Top 100 Music Albums of the 1970s 
by  Romanelli
 Romanelli 
- Chart updated: 22 hours ago
- (Created: 12/04/2011 20:35).
- Chart size: 100 albums.
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Produced By ELLIOT MAZER, NEIL YOUNG, JACK NITZSCHE & HENRY LEWY
1. Out On The Weekend
2. Harvest
3. A Man Needs A Maid
4. Heart Of Gold
5. Are You Ready For The Country?
6. Old Man
7. There's A World
8. Alabama
9. The Needle And The Damage Done
10. Words (Between The Lines Of Age)
If you have been locked in a broom closet for your entire life and have never heard of Neil Young, then let me introduce you to Harvest. This is Neil's best selling album, his most popular, and a great place to start with one of rock's greatest solo acts. Harvest follows in the same vein as its predecessor, After The Golod Rush from 1970, but it's more in the middle of the folk rock road. His biggest (and most overplayed) hits are here: "Old Man" and "Heart Of Gold" will forever haunt solo acoustic players who play requests. These two songs are graced by the backup vocals of James Taylor and Linda Ronstadt. "The Needle And The Damage Done" is a quick 2 minute acoustic live track that lives forever. And his friends from CSN are here: he's joined by Crosby & Nash on "Are You Ready For The Country", Crosby & Stills on "Alabama", and Stills & Nash on "Words".
Harvest is a great album. It is unfortunate that two songs (the somehow hilarious "A Man Needs A Maid" and "There's A World") are buried by the London Symphony Orchestra. But this is a great introduction to Neil. And everyone should be well versed in Neil. [First added to this chart: 12/04/2011]
Produced By FLEETWOOD MAC, KEN CAILLAT & RICHARD DASHUT
1. Second Hand News
2. Dreams
3. Never Going Back Again
4. Don’t Stop
5. Go Your Own Way
6. Songbird
7. The Chain
8. You Make Loving Fun
9. I Don’t Want To Know
10. Oh Daddy
11. Gold Dust Woman
When guitarist Bob Welch left Fleetwood Mac in 1974, the band was left with just Mick Fleetwood, Christine and John McVie, a legacy of a once proud blues band that had slid into mediocre pop, and a long roster of former guitar players who barely shone inside the group or after they had gone (with the exception of Peter Green). The band was about to end when Lindsey Buckingham was discovered in California, and when he was asked to join the band, he insisted that his girlfriend, Stevie Nicks, be part of the deal. The result was the album Fleetwood Mac, an almost perfect album that was based in newfound energy and the sudden connection that the five members of the band made. Rumours is the absolute peak of the career of Fleetwood Mac. It’s also the beginning of the end of that spark that made them so special for such a short time. Instead of being magical because the players involved were so good together, Rumours is magical because it’s a chronicle of a band publically eroding before our eyes. And what an absolutely good time we all had with that! The songs that came from the drama, the broken relationships of the couples in the band, and the ability they still had to blend together musically made for an album that was simply perfect.
The songwriting is split almost evenly between Christine McVie, Buckingham and Nicks. And there’s not a single track that isn’t perfection, or that doesn’t help make the album what it is. Buckingham’s “Second Hand News”, “Never Going Back Again” and “Go Your Own Way” are the best of his career. Nicks chimes in with “Dreams”, “I Don’t Want To Know” and “Gold Dust Woman”, all of which helped cement her reputation as a songwriter. McVie’s “Don’t Stop”, “Songbird”, “You Make Loving Fun” and “Oh Daddy” are the foundation of the album, and are exceptional. The group effort, “The Chain”, is simply perfect. This calm pop rock album, built around a fleeting cohesion of talents and internal chaos, remains perfect to this day. The cracks started showing musically on the next album, Tusk, and the magic of Rumours was never regained. But, from 1975 through the release of the somewhat disappointing Tusk, this was the biggest band in the world. It was short, but it was also very sweet. [First added to this chart: 12/07/2011]
Produced By CROSBY, STILLS, NASH & YOUNG
1. Carry On
2. Teach Your Children
3. Almost Cut My Hair
4. Helpless
5. Woodstock
6. Déjà Vu
7. Our House
8. 4 + 20
9. Country Girl: Whiskey Boot Hill/Down, Down, Down/Country Girl (I Think You’re Pretty)
10. Everybody I Love You
As if having a supergroup with David Crosby, Stephen Stills and Graham Nash wasn’t unfair enough…they had to go and add in Neil Young for their second album. The CSN (&Y) franchise was so successful that they were able to put together a full greatest hits album after only two records. They had a successful debut album, then played at Woodstock, were already stars in their previous bands, and in 1970, they could do no wrong. Déjà Vu divides the songwriting pretty evenly, with each member contributing two songs each. The remaining two songs consist of a cover (Joni Mitchell’s “Woodstock”) and “Everybody I Love You”, co-written by Stills and Young. The inclusion of Young on the album has been often overstated. While “Helpless” is one of his greatest songs, his other contribution, the mini-suite “Country Girl”, may be the album’s weakest track. And he only appears on half of the songs on the album, making Déjà vu really more of a CSN project with Neil as more of a guest than anything else. But even so, his presence definitely adds an edge to the songs he does play on.
