two live releases out, with a third having just been recorded at Austin City Limits. His work as a solo artist and as a member of Drive-By Truckers is already impressive, and will hopefully serve as a guiding light for young country artists to follow instead of the trucks and beer and redneck life novelty song hole that the genre has dug itself into over the years. Isbell’s entire discography to date is of top quality, and he deserves to be much better known than he is. But, that isn’t going to happen any time soon. Seek out his music and know that there is still plenty of good, quality talent out there writing great songs for us. [First added to this chart: 09/30/2013]
Produced By JASON ISBELL & THE 400 UNIT
1. Alabama Pines
2. Go It Alone
3. We’ve Met
4. Codeine
5. Stopping By
6. Daisy Mae
7. The Ballad Of Nobeard
8. Never Could Believe
9. Heart On A String
10. Save It For Sunday
11. Tour Of Duty
Alternative country may not be for everyone, but any list of the best current songwriters in music would have to include Jason Isbell. The Alabama native became visible during a six year sting with Drive-By Truckers, during which time he contributed songs to three of the band’s albums. He went solo in 2007, and immediately began touring and releasing albums on a regular basis. Here We Rest is his third album, and the second with his band The 400 Unit (named for a wing at a mental hospital in Alabama). The album’s opener, “Alabama Pines”, is worth the purchase alone. Named as Song Of The Year at the 2012 Americana Music Awards, “Pines” is a fine and beautiful piece of work. Not far behind are “Tour Of Duty”, “Got It Alone” and, well, just about every other track on the disc. Isbell is not only a great writer, but he is also an excellent singer and guitarist, and his band is top notch as well.
While not his best album, Here We Rest is still strong enough to stand alongside the rest of his work. Isbell continued his pattern of releasing an album every two years with 2013’s Southeastern. In addition to his four solo albums, he also has two live releases out, with a third having just been recorded at Austin City Limits. His work as a solo artist and as a member of Drive-By Truckers is already impressive, and will hopefully serve as a guiding light for young country artists to follow instead of the trucks and beer and redneck life novelty song hole that the genre has dug itself into over the years. Isbell’s entire discography to date is of top quality, and he deserves to be much better known than he is. But, that isn’t going to happen any time soon. Seek out his music and know that there is still plenty of good, quality talent out there writing great songs for us. [First added to this chart: 09/30/2013]
[First added to this chart: 08/13/2015]
Year of Release:
2011
Appears in:
Rank Score:
3,099
Rank in 2011:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
2011-STARTIME/COLUMBIA
Produced By PAUL EPWORTH, GREG KURSTIN, RICH COSTEY, TONY HOFFER & MARK FOSTER
1. Helena Beat
2. Pumped Up Kicks
3. Call It What You Want
4. Don’t Stop (Color On The Walls)
5. Waste
6. I Would Do Anything For You
7. Houdini
8. Life On The Nickel
9. Miss You
10. Warrant
An internet success story. Mark Foster was working as a jingle writer and barely keeping his head above water as a musician in Los Angeles when his song “Pumped Up Kicks” went viral on the internet in 2010. Foster The People was already together, but the strength of the songs internet presence got them a record deal with Startime International. With “Pumped Up Kicks” as the centerpiece, the three piece band released their debut album Torches in 2011. Not surprisingly, the song was a huge hit, and Foster The People were shot into the stratosphere as one of the biggest bands of the new decade. They were nominated for several awards, including two Grammys, and won the Billboard Music Award for top rock song of 2011. The album is a mix of rock and dance music, with a very positive vibe while carrying a modern sound. The album will likely always be remembered for “Pumped Up Kicks”, but there was, of course, much more to it than that.
