Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 6 hours ago).
"Kevin Shields said that in a couple years from now this album is going to make more sense. Idk I love this now though, definitely grows on you the more you come back to it."Reply
"I remember the first time I put on the album I turned it up pretty loud and the horns on Starlings scared the shit out of me... ahaha. FANTASTIC record. Heard it once and fell in love immediately."Reply
"I've found myself coming back to this album much more often than What's Goin On, the album that inspired it and is often compared to. Both albums are classics tackling similar themes of the plights of black men living in 60's and 70's America, with What's Goin On talking more generally about the ...""I've found myself coming back to this album much more often than What's Goin On, the album that inspired it and is often compared to. Both albums are classics tackling similar themes of the plights of black men living in 60's and 70's America, with What's Goin On talking more generally about the government and all Americans and the Vietnam war, while Superfly explores the criminal underbelly of the black ghetto, and how we are all susceptible to corruption and drug abuse no matter where we come from. Superfly is simply a more enjoyable and memorable album with or without the serious subject matter and lyrics. The production is better too with more emphasis on a full band performance, whereas What's Goin On hones in on Gaye's vocal harmonies and the string orchestra. That being said, this album would probably have been very different and not as good if What's Goin On didn't come first."[+]Reply
"This album is an absolute masterpiece, and has a sound like no other album ever released, even by Neil himself. You can truly feel raw emotion here, and this is definitely Neil's most emotional album. After the loss of Daniel Whitten, Neil recorded this album on one dark night in 1972 in only one...""This album is an absolute masterpiece, and has a sound like no other album ever released, even by Neil himself. You can truly feel raw emotion here, and this is definitely Neil's most emotional album. After the loss of Daniel Whitten, Neil recorded this album on one dark night in 1972 in only one night. The album itself was released three years later, and we got this twisted, dark, emotional masterpiece. This album sounds like that one day of drunken denial after a close friend or relative passes. Seriously, it sounds exactly like that, and you can hear Neil's voice go off tune all of the time on this one. He just wants Danny to "Open up the tired eyes". Every time Neil's voice cracks, it sends chills up and down my spine. His voice cracks all of the time on this album, so the whole thing sends chills up and down my spine. This is a great album to listen to during dark times. Neil's pain is so strong here that few things could surpass the amount of pain that Neil feels, so it makes you feel slightly better. I would recommend this album to anyone. It is Neil's magnum opus in my opinion, tied with Rust Never Sleeps."[+]Reply
"Faith No More was formed in 1982, but it took them a long time to get their lineup straight. After going through numerous lead singers (including Courtney Love), they found Mike Patton, who took the band to a completely different level, particularly on the single "Epic" from The Real Thing. Angel...""Faith No More was formed in 1982, but it took them a long time to get their lineup straight. After going through numerous lead singers (including Courtney Love), they found Mike Patton, who took the band to a completely different level, particularly on the single "Epic" from The Real Thing. Angel Dust is the follow up to that album, the first on which Patton has a say in the songwriting...and it's great. Patton's vocals are frightening, Jim Martin's guitar is powerful, but it's the keyboard work of Roddy Bottum that really give this album its edge...at a time when keyboards were so not cool. Every song sounds like it's going to explode into shrapnel. Highly aggressive and yet very listenable stuff. "MidLife Crisis", "Land Of Sunshine" and "Everything's Ruined" are highlights. The album ends with a straightforward reading of the theme from "Midnigtht Cowboy".
Unfortunately, Martin left after this album, and Faith No More was never able to build on what they did on this album. It still sounds great today, though. Well worth having.
