Listed below are the best albums of the 2000s as calculated from their overall rankings in over 58,000 greatest album charts. (Chart last updated: 2 hours ago).
"Brainwashed was to be George Harrison's last album. He was working on it till close to his death in November 2001. It was finished and co-priduced by friend and producer Jeff Lynne, and the sound is quite similar to their previous collaborations in the Travelling Wilburys and George`s "Cloud Nine...""Brainwashed was to be George Harrison's last album. He was working on it till close to his death in November 2001. It was finished and co-priduced by friend and producer Jeff Lynne, and the sound is quite similar to their previous collaborations in the Travelling Wilburys and George`s "Cloud Nine" album. George`s son Dhani also played a big part on the album.
Even though it is sad that George is no longer among us, it is actually a very uplifting album. Many of the songs are on level with George's very best work. Lyrically it's a very moving and mature album. The optimistic "Any Road" opens the albums and set the mood from the beginning. Great catchy country tune with George on his charateristic slide guitar. "P2 Vatican Blues" sounds a lot like a Wilbury song; also a very good track.
"Pisces Fish" is an outstanding song; great melody with thoughful lyrics. Somehow it reminds me of Donovan at his best. "Looking For My Life" in spite of the upbeat tune, this is George looking back well aware that he may not have many days left to live.
Songs 5-9 are all good songs, though not outstanding by Harrison's standards "Marwa Blues" is a quiet instrumental The charming "Between the Devil and the Deep Blue Sea" featuring George on ukulele and Jools Holland om piano is the next highlight.
"Rocking Chair in Hawaii" is blues-song and a little atypical for George, but a fine track too.
The finale and title track is by far the most complex track. George's inspiration from Indian culture and music shines through here; lyrically George comments on how everybody claims to have all the answers, and how it's often hard to think for yourself about what really matters in life.
This clearly one of Harrison's best albums; maybe only second to "All Things Must Pass".
https://www.angelfire.com/nv/Badfinger/BANDgeorgeharrison.html"[+]Reply
"Probably the least heralded of all the... "The" garage-rock bands that dominated the alternative charts in the early 2000s, they were the most straight-forward and most beholden to their influences (mainly the 80s american underground and grunge), but they had a decent enough sound and plenty of ...""Probably the least heralded of all the... "The" garage-rock bands that dominated the alternative charts in the early 2000s, they were the most straight-forward and most beholden to their influences (mainly the 80s american underground and grunge), but they had a decent enough sound and plenty of energy. Unfortunately they had a tendacy to write half-baked rock songs that were all hook and no sinker, every song feeling mildly dissapointing despite providing an initial blast. So overall, the sound was appealing but all the mediocre songs with no real distinctive artistic voice unfortunately makes for a middling listen, but at fifteen it was suitable enough for my rock-n-roll ankling for just riffs and attitude. "[+]Reply
"I think this is Franz Ferdinand's best. I may be alone in that opinion, but that's okay: beauty is in the eye of the beholder. I think people who've fallen in love with the band's unpolished debut have every right to recoil from their change in sound; in fact, this and their debut are two very di...""I think this is Franz Ferdinand's best. I may be alone in that opinion, but that's okay: beauty is in the eye of the beholder. I think people who've fallen in love with the band's unpolished debut have every right to recoil from their change in sound; in fact, this and their debut are two very different albums, and I am about to judge this one on it's own terms.
On this album, catchy songs are abundant, but not the point. Alex Kapranos' knack for expressive vocals really shines on the first track, Ulysses. He sings as if his voice is an instrument - the dynamics just as important as the tune. It's what elevates it from a mere pop song into an expressive wonder, and it's production and polish add to the flavour, rather than detract from it. Turn It On and No You Girls are similarly bolstered from the production - this time benefitting from the atmosphere the songs set - an atmosphere that will carry the album. Send Him Away's time signature keeps this part of the album fresh, but ultimately is only good, and not great.
