The Times They Are A-Changin' (studio album) by Bob Dylan

The Times They Are A-Changin' by Bob Dylan
Year: 1964
Overall rank: 487th   Overall chart historyOverall chart history
Average Rating: 
80/100 (from 891 votes)
  Ratings distributionRatings distribution   Average rating historyAverage rating history
Award Top 5 albums of 1964 (3rd)
Award Top 100 albums of the 1960s (62nd)
Award Top 500 albums of all time (487th)
Product Details

The Times They Are A-Changin’ Bob Dylan Vinyl
Condition: Used

Bob Dylan - The Times They Are A Changin' Vinyl 1965 Mono Columbia CL 2105 VG+
Condition: Used

Bob Dylan /The Times They Are A-Changin' LP Vinyl - Columbia CS 8905 / Insert
Condition: Used

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Bob Dylan bestography

The Times They Are A-Changin' is ranked 7th best out of 77 albums by Bob Dylan on

The best album by Bob Dylan is Highway 61 Revisited which is ranked number 26 in the list of all-time albums with a total rank score of 32,826.

Bob Dylan album bestography « Higher ranked (408th) This album (487th) Lower ranked (784th) »
DesireThe Times They Are A-Changin'Time Out Of Mind

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The Times They Are A-Changin' track list

  Track ratingsTrack ratings The tracks on this album have an average rating of 84 out of 100 (all tracks have been rated).

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The Times They Are A-Changin' ratings

Average Rating: 
80/100 (from 891 votes)
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09/18/2023 14:31 Robmc70  Ratings distributionRatings distribution 93679/100
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08/29/2023 02:23 thepardunk  Ratings distributionRatings distribution 48278/100
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This album is rated in the top 1% of all albums on This album has a Bayesian average rating of 80.4/100, a mean average of 79.5/100, and a trimmed mean (excluding outliers) of 80.5/100. The standard deviation for this album is 14.3.

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The Times They Are A-Changin' comments

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From 12/29/2022 03:01
For being all of 23 years old, this is a remarkable album, I have it rated as my 6th favourite Dylan album - it oozes political & social imagery.
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From 08/12/2022 11:53
Sir Bobby
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From 06/20/2022 07:35
This is a step up from "The Freewhelin", but also a sign of things to come. "Hollis Brown", "Only a Pawn in their game" "With God on our side" And the title track, all great Dylan songs.
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From 04/23/2022 19:44
This is sad Dylan record with excellent songwriting and minimal folk/acoustic instrumentation. I kinda like it, but it's not my favorite by him.
Best tracks: Title Track, North Country Blues, Only A Pawn In Their Game and Boots Of Spanish Leather.
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From 01/21/2022 20:28
1964 was a turbulent year for the United States of America. Injustice violated the air with a stench that, at its best, resembled cigar smoke caked into waterlogged, whiskey-stained clothing. At its worst, it conjured the fragrance of rotting corpses piled into black plague mass graves. A societal powder keg was ready to burst, sending shrapnel in the form of violence and revolution across the land. Chronicles of this time in history are aplenty, but Bob Dylan's 'The Times They are A-Changin' occupies a place of poignance and societal relevance as our newest decade commences. The greatest art tends to come rocket-strapped with perennial staying power and universal application. Bob Dylan's third LP effort slides comfortably into those categories and classifications. It touches upon righteous, homely, American ethnocentrism, the painful ineffectiveness of the justice system and selective poverty. Despite Dylan rejecting the label of "Protest Songs", journalists flocked to confine his writing to an ideological box that they could present to the curious and quick-to-judge public. Dylan coyly sat on the fence during interviews which felt more like police interrogations, never confirming or denying anything. Still, the lyricism said more than Dylan ever could, surely illuminating the fact that the poet staunchly sympathized with the plight of the racially suppressed and disenfranchised. The inner shade of Dylan's heart was never in doubt with his position usually reserved for artists of color, those with intentions of questioning the status quo when it came to inequality in the United States. To hear a mid-western, white youth comment on the hypocrisy of American military conquest, the hideousness of white nationalism and imbalanced nature of wealth distribution was refreshing to millions and for thousands more fortunate, feather ruffling. 'The Times They are A-Changin' is concurrently a pinpoint, flaming arrow aimed at the controversial topics of the 1960's and a philosophical thought cloud of ideas and wisdom. All this from a scrawny, Minnesota-born New Yorker who could seemingly wear both hats and walk in all kinds of shoes.

The record greets us with the eternal strums of an acoustic guitar as Dylan's voice, strained and imperfect, a survivor of house fire, arrives with its own visage. The seminal opener chugs along at a fixed tempo, adorned with harmonica bursts that enliven the docile guitar tones. The harmonica, a humble and inexpensive instrument that acted as a trusted companion for many, was Dylan's weapon of choice during his early years. He declares, "Come mothers and fathers throughout the land and don't criticize what you can't understand." His prophetic and anthemic rallying cry has endured for nearly 60 years since it first graced ears. The album turns to a significantly grimmer beast with the introduction of second track, 'Ballad of Hollis Brown', a look at a poverty-stricken farmer in rural South Dakota. Dylan takes his tale of desperation and uses it as an allegory for those struggling with destitution. The metaphors are intentionally fatalistic, but many could view them as exaggerated. Here, Dylan's goal is to establish perspective, not provide a factual retelling. It's merely a painting of despair to be learned from. Dylan sings, "Your brain is a-bleedin' and your legs can’t seem to stand; Your eyes fix on the shotgun that you’re holding in your hand." The expanding wage distribution, in Dylan's estimation, provides a slow death with one alternative. One of Dylan's darkest, yet powerful statements. Next, he confronts an extremely prevalent bias during the middle of the 20th century in the United States. 'With God on Our Side' creates an image of an elitist America, one that can do no wrong and is justified, no matter the bloodshed. Dylan sees toxic patriotism acting as a slow, indoctrinating cancer (another contemporary issue). He wails, "The First World War, boys, it came and it went; The reason for fightin' I never did get but I learned to accept it, accept it with pride; For you don’t count the dead when God’s on your side." The arrogance needed to assume God identifies with a specific country's crusade is elephantine, however, it's a belief typified by the Pledge of Allegiance and by swearing upon a bible. Dylan's character comes to the realization that God's love is reserved for people and not places and that a country is just a plot of land and nothing more. Sadly, it's usually the prize for which fighting is done. The Vietnam War enveloped the decade and Dylan's parable is forever an unheeded warning.

