Listed below are the best albums of 2013 as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 3 hours ago).
"Well it had to happen eventually. After releasing three really good albums, the Yeah Yeah Yeahs have finally released a mediocre album. “Mosquito" feels disjointed and, honestly, kind of boring, which is the exact opposite of what you’d expect from a Yeah Yeah Yeahs album. They’ve built they’re c...""Well it had to happen eventually. After releasing three really good albums, the Yeah Yeah Yeahs have finally released a mediocre album. “Mosquito" feels disjointed and, honestly, kind of boring, which is the exact opposite of what you’d expect from a Yeah Yeah Yeahs album. They’ve built they’re careers on exciting, loud, energetic music, and this just sounds pretty uninspiring. There’s moments, the lead single “Sacrilege" is really solid, and there’s moments here and there, but generally speaking, this album is nothing too spectacular. Every good band has a mediocre album every now and then, it’s bound to happen, and it happened here with the Yeah Yeah Yeahs."[+]Reply
"It's definitely a worthwhile listen, but I'm not convinced that it's as great as any of its predecessors. "Matangi" is practically as chaotic as its highly underrated predecessor "MAYA", but it lacks the diverse, sonic innovation of that album. It also lacks the fascinating political subtext of A...""It's definitely a worthwhile listen, but I'm not convinced that it's as great as any of its predecessors. "Matangi" is practically as chaotic as its highly underrated predecessor "MAYA", but it lacks the diverse, sonic innovation of that album. It also lacks the fascinating political subtext of Arular/Kala, making the record feel a bit like a half-baked product.
However, there are a hell of a lot of bangers (example: brilliant lead single "Bad Girls"), most of which marry hardcore dance, chaotic beats, eastern influences & hindu culture. The summation of all of these makes for a very unique album, and is certainly interesting enough to keep the whole thing from sounding tedious, despite it being slightly overlong."[+]Reply
"I've listened to this album more than any other since its release in 2013. It's a criminally underrated record, though I understand that not all listeners will identify with it as much as I do. It's the only record I've ever heard that attempts to capture--and does so brilliantly--what it was lik...""I've listened to this album more than any other since its release in 2013. It's a criminally underrated record, though I understand that not all listeners will identify with it as much as I do. It's the only record I've ever heard that attempts to capture--and does so brilliantly--what it was like to grow up in rural New England in the eighties. Thank you, Will Sheff, for telling the story of my childhood, and doing it with such grace, humor, and sensitivity. "Down Down the Deep River" is the obvious highlight here, but it's just one of several outstanding tracks."[+]Reply
"Every now and then, an album’s name is absolutely perfect to describe the album itself, and in the case of Autre Ne Veut’s “Anxiety", you have an album that feels anxious, that feels crazy. It’s difficult to describe this album with much clarity. It has a pop sensibility to it, but it keeps you o...""Every now and then, an album’s name is absolutely perfect to describe the album itself, and in the case of Autre Ne Veut’s “Anxiety", you have an album that feels anxious, that feels crazy. It’s difficult to describe this album with much clarity. It has a pop sensibility to it, but it keeps you on edge, you don’t know what’s going to happen. Here and there, Arthur Ashin (the man behind the Autre Ne Veut pseudonym) throws in a bit of dissonance, or a flash of guitar, just about anything you can think of, it keeps you paying attention, not knowing what’s coming along the next musical corner. And then there’s Ashin’s voice, which is so good. He can seriously nail some notes on falsetto, some very high notes, doing it a lot on this album. Some call it “over-singing", I love it. It’s passionate and it’s powerful, just like this album. Absolutely worth listening to, it’s a phenomenal album."[+]Reply
"Good, dubstep-like production, but lyrics and vocals aren't that compelling for this album that's following the new alt-r&b model as weeknd that has become so indie-popular."Reply
"I found this record to be superficial on every aspect (lyrics, sound). No doubt it is easy to access but I think Bastille will be quickly forgotten."Reply
"Hey, when you listen to skate punk, you’re going to get exactly that, skate punk. You’re not going to get something deep or profound, you’re going to get something loud, something fast and something that doesn’t take itself seriously. That’s what we have here with the debut album from Fidlar. It’...""Hey, when you listen to skate punk, you’re going to get exactly that, skate punk. You’re not going to get something deep or profound, you’re going to get something loud, something fast and something that doesn’t take itself seriously. That’s what we have here with the debut album from Fidlar. It’s not bad overall. It’s goofy at times, which is funny, especially in “Max Can’t Surf" which is literally about a guy named Max who can’t surf. It’s fun, goofy skater punk, but it’s also a bit repetitive. It has its moments here and there, and instrumentally it can be interesting, the guitar solos tend to sound very angry and loud, which I would expect, but overall the album is just alright. It’s not bad, but it’s nothing special. Fidlar isn’t exactly breaking new ground."[+]Reply
"For me, this is Dream Theater’s most underrated album. In my eyes, it doesn’t carry the title “Dream Theater” by accident. This record is a masterpiece and a statement: this is who we are — Dream Theater! It’s incredibly elaborate in both composition and production — with orchestral and classical...""For me, this is Dream Theater’s most underrated album. In my eyes, it doesn’t carry the title “Dream Theater” by accident. This record is a masterpiece and a statement: this is who we are — Dream Theater!
It’s incredibly elaborate in both composition and production — with orchestral and classical influences — yet still very song‑driven. It includes many of my all‑time favorite DT tracks. If I had to pick only ten CDs to take with me to a deserted island, this one would definitely make the list.
Thank you for this album, Dream Theater!"[+]Reply