Listed below are the best albums of the 1990s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 5 hours ago).
"Despite the website’a rankings, Gran Turismo tends to be the weakest Cardigans album for me. The high points are definitely the weakest and less frequent, and has more slog than any of the others. Still good, but a weak point in an attempt to rebound from the success Lovefool brought. Best songs:...""Despite the website’a rankings, Gran Turismo tends to be the weakest Cardigans album for me. The high points are definitely the weakest and less frequent, and has more slog than any of the others. Still good, but a weak point in an attempt to rebound from the success Lovefool brought.
Best songs: Junk of the Hearts, Higher
Worst: Nil (it is such a lame way to end the album, limping to the end like a dead dog)"[+]Reply
"Tumbling towards ecstasy, is without doubt Sarah Mcclachlan's best album. It's a beautiful record that has influences ranging from Joni Mitchell to Enya. There are great songs here, from opener, possession, to the achingly lovely, good enough, from the sweet, ice cream, to the atmospheric title t...""Tumbling towards ecstasy, is without doubt Sarah Mcclachlan's best album. It's a beautiful record that has influences ranging from Joni Mitchell to Enya. There are great songs here, from opener, possession, to the achingly lovely, good enough, from the sweet, ice cream, to the atmospheric title track. Mcclachlan is at her best on an album that is totally underrated and overlooked. It's an album that deserves more attention. Excellent. "[+]Reply
"Recovering the Satellite's is their debut but a little darker and louder. This album also has more filler and less classics. A Long December is the best known and would have fit perfectly on the debut. Children in Bloom is and underrated excellent rocker and relatively heavy for Counting Crows. G...""Recovering the Satellite's is their debut but a little darker and louder. This album also has more filler and less classics.
A Long December is the best known and would have fit perfectly on the debut.
Children in Bloom is and underrated excellent rocker and relatively heavy for Counting Crows.
Goodnight Elizabeth and Daylight Fading are other stand out tracks.
But too much of this sounds like the debut but done worse with less melody or like retreads. I have heard Miller's Angels before in many Crow's songs.
And Duritz gets whiny in his vocal delivery on his sad sap, poor me ballads that are written well but delivered annoyingly.
Poetry to music is a good way to describe Counting Crows and for the niche group of fans that love it, they deliver.
This band lacks creative diversity here and in the future."[+]Reply
"I can't believe there is only one comment about this all-time classic album. Gorgeous harmonies. Perfect. Strongly influenced by the Byrds. My favourite track is I Don't Want Control of You which Norman wrote about his baby daughter. Author Nick Hornby, (he of the love letter to mix tapes in his ...""I can't believe there is only one comment about this all-time classic album. Gorgeous harmonies. Perfect. Strongly influenced by the Byrds. My favourite track is I Don't Want Control of You which Norman wrote about his baby daughter. Author Nick Hornby, (he of the love letter to mix tapes in his novel High Fidelity), says this is one of his all-time favourite albums. "[+]Reply
"Nebraska, Ghost of Tom Joad, Devils & Dust... it seems each decade Springsteen eschews the easy route and puts out a non-commercial curveball, to varying degrees of success. The Ghost of Tom Joad was released in 1995 in the middle of an economic boom in the U.S., at probably the lowest point in S...""Nebraska, Ghost of Tom Joad, Devils & Dust... it seems each decade Springsteen eschews the easy route and puts out a non-commercial curveball, to varying degrees of success. The Ghost of Tom Joad was released in 1995 in the middle of an economic boom in the U.S., at probably the lowest point in Springsteen's popularity after the dissolving of the E Street Band and the Human Touch/Lucky Town career nadir. Audiences were either confused or indifferent. Four years later Bruce would reunite the E Street Band and reclaim his place as one of rock's elder statesmen. But The Ghost of Tom Joad shows why he isn't just another oldies act. This was a deeply moving, troubling piece of art released with no commercial concern or desire to be on the cutting edge. Just a collection of gut-punch sparse folk songs. One of his very best."[+]Reply
"Really great album. For those vibes of sex. It is a mature album for mature audiences. The lyrics aren't explicit but it sounds like mature sounding music. You could also bump this in the lounge and smoke some hookah with this so props to it for that vibe"Reply
"First time hearing anything by this band other than Lovefool and I am immediately a fan. These songs are soo good, and that Iron Man cover has no business working that well."Reply
"Company Flow - Funcrusher Plus is another album produced by El-P. I don't think I've ever listened to so many projects where El-P is involved in such a short period of time. This one seemed to me worse than I remembered it and I suspect the main reason is exactly the El-P overexposure. I mean, I ...""Company Flow - Funcrusher Plus is another album produced by El-P. I don't think I've ever listened to so many projects where El-P is involved in such a short period of time. This one seemed to me worse than I remembered it and I suspect the main reason is exactly the El-P overexposure. I mean, I never was his biggest fan to begin with, you can check my other reviews, too, so this was just too much. Anyway, production-wise (and El-P is all about production, so this matters a lot) it has to be included among his best. It combines the typical 90's boom bap sound with his trademark futuristic vibes to create a rich and lively sound that keeps your attention without relying on catchy hooks or something for (almost) the whole running time of the album, which by the way is on the longer side and could definitely have been shorter by a good 10-15 minutes. The rapping is the best part of the album, it's energetic and passionate enough to convey the ideas and the emotions to the audience, but also has a conversational tone, it's like you take part in a friendly discussion. Lyrics ("Try to keep my lyrics short and fat like Joe Pesci") are of the so called "abstract" kind almost crossing the line of being totally random ("El-P phase through these walls like Vision Choked in the shallow water, a bad executive decision Release the Kraken please put down your skin flutes How could ya... motherfuckers think ya... To this mercenary sunblock 2000 burner All of your knowledge is truant, unlearn all of the shit Then in overtime you become fluent, sell the fucking store At the opposite end of the spectrum your career’s never no more Enter the rectum and at twilight we'll skip stones and laugh about your poems But a blood-red book when the others got funcrushed is a spot The terror fabulously gets hot, Co Flow mossie Walt Disney meets Keyser Soze There will be no grand comebacks unless Lazarus or Kotter"). The highlight of the album is for me the opening track Bad Touch Example ("Yo' eyes get, blind like 2Pac gettin shot in the lobby Most MC's styles is robbery of my freestyles as a hobby I pick apart monkey brains and spread disease through hot zones My cameos on promos seem strange like someone's not home Bigg Jus the outsider rain on your dream field With styles so freaking wet niggas need maxi panty shields Expose more moles out the closet than lead paint on your tenement Got more Black Thought to my Roots than most niggas got in their pigment It's the baby-faced lieutenant with the Luck like Luciano Hardcore like Kool G Rap music made for concert piano").
To sum it up, maybe it has to do with the timing and not the album itself, but it was a slight let down, despite its unquestionable qualities."[+]Reply
"I enjoyed this album a lot. It may be not as good as Loveless or Ride's Nowhere, but it's a very good shoegazing record. It's a consistent album, there is not a low point here, it's energetic, fun and dreamy at the same time. It's recommended to any shoegazing fans. My track picks are: 'I Want to...""I enjoyed this album a lot. It may be not as good as Loveless or Ride's Nowhere, but it's a very good shoegazing record. It's a consistent album, there is not a low point here, it's energetic, fun and dreamy at the same time. It's recommended to any shoegazing fans.
My track picks are:
'I Want to Touch You', 'Black Metallic', and 'Flower to Hide'."[+]Reply