Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 5 hours ago).
"Somehow these metal masters found a way to fuse the synths with the heavy guitar/bass/drum combo and make a unique product that retains it's heavy metallic flavor. This is some of Maiden's most consistent songwriting, Harris' bass lines are as astonishing as ever, Dickinson's vocals continue to s...""Somehow these metal masters found a way to fuse the synths with the heavy guitar/bass/drum combo and make a unique product that retains it's heavy metallic flavor. This is some of Maiden's most consistent songwriting, Harris' bass lines are as astonishing as ever, Dickinson's vocals continue to soar, the guitars rock and Nicko McBrain's underrated drumming is also top notch. No weaknesses here, a great album through and through. "[+]Reply
"Another quick review.... Yes, this is perhaps the sexiest and most romantic record ever made. As a single guy who isn't a ladies man by any stretch of the imagination, it can be kinda strange to think how much I empathize with this record. The first half in particular is flawless as far as I'm co...""Another quick review....
Yes, this is perhaps the sexiest and most romantic record ever made. As a single guy who isn't a ladies man by any stretch of the imagination, it can be kinda strange to think how much I empathize with this record. The first half in particular is flawless as far as I'm concerned. And as far as "Greatest Songs of All Times" arguments go, well you will hear me pushing the title track forward in consideration. Just listen to that track closely again, everything about it - the horns, keyboards, the vocals, the harmonies, the sexy guitar and especially those fucking drums (the greatest drumming I've ever heard) is just perfection!
That level of excellence is nearly matched throughout, albeit in different ways. The slow burnin' shit on here is just about the most sizzlin' stuff ever recorded. (Example; "You Sure Love To Ball".) And the pure romantic stuff here is incredible too! (Example; "If I should Die Tonight" - perhaps one of the best love songs and most overlooked in Gaye's career.)
"There's nothin wrong
with me
Lovin' you
(Honey no nooooo)
And givin' yourself to me
can never be wrong
If the love is true.""[+]Reply
"In my opinion the most prolific musician currently making music. This album is perfect through and through and if you haven't listened to it yet, do yourself a favor and take a listen. Currently somewhat overlooked and underrated, but if you've listened to it as much as I have, you can see there'...""In my opinion the most prolific musician currently making music. This album is perfect through and through and if you haven't listened to it yet, do yourself a favor and take a listen. Currently somewhat overlooked and underrated, but if you've listened to it as much as I have, you can see there's something so incredibly unique that exists within the eclectic mix of genres (some glam-rock, post-punk, pop) he's cultivated. I can't exactly put my finger on it, so I like to call it "maplerock." There are some other Canadian bands associated with him that I also define as maplerock such as Homeshake, Freelove Fenner, Each Other, Alex Calder, that are also worth checking out. "[+]Reply
"When time out of mind came out in September 1997, it had been seven years since Bob Dylan had released any original material, and that was the underwhelming, under the red sky. Since that mediocre album, Dylan released two acoustic records, a collection of covers of old blues and folk songs. He a...""When time out of mind came out in September 1997, it had been seven years since Bob Dylan had released any original material, and that was the underwhelming, under the red sky. Since that mediocre album, Dylan released two acoustic records, a collection of covers of old blues and folk songs. He also made an appearance on MTV's successful unplugged series. Dylan's performance though was again a disappointment. Dylan then started to suffer from health problems and was hospitalized for a time in 1996 with a heart problem. He made a successful recovery. So, after all of this it was a pleasant surprise that the new album was a much needed return to form. For the second time in his career, his new record was produced by Daniel Lanois, whose atmospheric soundscapes had made Dylan's, oh mercy, album such a success. He works his magic here too. Time out of mind though was different from other Dylan albums. Dylan was definitely older, maybe wiser, certainty grumpier, but still regained a mischievous twinkle in his eyes. The new record was dark, spooky, it was about loneliness, bitterness, aging, and mortality. The first thing you notice on opener, love sick, is Dylan's voice, it really is wrecked beyond repair, but it suits the material perfectly. He's the first of the rock stars to deal with the sadness and frustration of growing old. There's no better example of this than on the epic closing track, highlands, when Dylan alludes to, 'all the young men with the young women looking so good, well I'd trade places with any of 'em in a minute if i could'. This is coming from Bob Dylan, living legend, and this is the way he feels, he wants to be young again. Mortality, plays it's part in, tryin'to get to heaven, and, not dark yet, surely both inspired by his recent health scares. Everything and everyone is cold, he's standin'in the doorway cryin', he's sick of love, he left his life with someone back there along the line. Bob's not a happy camper. And what's more, he's running low, the party's over, he moans, and there's less and less to say, and everything looks far away, but it's not all doom and gloom, and there is some wonderful black comedy here and there, 'you don't read with binoculars, do you'?. The songs range from the slow burning, love sick, the railroad shuffle of, dirt road blues, the brooding, million miles,to the funeral dirge of, not dark yet, as well as, to make you feel my love, one of Dylan's most beautiful ballads for years, the metallic blues of, cold irons bound, and the midnight burning, can't wait. Time out of mind, is classic Dylan, it's up there with his best, a mortal masterpiece. "[+]Reply
"I reckon it's the lyricism which sets this apart from every other electropop/synthpop LP out there this century, rarely ever does the genre inhabit lyrics with this much sensitivity and depth. Not that "Silent Shout" doesn't have great production.. it's ambitious, sounds epic but most of all pair...""I reckon it's the lyricism which sets this apart from every other electropop/synthpop LP out there this century, rarely ever does the genre inhabit lyrics with this much sensitivity and depth. Not that "Silent Shout" doesn't have great production.. it's ambitious, sounds epic but most of all pairs together symbiotically with Dreijer's vocals which excellently add another dimension of unease. Pretty much the pinnacle of the genre in its decade."[+]Reply
"Not so sure as of right now. It kinda blends together, but also, I really dig that. It's a very large collection of songs, each one with something to set it apart. I really dig the atmosphere, and even though I don't think this will top their debut, I'm really happy they're back."Reply
"Luis Alberto Spinetta was a big fan of John Lennon, and the latter's Plastic Ono Band is a point of reference to begin to understand the masterpiece known as Artaud. Both albums were recorded at times of turmoil in both artists' lives and in their respective countries, and this is reflected on th...""Luis Alberto Spinetta was a big fan of John Lennon, and the latter's Plastic Ono Band is a point of reference to begin to understand the masterpiece known as Artaud. Both albums were recorded at times of turmoil in both artists' lives and in their respective countries, and this is reflected on the naked sincerity of their lyrics. But while Lennon made the decision to play straightforward rock with simple lyrics and simpler arrangements, Spinetta favored complex compositions full of weird voicings, surrealist imagery and avant-garde elements, best exemplified in the 9-minute suite 'Cantata de Puentes Amarillos', inspired by Van Gogh, Artaud and Elagabalus, the transgender Roman Emperor.
