Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 2 hours ago).
"The Crowes have never been about the "hits". This album marked the arrival of guitarist Marc Ford and a huge leap in songwriting. The interplay between Ford and Rich Robinson, the beginning of the move away from straight Southern boogie, the maturity of Chris Robinson's voice, and the massive lea...""The Crowes have never been about the "hits". This album marked the arrival of guitarist Marc Ford and a huge leap in songwriting. The interplay between Ford and Rich Robinson, the beginning of the move away from straight Southern boogie, the maturity of Chris Robinson's voice, and the massive leap in writing puts Shake Your Money Maker far back in the rear view mirror and opens the door for the great Amorica. A powerful 2nd album."[+]Reply
"Although often considered the little brother of KNY, it is very much an album of its own and stands equal in height. To me it is classic Deftones in that they manage to successfully blend a romantic atmosphere with heavy grooves, and man is it something good. This is a more mature side of Deftone...""Although often considered the little brother of KNY, it is very much an album of its own and stands equal in height. To me it is classic Deftones in that they manage to successfully blend a romantic atmosphere with heavy grooves, and man is it something good. This is a more mature side of Deftones. The hooks are more subtle and there is less reliance on grinding riffs and dark atmosphere, though there is still plenty of both to be found. This can make it seem boring to start with but listening closely you will hear the album is still very much inspired.
Each song plays its part, and while the mood slows a bit after Rocket Skates it remains consistent in its quality. The band has years of chemistry building and here it shows. Fantastic metal album and fantastic album in general. Best listened to loud.
Standout tracks: Beauty School, Prince, Risk. "[+]Reply
"Cat's best album. Half of the LP is still played on the radio daily almost 50 years later. Peace Train, Morning Has Broken and Moonshadow are iconic songs of the 70s still known in most households today, and for Cat fans songs like How Can I Tell You (one of the greatest love songs goin round) an...""Cat's best album. Half of the LP is still played on the radio daily almost 50 years later. Peace Train, Morning Has Broken and Moonshadow are iconic songs of the 70s still known in most households today, and for Cat fans songs like How Can I Tell You (one of the greatest love songs goin round) and The Wind are common favorites. The Wind has become more appreciated since appearing in movies such as Almost Famous and Wes Anderson's Rushmore, both in powerful moments. Tuesday's Dead has profound but mysterious lyrics that fans are still unpacking and analyzing today. Definitely a defining moment for Cat, and for the 70s in general."[+]Reply
"There are albums I like. There are albums I love. There are albums I consider masterpieces. There are albums that I have a personal connection to and, when thought of, make me smile. There are these things and then there are albums like songs by Adrianne Lenker. There are very, VERY few albums th...""There are albums I like. There are albums I love. There are albums I consider masterpieces. There are albums that I have a personal connection to and, when thought of, make me smile. There are these things and then there are albums like songs by Adrianne Lenker. There are very, VERY few albums that mean quite as much to me as this one here. A handful perhaps. And there are absolutely no other albums, or pieces of art, even that have affected me or been as integral to my life during these last 2 brutal and heartbreaking years as this album. So, as you perhaps can imagine, it is daunting trying to write something about this album. I am too close to it and too fond of it. It’s like talking about your spouse and trying to explain what you love about them. Damned challenging.
And, yet, I shall try to convey my thoughts here in brief. I am thinking I will not do this album justice. I also think that I likely will not attempt to write some grand and professional essay on the merits of this folk album. Instead, I will try to touch on some of the things I like the most, some of the charms that this album has, and some of the lyrics and lines and moments that seem to set this album apart in my mind.
The atmosphere of this record is marvelous and drips from every song and every note. The whole concept of a folk artist going through some shit in life and going to a somewhat remote cabin and isolating oneself to record a reflection of their state-of-mind is perhaps one you’ve heard before. Bon Iver’s debut is perhaps the most famous example of this. And there are many similar instances in history. While I do have a healthy respect for For Emma, Forever Ago and Nebraska and so many of these other similar solo albums recorded in isolation, I feel like songs takes the cake as the best. At least it is, by far, the one that most readily and consistently grabs me. When I hear this woman with a guitar on these recordings, it feels like all the cliches you can name: like I’m in the room with her, or like I am uncomfortably close to someone who should be alone in their hour of working their thoughts out. The album’s start is the sound of a tape recorder starting or clicking into operation, a guitar picked up, then a second later the melancholy yet detailed and beautiful guitar riff of “Two Reverse” and with that I am already on board and there for this album. It’s rare for an album to envelop me with so much atmosphere so consistently and quickly. And the fact that this is done with an adept and beautiful guitar, a brilliant singer and some occasional nature sounds added alone, is brilliant.
