Deadringer
by RJD2

Deadringer by RJD2
Year: 2002
Release date: 2002-07-23
Overall rank: 5,047th   Overall chart history
Average Rating: 
79/100 (from 72 votes)
  Ratings distribution   Average rating history
Accolades:
Award Top albums of 2002 (84th)
Award Top albums of of the 2000s (861st)
Award Best albums of all time (5,047th)

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RJD2 bestography

Deadringer is ranked as the best album by RJD2.

RJD2 album bestography « Higher ranked
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This album (5,047th)
Deadringer
Lower ranked (36,152nd) »
Since We Last Spoke

(N.B. Bestographies include all albums by an artist (and their variations), but do not include albums ranked outside the top 100,000).

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Deadringer track list

  Track ratings The tracks on this album have an average rating of 78 out of 100 (all tracks have been rated).

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Deadringer rankings

Deadringer rankings summary
Overall rank: 5,047th | 2000s rank: 861st | 2002 rank: 84th  Overall chart history
Calculated from aggregate positions across 60,000 charts (2 million album rankings).Help Click to see how the rankings are calculated (Last updated: 5 hours ago)

Deadringer collection

Deadringer ratings

Average Rating: 
79/100 (from 72 votes)
  Ratings distribution Help Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.

Showing latest 3 ratings for this album.  | Show all 72 ratings for this album.

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RatingDate updatedMemberAlbum ratingsAvg. album rating
 
75/100
 !
07/20/2026 04:33 Exist-en-ciel  Ratings distribution  16,43170/100
 
75/100
 !
09/23/2025 07:32 cicadelic  Ratings distribution  14,25973/100
 
80/100
 !
08/22/2025 11:53 SomethingSpecial  Ratings distribution  1,82082/100

Rating metrics: Help Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)

This album is rated in the top 2% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 79.1/100, a mean average of 79.4/100, and a trimmed mean (excluding outliers) of 80.1/100. The standard deviation for this album is 11.7.


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Deadringer favourites

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Deadringer forum mentions

This album has been referenced 6 times on the forums, Explore the wider forum discussion to see what members have said about it.
“What album are you listening to right now?”
View topic (3 mentions) →

“For applerill (youre up next right?) This actually was really, really great, even better than DJ Shadow IMO. Every track just had so many amazing grooves, and the sample choices seemed much more lyrical and conceptual than DJ Shadow's. Thank you so much for the rec, Bro. :D”
View topic (2 mentions) →

From Anonymous 11/26/2014 00:02 in Chart talk
“I finish a 2002 chart right now. While making it I noticed it seemed a bit narrow. Most of my favorite albums from 2002 are huge sellers: Anyone know any good albums I miss for 2002? I still need to reach 50! A few of my favorites (that haven't already been mentioned):”
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Deadringer comments

Showing all 1 comments |
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Rating:  
95/100
Often classified as an instrumental hip hop album, Deadringer feels to me like a fully realized artistic achievement compared, say, to something DJ Shadow might make. There's a surprising amount of emotional range here, and the fragments of samples that make up the album feel like they were always meant to be together. "Ghostwriter," with its light, shimmering guitar work, alternating samples of 'mmms' and 'ahhs,' and chorus of triumphant horns, recalls the joyful loopiness that defined the best psychedelic pop of the mid-1960s. The song's final joyful burst is so sublime that it alone justifies owning this album and listening to it with regularity. Honestly, this album felt so familiar to me right away that I can barely remember hearing it for the first time.
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