My Overall Chart: 1401-1500
by 
Romanelli 
- Chart updated: 5 days ago
- (Created: 02/08/2024 18:03).
- Chart size: 100 albums.
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2005 – COLUMBIA
Produced By STEVE BERKOWITZ, BRUCE DICKINSON, JEFF ROSEN & MARTIN SCORSESE
1. When I Got Troubles
2. Rambler, Gambler (Home Recording)
3. This Land Is Your Land (Live)
4. Song To Woody
5. Dink’s Song (Minnesota Hotel Tape)
6. I Was Young When I Left Home (Minnesota Hotel Tape)
7. Sally Gal
8. Don’t Think Twice, It’s Alright (Demo)
9. Man Of Constant Sorrow
10. Blowin’ In The Wind (Live)
11. Masters Of War (Live)
12. A Hard Rain’s A Gonna Fall (Live)
13. When The Ship Comes In (Live)
14. Mr. Tambourine Man (Outtake)
15. Chimes Of Freedom (Live)
16. It’s All Over Now, Baby Blue (Alternate Take)
1. She Belongs To Me (Alternate Take)
2. Maggie’s Farm (Live)
3. It Takes A Lot To Laugh, It Takes A Train To Cry (Alternate Take)
4. Tombstone Blues (Alternate Take)
5. Just Like Tom Thumb’s Blues (Alternate Take)
6. Desolation Row (Alternate Take)
7. Highway 61 Revisited (Alternate Take)
8. Leopard-Skin Pill-Box Hat (Alternate Take)
9. Stuck Inside Of Mobile With The Memphis Blues Again (Alternate Take)
10. Visions Of Johanna (Alternate Take)
11. Ballad Of A Thin Man (Live)
12. Like A Rolling Stone (Live)
Just wow. In 2005, Martin Scorsese put out a PBS documentary about Dylan called No Direction Home. This is the soundtrack to that film, and it also serves as volume 7 of The Bootleg Series. And it is absolutely amazing. It contains early recordings…some made even before Dylan had left Minnesota for New York. It contains perfectly performed live versions of songs you wish you could hear him perform live, and while I am not a fan of outtakes and studio trash, the alternate versions here are of songs so exceptional that they would have made great releases in themselves. This set covers Dylan from 1959 through 1966, and there is not a moment here that is not simply breathtaking. Why is Bob Dylan so big? This is why.
Not only is the music unbelievably good, the packaging makes it even more worthwhile. Not only do you get alternative album covers of Bringing It All Back Home, The Freewheelin’ Bob Dylan, and Blonde On Blonde, you also get an amazing booklet with full track information, great photos, and perfectly written liner notes that will keep you entertained on their own. And getting to hear the Dylan greats in a different light…”Highway 61 Revisited”, “Tombstone Blues”, “Just Like Tom Thumb’s Blues”…is worth it all. If you ever had any doubts about the greatness of the man, one trip through No Direction Home will cure you of all doubts. Pure greatness.
Produced By STEVE BERKOWITZ, BRUCE DICKINSON, JEFF ROSEN & MARTIN SCORSESE
1. When I Got Troubles
2. Rambler, Gambler (Home Recording)
3. This Land Is Your Land (Live)
4. Song To Woody
5. Dink’s Song (Minnesota Hotel Tape)
6. I Was Young When I Left Home (Minnesota Hotel Tape)
7. Sally Gal
8. Don’t Think Twice, It’s Alright (Demo)
9. Man Of Constant Sorrow
10. Blowin’ In The Wind (Live)
11. Masters Of War (Live)
12. A Hard Rain’s A Gonna Fall (Live)
13. When The Ship Comes In (Live)
14. Mr. Tambourine Man (Outtake)
15. Chimes Of Freedom (Live)
16. It’s All Over Now, Baby Blue (Alternate Take)
1. She Belongs To Me (Alternate Take)
2. Maggie’s Farm (Live)
3. It Takes A Lot To Laugh, It Takes A Train To Cry (Alternate Take)
4. Tombstone Blues (Alternate Take)
5. Just Like Tom Thumb’s Blues (Alternate Take)
6. Desolation Row (Alternate Take)
7. Highway 61 Revisited (Alternate Take)
8. Leopard-Skin Pill-Box Hat (Alternate Take)
9. Stuck Inside Of Mobile With The Memphis Blues Again (Alternate Take)
10. Visions Of Johanna (Alternate Take)
11. Ballad Of A Thin Man (Live)
12. Like A Rolling Stone (Live)
Just wow. In 2005, Martin Scorsese put out a PBS documentary about Dylan called No Direction Home. This is the soundtrack to that film, and it also serves as volume 7 of The Bootleg Series. And it is absolutely amazing. It contains early recordings…some made even before Dylan had left Minnesota for New York. It contains perfectly performed live versions of songs you wish you could hear him perform live, and while I am not a fan of outtakes and studio trash, the alternate versions here are of songs so exceptional that they would have made great releases in themselves. This set covers Dylan from 1959 through 1966, and there is not a moment here that is not simply breathtaking. Why is Bob Dylan so big? This is why.