Torches was successful in more ways than just “Pumped Up Kicks”. The album houses four other hit singles: “Helena Beat”, “Call It What You Want”, “Don’t Stop (Color On The Walls)” and “Houdini” were all hits of varying degrees, and showcase the band as having abilities beyond just what you hear on the album’s biggest song. Granted, there’s nothing really deep or intellectual about Torches: it’s a dance pop album, but it’s also an interesting one. It has its share of filler, and if this type of music isn’t for you, you’ll likely be turned off by it before you get to track three. But what Torches is is a fun album with plenty of hooks and a steady beat, and it fits nicely alongside modern acts like Phoenix and MGMT. Torches is not perfect, but modern dance music could be in much less capable hands than this. Foster The People has since released two more albums. [First added to this chart: 01/09/2014]
Produced By PAUL EPWORTH, GREG KURSTIN, RICH COSTEY, TONY HOFFER & MARK FOSTER
1. Helena Beat
2. Pumped Up Kicks
3. Call It What You Want
4. Don’t Stop (Color On The Walls)
5. Waste
6. I Would Do Anything For You
7. Houdini
8. Life On The Nickel
9. Miss You
10. Warrant
An internet success story. Mark Foster was working as a jingle writer and barely keeping his head above water as a musician in Los Angeles when his song “Pumped Up Kicks” went viral on the internet in 2010. Foster The People was already together, but the strength of the songs internet presence got them a record deal with Startime International. With “Pumped Up Kicks” as the centerpiece, the three piece band released their debut album Torches in 2011. Not surprisingly, the song was a huge hit, and Foster The People were shot into the stratosphere as one of the biggest bands of the new decade. They were nominated for several awards, including two Grammys, and won the Billboard Music Award for top rock song of 2011. The album is a mix of rock and dance music, with a very positive vibe while carrying a modern sound. The album will likely always be remembered for “Pumped Up Kicks”, but there was, of course, much more to it than that.
Torches was successful in more ways than just “Pumped Up Kicks”. The album houses four other hit singles: “Helena Beat”, “Call It What You Want”, “Don’t Stop (Color On The Walls)” and “Houdini” were all hits of varying degrees, and showcase the band as having abilities beyond just what you hear on the album’s biggest song. Granted, there’s nothing really deep or intellectual about Torches: it’s a dance pop album, but it’s also an interesting one. It has its share of filler, and if this type of music isn’t for you, you’ll likely be turned off by it before you get to track three. But what Torches is is a fun album with plenty of hooks and a steady beat, and it fits nicely alongside modern acts like Phoenix and MGMT. Torches is not perfect, but modern dance music could be in much less capable hands than this. Foster The People has since released two more albums. [First added to this chart: 01/09/2014]
Year of Release:
2011
Appears in:
Rank Score:
1,690
Rank in 2011:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 01/07/2013]
Year of Release:
2011
Appears in:
Rank Score:
1,007
Rank in 2011:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
2011 – NONESUCH
Produced By DANGER MOUSE & THE BLACK KEYS
1. Lonely Boy
2. Dead And Gone
3. Gold On The Ceiling
4. Little Black Submarines
5. Money Maker
6. Run Right Back
7. Sister
8. Hell Of A Season
9. Stop Stop
10. Nova Baby
11. Mind Eraser
There is greatness in the records of The Black Keys. More people would know it if they could get past the fact that they play blues rock, something pretty uncool in the decade of the 2010’s. El Camino is their seventh album, and it’s almost as great as its predecessor, Brothers. The duo of Dan Auerbach and Patrick Carney can’t help but sound huge, and eternally hip. They are teamed with producer Danger Mouse (who also co wrote all of the songs) for the third time, and it still works like a charm. Carney’s drums are massive and relentless, and Auerbach’s fuzzed out guitar brings the great blues rockers from the 60’s and 70 to mind. But more than anything, The Black Keys have songs. El Camino, just like Brothers before it, is loaded with great material and great performances to match. Which is simply the recipe for a great listening experience. And that’s what this is.
