Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 2 hours ago).
"A very good collection of songs here. The first one, You Can Get It If You Really Want, was the strongest for me. Most the tracks on this album are very uplifting in their mood and there are few which I would call weak. Harder They Come and Sitting In Limbo are also highlights."Reply
"Richard Thompson, a founding member of Fairport Convention, is one of the more underrated guitarists of the rock era. Shoot Out The Lights is the 6th and final album he made with his wife Linda, and it's easily their best work. 6 of the songs came from an album they recorded with Gerry Rafferty t...""Richard Thompson, a founding member of Fairport Convention, is one of the more underrated guitarists of the rock era. Shoot Out The Lights is the 6th and final album he made with his wife Linda, and it's easily their best work. 6 of the songs came from an album they recorded with Gerry Rafferty that was never released because they couldn't get a label to pick it up. After signing with Hannibal, they recorded this in 1981, with Linda pregnant. Richard went on tour without her and met his second wife. After promoting this album, they broke up for good.
Every song on this is beautifully done. They trade off on lead vocals with great harmonies, and Richard's guitar playing is perfect. A classic that you really should have.
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"Find this album underrated, it's a really good. I must be in the minority here who views this album in a positive way. Favorite tracks are Badman's Song, Sowing The Seeds Of Love, Advice For The Young At Heart, Year Of The Knife, and Famous Last Words"Reply
"When 'Babylon' cam bursting on to the airwaves in the year 2000 I was introduced to one of Englands best kept secrets....little did I know that the UK was really only discovering him as well. The singles are stand out, " Please Forgive me' & 'Sail Away'. There are no filler songs here every track...""When 'Babylon' cam bursting on to the airwaves in the year 2000 I was introduced to one of Englands best kept secrets....little did I know that the UK was really only discovering him as well. The singles are stand out, " Please Forgive me' & 'Sail Away'. There are no filler songs here every track has a prupose to play. This album is not for those that like their music hard, heavy or electronic, but if you like a ,melody and solid song writing you'll love this album..........."[+]Reply
"First New Order album sounds just like Joy Division without Ian Curtis' voice and lyrics. It's still a really good record and it's understandable that it would sound like their last record(i.e.. Joy Division) but it can't help being weighed down by that great band. Still, a good album, just livin...""First New Order album sounds just like Joy Division without Ian Curtis' voice and lyrics. It's still a really good record and it's understandable that it would sound like their last record(i.e.. Joy Division) but it can't help being weighed down by that great band. Still, a good album, just living in the shadows. "[+]Reply
"I must confess, this is my favourite REM album. After Bill Berry left the band had to do something different and this a great leftfield turn. There's certainly no rockers on here, it's more of an electronic album. I wouldn't say there's any great individual tracks, maybe apart from at my most bea...""I must confess, this is my favourite REM album. After Bill Berry left the band had to do something different and this a great leftfield turn. There's certainly no rockers on here, it's more of an electronic album. I wouldn't say there's any great individual tracks, maybe apart from at my most beautiful, a wonderful Beach Boys pastiche, but it's got a real album feel. Daysleeper, is about the only song on the album that has that conventional REM sound, but that's a good thing, it's what the band needed to do. Opener, airportman, is probably the weirdest thing the band ever did. In fact, if it wasn't for Michael Stipe's voice you wouldn't know it was REM at all. It's definitely their best without Berry with, you're in the air, sad professor and walk unafraid personal faves. Other good tracks are the lovely, suspicion, the apologist, and closing track, fall to climb. Diminished, and, hope(which features the music from Leonard Cohen's, Suzzanne), are also excellent. Great album if you give it enough spins. Their last great album. "[+]Reply
"“Wetleg” tries a bit too hard to be clever. Songs attempt to have this wry sense of humor about them, but it rarely hits the mark. This produces groaner lyrics such as “To tell me if I'm thin or fat, to tell me should I shave my rat”. The focus on wordplay also comes at the cost of thematic meani...""“Wetleg” tries a bit too hard to be clever. Songs attempt to have this wry sense of humor about them, but it rarely hits the mark. This produces groaner lyrics such as “To tell me if I'm thin or fat, to tell me should I shave my rat”. The focus on wordplay also comes at the cost of thematic meaning. They will jump from innuendo to innuendo without building a foundation of feeling. This is most apparent on the break-up tracks, which all together only amount to only “Piss off, loser”. Instrumentally, there is competent jangle pop, but with the exception of “Wet Dream” no stand-out guitar lines. If you put your tongue too far into your cheek, no one will know what you are saying."[+]Reply
"sorry in advance for the following: (Basically, I liked it. Everyone or nearly everyone reading this knows who this band is and what Post rock is and that this band and that genre are linked inextricably. It's a solid album. Leave now unless you want to read my unending comment which starts in 3....""sorry in advance for the following:
(Basically, I liked it. Everyone or nearly everyone reading this knows who this band is and what Post rock is and that this band and that genre are linked inextricably. It's a solid album. Leave now unless you want to read my unending comment which starts in 3... 2... )
1... ---------I don't know how I feel about this album. Not exactly. Same goes for this iconic band. And, as this band's work encompasses all existence and transcends life and is up in the ether hobnobbing with Infinity itself per their most ardent fans, I suppose this means I don't know what to think of life, the universe, or anything. Which, come to think of it, is true.