Not only is the music unbelievably good, the packaging makes it even more worthwhile. Not only do you get alternative album covers of Bringing It All Back Home, The Freewheelin’ Bob Dylan, and Blonde On Blonde, you also get an amazing booklet with full track information, great photos, and perfectly written liner notes that will keep you entertained on their own. And getting to hear the Dylan greats in a different light…”Highway 61 Revisited”, “Tombstone Blues”, “Just Like Tom Thumb’s Blues”…is worth it all. If you ever had any doubts about the greatness of the man, one trip through No Direction Home will cure you of all doubts. Pure greatness.
[First added to this chart: 08/08/2026]
1972 – HI
Produced By WILLIE MITCHELL
1. I’m Still In Love With You
2. I’m Glad You’re Mine
3. Love And Happiness
4. What A Wonderful Thing Love Is
5. Simply Beautiful
6. Oh, Pretty Woman
7. For The Good Times
8. Look What You Done For Me
9. One Of These Good Old Days
In 1972, Al Green was still a rising star, having scored with a handful of great singles. He was still an album away from having everything come together and make him one of the truly greatest soul singers of his time, but there’s a lot to really love about this one. I’m Still In Love With You is Green’s fifth album, and if you thought that Barry White had the romantic thing all to himself, then you need to listen to this album. Definitely one you want to have on hand when you think you might be getting to make some sweet love down by the fire. Yes, Chef would definitely approve. Green is at his smoothest here, and the mood is set from the start of the title track, which remains to this day one of Green’s finest songs. That mood never wavers, making this one of soul music’s most stirring and romantic discs ever made.
The title track isn’t the only top notch song here. This also includes the exceptional “Look What You’ve Done For Me”, which stands among his best singles. Also very noteworthy are “Love And Happiness” and “Simply Beautiful”. Not working nearly as well are a pair of covers. Roy Orbison’s “Oh, Pretty Woman” and Kris Kristofferson’s “For The Good Times” sound bland, uninspired, and a bit out of place. Otherwise, I’m Still In Love With You is a very good album, and a fine preview of what was to come on his far better next recording, Call Me. Al Green has that voice…he’s one of the greatest soul singers ever, and when he’s on, he’s like listening to a million dollars. And on this album, he’s and artist getting closer to perfection with each passing year. You should have this one for the great voice, and you’ll want it for down by the fire… [First added to this chart: 07/14/2026]
Produced By WILLIE MITCHELL
1. I’m Still In Love With You
2. I’m Glad You’re Mine
3. Love And Happiness
4. What A Wonderful Thing Love Is
5. Simply Beautiful
6. Oh, Pretty Woman
7. For The Good Times
8. Look What You Done For Me
9. One Of These Good Old Days
In 1972, Al Green was still a rising star, having scored with a handful of great singles. He was still an album away from having everything come together and make him one of the truly greatest soul singers of his time, but there’s a lot to really love about this one. I’m Still In Love With You is Green’s fifth album, and if you thought that Barry White had the romantic thing all to himself, then you need to listen to this album. Definitely one you want to have on hand when you think you might be getting to make some sweet love down by the fire. Yes, Chef would definitely approve. Green is at his smoothest here, and the mood is set from the start of the title track, which remains to this day one of Green’s finest songs. That mood never wavers, making this one of soul music’s most stirring and romantic discs ever made.