Although it is considered a fundamentally acoustic work, Artaud has its moments of electric grandeur, such as 'Las Habladurias del Mundo', 'Cementerio Club' and 'Bajan', showcasing Spinetta's axe skills. This is one of those records you can listen to a million times and still find something new. Highly recommended."[+]Reply
"Having listened to it thrice today, and knowing the impetus for the record, Javelin stands as Sufjan Stevens's most open-hearted and devastating work to date, even more so than the thorny beauty of his magnificent Carrie & Lowell. Elegiac, wounded, and life-affirming through and through, Javelin ...""Having listened to it thrice today, and knowing the impetus for the record, Javelin stands as Sufjan Stevens's most open-hearted and devastating work to date, even more so than the thorny beauty of his magnificent Carrie & Lowell. Elegiac, wounded, and life-affirming through and through, Javelin is characteristically meditative and soulful, while crystalizing the folktronica sensibilities that he's wrestled with over the years into its most moving configurations yet, and that, despite its weight, is still so warm and inviting. One of the best from one of the best ever to do it."[+]Reply
"This is one of many albums that I pondered over for ages. This is a dark concept album of serene beauty and humility inspired by all sorts of personal tragedies. Arrangements are overwhelmed with violins, woodwinds, keyboards, samplers and turntables. In part the vocals register Nick Drake while ...""This is one of many albums that I pondered over for ages. This is a dark concept album of serene beauty and humility inspired by all sorts of personal tragedies. Arrangements are overwhelmed with violins, woodwinds, keyboards, samplers and turntables. In part the vocals register Nick Drake while at others it resembles Tom Waits whilst musically it at times echoes the demented 'blues' of Beck. But Electro-Shock Blues is no mere imitation, but an original work of substance - a desolate and 'naked' exhortation of the deeper recesses of the human soul. The counterpoint to this programme is the closing track in which a deafening orchestra of violins play to a romantic theme while the protaganist yearns to find meaning in his life. This is not just a mournful requiem, but an uplifting affirmation for life."[+]Reply
"Maybe it's the addition of the horn sections, but almost all songs on this album sound so damn funky. They're still proponents of the 3-minute-ish, concise indie-pop-rock song. There's some air of danger ("Clubs and sticks and bats and balls / For nuclear dicks with their dialect drawls") with op...""Maybe it's the addition of the horn sections, but almost all songs on this album sound so damn funky. They're still proponents of the 3-minute-ish, concise indie-pop-rock song. There's some air of danger ("Clubs and sticks and bats and balls / For nuclear dicks with their dialect drawls") with opener "don't make me a target" and it's cameo clanging guitar and its extended bridge with play-along-at-home hand claps. Love the horns and cymbals in "you got yr. cherry bomb" and its perpetual drumming motion and cooing vocals near the end. Love the horns and melody of "the underdog" and its built-up ending, with snappy lyrics like "You got no time for the messenger, / got no regard for the thing that you don't understand. / You got no fear of The Underdog, / that's why you will not survive.". The guitar-work in "don't you evah" is funky and the background faint vocal plays are fun. You'll find yourself singing along to the chorus of "finer feelings". The only track that doesn't fully-sit well is the echoey, piano-monotoned lead single "the ghost of you still lingers". I like the song, but i probably missed the point of the vocal and other FX and it feels like a run-on sentence with no chorus and that piano. But that's a minor quibble -- i'm still ga ga over ga ga ga ga ga. These guys sound cooler than that Michael J Fox character tried to sound at the end of Back to the Future. See "eddie's ragga" and its groovy bass. See the acoustic guitar and rawk attitude in "japanese cigarette case". Or maybe they're the indie version of prime huey lewis & the news crossed with early inxs (and a pinch of the clash) on this album. (i'm sure the indie kids love that analogy.) Whatever the magic behind GA5, this is the culmination of spoon's talent."[+]Reply