But, to elaborate, I don't know where my thoughts fall yet after 2 listens to this album about urine of god ending states. As with all GY!BE albums, this is a detailed and many-layered beast, grasping for questions and answers rarely asked or sought in rock music. All this without saying a thing. On first listen I was transfixed and transported and when the album ended I said "well, shit" and wondered if this was going to be my end-of-year number 1 album. On second listen my subjective response was a bit muted. Although, certain crescendos (they sure do love their crescendos and builds... don't worry this won't be yet another annoying nerdy asshat rant about "Crescendocore" and "oh, oh, this has been done, like, a million times, gosh!" or "wtf can't anyone hear that this is not gooood? it's nothing compared to Tortoise." blah blah blah. Don't worry, I can't stand those people as much as you can't stand them. ) and moments are just as mindboggling on second and now third listen as they were in my first. The things that maybe I was less engaged with were the shorter and less "buildy" songs, or, rather, parts or pieces. Although without exception each one of these tracks/parts, short and long, are rich and well-conceived, some of the hors d'oevre tracks left me less than blown away. I suspect this is an opinion that will change or at least develop with repeat listens and perhaps I'll start mentally stitching this newest Godspeed conception together. For now though some of the sounds at the beginning of the 2 main 20 minute pieces didn't engage me a whole lot.
But see, as I write this I am listening a third time, and you know what? I'm already starting to feel my opinions shift mercurially as I type. Damn you, Godspeed! Now I'm wondering again if this is AOTY contender. And this vacillation is making for a REALLY shitty comment. (Future self, 1 hour after typing last sentence, I end up yet again in between Really solid and AOTY, as of now, after 4 listens, its like top 10 album of year, okay lets continue and see what other crazy shit this wild ginger says...)
Let me talk through a couple of these tracks here and see if that helps clarify my opinions... Okay, starting with the end, "OUR SIDE HAS TO WIN (for D.H.)" is a pitch perfect, tear-inducing, muddy, noisy, serene and haunting ambient piece and a perfect closer to the album. The last minute of this thing made me feel like Frodo rolling out of Rivendell with the boys.
Now going back toward the beginning, I thought the opening bit with the word Military in the name, wasn't particularly special even 4 listens in, but finally 20% into "Job's Lament" shit starts getting tense and maybe i'm just too simple for this post rock stuff, but I get most hyped about those HEAVY bass notes and that staticy guitar as it builds up to the muscular close of that track. This leads into the first "Holy Shit...is you angels?" moment of the album for me, when the guitar comes searing in with the faint sound of voices melded in, that is a nice moment. Brilliant, really. Only lasts for a couple minutes, then some cool down from that high and then some gunshot noises annnnndddd close first big suite. The in-between track that follows and is jammed betwixt the 2 MEGA post rock suites "Fire At Static Valley" is quite nice. Its not the same level as the closer, but quite gorgeous.
Okay, and then as for the second big suite, I probably won't go into detail what I thought of each piece within like I did with the first, but I can say that almost everything about "GOVERNMENT CAME pretentious coordinates or something" is dope. Almost all 11 minutes of it was candy to me ears. The first 5 minutes are build up and pretty good build up as it has that dark power that is what I loved about F#A# Infinity, but its all foreplay to the moment when the soaring guitars, well, when the guitars soar. lol. Then they do that post rock thing where it gets intense and then more intense and then more and at some point you notice you're not breathing, you're eyes are squinting unflatteringly, and you're mumbled "Stop, No, I can't take it!" turns into euphoric shouts of "No, don't stop! don't STOOOOPPPP!!!!". Its orgasmic is what I'm saying. And just like orgasms, despite being played out and ever so familiar, they're quite good. From there there is more slow noodling as if they're getting themselves ready for another go-round, followed by another (less impactful, yet still gorgeous) epic crescendo. And then BOOM! We are back to where we started, which was the end, and that final god-tier ambient closing track.