The title track isn’t the only top notch song here. This also includes the exceptional “Look What You’ve Done For Me”, which stands among his best singles. Also very noteworthy are “Love And Happiness” and “Simply Beautiful”. Not working nearly as well are a pair of covers. Roy Orbison’s “Oh, Pretty Woman” and Kris Kristofferson’s “For The Good Times” sound bland, uninspired, and a bit out of place. Otherwise, I’m Still In Love With You is a very good album, and a fine preview of what was to come on his far better next recording, Call Me. Al Green has that voice…he’s one of the greatest soul singers ever, and when he’s on, he’s like listening to a million dollars. And on this album, he’s and artist getting closer to perfection with each passing year. You should have this one for the great voice, and you’ll want it for down by the fire… [First added to this chart: 07/14/2026]
Year of Release:
1972
Appears in:
Rank Score:
453
Rank in 1972:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
2005 – COLUMBIA
Produced By ERIC ROSSE, CHRISTOPHER THORNE & BRAD SMITH
1. Breathe (2AM)
2. Citadel
3. Paper Bag
4. Wreck Of The Day
5. Satellite
6. Forever Love (Digame)
7. In The Rough
8. In My Head
9. Bleed
10. Catalyst
11. Consider This
Singer / songwriter Anna Nalick grew up in California, and was getting ready for college when her demo tape was given to Christopher Thorne and Brad Smith, who were now doing production after the end of their band, Blind Melon. The newly discovered singer was signed to Columbia, and her debut album, Wreck Of The Day, became a modest adult contemporary hit. Her one big shot at fame was “Breathe (2AM)”, a soft and safe hit song that almost made the American top 40, but was big on the AC charts. Two more songs were released as singles, “In The Rough” and “Wreck Of The Day”, but neither had the impact of “Breathe”, and Nalick began her Blind Melon-esque journey to one hit wonder status. Her next album took six years and a change from a major to a smaller label to come out, and her momentum was gone. Nothing from her for yet another six years, and she’s a member of the “who was that?” club.
But Wreck Of The Day is not a bad album. It’s not great by any means, but, thanks to her rocker producers, there’s some life in many of the songs. The best parts of this album actually do rock more than her hit, and even though she doesn’t rock so much herself, it does have a few moments. Trouble is, just when the album picks up momentum, it’s killed by a soft and safe ballad. And Nalick as a songwriter just doesn’t have the chops to pull it all off. The end result is that Wreck Of The Day, and Anna Nalick, are ultimately not very memorable. The album sounds okay, but it doesn’t really stick with you. And it doesn’t really leave you wanting more from her, which is probably why her career stalled so quickly. Nalick almost made it. She did, indeed, have a hit that made it to numerous TV shows and films, and saw 2 releases, but it wasn’t enough to bridge the gap to much of anything else. [First added to this chart: 07/14/2026]
Produced By ERIC ROSSE, CHRISTOPHER THORNE & BRAD SMITH
1. Breathe (2AM)
2. Citadel
3. Paper Bag
4. Wreck Of The Day
5. Satellite
6. Forever Love (Digame)
7. In The Rough
8. In My Head
9. Bleed
10. Catalyst
11. Consider This
Singer / songwriter Anna Nalick grew up in California, and was getting ready for college when her demo tape was given to Christopher Thorne and Brad Smith, who were now doing production after the end of their band, Blind Melon. The newly discovered singer was signed to Columbia, and her debut album, Wreck Of The Day, became a modest adult contemporary hit. Her one big shot at fame was “Breathe (2AM)”, a soft and safe hit song that almost made the American top 40, but was big on the AC charts. Two more songs were released as singles, “In The Rough” and “Wreck Of The Day”, but neither had the impact of “Breathe”, and Nalick began her Blind Melon-esque journey to one hit wonder status. Her next album took six years and a change from a major to a smaller label to come out, and her momentum was gone. Nothing from her for yet another six years, and she’s a member of the “who was that?” club.
