Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 59 minutes ago).
"A classic punk record full of energy and urgency. It's not quite The Clash of, London calling, a few years down the line, this is a much more rawer and looser band. Good songs, but I don't think there's anything spectacular, but that doesn't really matter, it's an album, and it does exactly what ...""A classic punk record full of energy and urgency. It's not quite The Clash of, London calling, a few years down the line, this is a much more rawer and looser band. Good songs, but I don't think there's anything spectacular, but that doesn't really matter, it's an album, and it does exactly what it needs to do - make people sit up and take notice. Good debut. "[+]Reply
"I remember 2001... I thought the music industry was spiraling downhill... dominated by boy bands, Shaggy, Limp Biskit, Linkin Park, Staind, Creed, etc... Those were dark days indeed. When the Strokes and White Stripes burst onto the scene with their huge 2001 albums, it restored my faith in the m...""I remember 2001... I thought the music industry was spiraling downhill... dominated by boy bands, Shaggy, Limp Biskit, Linkin Park, Staind, Creed, etc... Those were dark days indeed. When the Strokes and White Stripes burst onto the scene with their huge 2001 albums, it restored my faith in the music industry. This album is stripped down, but features great songcraft and playing. Awesome."[+]Reply
"I can't disagree more with the review that says this seems dated based on the fact that it sounds hollow and shallow. That was the ENTIRE point. The album has a hollow, dead flat sound throughout. That was the goal. It's symbolic of the emptiness of everything. The drums provide a pattern but no ...""I can't disagree more with the review that says this seems dated based on the fact that it sounds hollow and shallow. That was the ENTIRE point. The album has a hollow, dead flat sound throughout. That was the goal. It's symbolic of the emptiness of everything. The drums provide a pattern but no beat for you to dance to or to give life to the album. That is by design. That's the genius of it... it sound alike what it says. Also find it strange that people are overlooking A Strange Day, which is the best song."[+]Reply
"Finally, after more than forty years, the Beach Boys' unfinished album "Smile" has been released in its entirety - to the extent possible. "Smile" was in 1966 Brian Wilson's most ambitious project, and he wanted to create music that was as innovative as that of the Beatles - a group which he both...""Finally, after more than forty years, the Beach Boys' unfinished album "Smile" has been released in its entirety - to the extent possible.
"Smile" was in 1966 Brian Wilson's most ambitious project, and he wanted to create music that was as innovative as that of the Beatles - a group which he both admired and wished to match.
Wilson dropped tour-life to concentrate on writing and recording music, while the other Beach Boys occasionally came in the studio and recorded vocals on the new songs.
The amazing single "Good Vibrations" was an indication of directions Wilson's musical ideas took. The single became a huge hit and there were naturally great expectations for the album that would follow.
Unfortunately, Wilson broke down under the stress of the high expectations and his own ambtions before the album was completed. In fact, a cover drawn with a charming beautiful colorful front and a back side with a preliminary tracklist.
Some of the songs were practically finished, while others were under development when the project was dropped. However several of the Smile songs appeared on the next Beach Boys albums where the overall musical ambitions were lowered and the other Beach Boys began to take more part in the songwriting.
The best of these are now well known classics, especially "Heroes and Villains," "Surf's Up," "Wind Chimes" and "Vegetables."
In early 2000 years Brian Wilson re-recorded the Smile songs and also went on tour with them. Although these were fine and impressive performances, they also meant that the wishes the the original versions, with different beautiful Beach Boys voices, became even stronger.
This 2 CD version contains the versions of the many Smile recordings which Brian Wilson believes are the best. CD 1 contains the finished versions of the songs, or in some cases as finished as possible. CD 2 gives a little insight into the work in the studio, and numerous recordings and overdubs behind these contemporary loose shots.
Since there never was any final decision on tracklisting, anyone can try to put an album that may match or perhaps overpass the group's previous album "Pet Sounds" which is considered as the group's masterpiece. I have put such an album together which after the contemporary standards has14 songs and which lasts about 40 minutes. In fact, I think this "album" in respects in on the level of "Pet Sounds", which after all also does contain songs of lesser significance
Side one of this imaginary vinyl version looks like this: Side one 1. You're Welcome / 2. Good Vibrations / 3. Surf's Up / 4. Wonderful / 5. Cabin Essence / 6. Child Is Father Of The Mon 7. Look (Song For Children) - Side two 1. Our Prayer / 2.Heroes And Villains / 3 Holidays / 4. Wind Chimes / 5. Vega-Tables / 6. Gee / 7. Do You Like Worms (Roll Plymouth Rock).
I've played this compilation many times and am very satisfied with it, and I believe it would have received deserved recognition in its time, even if individual numbers may seem a little incomplete.
In any rate, this bunch of beautiful songs constitute an important part in music history.
