Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 1 hour ago).
"Neil's twenty-sixth studio album, and the first after a career-longest 4 year break. He used the time wisely apparently, as this was as strong a record as post Harvest Moon Neil would put out. This was also Neil looking backward, reliving his years with Buffalo Springfield and even recording some...""Neil's twenty-sixth studio album, and the first after a career-longest 4 year break. He used the time wisely apparently, as this was as strong a record as post Harvest Moon Neil would put out.
This was also Neil looking backward, reliving his years with Buffalo Springfield and even recording some songs that he had written decades prior.
I remember being crazy excited for this one, as during the mid to late 90's I was on a serious Neil binge, and had read about these songs for years before actually hearing them. And happily, they lived up to the hype."[+]Reply
"(A new, slower, more world-weary and soulful Iceage has immerged with this one. And...its stunning and brilliant. Some of the best rock music of the year of any style or sub-genre. Faint hints of that youthful Iceage post-punk-y-ness that we have come to know so well melds with a blues punk, root...""(A new, slower, more world-weary and soulful Iceage has immerged with this one. And...its stunning and brilliant. Some of the best rock music of the year of any style or sub-genre. Faint hints of that youthful Iceage post-punk-y-ness that we have come to know so well melds with a blues punk, rootsy, gruff side of them that I didn't know they had in them.)
No need to put it off, I love this album. Almost everything about it is just the right thing for me. Its a slowed down, soulful, worn-out sounding rock album at its core. It manages to combine some of the more old-school Iceage post-punk anger and aggression with a world-weary blues earthiness. The band evolves and re-invents their sound to a majior degree but sticks the landing first try.
From the first stunning track to the last, this album feels mature, gritty, thematically heavy, and just great. The production is dirty and the sounds consistently edge each other out and make for a muddy sound. The bits that come in to hit the heavy end of punk blues are so gnarly and convey a certain gruffness that I love. The more soft and tuneful tracks and parts are so sad and weighed down.
When this album dropped it dropped at the same time as Squid's debut, and so this gem was overshadowed. I listened to both albums back to back and while Squid's record was more brainy, angular and complex, this album was the one that really hit me on an emotional level. Its great to hear that this band which blew up 10 years ago continues to release new and fully-realized albums without getting stuck in any kind of stylistic rut at all. This may be my favorite Iceage album yet, which is saying something because they are all very good to great."[+]Reply
"Probably his strongest release, though as with all his work, could do with just a tad more polish. Operation is his best song, a true gem in his catalogue."Reply
"No indie dance album will make you groove all the way through it like Music for Men by Gossip. Nearly all the elements are there: The lead vocalist will shake you to the bone. The backing band keeps a steady groove, with just the right amount of synths and studio magic, and a hefty dose of post-p...""No indie dance album will make you groove all the way through it like Music for Men by Gossip.
Nearly all the elements are there: The lead vocalist will shake you to the bone. The backing band keeps a steady groove, with just the right amount of synths and studio magic, and a hefty dose of post-punk ragged guitar to move it along.
The crucial missing element is a lack of emotional connection and lyrical content to keep bringing up back. These songs are so littered with cliches that you can sing along without knowing all the words. The lack of a ballad may also be responsible for this. With such a soulful retro-style voice, there could have been some killer mid-tempo ballads akin to Amy Winehouse here, especially at the end. Despite this flaw, it's still a solid outing.
Recommended.
Condensed to a 7" Single:
A-Side: Heavy Cross
B-Side: Dimestore Diamond"[+]Reply
"First listen impressions: I kinda feared it would be terrible. Fortunately, it isn't. Most Killers melodies don't grab me on the first listen (I disliked both singles on the first listen but now I love them), so I didn't really remember to many melodies and hooks but I liked the overall sound of ...""First listen impressions: I kinda feared it would be terrible. Fortunately, it isn't. Most Killers melodies don't grab me on the first listen (I disliked both singles on the first listen but now I love them), so I didn't really remember to many melodies and hooks but I liked the overall sound of the album.
Seems more consistent than the last two albums, but even that could change with more listens. Maybe only 1-2 weaker songs I didn't really liked.
But most of all, so glad those guys are back, it's been a long time coming."[+]Reply
"Simply put, Zeichnungen des Patienten O.T. sounds like it was recorded by psychotics in a derelict asylum — expect a lot of screaming, scraping, metallic sounds, rhythms that sound more primal and scary than anything, lyrics which are like nightmares (one of them literally is the recollection of ...""Simply put, Zeichnungen des Patienten O.T. sounds like it was recorded by psychotics in a derelict asylum — expect a lot of screaming, scraping, metallic sounds, rhythms that sound more primal and scary than anything, lyrics which are like nightmares (one of them literally is the recollection of a dream Blixa Bargeld had)... (though this is never too chaotic, and nowhere near a "noise" record — noise doesn't convey emotions like that). "Vanadium-I-Ching" felt like a train rolling on unsettling rails in an underground complex. It led to the subterranean wasteland of "Engel Der Vernichtung", where a monstrous ritual was taking place, followed by the inhuman stomp of "Abfackeln". The thrumming tension of "Neun Arme" reveled on the menace of the threat, as did the static electrical charges of "Merle". In the meantime "Zeichnungen Des Patienten OT" had even more of a psychological edge, at first neurotic angst, then a bestial rage. "Styropor" found the common link between the ancient ritual, the neurotic complex "[+]Reply
"This is a tour de force exposition of all the things that make Loreena McKennitt great, from her soothing ethereal voice to her ability to find material and write great songs."Reply
"Better than her debut but still not great. Irreplaceable and Ring The Alarm are the best tracks, the rest aren't too bad they just do not blow me away. Her next album was much better."Reply