Top 100 Music Albums of the 2010s
by 
DriftingOrpheus 
- Chart updated: 09/13/2025 05:15
- (Created: 04/02/2020 03:56).
- Chart size: 100 albums.
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88.7
[First added to this chart: 04/25/2020]
Year of Release:
2016
Appears in:
Rank Score:
15,415
Rank in 2016:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
274
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The Aphex Twin reddit community comes adorned with the tagline, "The Man, The Myth and the Pseudo-Transcendent Beats." All three aspects have their own exclusive rabbit holes. The story of the prodigal son of electronic music from the southwest of England comes fastened with as many legends and myths as one could fathom, almost equalling the astronomical size of the catalogue itself. One of these anecdotes implies that the "Twin" referenced in his moniker is an homage to his stillborn brother who arrived three years prior to the man himself, to which his mother maintained that "the next one will be him". Who could forget the testimony that at age 11, he designed a program that created music for a ZX81, a pre-historic home computer that was not capable of producing sound, for which he was paid 50 pounds for his trouble. Would we really be astonished if these tall tales were more veracious than what common sense would have us believe? When he's not embedding his own face into spectrograms of his music or dropping hundreds of tracks on Soundcloud coyly under the guise of his user18081971 pseudonym, he's enjoying a career renaissance nestled away in his home in Scotland. Cornwall's own Richard David James' latest album is a masterpiece and a stirring testament to his brilliance all these years later.
RDJ has adopted a slew of sobriquets throughout the years, names like AFX, Polygon Window, The Tuss, GAK, Power-Pill, Caustic Window and Bradley Strider just to name a few. However, for 2014's Syro, he stuck to the namesake by which we know him best. The sixth LP under the Aphex Twin umbrella is notably warm in timbre which comes as a stark deviation from his previous effort, 2001's Drukqs, which brandished prepared piano and dissonant drill 'n' bass passages. 13 years is an extensive amount of time to go between albums but RDJ's highly discernible refocusing is evident throughout Syro's hour-long runtime. Still, it's not like the beatsmith was entirely dormant during that time. Some of the bubbly, enveloping artifacts for Syro could be found in his 2007 release Rushup Edge, flying under the The Tuss flag. It's also important to grasp that James is an artist that is constantly curating his back catalogue for release at any given time, making his creative process impossible to timestamp and endlessly fascinating. RDJ solidified Syro's arrival by commissioning a zeppelin to fill the airways over London adorned with his logo. He always had a flair for the dramatic, or should that be the surreal?
The album commences with Minipops 67 (Source Field Mix), affectionately known by supporters as the "Manchester Track" due to its inclusion in a Manchester setlist in 2007. The official title certainly is fitting, as it's named after a line of drum machines produced by Korg in 1967. The music itself is bouncy, with careful weight applied behind each beat. This is no longer the face-melting acid and tribal drill 'n' bass more akin to a previous iteration of Richard. This is RDJ poking around with a scalpel producing surgical, sonic whimsy with a "kick-your-feet-up" sense of ease. The second track is the 10 minute Xmas_Evet10 (Thanaton3 Mix). It appears like a hissing fog and then combusts with soaked, waterlogged beats that lead into a gliding groove that shapes the track. This "Xmas" is comprised of several distinct sections, à la a Paranoid Android perhaps. What results is a cavernous journey and a surefire album highlight. Sixth track and album centerpiece Circlont6A (Syrobonkus Mix) is the most frenzied outing on Syro, announcing itself with a distorted, jarring vocal sample and traveling at a breakneck pace throughout its duration. It's a skittering, anxious soundscape while never losing the ability to be infinitely danceable across its six and half minute lifespan. As a culminating, tranquil reminder of RDJ's versatility, he bestows Aisatsana on his audience as the final track of the LP. A moving, minimalist piano piece that acts as a ray of sunlight that cuts through cloudy skies after a destructive storm of IDM and techno hysteria. Many have speculated that this is a dedication to his wife as the track is her name "Anastasia" in reverse. The piano is minutely reverbed and subdued as birds chirp in the distance and one can visualize the morning dew formed on the grass at your feet. A wholeheartedly beautiful way to end a record and a concrete monument to the talent of this wonderful artisan.
No matter what nom de plume, AFX or Aphex Twin, Polygon Window or Bradley Strider, there have been but a sparse few who have ever been more cutting edge and strikingly original than Richard David James. Between reinventing himself numerous times, going reclusive and plastering his grinning face throughout Chris Cunningham's nightmare fuel music videos, I'm quite secure in saying that RDJ has done it all. He's even had "Shakespeare" Kanye West try to steal his work and pass it as Yeezy's own. This is in fact the same artist who's had a single peak at number 16 on the UK Singles chart (Windowlicker) and also birthed an LP entitled Expert Knob Twiddlers. Save for maybe 1992's Selected Ambient Works 85-92, no album is more representative of the work of electronic music's most enigmatic personality than Syro. It's labyrinthian, inviting, warm, frightening and a scorching "fuck you" to those who questioned if RDJ still had it. It stands as nothing less than a modern masterpiece and a remnant of yesteryear in the exciting scope of current electronic music. "Let the old man show you how it's done," the record screams defiantly through wordless beats. It's a sound I'll never get tired of.
