Listed below are the best albums of the 1990s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 3 hours ago).
"If this band died young they would've been worshipped. In the vein of The Rolling Stones, and Morissey, they continue on, making corporate, egotistical asses of themselves. Especially Corey Taylor, the guy is several miles up his own ass. I'm no expert on nu-metal. I tend to gravitate towards mor...""If this band died young they would've been worshipped. In the vein of The Rolling Stones, and Morissey, they continue on, making corporate, egotistical asses of themselves. Especially Corey Taylor, the guy is several miles up his own ass.
I'm no expert on nu-metal. I tend to gravitate towards more prog oriented stuff. That disclaimer out of the way, this band's first two records are worth listening to. The debut especially is wonderfully edgy and chaotic.
Is it well-written? Of course not. It's not supposed to be. The whole point is to thrash the fuck out without thinking about it. And it does just that. Very well."[+]Reply
"Songs for Drella is a musical retelling of the life of Andy Warhol as told by two of the great musicians whose careers he launched. Every song feels unique, and every one brings something to the table, my only complaint would be that Lou Reed sings the vast majority of the songs, John Cale only s...""Songs for Drella is a musical retelling of the life of Andy Warhol as told by two of the great musicians whose careers he launched. Every song feels unique, and every one brings something to the table, my only complaint would be that Lou Reed sings the vast majority of the songs, John Cale only singing a third of them, but that’s only a problem if, like me, your more of a John Cale fan. You really feel the love these two had for old Andy, but they don’t act as if it was all good times, the album really does portray the life of someone who they (Reed particularly) loved and hated in equal mesure at different times in their lives.
The best tracks here are most of the tracks on which Cale provides the vocal (“Style It Takes”, “Forever Changed” and the spoken word story “The Dream” particularly) and Reed’s brilliant “Slip Away”, “I Believe” and the beautiful, haunting “Hello It’s Me”, which may be my favourite song Lou Reed has sang since the Velvet Underground."[+]Reply
"My favourite album of all time. Track-by-track review with a rating for each track out of 100: Star Sail: A dreamy opener with guitar that simultaneously floats dreamily and roars loudly. Ashcroft's vocals soar. 93 Slide Away: The album's first and catchiest single, though not as ambient and drea...""My favourite album of all time. Track-by-track review with a rating for each track out of 100:
Star Sail: A dreamy opener with guitar that simultaneously floats dreamily and roars loudly. Ashcroft's vocals soar. 93
Slide Away: The album's first and catchiest single, though not as ambient and dreamy as some of the other highlights. Deserved more than the mild attention it got, it's a track in awe of the endless soundscape it's perusing. 94
Already There: The album's first masterpiece and one of Verve's finest tracks, from the solitary opening strums which ooze sadness, to Ashcroft's mournful vocals edging the song to a heavenly place. When McCabe's guitar kicks in and gets the track pumping, it's like floating away to an unknown destination. And you don't want to leave. 100
Beautiful Mind: A massively expansive head-trip, a stumble into a blue abyss. A song filled with emotions fleeing and dreams fleeting. McCabe's guitar strums echo and reverberate, moving all around, bouncing off walls of sound. The final haunting strums that close the song are some of the saddest sounds I've ever heard from a guitar. 98
The Sun, The Sea: The first half of the album closes loudly as Ashcroft croons and pleads. The energy here makes the song loud and fast enough to have been a single and as the whole thing descends into a chaotic mess, saxophones sighing and Ashcroft fading away. 94
Virtual World: To me personally, the opening sounds of Virtual World are iconic. I feel like I've heard them all my life and they haunt my skull each time they float through it. It is one of the purest expressions of happiness, head out the window of a speeding car, smile brushing the breeze like old friends meeting again. 100
Make It Till Monday: An almost scary awakening from a dream within a nightmare (or perhaps the other way round), the shortest track on Storm tells of a drug-fuelled weekend burning away into oblivion and leaving behind nothing but regret. I really hope they do make it. 98