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"I'm surprised this isn't ranked higher. A terrific record where every track is killer, an extreme rarity in the pre-Pet Sounds/Revolver music landscape. Sinnerman is the obvious highlight, a truly incredible and moving epic."Reply
"I don't comment on here too often but really wanted to give my opinion on Auntie Diaries and some first impressions of the album. Obviously can't speak for any other trans or queer people but there's so much I love about Auntie Diaries and I think it tackles ideas around prejudice, tolerance and ...""I don't comment on here too often but really wanted to give my opinion on Auntie Diaries and some first impressions of the album. Obviously can't speak for any other trans or queer people but there's so much I love about Auntie Diaries and I think it tackles ideas around prejudice, tolerance and acceptance so well. I've seen some criticism of Kendrick using misgendering and deadnaming* from people who still see the positive intent of the track but I think these are actually vital to getting his point across. A lot of the song comes from a place of tolerating but not understanding the trans people in his life. Saying 'my auntie was a man now, we cool with it' gets across a kind of acceptance but the misgendering in this line and in the verses show that his uncle still isn't being seen as who he really is. The final verse changes this. When push comes to shove and Kendrick is forced to challenge this mindset he doesn't just tolerate his cousin, he accepts her. There's a deeper understanding from this point on. Ending the verse by talking to her directly really gets this new closeness across.
Through transition I've been scared of people not accepting me at all but I've also been scared of people accepting me as a surface level thing. Like they're being polite and playing along instead of seeing me for who I am. It often starts that way with people but after some time you see a shift from tolerance to acceptance in the way Kendrick's last verse describes. Without the uncomfortable moments in the track, it wouldn't have been able to get across these subtle points at all. If Kendrick had written a track just about how proud he was of the trans people he knew it would be nice and all, but it wouldn't really get to a deeper level, challenge the listener or keep within the themes of the record.
The record as a whole is very dense and I'll have to give it a few listens before I can form anything like a full opinion but some stuff has stood out on first listen. Most tracks here are really good but a couple didn't do much for me, I think a bit of an edit could have made things a bit more focussed. I really appreciate the lyrical themes of breaking destructive cycles through forgiveness and mutual understanding. The individual songs build to this brilliantly but Kendrick making a point of including Kodak Black on the album hinders this message, I think his inclusion here is a mistake. Mother I Sober is one of Kendrick's best songs and shows that he is a one of a kind artist. I'm really looking forward to going back over this and seeing how much reveals itself on repeat listens.
* I do wish he hadn't deadnamed Caitlin Jenner though. He knew the other people who were deadnamed in the song and probably had their blessing before releasing it, this won't have been the case with Caitlin. Deadnaming her felt very unnecessary."[+]Reply
"A most unusual debut album for Waits- hardly indicative of his material to come, though perhaps topically relevant. Pretty much in every subsequent album, Waits sounds as if he's getting drunk at a bar. Here, he's already been there and done that- the album's title "closing time" couldn't be more...""A most unusual debut album for Waits- hardly indicative of his material to come, though perhaps topically relevant. Pretty much in every subsequent album, Waits sounds as if he's getting drunk at a bar. Here, he's already been there and done that- the album's title "closing time" couldn't be more accurate. Rock fans, shy away, this is music for lovers of vintage wine and scotch, soppy and folky like Seals and Crofts, Jim Croce, or even Dan Fogelberg. It's probably a must-hear on an actual vinyl. On the whole, I'm not sure this album has much of what I love about Tom Waits in it- the beatnik poet and drunken romantic, but it nevertheless captures truly well those late hours when nobody's around with cinematic accuracy. Even "Ice Cream Man" could be said to be a number that the house band plays "as a joke" after most people have left. If I had to describe it in one word: "creaky""[+]Reply
"Underrated album, The first Stones album that was just flat out in your face rock...fav song: "When the whip comes down"...by far their biggest album (8M copies)due largely to the controversy of the song "Some girl" with the lyric "...black girls just want to get F**ked all night"..many chains to...""Underrated album, The first Stones album that was just flat out in your face rock...fav song: "When the whip comes down"...by far their biggest album (8M copies)due largely to the controversy of the song "Some girl" with the lyric "...black girls just want to get F**ked all night"..many chains took the album out of their stores which just made people want to buy it more(our chain included, unfortunately it was run by a "religious" person. But they waited until we had already sold over 10000 copies before they pulled it). It was only the second time in my memory when a song was so controversial that stores pulled it from their shelves the other was Janis Ian's 1966 song "Society's Child" and I don't know the reason why that song stirred things up so much, I think that it had something to do with interracial relationships? Does anyone else know? Freddie55, RFNaples, Hairymarx1?"[+]Reply