But then we run into Twilight Omens, a fantastic combination of dirty organ, powerful drums, and a vocal line that never commits itself to a single melody: it flows up and down, and always settles on a satisfying final note that completes the charm of the song. The cleanliness of the vocals makes a wonderful counterpoint to the main organ line.
Bite Hard starts gorgeous and ends awesome. What She Came For starts awesome and ends AMAZING with the heaviest Franz Ferdinand's ever been. What She Came For is especially unique in its melody of half-steps, and it's pulled off really, really well.
Live Alone and Can't Stop Feeling are the only truly forgettable songs off the album, and even Live Alone has a chorus that's good enough for one not to notice when listening to the album in one go (which is how any album should be played anyway). So what happens when the band realizes that they're losing their audience? A stroke of genius - write a curveball song that ends in an electronic symphony of bassy programmable cacophony that slowly takes over the drums - not only utterly fantastic, but very symbolic of today's world. And it's the first of three songs that make this album truly unique.
Dream Again is unlike any Franz song you've ever heard, for better or worse. Who knew a band like Franz Ferdinand could be so experimental? A tinkling of chimes, scattered handclaps, midi keyboards, and even a theremin solo all drenched in reverb make the song a treat to listen to with headphones. It slows the ending of the album to a pace which can be absorbed properly and leads nicely into it's total stylistic opposite - Katherine Kiss Me. The final song is nothing but a heartfelt acoustic guitar line with a piano solo at the end - not unlike the interludes present in You Could Have It So Much Better. It's moody, but somehow optimistic at the same time. As an ending, in my opinion at least, it's a wise choice: there's nothing more satisfying than reaching the end of an album and feeling a need to experience it all over again. The pacing is perfect - begin with a tune that starts as quiet as the ending of the album, but quickly becomes as loud and catchy as the middle. Then reach the end of the album and realize that the beginning follows perfectly afterwards. It's part of the reason Octavarium was so appealing to me.
So all in all, you have an album that's as appealing to an insightful listener as to a casual one. An album that has polish for good reason, but isn't afraid to get it's hands dirty if need be. An album that has a singer who's dynamics are astounding, and a creative masterpiece that should certainly be given a second look.
In case you wanted to know, my first Franz album was the debut, and I loved that album very much when this one came out. But I kept my mind open, and am very thankful for doing so."[+]Reply
"Heard this for the first time in Feb 19 having heard and loved their Sophtware Slump the month before. I like this sound with a nod to Flaming Lips"Reply
"Such a great band, one of the best artists of the 2000s. This is one of my 5 favorite albums of 2004 easily. They have an awesome sound and wonderful vocals."Reply
"AC/DC meets Lynyrd Skynyrd in this wonderfully ambitious set. It's an excellent concept album loosely based on Skynyrd and the southern states of America in general. It's a fun record with some fantastic songs including, Ronnie and Neil, let there be rock(no, not that one), and the enthralling, t...""AC/DC meets Lynyrd Skynyrd in this wonderfully ambitious set. It's an excellent concept album loosely based on Skynyrd and the southern states of America in general. It's a fun record with some fantastic songs including, Ronnie and Neil, let there be rock(no, not that one), and the enthralling, three great Alabama icons. All in all, a rip roaring rock'n'roll adventure that any rock fan cannot help but enjoy. Excellent. "[+]Reply
"As the years went by, Songs: Ohia albums only got more rootsy, more bluesy, more folksy, and more Americana-y, culminating in this, their penultimate studio album, though I use the term "studio" loosely because like most of their work (prior to their last album, "Magnolia Electric Co."), it sound...""As the years went by, Songs: Ohia albums only got more rootsy, more bluesy, more folksy, and more Americana-y, culminating in this, their penultimate studio album, though I use the term "studio" loosely because like most of their work (prior to their last album, "Magnolia Electric Co."), it sounds like it was recorded in a barn, probably one with actual farm animals in it. There's plenty of their usual downbeat subdued melancholia going on here for the fans, and all but one of the tracks clock in at over 5:50 so nobody is going to accuse them of being terse. This band is an acquired taste, sort of like cheap whiskey. I don't drink whiskey personally, but I can see why some people would."[+]Reply