The songs themselves on this album called… songs, are…stunning. They are clear emotionally yet when looked at closer line by line, there are mysteries and there are abstractions and little details that are only fully or remotely understood by Adrianne herself. And yet each song has a line or lines that cut right through and make me feel like I have made some deep connection due to how relatable they are.
“Is it a crime to say I still need you?” captures that push and pull of self-conscious analyzing after a break up when so much media and so many people seem to say that in this day and age relationships are fickle and unimportant and nothing to get hung up on, and yet you still long for and need that person.
“Everything eats and is eaten. Time is fed” is a line that always makes me think about how everything is feeding off of other things and things are evolving perpetually and always NOW. Simple line, with a million tons of force behind it.
“Standing in the yard, dressed like a kid. The house is white and the lawn is dead. The lawn is dead” is a line that evokes for me similarly vivid memories and dreams reoccurring of strange things that only seem strange in hindsight. This type of visual comes up all over this album, and it consistently blows me away how Lenker is able to incorporate these visions or scenes into songs and make them come across as they do – just random flashes of recollection.
“Come, help me die, my daughter…” is equal parts heartbreaking, brilliantly evocative as an opening line to the song “come”, and delivered with such ghostly sadness, that the cumulative effect of this is just absolutely stunning. The rest of the song builds on this opening statement, a fragile, dark and deathly track where every line holds so much emotional power it can be overwhelming.
“Oh, emptiness… Tell me ‘bout your nature. Maybe I’ve been getting you wrong. I cover you with questions. I cover you with explanations. Cover you with music.” – This is a lyric which kind of kicks my ass personally because this seems about right. Through questions and agitations and music and distractions and all these things we (or I do at least) attempt to understand the void and the nothingness at the center and at the back of all experience and life as well as, usually, try with all our hearts to not stare directly at the fact that that emptiness and that void is there always at the back of all things.
“And your dearest fantasy is to put a baby in me. I could be a good mother. And I wanna be your wife. So I hold you to my knife. And I steal your letter. Not a lot, just forever.” – here is a line that makes me cry. Or, several lines, really. And I don’t know exactly why. It just strikes me as real. I have nightmares/dreams of women I’ve been with but haven’t seen in years and these similar visions of having children and settling down haunt me. And the way she says those words just kills me and strikes a very personal nerve.
And of course, perhaps the greatest song of all time, or, rather, perhaps my favorite song of all time or at least top 10, the track “anything” is a tumble of scenes from a relationship now long gone. The lines here are each one vivid and personal and yet universal and striking and the chorus… my god that chorus… it’s the most romantic and heartbreaking of choruses – so real and so honest and so direct and yet so poetic – in most songs and in most artists’ and singers’ hands it may come out as trite or sappy, but here? Nope. It comes out as one of the best songs ever. – “I don’t wanna be the owner of your fantasy. I just wanna be a part of your family. And I don’t wanna talk about anything, I don’t wanna talk about anything. I wanna kiss, kiss your eyes again. I wanna witness your eyes looking. I don’t wanna talk about anyone, I don’t wanna talk about anyone. I wanna sleep in your car while you’re driving. Lay on your lap when I’m crying.” – jesus christ.
…. And the list goes on and on. I love this album’s lyrics and the way they are delivered. Which brings me to Adrianne’s singing. I think I’ve seen here and there that some find her voice a bit grating or trying, a bit off and a bit weird. Well, I actually can understand and hear where that thought is coming from. As I have pointed out in other comments on her earlier albums, Lenker has a beautiful voice and when she so chooses she can sing a song as clearly and traditionally as a songbird. But in recent years there is a trend with her singing toward an idiosyncratic, ghostly, almost unvarnished and wavy and wavering and floating and unstable brittle beauty. That new sound and delivery reaches its pinnacle with this album. These are songs full of remembrances and indecision and grief and loss and heartbreak and tender one-on-one moments and so many human experiences and the way Adrianne chooses to express this vocally is, to me, one of the fundamental joys of this album and her music more generally. On some songs she is just floating like a ghost. On others she is almost conversationally talking about dreams and memories, and in others it sounds like her voice may crack at any moment due to the internal strain of trying not to break down. This all works to convey the emotions on songs.
Musically, it is easy to say this is a simple sound – an acoustic folk guitar sound, with some bird noises added in post sometimes, some finger picked stuff, some warm acoustic chords, etc etc… and that is true. But I feel like there are some really special musical moments and melodies here. The production is soooo stripped down and this production style works for this album with this vibe. Still, it isn’t an accident that those opening guitar lines on track 1 “Two Reverse” sound so crisp and distinct and so much better than almost any other simple woman+guitar type song. The production is doing some good work but it knows to not be intrusive even a little. The song structures and the writing musically here are perfect, not a note or chord feels wrong. And as a result, despite this being “just boring ol’ folk guitar music” this album never feels remotely derivative or boring or unengaging in the slightest. Every tone and sound fits and contributes to the power of the album, the messages being communicated, etc.