But Wreck Of The Day is not a bad album. It’s not great by any means, but, thanks to her rocker producers, there’s some life in many of the songs. The best parts of this album actually do rock more than her hit, and even though she doesn’t rock so much herself, it does have a few moments. Trouble is, just when the album picks up momentum, it’s killed by a soft and safe ballad. And Nalick as a songwriter just doesn’t have the chops to pull it all off. The end result is that Wreck Of The Day, and Anna Nalick, are ultimately not very memorable. The album sounds okay, but it doesn’t really stick with you. And it doesn’t really leave you wanting more from her, which is probably why her career stalled so quickly. Nalick almost made it. She did, indeed, have a hit that made it to numerous TV shows and films, and saw 2 releases, but it wasn’t enough to bridge the gap to much of anything else. [First added to this chart: 07/14/2026]
[First added to this chart: 07/07/2026]
Year of Release:
2002
Appears in:
Rank Score:
3
Rank in 2002:
Rank in 2000s:
Average Rating:
Comments:
[First added to this chart: 06/23/2026]
Year of Release:
1991
Appears in:
Rank Score:
11,459
Rank in 1991:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 06/19/2026]
Year of Release:
1976
Appears in:
Rank Score:
357
Rank in 1976:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
1977 – KIRSHNER
Produced By JEFF GLIXMAN
1. Point Of Know Return
2. Paradox
3. The Spider
4. Portrait (He Knew)
5. Closet Chronicles
6. Lightning’s Hand
7. Dust In The Wind
8. Sparks Of The Tempest
9. Nobody’s Home
10. Hopelessly Human
Kansas became famous in 1976 with their hit “Carry On Wayward Son”, from the album Leftoverture. They then became even more famous with “Dust In The Wind”, and acoustic folky prog hit from 1977’s Point Of Know Return. Outside of that song, this album is loaded to excess with 70’s progressive rock keyboards, a cross between science fiction and Christian themes, and despite its commercial success, a sense that Kansas had already reached and passed their artistic peak. Musically, this album has some fairly satisfying moments. Lyrically…well, Kansas never did really have a whole lot to say. And on the plus side, they avoid the overly long prog opus with multiple parts (see the six part “Magnum Opus” from Leftoverture), the kind of tracks that scream excessiveness. Yet still, Kansas manages to sound bombastic and overly self important.
On the positive side, “Dust In The Wind” sounds great once in a while. The title track, despite its screeching keyboard riff, is a pretty cool song. And the best song on the album, “Portrait (He Knew)”, a song about Albert Einstein (who does that?) boasts a pretty irresistible hook and some killer harmonies. As for the rest of Point Of Know Return, this is mostly tuneless noodling without a whole lot of soloing, which would at least keep things interesting. Tracks like “Lightning’s Hand” and “Hopelessly Human” are fast and relentlessly tiring. The three better songs are hard to pass up, but the rest you can simply skip over. American prog rock at its worst. Kansas followed this up with a bombastic double live album, then released Monolith, an album that pretty much no one liked. And’s about all you need to know about Kansas. [First added to this chart: 06/15/2026]
Produced By JEFF GLIXMAN
1. Point Of Know Return
2. Paradox
3. The Spider
4. Portrait (He Knew)
5. Closet Chronicles
6. Lightning’s Hand
7. Dust In The Wind
8. Sparks Of The Tempest
9. Nobody’s Home
10. Hopelessly Human
Kansas became famous in 1976 with their hit “Carry On Wayward Son”, from the album Leftoverture. They then became even more famous with “Dust In The Wind”, and acoustic folky prog hit from 1977’s Point Of Know Return. Outside of that song, this album is loaded to excess with 70’s progressive rock keyboards, a cross between science fiction and Christian themes, and despite its commercial success, a sense that Kansas had already reached and passed their artistic peak. Musically, this album has some fairly satisfying moments. Lyrically…well, Kansas never did really have a whole lot to say. And on the plus side, they avoid the overly long prog opus with multiple parts (see the six part “Magnum Opus” from Leftoverture), the kind of tracks that scream excessiveness. Yet still, Kansas manages to sound bombastic and overly self important.
On the positive side, “Dust In The Wind” sounds great once in a while. The title track, despite its screeching keyboard riff, is a pretty cool song. And the best song on the album, “Portrait (He Knew)”, a song about Albert Einstein (who does that?) boasts a pretty irresistible hook and some killer harmonies. As for the rest of Point Of Know Return, this is mostly tuneless noodling without a whole lot of soloing, which would at least keep things interesting. Tracks like “Lightning’s Hand” and “Hopelessly Human” are fast and relentlessly tiring. The three better songs are hard to pass up, but the rest you can simply skip over. American prog rock at its worst. Kansas followed this up with a bombastic double live album, then released Monolith, an album that pretty much no one liked. And’s about all you need to know about Kansas. [First added to this chart: 06/15/2026]
Year of Release:
1977
Appears in:
Rank Score:
607
Rank in 1977:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 06/01/2026]
Year of Release:
1990
Appears in:
Rank Score:
722
Rank in 1990:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
1986 – CBS ASSOCIATED
Produced By DAVE EDMUNDS
1. Tuff Enuff
2. Tell Mer
3. Look At That, Look At That
4. Two Time My Lovin’
5. Amnesia
6. Wrap It Up
7. True Love
8. Why Get Up
9. I Don’t Care
10. Down At Antones
The Fabulous Thunderbirds formed back in 1974. They were stars of the Austin, Texas bar scene for years before getting a record deal and releasing their first album in 1979. The band centered around singer Kim Wilson and guitarist Jimmie Vaughan, later better known as the older brother of one Stevie Ray Vaughan. Their early albums, from Girls Gone Wild in 1979 through T-Bird Rhythm in 1982, showed off what the Thunderbirds did best: Chicago style blues with a Texas style boogie. But by 1986, the band had been together for a dozen years, bassist Keith Ferguson had already left, and poor record sales had strained the relationship between Wilson and Vaughan. Tuff Enuff is the band’s fifth album, and although it was their commercial breakthrough and their biggest seller, it was also the album on which the band seems to have lost their edge.