But what really makes this work is that the two songs each from the other members are all exceptional. Stills hits big with “Carry On”, a perfect song for all that harmony, but also with the stunning “4 + 20”, which may be his most beautiful track. Crosby’s “Almost Cut My Hair” is a bluesy rocker buoyed by Young’s stinging guitar, while the title track is proof of his understated genius. And Nash adds his pop sensibility with the charming “Our House” and the neat “Teach Your Children”, which features solid pedal steel work by Jerry Garcia. As an album, Déjà Vu kicks off the 70’s in fine fashion, and showcases not only the strengths of the individual members, but also their ability to sing so strongly and seemingly effortlessly together. This, alongside their debut, is all of the CSN you’ll ever really need…it would be seven years before their next studio effort, by which time Stills had dried up as a writer and the distance between the three made them sound less cohesive. But at the turn of the 70’s, there was no one who did it better than these guys. [First added to this chart: 12/04/2011]
Produced By GEOFFREY HASLAM, SHEL KAGAN & THE VELVET UNDERGROUND
1. Who Loves The Sun
2. Sweet Jane
3. Rock & Roll
4. Cool It Down
5. New Age
6. Head Held High
7. Lonesome Cowboy Bill
8. I Found A Reason
9. Train Round The Bend
10. Oh! Sweet Nuthin'
Any serious rock collection should have the four Velvet Underground studio albums. Loaded is the 4th, recorded after the departure of John Cale. With Lou Reed now as the main songwriter, the Velvets turn in their most commercial sounding album (although they never actually had a hit). Reed's writing here is strong: "Sweet Jane" and "Rock & Roll" are classics, while "Head Held High" and "I Found A Reason" are just as good. Among the non-Reed compositions, "Who Loves The Sun" is the standout.
Reed left the band almost immediately after this was finished, ending the Velvets. It's said that if you have this album, chances are you were either in a band at one time in your life, or thought very seriously about it. The Velvet Underground was an amazing, highly influential band, and Loaded is a big part of that. [First added to this chart: 12/04/2011]
Produced By ROY THOMAS BAKER
1. Good Times Roll
2. My Best Friend's Girl
3. Just What I Needed
4. I'm In Touch With Your World
5. Don't Cha Stop
6. You're All I've Got Tonight
7. Bye Bye Love
8. Moving In Stereo
9. All Mixed Up
Ah, The Cars. You'd be hard pressed to find 5 people who list them as their favorite band...and you'd also have a hard time finding 5 people who hate them. Their debut came from nowhere in 1978, and gave us all a glimpse of what New Wave should have been like, before it actually happened. The album plays like a greatest hits disc, with everything from start to finish being familiar. They didn't overdo the keyboards, they put on a hefty helping of guitar, and they got the robotic vocal thing just right. Songs like "Good Times Roll" are stiff and overly clean...and they groove at the same time. How did they do it? We may never know.
This is still The Cars disc to have. They had some ups and downs in their career, but they never matched this album. It's a good time from start to finish. [First added to this chart: 12/04/2011]
Produced By JOHN FOGERTY
1. Ramble Tamble
2. Before You Accuse Me
3. Travelin' Band
4. Ooby Dooby
5. Lookin' Out My Back Door
6. Run Through The Jungle
7. Up Around The Bend
8. My Baby Left Me
9. Who'll Stop The Rain
10. I Heard It Through The Grapevine
11. Long As I Can See The Light
Is it really better to burn out than fade away? Creedence Clearwater Revival had a two year run that was unbelieveable...5 top ten albums with nine consecutive top 10 singles (5 #2's...they never got a #1) between 1969 and 1970. And inside of what may be the worst rock album cover ever is Cosmo's Factory, the 4th of the 5. And it may be their best. The album is loaded with hits, great cover songs, and even two longer jams (John Fogerty's guitar work on "I Heard It Through The Grapevine" is worth having this alone for). This is a band at the top of their game, firing on all cylinders and cranking out one great song after another, one great album after another. Cosmo's Factory is simply a great album, a must have for any rock collection.
It was also the beginning of the end. John Fogerty was becoming more demanding with each song, and his dictatorship over the rest of the band was taking its toll. The relationships are straining here, and it poured over to their next album. Tom Fogerty quit after Pendulum, saying that he would never be replaced because no one would ever be crazy enough to join the band. After Pendulum, John Fogerty lost it...he told the other two members that they had to write songs for the next album, but that he would not play lead guitar on them. Mardi Gras from 1972 was horrible, and the band was done. Fogerty, who seemingly hated everyone by this time, traded his song rights to Fantasy to get him out of what may have been the worst record deal in history (he still owed them 8 albums!), which led to him being sued years later for plagiarizing himself. CCR lasted only 5 years and 7 albums, but 1969-70 was truly an amazing run.
Stu Cook and Doug Clifford continue on as Creedence Clearwater Revisited. Tom Fogerty died of AIDS in 1990. And John Fogerty has had a spotty solo career. He refused to play CCR songs live until 1987 when he was convinced to do so by Bob Dylan and George Harrison. But there's always the short period of time when this band almost ruled the world. [First added to this chart: 12/23/2011]
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Top 100 Music Albums of the 1970s composition
| Year | Albums | % | |
|---|---|---|---|
|  |  |  | |
| 1970 | 17 | 17% | |
| 1971 | 9 | 9% | |
| 1972 | 8 | 8% | |
| 1973 | 10 | 10% | |
| 1974 | 5 | 5% | |
| 1975 | 9 | 9% | |
| 1976 | 6 | 6% | |
| 1977 | 13 | 13% | |
| 1978 | 10 | 10% | |
| 1979 | 13 | 13% | 
| Artist | Albums | % | |
|---|---|---|---|
|  |  |  | |
| Led Zeppelin | 5 | 5% | |
| Electric Light Orchestra | 3 | 3% | |
| The Allman Brothers Band | 3 | 3% | |
| Queen | 3 | 3% | |
| Pink Floyd | 3 | 3% | |
| Eagles | 3 | 3% | |
| The Band | 2 | 2% | |
| Show all | |||
Top 100 Music Albums of the 1970s chart changes
There have been no changes to this chart.Top 100 Music Albums of the 1970s similar charts
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Top 100 Music Albums of the 1970s ratings