“Lonely Boy”, “Gold On The Ceiling”, and the half ballad, half rocker “Little Black Submarines” are the obvious highlights, but this album has so much more. El Camino rocks. It’s an exciting album, one that never lets up from the first track. It was named by many as one of the best albums of the year, but you have to wonder…what if this had been released in previous decades? In the 70’s The Black Keys might have been the greatest band in the world…a time when this kind of music was huge. In current times, when a blues rock band can get any kind of notice, much less the accolades that The Black Keys get, you know that this is great stuff. Which this truly is. Their next album, 2014’s Turn Blue, moved them into more psychedelic territory, showing that they are still capable of evolving and getting better. This is a classic album that should be better known. One you will absolutely enjoy. [First added to this chart: 03/29/2018]
Produced By DANGER MOUSE & THE BLACK KEYS
1. Lonely Boy
2. Dead And Gone
3. Gold On The Ceiling
4. Little Black Submarines
5. Money Maker
6. Run Right Back
7. Sister
8. Hell Of A Season
9. Stop Stop
10. Nova Baby
11. Mind Eraser
There is greatness in the records of The Black Keys. More people would know it if they could get past the fact that they play blues rock, something pretty uncool in the decade of the 2010’s. El Camino is their seventh album, and it’s almost as great as its predecessor, Brothers. The duo of Dan Auerbach and Patrick Carney can’t help but sound huge, and eternally hip. They are teamed with producer Danger Mouse (who also co wrote all of the songs) for the third time, and it still works like a charm. Carney’s drums are massive and relentless, and Auerbach’s fuzzed out guitar brings the great blues rockers from the 60’s and 70 to mind. But more than anything, The Black Keys have songs. El Camino, just like Brothers before it, is loaded with great material and great performances to match. Which is simply the recipe for a great listening experience. And that’s what this is.
“Lonely Boy”, “Gold On The Ceiling”, and the half ballad, half rocker “Little Black Submarines” are the obvious highlights, but this album has so much more. El Camino rocks. It’s an exciting album, one that never lets up from the first track. It was named by many as one of the best albums of the year, but you have to wonder…what if this had been released in previous decades? In the 70’s The Black Keys might have been the greatest band in the world…a time when this kind of music was huge. In current times, when a blues rock band can get any kind of notice, much less the accolades that The Black Keys get, you know that this is great stuff. Which this truly is. Their next album, 2014’s Turn Blue, moved them into more psychedelic territory, showing that they are still capable of evolving and getting better. This is a classic album that should be better known. One you will absolutely enjoy. [First added to this chart: 03/29/2018]
Year of Release:
2011
Appears in:
Rank Score:
4,161
Rank in 2011:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 03/05/2019]
2011-ROUNDER
Produced By GARY LOURIS
1. Hide Your Colors
2. Closer To Your Side
3. Tiny Arrows
4. She Walks In So Many Ways
5. High Water Blues
6. Mockingbird Time
7. Stand Out In The Rain
8. Cinnamon Love
9. Guilder Annie
10. Black Eyed Susan
11. Pouring Rain At Dawn
12. Hey Mr. Man
There were plenty of events leading up to this, but a full fledged studio album from a fully reformed Jayhawks was still quite a surprise in 2011. Their last album had been in 2003 (Rainy Day Music), and the last time they had recorded with Mark Olson was in 1995 (Tomorrow The Green Grass). Olson had left that year to spend more time with, and to record with, his wife, Victoria Williams. Gary Louris took over as the sole leader of the band, and they released three more albums before going on hiatus in 2003. Olson and Louris began speaking to each other again in 2001, and in the years that followed they played some shows together. The fully reformed 1995 era band recorded Mockingbird Time in late 2010, and its release was much anticipated by fans of the band. It had been so many years in between albums, but they picked up as well as could be expected (it’s beyond rare that a band gets back together after a long split and does nearly as well as before). This is a nice reunion, but there are some big flaws. To expect Mockingbird Time to sound like any of their classic albums would be unrealistic, and unfair to the band. With that said, this is a good, far from great, album. With some flaws…one major one.
