Hell Can Wait (studio album) by Vince Staples
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Vince Staples bestography
Hell Can Wait is ranked 6th best out of 9 albums by Vince Staples on BestEverAlbums.com.
The best album by Vince Staples is Summertime '06 which is ranked number 1250 in the list of all-time albums with a total rank score of 1,412.
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Hell Can Wait track list
The tracks on this album have an average rating of 80 out of 100 (all tracks have been rated).
Top-rated track as rated by BestEverAlbums.com members.
Hell Can Wait rankings
Latest 20 charts that this album appears in:
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Hell Can Wait collection
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Hell Can Wait ratings
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av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
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Showing latest 5 ratings for this album. | Show all 61 ratings for this album.
Rating | Date updated | Member | Album ratings | Avg. album rating |
---|---|---|---|---|
02/15/2024 01:25 | PapaShiz86 | 8,500 | 79/100 | |
10/27/2022 21:19 | Maxence | 12,101 | 61/100 | |
08/03/2022 19:30 | babyBlueSedan | 3,072 | 64/100 | |
08/02/2021 07:57 | MaxStorm98 | 3,516 | 92/100 | |
07/14/2021 12:11 | LosWochos | 42,307 | 75/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album is rated in the top 4% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 76.9/100, a mean average of 76.1/100, and a trimmed mean (excluding outliers) of 77.7/100. The standard deviation for this album is 13.6.
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While this is just a short EP, it packs a whole lot. Where Kendrick Lamar was the “good kid” in that “mad city” he lived in, the kid who tried to be good, who tried to be above the gangs and the violence, Vince Staples makes no apologies for who he is. This album is riddled with realism and even cynicism. Staples is just telling you, “This is what my life was like, this is what I saw, and this is how it is”. It just is what it is.
You have songs like “Screen Door”, which details Staples’ father’s drug dealing and what Staples, as a young kid, had to deal with because of it. “Mom up off of work asking me if anybody came/To kick it with my dad or was he chilling in the alleyway/He was in the alleyway, that’s what he always had me say/Slangin’ for them bills he had to pay somebody at the door”, Staples was put in a difficult position, he had to either rat out his father or lie to his mother, eventually choosing the latter. If people weren’t coming to him to buy drugs, they were coming to collect debt money.
You also have a song like “65 Hunnid”, which details Staples’ own gangbanging, going into detail about a hit that he and a few others had to carry out. He talks about how you have to shoot to kill, there is no mercy on the streets, if you shoot at the sky or shoot at the feet and show any mercy, any weakness, that person is going to come back for you, “Don’t stop til he drop”, Staples says.
There’s also “Hands Up” which details the problem Staples witnesses of white-on-black cop violence. Staples talks about the hypocrisy he sees in the cops conduct, “I guess the pigs split wigs for the greater good/Cause I ain’t seen them lock up a swine yet/At the most they reassign ‘em to prevent protest”. Staples believes that the ease that cops get off with killing black kids in the ghetto promotes brutality and violence as “for the greater good”.
This album may be short, but it’s not light on subject matter, it’s a heavy album and Staples isn’t pulling any punches, he isn’t having any of that, he’s just here to tell it like it is.
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