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2671.

Jazz At Massey Hall 
Live

 The Quintet

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"The Quintet is Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus and Max Roach. You can also buy a more complete version of the same concert called Charlie Parker - Complete Jazz At Massey Hall which has 14 tracks."  Reply

- Freddie55 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1956

Appears in:

127 charts

Rank Score:

590

Rank in 1956:

14

Rank in 1950s:

76

Overall Rank:

2,671

Average Rating:

 77 (114 votes)

Comments:

8

2672.

Bish Bosch 

 Scott Walker

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"Disturbingly beautiful album. This gave me chills the first time I listened to it. A worthy follow up to The Drift, if not better. His lyrics make zero sense, but I think they're full of really haunting and bizarrely beautiful imagery. And the music.... wow, just wow. The track "Corps De Blah" is...""Disturbingly beautiful album. This gave me chills the first time I listened to it. A worthy follow up to The Drift, if not better. His lyrics make zero sense, but I think they're full of really haunting and bizarrely beautiful imagery. And the music.... wow, just wow. The track "Corps De Blah" is especially beautiful, an amazing portrayal of a body rocking. My favorite and the best album of 2012 and a strong contender for best album of the decade so far, in my opinion. Now if only he'd release albums more frequently...."  [+]  Reply

- | Helpful?  (Log in to vote) | +5 votes (6 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2012

Appears in:

122 charts

Rank Score:

590

Rank in 2012:

42

Rank in 2010s:

436

Overall Rank:

2,672

Average Rating:

 75 (115 votes)

Comments:

10

2673.

An Electric Storm 

 White Noise

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"Really cool early electronic album! I'd recommend this for fans of Velvet Underground, Faust, Can, Amon Duul II, and other experimental groups of the era."  Reply

- saltysurprise | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1969

Appears in:

119 charts

Rank Score:

590

Rank in 1969:

64

Rank in 1960s:

240

Overall Rank:

2,673

Average Rating:

 76 (107 votes)

Comments:

4

2674.

cLOUDDEAD 
Compilation

 cLOUDDEAD

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"CLOUDDEAD is a world of its own. The atmospheric dream-like beats flow into the album from the edges of space, slowly coming together into a loosely held congregation of the kind of hypnotic and emotionally evocative electronic twinklings and drones reminiscent of some of BoC's more spacious work...""CLOUDDEAD is a world of its own. The atmospheric dream-like beats flow into the album from the edges of space, slowly coming together into a loosely held congregation of the kind of hypnotic and emotionally evocative electronic twinklings and drones reminiscent of some of BoC's more spacious works. Before the voices of this Anticon group even come into play, you are already floating amidst this loose conglomeration of sounds, fully immersing you in cLOUDDEAD's mystical and somewhat unsettling world, just in time for the voices of this hip-hop collective to phase in and out of the album's hypnotic core; to dance across the periphery of but never quite statically settle within this dream that you are now a part of. The voice drift in and out, whispering thoughts of paranoia and regret, some concrete and relatable, some more abstract, but with an intended expression no less easy to understand. These voices soon become an intrinsic part of cLOUDDEAD's unique atmosphere. This is the album that you hear in your most worried of dreams"  [+]  Reply

- | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2001

Appears in:

103 charts

Rank Score:

590

Rank in 2001:

43

Rank in 2000s:

435

Overall Rank:

2,674

Average Rating:

 80 (109 votes)

Comments:

4

2675.

Relaxin' With The Miles Davis Quintet 

 Miles Davis Quintet

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"A wonderful mellow record by one the best jazz combo's of all time."  Reply

- Coconut | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1958

Appears in:

112 charts

Rank Score:

590

Rank in 1958:

19

Rank in 1950s:

77

Overall Rank:

2,675

Average Rating:

 80 (135 votes)

Comments:

4

2676.

Kindred EP 

 Burial

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"If you know anything about the UK’s electronic music scene from the past five years, you’ve heard of Burial. William Bevan, aka Burial, is the producer in the scene, the man that spearheaded the genre known as dubstep, with a sound that doesn’t sound at all similar to what people think of today w...""If you know anything about the UK’s electronic music scene from the past five years, you’ve heard of Burial. William Bevan, aka Burial, is the producer in the scene, the man that spearheaded the genre known as dubstep, with a sound that doesn’t sound at all similar to what people think of today when they think of dubstep. He’s beyond pointless drops. Above them. The artwork for his 2007 album Untrue, a landmark piece in the future garage music scene—which it somehow simultaneously defines and predates—gives you a good impression of how his music works. A sort of monochrome sketch of a man, with his eyes closed, sits with a cup of coffee in front of him. Grey is often associated with sadness, but black-and-white images and films—when they’re of a high quality, of course—are considered high art, beautiful. Further, Burial’s music creates an atmosphere, and a story—like the atmosphere and story in the cover art—which finds the grey area between this darkness, this coldness that he evokes with hard-hitting yet danceable drum beats, and the beauty which he juxtaposes with female vocals. Kindred is no different. Burial has created his own immediately-recognizable style, a quality shared by many other great artists, which he revives here and continues to perfect. The title track mixes in an entrancing drum beat with female vocals, the refrain of “Baby, you…” casting a beautiful yet miserable mood over the whole piece. The song alternates between being carried by the drum beat and dropping it for several true ambient sections, with a good part of the track teasing the listener, who is just begging for the drum beat to kick back in. The next track, “Loner”, is the baby of the EP at seven-and-a-half minutes. It moves into the 2-step direction which Burial loves to play with, and contains some obvious techno influences. Not your older sister’s ecstasy-ridden techno, though, but more of the minimal techno sound that’s being played with more in the electronic scene. Part of this track, and the previous track, is broken up by a sound reminiscent of a record player. It’s almost as if Burial wants to remind you that he’s the one creating this world for you, before thrusting you right back into it, similar to the way many directors won’t quite go the 100% realism route and retain some of the theater in film. Just like in film, and awkward ending can ruin the entire piece. Burial is reknowned for his codas; the end of “Loner” isn’t done justice by mere words, and leads perfectly into the final track. “Ashtray Wasp” continues with the themes of Kindred and redirects the listener to outer space. All of the previous elements are here, though the second half of the track adds in some noise elements. Yet the track still creates its own unique world. The drum beat is excellent and enthralling, the vocals work. Everything works. My only gripe is that I have to continue to wait for a new full-length album from William Bevan. Instead, I’m saddled with one of the greatest EPs I’ve ever heard. It’s much harder to write a positive review than a negative one. Thank you, Burial, for making this review difficult."  [+]  Reply

