My Overall Chart: 1401-1500
by 
Romanelli 
- Chart updated: 5 days ago
- (Created: 02/08/2024 18:03).
- Chart size: 100 albums.
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1979-IRS
Produced By MARTIN RUSHENT
1. Orgasm Addict
2. What Do I Get?
3. I Don't Mind
4. Love You More
5. Ever Fallen In Love?
6. Promises
7. Everybody's Happy Nowadays
8. Harmony In My Head
9. What Ever Happened To?
10. Oh Shit!
11. Autonomy
12. Noise Annoys
13. Just Lust
14. Lipstick
15. Why Can't I Touch It?
16. Something's Gone Wrong Again
Never mind the Sex Pistols...here's The Buzzcocks! Singles Going Steady is a collection of their early singles, and was the first album by the band released in America. And it just may be the greatest punk album ever made. From track one, parents everywhere must have known that they were in trouble. "Orgasm Addict" in 1979 must have been a shocker. Led by Pete Shelley and Howard DeVoto, The Buzzcocks were fast, loud...and they had great songs. Every track here is a should be classic. If you like punk in any way, you should have...no. You need this album. This is what it was all about.
The Buzzcocks broke up in 1981, but regrouped in 1989. DeVoto is gone, but Pete Shelley is still at it.
Produced By MARTIN RUSHENT
1. Orgasm Addict
2. What Do I Get?
3. I Don't Mind
4. Love You More
5. Ever Fallen In Love?
6. Promises
7. Everybody's Happy Nowadays
8. Harmony In My Head
9. What Ever Happened To?
10. Oh Shit!
11. Autonomy
12. Noise Annoys
13. Just Lust
14. Lipstick
15. Why Can't I Touch It?
16. Something's Gone Wrong Again
Never mind the Sex Pistols...here's The Buzzcocks! Singles Going Steady is a collection of their early singles, and was the first album by the band released in America. And it just may be the greatest punk album ever made. From track one, parents everywhere must have known that they were in trouble. "Orgasm Addict" in 1979 must have been a shocker. Led by Pete Shelley and Howard DeVoto, The Buzzcocks were fast, loud...and they had great songs. Every track here is a should be classic. If you like punk in any way, you should have...no. You need this album. This is what it was all about.
The Buzzcocks broke up in 1981, but regrouped in 1989. DeVoto is gone, but Pete Shelley is still at it.
Year of Release:
1979
Appears in:
Rank Score:
1,635
Rank in 1979:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
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[First added to this chart: 12/17/2025]
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[First added to this chart: 11/22/2025]
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1982 – EPIC
Produced By THE CLASH & GLYN JOHNS
1. Know Your Rights
2. Car Jamming
3. Should I Stay Or Should I Go
4. Rock The Casbah
5. Red Angel Dragnet
6. Straight To Hell
7. Overpowered By Funk
8. Atom Tan
9. Sean Flynn
10. Ghetto Defendant
11. Inoculated City
12. Death Is A Star
Combat Rock was the big commercial breakthrough for The Clash…and it was also their last gasp as a truly great band. Their first four albums had been pure classics, and had led to The Clash being hailed by many as the world’s greatest band. By the time of Combat Rock, internal struggles (mainly involving guitarist Mick Jones) and the heavy heroin use by drummer Topper Headon had the band left mostly in ruins. The album contains two of the band’s biggest hits: the strangely fun and bouncy “Rock The Casbah”, and the now overplayed by cover bands to death everywhere “Should I Stay Or Should I Go”. And while the rest of Combat Rock is by no means terrible, it feels like the last drops of the magic that the group had once had in abundance.
Aside from the two hits, there is nothing here that will stick with you for very long. The end for them was very near, and you can almost hear the cracks forming as you listen. The first half of the album is much better than the second…The Clash had originally wanted this to be a double album, but you get the feeling that it would have actually made a better EP. Jones and Headon were fired after this came out, effectively ending the band (although there was one last effort, 1985’s Cut The Crap, which was simply awful). Because this was the last album with the classic lineup, you can view it as a farewell. There have been bands who have gone out on much worse notes. As it stands, Combat Rock is simply a slightly above average disc from a band that had once been consistently one of the best ever. [First added to this chart: 11/13/2025]
Produced By THE CLASH & GLYN JOHNS
1. Know Your Rights
2. Car Jamming
3. Should I Stay Or Should I Go
4. Rock The Casbah
5. Red Angel Dragnet
6. Straight To Hell
7. Overpowered By Funk
8. Atom Tan
9. Sean Flynn
10. Ghetto Defendant
11. Inoculated City
12. Death Is A Star
Combat Rock was the big commercial breakthrough for The Clash…and it was also their last gasp as a truly great band. Their first four albums had been pure classics, and had led to The Clash being hailed by many as the world’s greatest band. By the time of Combat Rock, internal struggles (mainly involving guitarist Mick Jones) and the heavy heroin use by drummer Topper Headon had the band left mostly in ruins. The album contains two of the band’s biggest hits: the strangely fun and bouncy “Rock The Casbah”, and the now overplayed by cover bands to death everywhere “Should I Stay Or Should I Go”. And while the rest of Combat Rock is by no means terrible, it feels like the last drops of the magic that the group had once had in abundance.