The title track was their only top 40 hit, making them officially one hit wonders. And their version of the classic “Wrap It Up” is quite fine. But, unfortunately, not even a pairing with producer Dave Edmunds (who replaced his own bandmate Nick Lowe, who had worked the previous album) could bring back the spark of the band’s early days. Make no mistake…this is a very well played album by a band that knew what it was doing…it’s just that the energy that this kind of music demands is beyond starting to slip away. So, while this sounds very good at a casual listening…there’s just not a whole lot going on once you’ve scratched the surface. The Thunderbirds best days were already behind them here, and, unfortunately, it shows. Vaughn stuck around for another four years, and Wilson continues with varied lineups to this day. Search out their earlier material, even though this is the one they are best known for. [First added to this chart: 06/01/2026]
Produced By DAVE EDMUNDS
1. Tuff Enuff
2. Tell Mer
3. Look At That, Look At That
4. Two Time My Lovin’
5. Amnesia
6. Wrap It Up
7. True Love
8. Why Get Up
9. I Don’t Care
10. Down At Antones
The Fabulous Thunderbirds formed back in 1974. They were stars of the Austin, Texas bar scene for years before getting a record deal and releasing their first album in 1979. The band centered around singer Kim Wilson and guitarist Jimmie Vaughan, later better known as the older brother of one Stevie Ray Vaughan. Their early albums, from Girls Gone Wild in 1979 through T-Bird Rhythm in 1982, showed off what the Thunderbirds did best: Chicago style blues with a Texas style boogie. But by 1986, the band had been together for a dozen years, bassist Keith Ferguson had already left, and poor record sales had strained the relationship between Wilson and Vaughan. Tuff Enuff is the band’s fifth album, and although it was their commercial breakthrough and their biggest seller, it was also the album on which the band seems to have lost their edge.
The title track was their only top 40 hit, making them officially one hit wonders. And their version of the classic “Wrap It Up” is quite fine. But, unfortunately, not even a pairing with producer Dave Edmunds (who replaced his own bandmate Nick Lowe, who had worked the previous album) could bring back the spark of the band’s early days. Make no mistake…this is a very well played album by a band that knew what it was doing…it’s just that the energy that this kind of music demands is beyond starting to slip away. So, while this sounds very good at a casual listening…there’s just not a whole lot going on once you’ve scratched the surface. The Thunderbirds best days were already behind them here, and, unfortunately, it shows. Vaughn stuck around for another four years, and Wilson continues with varied lineups to this day. Search out their earlier material, even though this is the one they are best known for. [First added to this chart: 06/01/2026]
Total albums: 100. Page 1 of 10
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My Overall Chart: 1401-1500 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 0 | 0% | |
| 1960s | 6 | 6% | |
| 1970s | 18 | 18% | |
| 1980s | 18 | 18% | |
| 1990s | 31 | 31% | |
| 2000s | 22 | 22% | |
| 2010s | 5 | 5% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| The Fabulous Thunderbirds | 1 | 1% | |
| Eurythmics | 1 | 1% | |
| The Flying Burrito Brothers | 1 | 1% | |
| The Lumineers | 1 | 1% | |
| Bill Withers | 1 | 1% | |
| Eels | 1 | 1% | |
| J.J. Cale | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
| |
64 | 64% | |
 |
24 | 24% | |
 |
3 | 3% | |
 |
2 | 2% | |
 |
2 | 2% | |
 |
2 | 2% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart: 1401-1500 chart changes
| Biggest fallers |
|---|
Down 1 from 1st to 2nd |
Down 1 from 2nd to 3rd |
Down 1 from 3rd to 4th |
| Leavers |
|---|
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