Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 2 hours ago).
"When I think about misunderstood albums, this is the one I always think of. Perhaps that’s because of what QOTSA where when the recorded this album; Songs for the Deaf is one of the all-time best straight rock albums, I’d recommend it but chances are you already have it. Era Vulgaris is not a str...""When I think about misunderstood albums, this is the one I always think of. Perhaps that’s because of what QOTSA where when the recorded this album; Songs for the Deaf is one of the all-time best straight rock albums, I’d recommend it but chances are you already have it.
Era Vulgaris is not a straight rock album at all. Era Vulgaris is offbeat, ugly and clunky. Era Vulgaris is also a record that I adore to pieces. This album however needs a fair bit of explaining. The title means “common age” and refers to the decadent, self-absorbed culture of today. Josh Homme is rarely his charming rocker self, instead taking the role of a spoilt, modern brat and sarcastically ripping them with their own tongue. If you will, this album is a satire of the YouTube generation. The lyrics have a very Tom Sawyer-ish feel about them. “I’m Designer” is a blast if you get this concept. The drums are clunky on this track, the guitar screeches repeatedly while the lyrics efferminately declare “We all have our own style and bag-age, why hump it yourself?”. In the chorus Homme’s true voice comes out, calling the verses “lies” and bemoaning his plastic existence.
The sound is appropriately off-beat; the chords sound like they were devised with random rolls of dice. This isn’t a metal album at all, but the sound is robotic and mechanical melody certainly wasn’t one of the priorities, focusing on repeating weird noises until they have dug so far into your brain they work. QOTSA have always been a hypnotic band too, I mean c’mon, they named an album “Lullabies to Paralyze”. Era sees a lot of this, the opening track “Turning on the Screw” has on odd solo (?) where Homme declares “you sound like this” before all the instruments repeat the same sustained sound over and over. It’s witty and odd stuff, the kind of thing I can see people really hating if they aren’t into some good old fashioned sound lashing. On “Battery Acid” the drums just pound the same beat over and over, the only difference is they get louder and louder as the band ramp up the intensity. Also “Robots! Robots! Brain Washed Babies!” Is the greatest hook ever.
Era is an eclectic mix too. Track 7 drastically changes gear to a straight blues song, in text slang of course, “Make It Wit Chu”. Josh is back on his charming sexy self and is a welcome return. Overall though QOTSA tongue is firmly in their cheek, I fear I have made this sound too arty when infact it is big, dumb noisy fun with a brainy twist.
This album is a divisive choice; I know people who despise it and people who love it. You won’t know which one you are until you try it yourself. Worse comes to the worse, it’s a cool bit of album art to have on you iPod."[+]Reply
"A kind of soul, blood on the tracks. Here, my dear, is a stunningly ambitious album dealing with Marvin Gaye's relationship, break up and divorce to his wife Anna Gordy. Apparently, Gaye even used the advance payment for the record to pay for the divorce. The music is equally incredible. Shifting...""A kind of soul, blood on the tracks. Here, my dear, is a stunningly ambitious album dealing with Marvin Gaye's relationship, break up and divorce to his wife Anna Gordy. Apparently, Gaye even used the advance payment for the record to pay for the divorce. The music is equally incredible. Shifting from one mood to another, both musically and lyrically, it is impossible not to get drawn into the emotion, it is simply heartbreaking. It is an incredible song cycle, each track playing it's part, and it is every bit as beautiful and brilliant as his classic album, what's going on. Simply jaw dropping. "[+]Reply
"Bob Seger is a musician, born and raised in the Detroit-area . As Bruce Springsteen is to Jersey, Bob Seger is to Michigan. The rootsy crunch of Seger’s Rock 'n' Roll is a bit glossier. This is the R&B-based rock sound of blue-collar America in 1978. He writes for the common man. This album is fi...""Bob Seger is a musician, born and raised in the Detroit-area . As Bruce Springsteen is to Jersey, Bob Seger is to Michigan. The rootsy crunch of Seger’s Rock 'n' Roll is a bit glossier.
This is the R&B-based rock sound of blue-collar America in 1978. He writes for the common man. This album is filled with track after track of heart and soul.
Bob Seger is a impassioned Midwestern rocker, celebrating "Old Time Rock & Roll" ."[+]Reply
"Awesome job. Portugal. The Man keeps trying new stuff without abandoning their sound, and Danger Mouse helped a lot on this one, making a great and catchy album. Creep In a T-Shirt, Evil Friends, Plastic Soldiers, PYR&B are some of the stand-out tracks, Smile is a perfect way to finish it."Reply
"ON THE ROAD Strollin' down the highway I'm going to get there my way Dusk till dawn I'm walkin' Can hear my guitar rocking? (Strolling Down The Highway) If Neil Cassady & the gang (from Jack Kerrouc’s classic On The Road) weren’t so into jazz - if they had been born perhaps just five years years ...""ON THE ROAD
Strollin' down the highway
I'm going to get there my way
Dusk till dawn I'm walkin'
Can hear my guitar rocking? (Strolling Down The Highway)
If Neil Cassady & the gang (from Jack Kerrouc’s classic On The Road) weren’t so into jazz - if they had been born perhaps just five years years later - Jansch is the kind of music they would have been into. Music about the inherent conflict born of being human and having human desires. Between freedom & responsibility. Safety and comfort vs. excitement and adventure and the desire for something new. The freedom to explore and not be tied down while searching for the ultimate expression of who your are. In a way, this is the folk equivalent of that Southern Rock archetype that The Allmans' & Skynyrd loved to wax poetic about - The Ramblin' Man. The Renegade. The Outlaw. “Ain’t no girl going to tie me down.”