Aside from the two hits, there is nothing here that will stick with you for very long. The end for them was very near, and you can almost hear the cracks forming as you listen. The first half of the album is much better than the second…The Clash had originally wanted this to be a double album, but you get the feeling that it would have actually made a better EP. Jones and Headon were fired after this came out, effectively ending the band (although there was one last effort, 1985’s Cut The Crap, which was simply awful). Because this was the last album with the classic lineup, you can view it as a farewell. There have been bands who have gone out on much worse notes. As it stands, Combat Rock is simply a slightly above average disc from a band that had once been consistently one of the best ever. [First added to this chart: 11/13/2025]
Year of Release:
1982
Appears in:
Rank Score:
2,222
Rank in 1982:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
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[First added to this chart: 11/13/2025]
Year of Release:
1976
Appears in:
Rank Score:
379
Rank in 1976:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
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1987 – SST
Produced By WHARTON TIERS
1. Little Fury Things
2. Kracked
3. Sludgefeast
4. The Lung
5. Raisans
6. Tarpit
7. In A Jar
8. Lose
9. Poledo
10. Just Like Heaven
For the most part. Dinosaur Jr. is guitarist and vocalist J Mascis. And I’ll tell you right now that if it’s great vocals you are looking for, then this is not the band for you. But musically, Dinosaur Jr. has been highly influential, and they are seen as forefathers of grunge. What Mascis lacks in the singing department, he more than makes up for in the creative use of his guitar...but that does not necessarily mean that there are memorable songs to go along with it. You’re Living All Over Me is their second album, and is generally viewed as the weakest link in the Dinosaur Jr. discography for that very reason…there is simply not enough in the song department to hold this together.
There are a couple of highlights here. “Little Fury Things” and “In A Jar” are worthwhile, but they can also be found on compilations with better quality. And for the most part, it’s worth hearing Mascis play. But most of these tracks don’t do the band justice…and the last three tracks are simply garbage. Sung by bassist Lou Barlow, “Lose” is just not very good, and “Poledo” sounds like an outtake that should have stayed that way. The final track is a bonus track of the band performing The Cure’s “Just Like Heaven”, and it’s pure garbage, even ending abruptly in mid song. If you want good stuff by this band, stick with Bug or Green Mind. Not this one. [First added to this chart: 11/12/2025]
Produced By WHARTON TIERS
1. Little Fury Things
2. Kracked
3. Sludgefeast
4. The Lung
5. Raisans
6. Tarpit
7. In A Jar
8. Lose
9. Poledo
10. Just Like Heaven
For the most part. Dinosaur Jr. is guitarist and vocalist J Mascis. And I’ll tell you right now that if it’s great vocals you are looking for, then this is not the band for you. But musically, Dinosaur Jr. has been highly influential, and they are seen as forefathers of grunge. What Mascis lacks in the singing department, he more than makes up for in the creative use of his guitar...but that does not necessarily mean that there are memorable songs to go along with it. You’re Living All Over Me is their second album, and is generally viewed as the weakest link in the Dinosaur Jr. discography for that very reason…there is simply not enough in the song department to hold this together.
