Double Time (studio album) by Leon Redbone
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Leon Redbone bestography
The best album by Leon Redbone is On The Track which is ranked number 58490 in the list of all-time albums with a total rank score of 7.
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Double Time track list
Double Time rankings
All 4 charts that this album appears in:
|2022||amirmishali||Top 58 Music Albums of 1977||49/58||1|
|2022||arnellarsen||Top 90 Music Albums of 1977||35/90||3|
|2016||hairymarx1||Top 100 Greatest Music Albums||99/100||1|
|2015||Captain_Dude||FAVORITE BLUES ALBUMS||51/100||-|
|Total Charts: The total number of charts that this album has appeared in.||4|
|Total Rank Score: The total rank score.||5|
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Double Time collection
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Double Time ratings
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Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album is rated in the top 7% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 76.2/100, a mean average of 72.9/100, and a trimmed mean (excluding outliers) of 79.1/100. The standard deviation for this album is 22.0.
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Double Time comments
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Leon Redbone's eclectic and original take on the ragtime traditions of the past have a kind of postmodern resonance. The trick to Redbone's art is the brilliant way he injects a freshness into the blues, jazz, folk and vaudeville traditions, the pomposity and sentimentality of which he satirises by the use of a baritone yodelling croon allied to his use of nostalgic orchestrational arrangements. Redbone's skill is his knack of revealing the precious underbelly of a lost old-style genre and updating it for a contemporary audience.
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