Hey girl, oh how my heart is torn
Hey girl, now that your baby's born
What shall it cost? Is my freedom lost?
What is the price of nature's own way (Oh How Your Love is Strong)
But there’s a weariness in this album. A realization that this particular path is not the easiest. There’s an internal conflict. That maybe he’s got it all wrong. That maybe he’d been better off - happier, more content, even more self-realized - if he had just stuck back home. Married that love that he knocked up back in his early twenties. Settled down & relaxed. Been a good father. Because life on the road ain’t easy. Loneliness ain’t easy.
Because restlessness is just greed in another form. It’s an impatience. An inability to surrender to the moment and just be.
Ask me why a rambler ain't got no home
Ask me why I sit and cry alone
I wish I knew
I wish I knew
If I knew, I'd know what to do (Rambling’s Going To Be the Death of Me)
But like Cassidy and the rest of the beats, Jansch probably had no other choice. And this is THE album for embracing those regrets you’ve made along the way with a kindred spirit. For accepting that a part of you never would have been satisfied with that orthodox life. The wife you no longer found attractive. The 2.5 kids and the hour commute to that cubicle 8 floors up in the sky. It’s an album that helps you embrace the randomness of life. Accepting that life doesn’t go according to expectations. For accepting the regret. For accepting that you’ve probably made your life a whole lot more difficult than it had to be because that’s part of who you are. That’s part of being human. We’re never satisfied. Never content. And that Jansch is able to capture this uniquely human quality and the conflict born of it in a folk album is staggering. And makes it one of the true great masterpieces of 60s music.
I love what I wrote about this album a few years back when I first heard it shortly after joining BEA…
Herein lies sparse, finger-picked folk songs on acoustic guitar mostly about how one's quest for personal freedom can sometimes be the very cause of our loneliness & isolation. In a sense one's quest for freedom to find the ultimate can leave you old and exhausted at the side of the road. Wearied. Jealous of all the smart folks who were satisfied with less.
Because less is almost always more. But some of us alas need to go On The Road to learn this.
Grade: A+. Do you want a kickass record collection? Of course you do! Why else would you be here, right? Well then there are two folk albums from 60s that EVERY music aficionado NEEDS. One has to be Dylan. Duh. So take your pick between Freewheelin’ and Another Side. It doesn’t really matter. They’re both Dylan at his folk peak before he plugged in. And then get THIS. Jansch’s debut. England’s true answer to Dylan (it certainly wasn’t Donovan. Donovan was something else completely.) Jansch was already rocking on just a acoustic guitar on this here album. His guitar playing lightyears beyond what most of The Village doing across the pond. And then you’ll be set. Sated. Satisfied to have two of the best folk albums of all time.
Until you’re not. "[+]Reply
"This is probably the only album or set of albums that I don't want to touch. Not because it's bad. No, far from the contrary. Listening to some snip-its from this are quite jaw dropping on how potent they are. But for people who know what this album is about, there is something that feels uncanny...""This is probably the only album or set of albums that I don't want to touch. Not because it's bad. No, far from the contrary. Listening to some snip-its from this are quite jaw dropping on how potent they are. But for people who know what this album is about, there is something that feels uncanny about this that terrifies me. And for newcomers that are reading this comment wondering what the hell I'm talking about, read what this is about, listen to songs like the last song of section 2 as well as the second half and you will know true fear.
Just had to get that off my chest. The more I think about it, the more depressed I get."[+]Reply
"Tom waits orphans, subtitled, brawlers, bawlers and bastards, is a 3cd collection of unreleased and new songs. Brawlers, gives over to the more rock/blues material, while, bawlers, is for the ballads, and, bastards, to the more obscure stuff such as spoken word, instrumental and even jokes. The f...""Tom waits orphans, subtitled, brawlers, bawlers and bastards, is a 3cd collection of unreleased and new songs. Brawlers, gives over to the more rock/blues material, while, bawlers, is for the ballads, and, bastards, to the more obscure stuff such as spoken word, instrumental and even jokes. The first and second discs are both excellent, the third ok. Highlights in terms of tracks on the first disc are, lie to me, fish in the jailhouse, and Waits' anti-war rant, road to peace. Second disc standouts are, long way home, never let go, and, widow's grove. The third disc is a bit hit and miss, still, orphans, is another piece of the Tom Waits jigsaw that you need to help you complete the puzzle. "[+]Reply