There are a couple of highlights here. “Little Fury Things” and “In A Jar” are worthwhile, but they can also be found on compilations with better quality. And for the most part, it’s worth hearing Mascis play. But most of these tracks don’t do the band justice…and the last three tracks are simply garbage. Sung by bassist Lou Barlow, “Lose” is just not very good, and “Poledo” sounds like an outtake that should have stayed that way. The final track is a bonus track of the band performing The Cure’s “Just Like Heaven”, and it’s pure garbage, even ending abruptly in mid song. If you want good stuff by this band, stick with Bug or Green Mind. Not this one. [First added to this chart: 11/12/2025]
Year of Release:
1987
Appears in:
Rank Score:
5,570
Rank in 1987:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
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1984 – MERCURY
Produced By AUDIE ASHWORTH & JJ CALE
1. Cocaine
2. Don’t Wait
3. Magnolia
4. Devil In Disguise
5. Sensitive Kind
6. Carry On
7. After Midnight
8. Money Talks
9. Call Me The Breeze
10. Lies
11. City Girls
12. Cajun Moon
13. Don’t Cry Sister
14. Crazy Mama
In case you’ve ever wondered why Eric Clapton suddenly stopped rocking and became this laid back snoozy guy in the 70’s, you need to look no further than his pal, JJ Cale, and the influence he had on Clapton’s career. Cale didn’t just have an impact on Clapton, though. His song, “Call Me The Breeze”, got a mighty cover treatment from Lynyrd Skynyrd on Second Helping. In fact, Cale has been heavily covered over the years, and is listed by many huge names as a major influence, even though he has somehow avoided superstardom for decades. Special Edition is the first compilation of Cale’s early work, and it’s impressive, although more for having songs that you’ll recognize from other artists. Which is ultimately what’s the most fun about a Cale album, especially one with his best songs on it. Don’t get me wrong…his versions are fine. But many times, the covers are better.
Special Edition covers the first decade of Cale’s career, and while it’s a good collection, you’d be better served by albums like Naturally!, Really, and JJ Cale 5. 14 tracks of Cale can be hard to stay awake through, but the album does show his talent. Which stands mostly as a songwriter. Clapton had hits with “Cocaine” and “After Midnight”, “Magnolia” has been done by Beck, Poco and Lucinda Williams, “Crazy Mama” by The Band, and George Thorogood recorded a version of “Devil In Disguise”. The list goes on and on. Cale has never broken out as a star, but he did make a great career for himself. He passed away in 2013, and continues to be heralded as a major influence on rock throughout his career. These original versions are mostly mellow companions to the covers. If mellow works for you, then JJ Cale just might be your guy. [First added to this chart: 11/09/2025]
Produced By AUDIE ASHWORTH & JJ CALE
1. Cocaine
2. Don’t Wait
3. Magnolia
4. Devil In Disguise
5. Sensitive Kind
6. Carry On
7. After Midnight
8. Money Talks
9. Call Me The Breeze
10. Lies
11. City Girls
12. Cajun Moon
13. Don’t Cry Sister
14. Crazy Mama
In case you’ve ever wondered why Eric Clapton suddenly stopped rocking and became this laid back snoozy guy in the 70’s, you need to look no further than his pal, JJ Cale, and the influence he had on Clapton’s career. Cale didn’t just have an impact on Clapton, though. His song, “Call Me The Breeze”, got a mighty cover treatment from Lynyrd Skynyrd on Second Helping. In fact, Cale has been heavily covered over the years, and is listed by many huge names as a major influence, even though he has somehow avoided superstardom for decades. Special Edition is the first compilation of Cale’s early work, and it’s impressive, although more for having songs that you’ll recognize from other artists. Which is ultimately what’s the most fun about a Cale album, especially one with his best songs on it. Don’t get me wrong…his versions are fine. But many times, the covers are better.
Special Edition covers the first decade of Cale’s career, and while it’s a good collection, you’d be better served by albums like Naturally!, Really, and JJ Cale 5. 14 tracks of Cale can be hard to stay awake through, but the album does show his talent. Which stands mostly as a songwriter. Clapton had hits with “Cocaine” and “After Midnight”, “Magnolia” has been done by Beck, Poco and Lucinda Williams, “Crazy Mama” by The Band, and George Thorogood recorded a version of “Devil In Disguise”. The list goes on and on. Cale has never broken out as a star, but he did make a great career for himself. He passed away in 2013, and continues to be heralded as a major influence on rock throughout his career. These original versions are mostly mellow companions to the covers. If mellow works for you, then JJ Cale just might be your guy. [First added to this chart: 11/09/2025]
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[First added to this chart: 10/29/2025]
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1992 – COLUMBIA
Produced By DJ MUGGS & T-RAY
1. I Wanna Get High
2. I Ain’t Goin’ Out Like That
3. Insane In The Brain
4. When The Shit Goes Down
5. Lick A Shot
6. Cock The Hammer
7. Lock Down
8. 3 Lil’ Putos
9. Legalize It
10. Hits From The Bong
11. What Go Around Come Around, Kid
12. A To The K
13. Hand On The Glock
14. Break ‘Em Off Some
For one brief shining moment, particularly 1991, Cypress Hill had it all right. An intoxicating blend of lowrider hip hop rhythms, Hispanic sounding vocals that were borderline insane, and smart, catchy songs. Then, after that, Cypress Hill got famous. And then, Cypress Hill quickly became the poster children for self-parody. Black Sunday is the album after their great self-titled debut, and it’s barely a shadow of what that album had promised. Of course, it sold a gazillion copies, thanks in large part to the irresistible strangeness of “Insane In The Brain”, but it also marked the very early end to any relevance that Cypress Hill had established for themselves just two years before. So what happened to these guys? Probably the biggest thing was their overwhelming obsession with weed. Apparently, they couldn’t get enough of it, and obviously, they couldn’t stop recording songs about it.