The main issue with Mockingbird Time is that Louris and Olson sound…old. Despite the fact that Olson is just under 50, and Louris is just over 50, there’s an almost clumsiness here that makes them sound as if they are much older. This is not to say that the album is not enjoyable…it most certainly has its moments. But the lack of flow is startling, even though the trademark harmonies are still there, and the songwriting is decent enough. What Mockingbird Time is, ultimately, is a nice little reunion album that does what most albums like this do. It makes the fans happy, it sounds good enough to make the critics happy, and it adds not a whole lot to the legacy of the band. There are no bad songs on this album. There are no great songs, either. “She Walks In So Many Ways” is as good as it gets, with everything else running a close second. Consistent and unspectacular effort from one of the better American bands of their time…a time that, by this album, had long ago run its course. [First added to this chart: 02/01/2013]
Produced By GARY LOURIS
1. Hide Your Colors
2. Closer To Your Side
3. Tiny Arrows
4. She Walks In So Many Ways
5. High Water Blues
6. Mockingbird Time
7. Stand Out In The Rain
8. Cinnamon Love
9. Guilder Annie
10. Black Eyed Susan
11. Pouring Rain At Dawn
12. Hey Mr. Man
There were plenty of events leading up to this, but a full fledged studio album from a fully reformed Jayhawks was still quite a surprise in 2011. Their last album had been in 2003 (Rainy Day Music), and the last time they had recorded with Mark Olson was in 1995 (Tomorrow The Green Grass). Olson had left that year to spend more time with, and to record with, his wife, Victoria Williams. Gary Louris took over as the sole leader of the band, and they released three more albums before going on hiatus in 2003. Olson and Louris began speaking to each other again in 2001, and in the years that followed they played some shows together. The fully reformed 1995 era band recorded Mockingbird Time in late 2010, and its release was much anticipated by fans of the band. It had been so many years in between albums, but they picked up as well as could be expected (it’s beyond rare that a band gets back together after a long split and does nearly as well as before). This is a nice reunion, but there are some big flaws. To expect Mockingbird Time to sound like any of their classic albums would be unrealistic, and unfair to the band. With that said, this is a good, far from great, album. With some flaws…one major one.
The main issue with Mockingbird Time is that Louris and Olson sound…old. Despite the fact that Olson is just under 50, and Louris is just over 50, there’s an almost clumsiness here that makes them sound as if they are much older. This is not to say that the album is not enjoyable…it most certainly has its moments. But the lack of flow is startling, even though the trademark harmonies are still there, and the songwriting is decent enough. What Mockingbird Time is, ultimately, is a nice little reunion album that does what most albums like this do. It makes the fans happy, it sounds good enough to make the critics happy, and it adds not a whole lot to the legacy of the band. There are no bad songs on this album. There are no great songs, either. “She Walks In So Many Ways” is as good as it gets, with everything else running a close second. Consistent and unspectacular effort from one of the better American bands of their time…a time that, by this album, had long ago run its course. [First added to this chart: 02/01/2013]
2011 – SUB POP
Produced By PHIL EK & FLEET FOXES
1. Montezuma
2. Bedouin Dress
3. Sim Sala Bim
4. Battery Kinzie
5. The Plains / Bitter Dancer
6. Helplessness Blues
7. The Cascades
8. Lorelai
9. Someone You’d Admire
10. The Shrine / An Argument
11. Blue Spotted Tail
12. Grown Ocean
The first thing that comes to mind when listening to Helplessness Blues is how much it reminds me of the early work of Crosby, Stills & Nash. That’s enough to sell me on this album…that, and the fact that their debut album was just as good, meaning that these guys were not a fluke. This folk band that came from the land of Nirvana and Pearl Jam (Seattle) shows us here that they were, indeed, the real deal. The early influences of founding members Robin Pecknold and Skyler Skjelset were Bob Dylan, Neil Young, Brian Wilson…so, yeah. Hearing CSN in their sound is not so far off. And as good as their first album was, it’s great to hear that Helplessness Blues is even better. This band was growing and expanding and striving to make better music. Unfortunately, the Foxes went on a long hiatus after this album, resulting in a six year wait for their third album, Crack Up. Don’t have to tell you what a six year break between albums will do to a band’s momentum…so it’s the first two from these guys that you’ll want.