More broadly, what does this whole album and all of its parts mean to me? Well, I, like many, many around the world, had a tough time in 2020. This album was first heard by me in December 2020 and right from the jump it felt like I was hearing something bracing and needed on a spiritual level. This is an album that, when I don’t have any urges or motivations generally in life and I am feeling a bit stymied and lost, I often will play and the sound of these songs always picks me up a bit. It captures how I feel so often. Sad, lost, almost beaten, but never quite. And the fact that I can always come back to this statement and this record no matter what else is happening, and know that my friend (although I don’t know her at all and only know her music – she feels like a peer and friend) is here always with these songs and these images and this strange reassuring artistic statement gives me great peace. And it has given me much peace and succor over these hellish and heartbreaking last 16 or so months since I first heard it.
To say I love and appreciate this artist and this album would be an understatement. It is, without a doubt, one of the most important and loved pieces of art of my life and I will always ALWAYS feel a fondness and appreciation to it and the artist responsible. Thank you, Adrianne. You have no idea how much your music has helped me these last couple years and will continue to help me over the next many years as well.
10/10… of course. This is a pantheon, upper tier, all time great album. There is no more obvious 10/10 I could ever give."[+]Reply
"The strongest crop of songs he's made since the Smiths ended, the singles Irish Blood, English Heart and First of the Gang to Die are two of my favourite indie rock songs of all time and there are also some great deep cuts on here too"Reply
"The return of Bruce Dickinson after an eight year break. Brave new world, is easily Iron Maiden's best album since, seventh son. It's epic and ambitious but it doesn't feel overlong or overblown. It doesn't quite have any classic metal anthems that Maiden used to write, in fact it's more proggy t...""The return of Bruce Dickinson after an eight year break. Brave new world, is easily Iron Maiden's best album since, seventh son. It's epic and ambitious but it doesn't feel overlong or overblown. It doesn't quite have any classic metal anthems that Maiden used to write, in fact it's more proggy than what's come before, still i think this is the best of the Maiden albums made after Bruce rejoined. It proved that the band still had something to offer. "[+]Reply
"Remarkable how these three idiosyncratic songwriters consciously decide to subsume their quirks within a group voice. Individual traits haven't been erased so much as they've been sanded so they can fit neatly together. Boygenius feels heftier and hookier than Baker, Bridgers, and Dacus do on the...""Remarkable how these three idiosyncratic songwriters consciously decide to subsume their quirks within a group voice. Individual traits haven't been erased so much as they've been sanded so they can fit neatly together. Boygenius feels heftier and hookier than Baker, Bridgers, and Dacus do on their own and I love it."[+]Reply
"(Not sure why I am putting in a paranthetical opening statement for this comment considering how short and insubstantial this comment is, boiling down to "Not MY Hardcore! grrrr...". Maybe its just a habit. Anyway, yeah I am not a fan of this uber clean, big, anthemic version of post hardcore and...""(Not sure why I am putting in a paranthetical opening statement for this comment considering how short and insubstantial this comment is, boiling down to "Not MY Hardcore! grrrr...". Maybe its just a habit. Anyway, yeah I am not a fan of this uber clean, big, anthemic version of post hardcore and hardcore.)
Personally, I'm not feeling this. I sure hope this ultra modern production isn't influential on Hardcore and post-hardcore for years to come because, man, I hate it/ a lot. The anthemic shouts are cool but to say they lean on them would be an understatement. The riff work is alright, but just the way they sound is rubbing me the wrong way. After the first 2 or 3 tracks I was thinking "Yep, this is gonna be top 100 of year for me at least." Even at that point there were some production choices which I was a bit ish about. But the power of the performances were getting me hyped up. But as the album progressed there was a steady and consistent decline in affinity for the album and the band and the sound. Don't like the Alternative Metal sounds, synth sounds, pop sounds, me no like any of it lol. Okay, that's not true, I liked maybe 1 in 5 production choices. whatever I'm rambling.
I respect that they are "pushing forward the form" and so forth. That is cool and should be commended. But in this case, to my ears, they are pushing it somewhere but I'm not sure its forward. Not backward either. Maybe they are just kinda nudging it sideways or something. (that analogy died fast upon my fingertips.)
EDIT: coming back to say that "Hate" is the wrong word. I don't hate this. I think if this album was playing I would have a good time hearing it. There have been a few albums this year that I "Hated" and this ain't it. However, I guess I just don't like it, and on a scale of hate to love, this would be almost dead center and slightly leaning over into dislike. Okay, that's all. "[+]Reply
Romanelli | Helpful? (Log in to vote) | +4 votes (4 helpful | 0 unhelpful)
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Mercury | Helpful? (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)
A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.
ffudnebbuh | Helpful? (Log in to vote) | +4 votes (4 helpful | 0 unhelpful)
A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.