Richard has often shied away from interviews and recently even claimed that he will no longer partake in them at all, fueling the belief that we will never fully unravel and understand the phenom that he has been and continues to be. This addendum stands as one of my more personal verses. Richard's music has contorted my own personal definition of music and what sonic shapes it could embody. His melodic forays remain consistently alien to my ears and that's an indicator of a true innovator and pioneer. He wasn't the first to do it. He would surely credit the work of avant-garde legends like Brian Eno and John Cage as inspiration without hesitation. Still, despite subsequent imitators and spiritual legacy bearers, there's still no one who sounds quite like Aphex Twin. The man with the power to move you to tears with ambience or melt your speakers with his patented "Aphex Acid" will always be inherently special to me and my endless journey of musical exploration. Syro will forever be a key piece of that puzzle and Richard's work is an ever-evolving tapestry begging to be traversed. RDJ himself has never commanded praise of any kind. He's often self-deprecating, claiming to be "an irritating, lying ginger kid from Cornwall who should've been locked up in a juvenile detention center". A more appropriate description of the man would be a shimmering genius, musical mad-scientist the likes of which we may never see again. However, if it were up to Richard himself, he'd likely prefer an existence as a whisper that evolves into a subliminal wall of sound; An idea, in lieu of being human at all.
Standout Tracks:
1. Circlont14 (Shrymoming Mix)
2. Syro U473T8+E (Piezoluminescence Mix)
3. Circlont6A (Syrobonkus Mix)
87.98 [First added to this chart: 04/26/2020]
RDJ has adopted a slew of sobriquets throughout the years, names like AFX, Polygon Window, The Tuss, GAK, Power-Pill, Caustic Window and Bradley Strider just to name a few. However, for 2014's Syro, he stuck to the namesake by which we know him best. The sixth LP under the Aphex Twin umbrella is notably warm in timbre which comes as a stark deviation from his previous effort, 2001's Drukqs, which brandished prepared piano and dissonant drill 'n' bass passages. 13 years is an extensive amount of time to go between albums but RDJ's highly discernible refocusing is evident throughout Syro's hour-long runtime. Still, it's not like the beatsmith was entirely dormant during that time. Some of the bubbly, enveloping artifacts for Syro could be found in his 2007 release Rushup Edge, flying under the The Tuss flag. It's also important to grasp that James is an artist that is constantly curating his back catalogue for release at any given time, making his creative process impossible to timestamp and endlessly fascinating. RDJ solidified Syro's arrival by commissioning a zeppelin to fill the airways over London adorned with his logo. He always had a flair for the dramatic, or should that be the surreal?
The album commences with Minipops 67 (Source Field Mix), affectionately known by supporters as the "Manchester Track" due to its inclusion in a Manchester setlist in 2007. The official title certainly is fitting, as it's named after a line of drum machines produced by Korg in 1967. The music itself is bouncy, with careful weight applied behind each beat. This is no longer the face-melting acid and tribal drill 'n' bass more akin to a previous iteration of Richard. This is RDJ poking around with a scalpel producing surgical, sonic whimsy with a "kick-your-feet-up" sense of ease. The second track is the 10 minute Xmas_Evet10 (Thanaton3 Mix). It appears like a hissing fog and then combusts with soaked, waterlogged beats that lead into a gliding groove that shapes the track. This "Xmas" is comprised of several distinct sections, à la a Paranoid Android perhaps. What results is a cavernous journey and a surefire album highlight. Sixth track and album centerpiece Circlont6A (Syrobonkus Mix) is the most frenzied outing on Syro, announcing itself with a distorted, jarring vocal sample and traveling at a breakneck pace throughout its duration. It's a skittering, anxious soundscape while never losing the ability to be infinitely danceable across its six and half minute lifespan. As a culminating, tranquil reminder of RDJ's versatility, he bestows Aisatsana on his audience as the final track of the LP. A moving, minimalist piano piece that acts as a ray of sunlight that cuts through cloudy skies after a destructive storm of IDM and techno hysteria. Many have speculated that this is a dedication to his wife as the track is her name "Anastasia" in reverse. The piano is minutely reverbed and subdued as birds chirp in the distance and one can visualize the morning dew formed on the grass at your feet. A wholeheartedly beautiful way to end a record and a concrete monument to the talent of this wonderful artisan.