“Insane In The Brain” was massive. It crossed over to rock audiences, and helped make hip hop even more relevant. But while this was happening, Cypress Hill was already on the downside. They were nowhere near bottom yet…this album is only half as good as the debut, but it’s ten times better than the terrible albums they would release after Black Sunday. While this beats the whole “we love weed” thing into the ground, it still has some musical merit, and isn’t a bad listen. “When The Shit Goes Down”, “Lick A Shot”, and “I Ain’t Goin’ Out Like That” are worthwhile, and show that there still may have been a chance for these guys. It could have gone either way, but it was all downhill after Black Sunday. And so, it’s a fact that all of the Cypress Hill you will ever need is the great debut album and a handful of songs from Black Sunday. “Insane In The Brain” makes it better, but not by a whole lot more. [First added to this chart: 10/24/2025]
Produced By DJ MUGGS & T-RAY
1. I Wanna Get High
2. I Ain’t Goin’ Out Like That
3. Insane In The Brain
4. When The Shit Goes Down
5. Lick A Shot
6. Cock The Hammer
7. Lock Down
8. 3 Lil’ Putos
9. Legalize It
10. Hits From The Bong
11. What Go Around Come Around, Kid
12. A To The K
13. Hand On The Glock
14. Break ‘Em Off Some
For one brief shining moment, particularly 1991, Cypress Hill had it all right. An intoxicating blend of lowrider hip hop rhythms, Hispanic sounding vocals that were borderline insane, and smart, catchy songs. Then, after that, Cypress Hill got famous. And then, Cypress Hill quickly became the poster children for self-parody. Black Sunday is the album after their great self-titled debut, and it’s barely a shadow of what that album had promised. Of course, it sold a gazillion copies, thanks in large part to the irresistible strangeness of “Insane In The Brain”, but it also marked the very early end to any relevance that Cypress Hill had established for themselves just two years before. So what happened to these guys? Probably the biggest thing was their overwhelming obsession with weed. Apparently, they couldn’t get enough of it, and obviously, they couldn’t stop recording songs about it.
“Insane In The Brain” was massive. It crossed over to rock audiences, and helped make hip hop even more relevant. But while this was happening, Cypress Hill was already on the downside. They were nowhere near bottom yet…this album is only half as good as the debut, but it’s ten times better than the terrible albums they would release after Black Sunday. While this beats the whole “we love weed” thing into the ground, it still has some musical merit, and isn’t a bad listen. “When The Shit Goes Down”, “Lick A Shot”, and “I Ain’t Goin’ Out Like That” are worthwhile, and show that there still may have been a chance for these guys. It could have gone either way, but it was all downhill after Black Sunday. And so, it’s a fact that all of the Cypress Hill you will ever need is the great debut album and a handful of songs from Black Sunday. “Insane In The Brain” makes it better, but not by a whole lot more. [First added to this chart: 10/24/2025]
Year of Release:
1993
Appears in:
Rank Score:
506
Rank in 1993:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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[First added to this chart: 10/22/2025]
Total albums: 100. Page 1 of 10
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My Overall Chart: 1401-1500 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 0 | 0% | |
| 1960s | 7 | 7% | |
| 1970s | 17 | 17% | |
| 1980s | 19 | 19% | |
| 1990s | 30 | 30% | |
| 2000s | 24 | 24% | |
| 2010s | 3 | 3% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
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|||
| Radiohead | 2 | 2% | |
| Arctic Monkeys | 1 | 1% | |
| The Mothers Of Invention | 1 | 1% | |
| Anthrax | 1 | 1% | |
| Free | 1 | 1% | |
| Paul Stanley | 1 | 1% | |
| Indigo Girls | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
| |
60 | 60% | |
 |
26 | 26% | |
 |
3 | 3% | |
 |
3 | 3% | |
 |
2 | 2% | |
 |
2 | 2% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart: 1401-1500 chart changes
| Biggest fallers |
|---|
| Down 1 from 1st to 2nd Next Go 'Round by Blue Canyon Boys |
| Down 1 from 2nd to 3rd Dos Dedos Mis Amigos by Pop Will Eat Itself |
| Down 1 from 3rd to 4th Combat Rock by The Clash |
| New entries |
|---|
| Singles Going Steady by Buzzcocks |
| Leavers |
|---|
| One Nation Under A Groove by Funkadelic |
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