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"Bruce Springsteen's record company probably didn't no whether to laugh or cry when he handed them his new album. Nebraska, wasn't exactly commercial material, it was an 11 track album, full of acoustic demo's, that Springsteen had failed to turn into an E street band record. Possibly, Springsteen...""Bruce Springsteen's record company probably didn't no whether to laugh or cry when he handed them his new album. Nebraska, wasn't exactly commercial material, it was an 11 track album, full of acoustic demo's, that Springsteen had failed to turn into an E street band record. Possibly, Springsteen promised Columbia, a more accessible album the next time round. Nebraska is a bleak, monochrome, postcard of an America full of serial killers, down on their luck gamblers, wayward brothers of small town cops, and, every day blue collar guys. It certainly isn't a barrel of laughs, and unlike later acoustic releases, the ghost of Tom Joad, and, devils' n' dust, it's a lot less slick, it's rawness is almost unsettling. The title track was inspired by a real life event, and also by Terence Malick's brilliant movie version, badlands. Atlantic city, is probably the best song on the album, with, Johnny 99, highway patrolman, and, reason to believe, also standouts. It certainly would be interesting to hear the attempted E street band versions, maybe that will be Springsteen's next box set release. Nebraska, is a challenging listen, and I would have thought it would only be enjoyed by boss fans, but i know people who aren't Springsteen fans, but like this album. It's definitely one of his most important records, and has been hugely influential on the lo-fi/alt.country scene. If Springsteen had given his assurances about his next release being more commercial, he certainly didn't let them down. Next for Bruce was, born in the USA, and superstardom. "[+]Reply
"I don't think I've ever seen a larger disparity between the critics' and audiences' reaction to an album as for this one. Everyone seems to be loving the album except the music critics and honestly, this is the victory The Strokes deserved. For a band who were put on the highest pedestal by the c...""I don't think I've ever seen a larger disparity between the critics' and audiences' reaction to an album as for this one. Everyone seems to be loving the album except the music critics and honestly, this is the victory The Strokes deserved. For a band who were put on the highest pedestal by the critics before they even really started the career, their whole discography since Is This It has felt like an attempt to gain that acclaim back, and they kept failing to impress them, and along the way, their fans.
But this album is a goddamn beast! a spectacle worth the 7 year wait, a redemption arc for one of the biggest band of the indie rock era; and I am almost glad that the critics are shitting on this obvious masterpiece, since now majority of their GP audience can finally tear the band's image away from their critique. And maybe this will help The Strokes themselves become more liberated from the Is This It era. Because, honestly, I was getting real tired of reading about how "they used to be so good in their first two albums" in literally every article about the band thereafter (and that one The National song).
I absolutely adore this album, and I cant wait to scream "drums please Fab" when they finally start performing it live. Fuck the critics man. This is the Strokes' year."[+]Reply
"This album is absolutely stunning. Front to back this is The National's most cohesive album by quite a margin. I'm a huge fan of "Boxer" and "High Violet" so my expectations were extremely high and amazingly they have been surpassed. The musical arrangements on TWFM are absolutely gorgeous and Ma...""This album is absolutely stunning. Front to back this is The National's most cohesive album by quite a margin. I'm a huge fan of "Boxer" and "High Violet" so my expectations were extremely high and amazingly they have been surpassed. The musical arrangements on TWFM are absolutely gorgeous and Matt's lyrics have gone to another level and become even more introspective and personal. Personal favorites off this album for me are "Sea Of Love", "This Is The Last Time", "Graceless", "Humiliation" and "Pink Rabbits" just to name a few. Easily AOTY so far and I honestly cant see another LP topping this. The National have done it again."[+]Reply
"Say what you want about Pitchfork but I find it hard to talk bad about them, as they introduced me to so much good music that I would otherwise never listen to. This album is one example. So good."Reply
"Definitely an early contender for my favorite album of 2019 (along with Grey Area). Natalie Mering’s voice gives me Joni Mitchell and Nico vibes while still feeling completely new. The instrumentation is beautiful. There's the folky, twangy guitars, lush pianos, strings, synths... it's all perfec...""Definitely an early contender for my favorite album of 2019 (along with Grey Area). Natalie Mering’s voice gives me Joni Mitchell and Nico vibes while still feeling completely new. The instrumentation is beautiful. There's the folky, twangy guitars, lush pianos, strings, synths... it's all perfect! Titanic Rising sounds like it exists outside of time too. It definitely has the folk and psychedelic sounds of the 60s and 70s but the production and mixing are all very modern. This is especially true on songs like Andromeda and Movies where the synth really transports you out of this world and into the future. I've already listened to the album three times and honestly I think my opinion of this album is only going to go up from here. Titanic Rising is an album I want to go around showing off to my friends. Can't say enough good things about it."[+]Reply
"The courage to put out an album like Twin Fantasy is in itself moving. It always sat as a personal favourite of mine, but one that I never put on a list because a) I couldn't bring myself to, and b) I'd convinced myself it wasn't good enough, as if the despair of listening to it was the only valu...""The courage to put out an album like Twin Fantasy is in itself moving. It always sat as a personal favourite of mine, but one that I never put on a list because a) I couldn't bring myself to, and b) I'd convinced myself it wasn't good enough, as if the despair of listening to it was the only value I derived from it. In fact I hadn't listened to the album in years when I heard it was going to be re-worked. Something I was both excited about and terrified of. The album was already canonical, what might be if this rework changes the experience for the worse? would it kill my memory of it? That said, I was deep down excited because I've found myself listening to newer Car Seat Headrest album and loving the production. I'd been waiting for an album to come out that had the power and profundity of Twin Fantasy but the production chops of later works, like deep down I'd convinced myself if I could take the album (or whatever post teens of denial masterpiece I thought was coming) seriously, and still be moved as I was a teenager to bandcamp Toledo, then I could happily herald the work a masterpiece, and deservingly so. I think deep down I was waiting for this to happen, and I couldn't be happier it did. "[+]Reply