The name is silly, but Idk maybe I am just basic. Seems pretty weird. The cover is, on first glance, underwhelming - BUT, I like it now that i look at it. has a certain circular, symbolic meaning. Said symbolism and cover maybe influenced my hackneyed attempt at such a round-about structure to this comment and track break down.
And as far as how this fits/ranks in their discog, well I'm far from a mega fan of this band. I like/love their 1997 album because it has the word blues in one of its songs and that is an instant winner in my books. I love their 2000 album, but of course I'm contractually obligated to say that on this site and on this internet. But in all seriousness I haven't listened to Lift Yr Skinny Fists in years, but there was a time when I was in love and thought I'd discovered the holy grail of music when i heard that. Never heard Yanqui I don't think, and I really like their legendary 1999 EP although I've only heard it once and can't say what I liked about it. When I first joined this site in 2012, I was caught up along with almost every other BEA member in the recent release of Allelujah... Don't Bend Ascend. As a matter of fact, I believe that was the VERY FIRST album comment I ever made on this site. I loved it and still do tbh. I adore how fucking brutally heavy that album is. Haven't heard their 2015 or 2017 offerings. All that is to say I don't really feel I have any strong context or freshness to any relative quality assessments. I will say that I really really liked this album. It hit me at the right time and I am very glad its in my life. I am still not someone who will get excited about Post Rock when placed as a genre on an album, as a matter of fact I kinda avoid such albums. Not sure why. Maybe I like music that is more immediate and less drawn-out than what that genre tag evokes.
Anyway, this will end up being the most unstructured (aka least structured) of all my 2021 chart/album comments and my longest and my most deserving of ridicule and the one with the most bad English (which is saying something). I will close by saying, "cool album". The highs are heaven, the lows sound like somewhat by-the-numbers GY!BE things analogous to a nice serene Nebraska cornfield.
Oh and one final added comment, regarding the general darkness or vibe of this album, I felt like it was the least dour, apocalyptic of the albums I've heard by them. All their albums have some moments of soaring beauty, but I felt this had several that felt almost religious and not in a end-of-days type of way either. Anyway, I have seen comments saying this has a a deeply dark atmosphere, and maybe that is just a personal reaction thing, but I personally found it refreshing how GY!BE sounded a little less morbid this time around.
cool album"[+]Reply
"This album is really good, it starts with a bang with Underdog, WDATLG? and Fast Fuse, all fantastic songs. Take Aim, Thick as Thieves, Vlad the Impaler are all pretty good too, and of course Fire is the killer track. Some weak tracks like West Ryder Silver Bullet and Secret Alphabets, but other ...""This album is really good, it starts with a bang with Underdog, WDATLG? and Fast Fuse, all fantastic songs. Take Aim, Thick as Thieves, Vlad the Impaler are all pretty good too, and of course Fire is the killer track.
Some weak tracks like West Ryder Silver Bullet and Secret Alphabets, but other than that, this album is very recommendable, nothing revolutionary (it's Kasabian, after all), but super enjoyable, which is what music is about after all"[+]Reply
"MJK can do no wrong in my book. This album has been a mainstay in my collection/playlists for years and I still come back to it over and over again. The record flows so well. It is everything from soothing on tracks like, "The Noose" to the explosive numbers like "Pet". In an unusual fashion for ...""MJK can do no wrong in my book. This album has been a mainstay in my collection/playlists for years and I still come back to it over and over again. The record flows so well. It is everything from soothing on tracks like, "The Noose" to the explosive numbers like "Pet". In an unusual fashion for anything MJK has been a part of, songs like "Weak And Powerless" and "Blue" have a touch of poppy/catchy aspects that round out the listening experience. Definitely a record that I would suggest to anyone. "[+]Reply
Romanelli | Helpful? (Log in to vote) | +3 votes (3 helpful | 0 unhelpful)
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Jasperjames | Helpful? (Log in to vote) | +7 votes (7 helpful | 0 unhelpful)
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Mercury | Helpful? (Log in to vote) | +10 votes (10 helpful | 0 unhelpful)
A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.