The title track was the lead single, and it’s fantastic. “The Shrine / An Argument” and “Grown Ocean” are also big highlights, but the truth is, there’s not a bad track to be found here. This is a real throwback to the sounds of the more groovy and laid back…yet cool…albums of the late sixties and early seventies. This album contains ghosts of guys like Stills and Dylan and Sebastian, with songs that could have been written in another era by writers who were that great. But at the same time, Helplessness Blues does not, in any way, rely on the sounds of the past. It still manages to sound modern and relevant. Despite being softer, it still has power. And above all else, it maintains a level of beauty that only the best of folk based music has been able to hold over a whole lot of years. It makes me wish that they had immediately carried on from here, but they did not. Too bad…it would have been great to hear what a third album without a long break would have been like. But that’s okay. I have this, and I love it. [First added to this chart: 02/15/2015]
Produced By PHIL EK & FLEET FOXES
1. Montezuma
2. Bedouin Dress
3. Sim Sala Bim
4. Battery Kinzie
5. The Plains / Bitter Dancer
6. Helplessness Blues
7. The Cascades
8. Lorelai
9. Someone You’d Admire
10. The Shrine / An Argument
11. Blue Spotted Tail
12. Grown Ocean
The first thing that comes to mind when listening to Helplessness Blues is how much it reminds me of the early work of Crosby, Stills & Nash. That’s enough to sell me on this album…that, and the fact that their debut album was just as good, meaning that these guys were not a fluke. This folk band that came from the land of Nirvana and Pearl Jam (Seattle) shows us here that they were, indeed, the real deal. The early influences of founding members Robin Pecknold and Skyler Skjelset were Bob Dylan, Neil Young, Brian Wilson…so, yeah. Hearing CSN in their sound is not so far off. And as good as their first album was, it’s great to hear that Helplessness Blues is even better. This band was growing and expanding and striving to make better music. Unfortunately, the Foxes went on a long hiatus after this album, resulting in a six year wait for their third album, Crack Up. Don’t have to tell you what a six year break between albums will do to a band’s momentum…so it’s the first two from these guys that you’ll want.
The title track was the lead single, and it’s fantastic. “The Shrine / An Argument” and “Grown Ocean” are also big highlights, but the truth is, there’s not a bad track to be found here. This is a real throwback to the sounds of the more groovy and laid back…yet cool…albums of the late sixties and early seventies. This album contains ghosts of guys like Stills and Dylan and Sebastian, with songs that could have been written in another era by writers who were that great. But at the same time, Helplessness Blues does not, in any way, rely on the sounds of the past. It still manages to sound modern and relevant. Despite being softer, it still has power. And above all else, it maintains a level of beauty that only the best of folk based music has been able to hold over a whole lot of years. It makes me wish that they had immediately carried on from here, but they did not. Too bad…it would have been great to hear what a third album without a long break would have been like. But that’s okay. I have this, and I love it. [First added to this chart: 02/15/2015]
Year of Release:
2011
Appears in:
Rank Score:
8,400
Rank in 2011:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 08/25/2013]
Year of Release:
2011
Appears in:
Rank Score:
8,337
Rank in 2011:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
2011 – XL / TBD RECORDS
Produced By NIGEL GODRICH
1. Bloom
2. Morning Mr. Magpie
3. Little By Little
4. Feral
5. Lotus Flower
6. Codex
7. Give Up The Ghost
8. Separator
The King Of Limbs is the follow up to the very successful album In Rainbows…and it sounds absolutely nothing like that album. Such is the beast that is Radiohead…and thank God for that. While In Rainbows was more of a traditional band album, they built this one around samples and loops. The result is a moody and somewhat troubling sounding disc, which did put some fans off, but hey. Part of what makes Radiohead so good and so unique is that they have no qualms about switching things up and doing the unexpected. And so, The King Of Limbs, while not their greatest record, is yet another winner in the discography of what can’t be denied as one of the greatest bands ever.
