Listed below are the best albums of 1968 as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 1 hour ago).
"BS&T loses their leader, Al Kooper, and comes back with one of the best records of the 60s. Has their two biggest hits, "Spinning Wheel" and "You've Made Me So Very Happy," along with classics like the standard, "God Bless the Child," and Laura Nyro's "And When I Die." The band's later efforts wo...""BS&T loses their leader, Al Kooper, and comes back with one of the best records of the 60s. Has their two biggest hits, "Spinning Wheel" and "You've Made Me So Very Happy," along with classics like the standard, "God Bless the Child," and Laura Nyro's "And When I Die." The band's later efforts would be uninspired, but this is just great."[+]Reply
"The sound on this album is complex, dense and mellow akin to the harmonious experimentalism of Pink Floyd, the instrumentals of Cream and the 'cosmic' improvisation and existentialism of Sun Ra. The band members, inspired by Stockhausen and John Cage and the music tapes for Morton Subotnick, prod...""The sound on this album is complex, dense and mellow akin to the harmonious experimentalism of Pink Floyd, the instrumentals of Cream and the 'cosmic' improvisation and existentialism of Sun Ra. The band members, inspired by Stockhausen and John Cage and the music tapes for Morton Subotnick, produced one of the all-time acid-rock masterpieces."[+]Reply
"I feel like Joni Mitchell is a genius. Like, I recognize that now. Its like she envisions or, more accurately, hears music with more clarity than almost any human in pop music history. From the jump, with this solo debut of hers, its clear she is a legitimate A+ guitarist, a freakishly pristine a...""I feel like Joni Mitchell is a genius. Like, I recognize that now. Its like she envisions or, more accurately, hears music with more clarity than almost any human in pop music history. From the jump, with this solo debut of hers, its clear she is a legitimate A+ guitarist, a freakishly pristine and perfect pitch singer, and lyrically a poetic force of nature. Even on this, her first go at an album, she took all these insane talents and managed to put out a truly gorgeously shimmering debut album, which feels full and completely filled in despite it being by and large just her and a guitar. She manages to fill up the sound completely with complex chord structures and intensely beautiful, constantly shifting and soaring vocals.
Intimate songs like "The Dawntreader" and the character study "Marcie" almost sound too angellic. And the guitar playing is, again, incredibly dexterous and sounds easy almost because she was such a virtuoso - case in point the ease of her singing over the top of the complex guitar of" Sistowbell Lane". There are also some parts that are just over the top with their speedy 2 or 3 part vocal parts like in "The Pirate of Penance" is unlike anything singer-songwriters of the time.
The only knock I have against this record is that the vocal pyrotechnics do get a bit over the top. Just every once in awhile. Also its not like the whole flow of the album or the poetry here bites quite as hard as they do on "Blue". So, no, I'm not quite ready to say this is on the same level as that album. Still, its G-R-E-A-T.
This album should be recognized as one of the best debut albums of the 60s. I don't feel like that is the general consensus, and that saddens me.
Grade: 9.0/10"[+]Reply
"Highly underrated debut from Shakey, as his style would be more defined by his next album. This record continues Neil's work he contributed to the last two Buffalo Springfield albums (produced separately before the group disbanded). It's beautiful psychedelic folk rock. I'm surprised Kanye West o...""Highly underrated debut from Shakey, as his style would be more defined by his next album.
This record continues Neil's work he contributed to the last two Buffalo Springfield albums (produced separately before the group disbanded). It's beautiful psychedelic folk rock.
I'm surprised Kanye West or other producers haven't lifted samples from this record, particularly Old Laughing Lady and I've Been Waiting for You.
Jack Nitzsche's production on Old Laughing Lady is bombastic and excellent and I recommend this record to anyone who enjoyed his orchestrated songs on Harvest and his psychedelic songs on Buffalos Springfield Again.
Look for alternative an alternative mix for Here We Are in the Years. Some LP pressings have a different mix that I prefer because it doesn't have a fade out. Also of note is the opening instrumental has a superior version on his archives set, with lyrics, entitled Casting Me Away From You.
Highly recommended.
A Side: The Loner
B Side: Old Laughing Lady"[+]Reply
"Although it's not quite as inventive as his later records, this is my personal favorite of Scott Walker's albums. His voice stands out as an incredible force that very few can compare to. Many of the best songs are from the Jacques Brel catalog that Walker borrowed from so often early on, and his...""Although it's not quite as inventive as his later records, this is my personal favorite of Scott Walker's albums. His voice stands out as an incredible force that very few can compare to. Many of the best songs are from the Jacques Brel catalog that Walker borrowed from so often early on, and his selections are excellent. "[+]Reply
"Traffic was one of the greatest band to come out of Britain in the late 1960's. By the time the band recorded their second album, the original line-up was together again after of short period as a 3-piece band. Guitarist and songwriter Dave Mason had more or less walked in and out of the band. Af...""Traffic was one of the greatest band to come out of Britain in the late 1960's. By the time the band recorded their second album, the original line-up was together again after of short period as a 3-piece band. Guitarist and songwriter Dave Mason had more or less walked in and out of the band. After the success of "Mr Fantasy" and the hit singles "Paper Sun" and "Hole in My Shoe", Mason left the others in early 1968, but he returned in May to join in on the recordings of the follow-up album simply called "Traffic"
Mason contributed several strong songs to the album, and his melodic and catchy songs give a great balance to the more soulful songwriting of Steve Winwood and Jim Capaldi. In fact this album consist of mere strong tracks/recordings.
Mason's opener, the catchy "You Can All Join In" would no doubt have been another hit for the band, had it been released as a single in Britain. In fact it did reach the singles charts in some European countries. Mason's other songs are equally strong. "Don't Be Sad" is a fine quiet ballad in typical Traffic arrangement.
"Feelin'Alright" has become a classic that has been covered by numerous other artists; paradoxically many of these cover-version are done in soul-arrangements, making it sound almost like a Winwood song. "Vagabond Virgin" written with Capaldi is another melodic song, in an up-beat. almost acoustice arrangent. "Crying to be Heard" with its exploding chorus is another highlight on the album.
Most of Steve Winwood's material on the is also first-class. "Pearly Queen" and "Forty Thousand Headmen" are Traffic at their very best.
The three bonus-tracks that were originally released on on their third album "Last Exit" are all among my favorite Traffic songs.
The last to bonus tracks are taking from the soundtrack for the movie "Here We Go Round the Mulberry Bush" - none of them particularly memorable; but still nice additions. "[+]Reply
"While this album holds it place in the history of music as being (arguably) the first ever true heavy metal record, it hardly holds its own. The strongest track is the worse-than-the-original cover of Summertime Blues, the other two covers are also steps down from previous versions, and the three...""While this album holds it place in the history of music as being (arguably) the first ever true heavy metal record, it hardly holds its own. The strongest track is the worse-than-the-original cover of Summertime Blues, the other two covers are also steps down from previous versions, and the three originals are all irrelevant. The history is interesting. The music is not."[+]Reply