The second half of the record begins with 'Only a Pawn in Their Game', another narration confronting hatred and prejudice, this time by way of propaganda and inculcation. The track examines lower-income, white southerners who are brainwashed into hating their black neighbors with an end goal of sustained oppression. Dylan illustrates this with syntax, "A South politician preaches to the poor white man “You got more than the blacks, don’t complain; You’re better than them, you been born with white skin." The simple instrumentation of 'Pawn' and the stressed rhyme repetition make sure that the message doesn't get clouded beneath the music. However, Dylan doesn't refuse the chance to include a romantic ballad on the LP. 'Boots of Spanish Leather' is a letter-exchanged anecdote of longing and gradual realization. The song is tinted by delicately plucked strings and alternating perspectives that create a gloomy overtone that comes to fruition when the narrator surmises the final fate of his crumbling union across a vast ocean. "I’m sure your mind is a-roamin'; I’m sure your thoughts are not with me but with the country to where you’re goin." The record arrives at an uptick in morale with 'When the Ship Comes In', an affirmative, inspirational testification that the future holds brighter days and that those who engage in tyranny and bigotry will eventually be overcome. Finally, LP centerpiece, 'The Lonesome Death of Hattie Carroll', draws inspiration from the murder of an African-American barmaid by the wealthy William Zantzinger. The track directs scrutiny at the murderer for devaluing the life of a woman he deemed "lesser than" and the justice system for (mostly) turning a blind eye. Dylan delivers the verdict, "And handed out strongly, for penalty and repentance, William Zanzinger with a six-month sentence." The track is a microcosm of the record's major themes and an unsettling reminder that justice remains imbalanced.

Dylan was just 23 years of age when 'Times' was first pressed, but his incredible perception was decades his senior. The clairvoyance of his prose is even parts astonishing and tragic given that little has changed since his pen first hit the paper. The poetry of these 10 tracks easily sit amongst the scribe's most visceral compositions. The album presents Dylan at perhaps his most uncompromising and forthright, functioning as his final, unabashed protest record. Oddly, the LP is often shunned from the 1960's landmark music rolodex with albums such as 'Highway 61 Revisited', 'Bringing It All Back Home' and even 'The Freewheelin' Bob Dylan' achieving a higher sense of reverence. Strangely enough, its content makes it a contender for his most topical, underrated and pertinent enterprise, both in 1964 and 2021. Dylan's uncanny ability to find the pulse of the given zeitgeist has never been in doubt, as he's strung together lyrical encapsulations at will for 60 years. Here, he weaves sorrow and hope into a homogeneous, digestible whole the likes of which none could reproduce. The power of 'Times' does not lie in division, but in a belief that human morality will win out. It's a beautiful sentiment and an eternal principle. In some ways, we're still waiting.

"And we’ll shout from the bow your days are numbered
And like Pharoah’s tribe they’ll be drowdned in the tide
and like Goliath, they’ll be conquered."

-When the Ship Comes In

Standout Tracks:

1. The Times They are A-Changin'
2. The Lonesome Death of Hattie Carroll
3. When the Ship Comes In

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From 11/16/2021 01:33
Not my favorite Dylan album, but I can hear the influence on other music that I love.
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From 07/11/2021 14:27
My favorite Dylan album. Great political songs on the one hand and achingly beautiful love songs/breakup songs on the other. Fantastic record.
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From 01/21/2021 19:04
Great album, get's a bit too 'full of itself' at times, but amazing considering it was only his second album.
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From 11/28/2020 20:25
Dylan não errava o começo de sua carreira! Belíssimas canções políticas.
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From 10/02/2020 04:43

Best tracks: The Times They Are-A Changin, Boots of Spanish Leather, When the Ship Comes In
Worst track: Restless Farewell

Not a personal favourite of Dylan's, but still a great record, especially the iconic title track!
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Best Albums of 1964
1. A Hard Day's Night by The Beatles
2. Getz/Gilberto by Stan Getz & João Gilberto
3. The Times They Are A-Changin' by Bob Dylan
4. Beatles For Sale by The Beatles
5. Out To Lunch! by Eric Dolphy
6. Another Side Of Bob Dylan by Bob Dylan
7. Presenting The Fabulous Ronettes Featuring Veronica by The Ronettes
8. Ain't That Good News by Sam Cooke
9. Where Did Our Love Go by The Supremes
10. Kinks by The Kinks
11. The Sidewinder by Lee Morgan
12. Empyrean Isles by Herbie Hancock
13. Meet The Beatles! by The Beatles
14. The Animals by The Animals
15. Song For My Father by Horace Silver Quintet
16. Mingus Mingus Mingus Mingus Mingus by Charles Mingus
17. Folk Singer by Muddy Waters
18. "Live" At The Star-Club, Hamburg by Jerry Lee Lewis
19. The Rolling Stones by The Rolling Stones
20. Dust Bowl Ballads by Woody Guthrie
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