This album was released online first, followed by physical releases more than a month later. They also didn’t release any singles from the album, so you had to really listen for the better tracks. “Lotus Flower” is the best song here, but while nothing else will grab you the way much of their bigger tracks will…but like all Radiohead releases, if you give this a chance, you’ll most certainly be won over. Because this is Radiohead, and yes, these guys are really that good. At less than forty minutes, this is a short affair, which actually works in Radiohead’s favor. This ended up being one of the best albums of 2011, and proves that you simply cannot go wrong with Radiohead. [First added to this chart: 09/05/2017]
Produced By NIGEL GODRICH
1. Bloom
2. Morning Mr. Magpie
3. Little By Little
4. Feral
5. Lotus Flower
6. Codex
7. Give Up The Ghost
8. Separator
The King Of Limbs is the follow up to the very successful album In Rainbows…and it sounds absolutely nothing like that album. Such is the beast that is Radiohead…and thank God for that. While In Rainbows was more of a traditional band album, they built this one around samples and loops. The result is a moody and somewhat troubling sounding disc, which did put some fans off, but hey. Part of what makes Radiohead so good and so unique is that they have no qualms about switching things up and doing the unexpected. And so, The King Of Limbs, while not their greatest record, is yet another winner in the discography of what can’t be denied as one of the greatest bands ever.
This album was released online first, followed by physical releases more than a month later. They also didn’t release any singles from the album, so you had to really listen for the better tracks. “Lotus Flower” is the best song here, but while nothing else will grab you the way much of their bigger tracks will…but like all Radiohead releases, if you give this a chance, you’ll most certainly be won over. Because this is Radiohead, and yes, these guys are really that good. At less than forty minutes, this is a short affair, which actually works in Radiohead’s favor. This ended up being one of the best albums of 2011, and proves that you simply cannot go wrong with Radiohead. [First added to this chart: 09/05/2017]
Year of Release:
2011
Appears in:
Rank Score:
4,546
Rank in 2011:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
Total albums: 30. Page 1 of 3
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Top 30 Music Albums of 2011 composition
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| Radiohead | 2 | 7% | |
| Hayes Carll | 1 | 3% | |
| David Day | 1 | 3% | |
| Tom Waits | 1 | 3% | |
| Mandolin Orange | 1 | 3% | |
| The Waterboys | 1 | 3% | |
| The Black Keys | 1 | 3% | |
| Show all | |||
Top 30 Music Albums of 2011 chart changes
| Biggest climbers |
|---|
| Up 2 from 12th to 10thThe King Of Limbs by Radiohead |
| Biggest fallers |
|---|
| Down 1 from 10th to 11thLive At Red Rocks by The John Butler Trio |
| Down 1 from 11th to 12thThrough A Crooked Sun by Rich Robinson |
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Top 30 Music Albums of 2011 ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
N.B. The average rating for this chart will not be reliable as it has been rated very few times.
Showing all 2 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
| 08/05/2019 06:51 | Johnnyo | 2,577 | 80/100 | |
| 05/24/2019 23:01 | DJENNY | 4,338 | 100/100 |
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AlvaroIesus 07/21/2024 18:14 | #304460
AlvaroIesus 07/21/2024 18:14 | #304460
Adele over Fleet Foxes is crazy hah
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From Johnnyo 08/05/2019 06:51 | #240771
Very good chart
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