- FuturoDispari | Helpful?  (Log in to vote) | +6 votes (7 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2012

Appears in:

136 charts

Rank Score:

590

Rank in 2012:

43

Rank in 2010s:

437

Overall Rank:

2,676

Average Rating:

 80 (220 votes)

Comments:

11

2677.

George Best 

 The Wedding Present

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"Heard what I thought was the full original album, turned out it was a special edition with extra tracks so I found it rather repetitive. Will edit my rating when I get round to listening to the actual tracklist! Stuck between The Smiths and The Stone Roses."  Reply

- sethzzzzz | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

128 charts

Rank Score:

589

Rank in 1987:

43

Rank in 1980s:

397

Overall Rank:

2,677

Average Rating:

 77 (100 votes)

Comments:

4

2678.

Ice, Death, Planets, Lungs, Mushrooms And Lava 

 King Gizzard & The Lizard Wizard

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"Are you kidding me, KGLW? 11 years and 20 albums later, these guys may be hitting yet another peak with IDPLMAL. This self-described "jammy" album features tongue-in-cheek lyrics that offer a smirk and a wink towards contemporary jam bands (the same way Infest the Rat's Nest did, but for heavy me...""Are you kidding me, KGLW? 11 years and 20 albums later, these guys may be hitting yet another peak with IDPLMAL. This self-described "jammy" album features tongue-in-cheek lyrics that offer a smirk and a wink towards contemporary jam bands (the same way Infest the Rat's Nest did, but for heavy metal), acid-jazz inspired rhythms, and a more focused approach than Omnium Gatherum. Truly one of the band's most consistent efforts in years, and an absolute joy to listen to. Just a feel-good record at a time we can all use one."  [+]  Reply

- spigelwii | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2022

Appears in:

102 charts

Rank Score:

588

Rank in 2022:

28

Rank in 2020s:

155

Overall Rank:

2,678

Average Rating:

 76 (128 votes)

Comments:

7

2679.

October Rust 

 Type O Negative

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"The world's first (and only?) metal band that doesn't take itself - not to mention metal music - seriously, but who put writing good songs its top priority. It's funny how most metal heads are surprisingly easy-going and even intellectual people, yet they often listen to music that is as insular ...""The world's first (and only?) metal band that doesn't take itself - not to mention metal music - seriously, but who put writing good songs its top priority. It's funny how most metal heads are surprisingly easy-going and even intellectual people, yet they often listen to music that is as insular as it gets. There's really not much breathing room if you operate in the field of metal music - which must be really suffocating to an artist who sees little value in playing "Paranoid" for the rest of his/her life. Thanks to TOP, more teens might be willing to take up on playing keyboards (instead of electric guitar). That alone is a massive accomplishment. Simply a fantastic record through and through."  [+]  Reply

- stupidusATmailDOTcom | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1996

Appears in:

86 charts

Rank Score:

588

Rank in 1996:

54

Rank in 1990s:

460

Overall Rank:

2,679

Average Rating:

 79 (128 votes)

Comments:

4

2680.

Poison Season 

 Destroyer

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"Fantastic follow-up to Kaputt. Love it. Bejar definitely gained a huge group of new listeners four years ago, and I'm assuming he figured he'd need to up his game a notch. It's a super lush album, layered with dense orchestration, yet it still feels so dreamy and light. TImes Square and Dream Lov...""Fantastic follow-up to Kaputt. Love it. Bejar definitely gained a huge group of new listeners four years ago, and I'm assuming he figured he'd need to up his game a notch. It's a super lush album, layered with dense orchestration, yet it still feels so dreamy and light. TImes Square and Dream Lover are two of the years best tracks."  [+]  Reply

- Hayden | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2015

Appears in:

164 charts

Rank Score:

587

Rank in 2015:

49

Rank in 2010s:

438

Overall Rank:

2,680

Average Rating:

 76 (201 votes)

Comments:

14

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Total albums: 10,000. Page 268 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	708	7%
1970s	1,424	14%
1980s	1,416	14%
1990s	1,600	16%
2000s	1,723	17%
2010s	1,968	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,997	50%
	2,658	27%
	432	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%