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Showing latest 5 ratings for this chart. | Show all 67 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating | 
|---|---|---|---|---|
| 100/100  | 04/24/2024 01:21 |  HoldenM |  | 95/100 | 
| 90/100  | 04/23/2024 09:39 | Moondance |  | 85/100 | 
| 90/100  | 09/20/2023 19:55 |  MetalMan67 |  | 90/100 | 
| 75/100  | 01/23/2022 16:11 |  IlMala |  | 95/100 | 
| 95/100  | 04/04/2021 11:42 | MasterOfPuppets |  | 91/100 | 
Rating metrics: 
                    Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation). 
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This chart is rated in the top 4% of all charts on BestEverAlbums.com. This chart has a Bayesian average rating of 89.1/100, a mean average of 88.7/100, and a trimmed mean (excluding outliers) of 89.6/100. The standard deviation for this chart is 10.9.
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Top 100 Music Albums of the 1970s comments
Showing latest 10 comments | Show all 29 comments | 
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 HoldenM 04/24/2024 01:21
 HoldenM 04/24/2024 01:21
                                    
                                Hell yeah.
Very solid chart. Would have liked to have seen a bit more international diversity.
 MetalMan67 09/20/2023 19:56
 MetalMan67 09/20/2023 19:56
                                    
                                Very well done. I enjoyed reading the commentary and your thoughts about certain albums.
 Larcx13 10/06/2020 10:16
 Larcx13 10/06/2020 10:16
                                    
                                Sick top 10!
 Boltzmann 04/24/2018 22:26
 Boltzmann 04/24/2018 22:26
                                    
                                Interesting chart with lot of personality.
 Cardboardfolder 04/24/2018 12:59
 Cardboardfolder 04/24/2018 12:59
                                    
                                For some reason, this chart just makes me feel good. A lot of albums on here just bring back a lot of memories!
Very nice chart be sure to fix the comments jazz and moondance they seem to fit the wrong album
 ForegroundNoise 04/24/2018 08:14
 ForegroundNoise 04/24/2018 08:14
                                    
                                Too much emphasis on classic rock for a higher rating than 80 sorry. Not a single German album in a decade that was defining for the German music scene??
 bobbyb5 08/20/2017 23:32
 bobbyb5 08/20/2017 23:32
                                    
                                Isn't it weird how you never see Allman Brothers' Brothers and Sisters and Laid Back ever?
 RoundTheBend 02/02/2017 03:58
 RoundTheBend 02/02/2017 03:58
                                    
                                36 in common.
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| Best Artists of 1970 | |
|---|---|
| 1. Black Sabbath | |
| 2. Neil Young | |
| 3. George Harrison | |
| 4. Simon & Garfunkel | |
| 5. John Lennon | |
| 6. Miles Davis | |
| 7. Van Morrison | |
| 8. Creedence Clearwater Revival | |
| 9. Led Zeppelin | |
| 10. The Beatles | |
| 11. The Stooges | |
| 12. The Velvet Underground | |
| 13. Grateful Dead | |
| 14. Derek & The Dominos | |
| 15. Crosby, Stills, Nash & Young | |
| 16. Crosby, Stills & Nash | |
| 17. Santana | |
| 18. Carlos Santana | |
| 19. The Doors | |
| 20. Deep Purple | 
 
                    




 
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