No matter what nom de plume, AFX or Aphex Twin, Polygon Window or Bradley Strider, there have been but a sparse few who have ever been more cutting edge and strikingly original than Richard David James. Between reinventing himself numerous times, going reclusive and plastering his grinning face throughout Chris Cunningham's nightmare fuel music videos, I'm quite secure in saying that RDJ has done it all. He's even had "Shakespeare" Kanye West try to steal his work and pass it as Yeezy's own. This is in fact the same artist who's had a single peak at number 16 on the UK Singles chart (Windowlicker) and also birthed an LP entitled Expert Knob Twiddlers. Save for maybe 1992's Selected Ambient Works 85-92, no album is more representative of the work of electronic music's most enigmatic personality than Syro. It's labyrinthian, inviting, warm, frightening and a scorching "fuck you" to those who questioned if RDJ still had it. It stands as nothing less than a modern masterpiece and a remnant of yesteryear in the exciting scope of current electronic music. "Let the old man show you how it's done," the record screams defiantly through wordless beats. It's a sound I'll never get tired of.
Richard has often shied away from interviews and recently even claimed that he will no longer partake in them at all, fueling the belief that we will never fully unravel and understand the phenom that he has been and continues to be. This addendum stands as one of my more personal verses. Richard's music has contorted my own personal definition of music and what sonic shapes it could embody. His melodic forays remain consistently alien to my ears and that's an indicator of a true innovator and pioneer. He wasn't the first to do it. He would surely credit the work of avant-garde legends like Brian Eno and John Cage as inspiration without hesitation. Still, despite subsequent imitators and spiritual legacy bearers, there's still no one who sounds quite like Aphex Twin. The man with the power to move you to tears with ambience or melt your speakers with his patented "Aphex Acid" will always be inherently special to me and my endless journey of musical exploration. Syro will forever be a key piece of that puzzle and Richard's work is an ever-evolving tapestry begging to be traversed. RDJ himself has never commanded praise of any kind. He's often self-deprecating, claiming to be "an irritating, lying ginger kid from Cornwall who should've been locked up in a juvenile detention center". A more appropriate description of the man would be a shimmering genius, musical mad-scientist the likes of which we may never see again. However, if it were up to Richard himself, he'd likely prefer an existence as a whisper that evolves into a subliminal wall of sound; An idea, in lieu of being human at all.
Standout Tracks:
1. Circlont14 (Shrymoming Mix)
2. Syro U473T8+E (Piezoluminescence Mix)
3. Circlont6A (Syrobonkus Mix)
87.98 [First added to this chart: 04/26/2020]
Year of Release:
2014
Appears in:
Rank Score:
1,869
Rank in 2014:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
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87
[First added to this chart: 07/21/2022]
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85.2
[First added to this chart: 06/18/2020]
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84.1
[First added to this chart: 11/18/2022]
Year of Release:
2016
Appears in:
Rank Score:
12,664
Rank in 2016:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
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81.6
[First added to this chart: 01/13/2021]
Year of Release:
2019
Appears in:
Rank Score:
1,128
Rank in 2019:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
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81.5
[First added to this chart: 05/09/2024]
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81.3
[First added to this chart: 05/15/2024]
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80.5
[First added to this chart: 01/18/2023]
Year of Release:
2013
Appears in:
Rank Score:
786
Rank in 2013:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
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80.1
[First added to this chart: 05/21/2020]
Year of Release:
2011
Appears in:
Rank Score:
4,665
Rank in 2011:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
Total albums: 11. Page 1 of 2
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Top 100 Music Albums of the 2010s composition
| Year | Albums | % | |
|---|---|---|---|
 |
 |
|
|
| 2010 | 14 | 14% | |
| 2011 | 11 | 11% | |
| 2012 | 10 | 10% | |
| 2013 | 9 | 9% | |
| 2014 | 8 | 8% | |
| 2015 | 15 | 15% | |
| 2016 | 13 | 13% | |
| 2017 | 9 | 9% | |
| 2018 | 5 | 5% | |
| 2019 | 6 | 6% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
 |
|
|
| Swans | 8 | 8% | |
| The National | 4 | 4% | |
| Vampire Weekend | 3 | 3% | |
| Tame Impala | 3 | 3% | |
| Beach House | 3 | 3% | |
| The Caretaker | 3 | 3% | |
| Run The Jewels | 3 | 3% | |
| Show all | |||
Top 100 Music Albums of the 2010s chart changes
There have been no changes to this chart.Top 100 Music Albums of the 2010s similar charts
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Top 100 Music Albums of the 2010s ratings
90/100 (from 5 votes)
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N.B. The average rating for this chart will not be reliable as it has been rated very few times.
Showing all 5 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
 100/100  | 10/08/2021 13:17 | tanman089 | | 100/100 |
| 100/100 | 07/20/2021 15:01 |  Larcx13 | | 86/100 |
| 100/100 | 04/28/2021 19:06 |  Rhyner | | 99/100 |
| 100/100 | 11/08/2020 23:16 | DJENNY | | 100/100 |
| 95/100 | 10/22/2020 01:20 | leniad | | 85/100 |
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