Blue: To say the lead single from Storm is my least favourite track on the album isn't really saying much because it is still a very solid track, despite the fact I'm not the hugest fan of the pre-Urban Hymns pop/rock sound (at least, not on this album where it seems curiously out-of-place) or the catchy 'swallow you' lyric. Still, it's a decent track and a brief but lovely listen. Also, it contains the fantastic lyric "You shot him down, there's blood on my face, his heart's in the right place." 92
Butterfly: What, really, can I say about what's probably my favourite song of all time? That it meshes saxophone and guitar so beautifully to describe it as anything less than orgasmic is insulting? That Ashcroft's poetic lyrics and snarling delivery are so beautifully crafted that my eyes moisten at the thought and shivers run down at the experience? That he can create one of the scariest sounds in the world simply by moaning the titular 'butterflyyyyy'? If the guitar stumbling to a halt at 1:14 isn't enough to blow your mind, listen to Ashcroft scream 'butterfly' four times at 1:46, or better yet, the countless guitar screeches around the 5-minute mark that absolutely jolt you awake and make you feel like your whole body is about to implode, the saxophone howl inviting warmly your newly freed organs to float around around the zero-gravity playground? Butterfly, for me, was a landmark musical experience, and a criminally underrated one at that. To listen is to experience musical emotion and evocativeness at its peak. It's a marvel. 100
See You In The Next One (Have A Good Time): Displaying all too endearingly keenly the sadness of saying goodbye to a loved one without being hackneyed or over-the-top, See You In The Next One expresses in bitter words the feeling of loss at its heart: "I liked the way it was. I hate the way it is now." That's really all there is to it. So sad it rips your heart open and the tears feel as if they may never stop flowing. 100
Key Tracks: Already There, Virtual World, Butterfly, See You In The Next One"[+]Reply
"This was the start of an incredible 4 album streak that would close Death's career due to Chuck unfortunately passing away. Human is a more technical and progressive release compared to their earlier work as displayed on the instrumental Cosmic Sea. One of the finest death metal albums ever. Pumm...""This was the start of an incredible 4 album streak that would close Death's career due to Chuck unfortunately passing away. Human is a more technical and progressive release compared to their earlier work as displayed on the instrumental Cosmic Sea. One of the finest death metal albums ever. Pummeling yet intricate. "[+]Reply
"As far as I know, this album was released before Blur (1996 vs 1997). I've always felt that the chord progression at one point in Fell Off The Floor is way too similar to what Blur did with Song 2. Was Song 2 inspired by this? Does anyone else hear this? Give it a listen - do you think Damon Alba...""As far as I know, this album was released before Blur (1996 vs 1997). I've always felt that the chord progression at one point in Fell Off The Floor is way too similar to what Blur did with Song 2. Was Song 2 inspired by this? Does anyone else hear this? Give it a listen - do you think Damon Albarn owes something to dEUS, or am I barking up the wrong tree?"[+]Reply
"I don´t understand why critics don´t use to talk about this album as one of the best of his career. It is his most ambitious, complex, conceptual, interesting and longest album. I really think it's one of his 5 greatest masterpieces."Reply
"I am one of a few who enjoys the later Genesis as much as the earlier Genesis. I really like this album, it has quite a typical eighties feel about it. The opening track has a very simple sequencedsynth bass line which was a foundation for many eighties bands, so you can't blame the boys for embr...""I am one of a few who enjoys the later Genesis as much as the earlier Genesis. I really like this album, it has quite a typical eighties feel about it. The opening track has a very simple sequencedsynth bass line which was a foundation for many eighties bands, so you can't blame the boys for embracing the modern era. "[+]Reply
"You feel like you've just caught a taxi to fulfill your next mundane task at hand with your dysfunctional relationship with life; but your cab driver is an eccentric Japanese man and he sends you to space and takes you on a 50 minute tour exploring the universe. It's the dreamiest and most beauti...""You feel like you've just caught a taxi to fulfill your next mundane task at hand with your dysfunctional relationship with life; but your cab driver is an eccentric Japanese man and he sends you to space and takes you on a 50 minute tour exploring the universe. It's the dreamiest and most beautiful thing you'll ever experience."[+]Reply