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291.

Trouble Will Find Me 

 The National

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"Honestly I can't understand the people who give this album a 20, 10 or 5 rating. Seriously, we all can see you didnt like the album, but seriously a "5"?? Every single band just for the fact they made an album should deserve more than a 5. If you are angry that currently this album is in No. 1, w...""Honestly I can't understand the people who give this album a 20, 10 or 5 rating. Seriously, we all can see you didnt like the album, but seriously a "5"?? Every single band just for the fact they made an album should deserve more than a 5. If you are angry that currently this album is in No. 1, well save the rating for yourself. This is a brilliant album, and their music should be appreciated or at least respected. "  [+]  Reply

- meruizh | Helpful?  (Log in to vote) | +13 votes (15 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2013

Appears in:

680 charts

Rank Score:

3,392

Rank in 2013:

7

Rank in 2010s:

38

Overall Rank:

291

Average Rating:

 79 (953 votes)

Comments:

88

292.

Bryter Layter 

 Nick Drake

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"'Hardcore Nick Drake fan' are we? Not a chance if you don't like Bryter Layter. True, there's no unaccompanied tracks on this unlike Nick's other LPs, but to call the album 'overproduced' is ridiculous. Robert Kirby's string arrangements are sublime, especially for the 3 instrumentals (all of whi...""'Hardcore Nick Drake fan' are we? Not a chance if you don't like Bryter Layter. True, there's no unaccompanied tracks on this unlike Nick's other LPs, but to call the album 'overproduced' is ridiculous. Robert Kirby's string arrangements are sublime, especially for the 3 instrumentals (all of which Nick was extremely proud of), the female backing vocals you abhor are only on one track ('Poor Boy') and are totally in keeping with the mood of it, and the sax on ...City Clock works brilliantly to take the listener away from the countryside and into a 'London street' (most likely in Soho) with jazz clubs and smoke lingering in the air. Couldn't agree more about 'Northern Sky' being the highlight, but to slag off the album that carries both the Hazey Jane tracks, Fly and especially One Of These Things First is nothing short of sacrilege. Understand some might like their Nick with a bottle of scotch in one hand and a handful of painkillers in the other but Nick was at his happiest here, and the true tragedy is that when this album - the one that Nick and everyone around him thought would bring wider public and critical acclaim - bombed he spiralled into depression (through a combination of failure and embarrassment) from which he never recovered. As it is, we're left with the most perfect discography of any artist I can think of. I implore you to listen to Bryter Layter again, ideally whilst driving through the countryside. Like all things Nick, it's insanely beautiful and crushingly sad in equal measure."  [+]  Reply

- Jimmy Dread | Helpful?  (Log in to vote) | +13 votes (13 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

733 charts

Rank Score:

3,391

Rank in 1971:

15

Rank in 1970s:

79

Overall Rank:

292

Average Rating:

 83 (899 votes)

Comments:

69

293.

Aladdin Sane 

 David Bowie

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"Slightly underrated since it's not iconic as Hunky Dory or Ziggy and not innovative as Station to Station or Low, but still a great David Bowie album. It follows the glam rock sound of Ziggy but with a more "americanized" sound and themes. Instumentally possibly Bowie's best, with incredible guit...""Slightly underrated since it's not iconic as Hunky Dory or Ziggy and not innovative as Station to Station or Low, but still a great David Bowie album. It follows the glam rock sound of Ziggy but with a more "americanized" sound and themes. Instumentally possibly Bowie's best, with incredible guitar playing from Mick Ronson who achieves such an amazing crunchy guitar tone on this one and sublime piano work from Mike Garson."  [+]  Reply

- Daydreamer | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1973

Appears in:

811 charts

Rank Score:

3,376

Rank in 1973:

8

Rank in 1970s:

80

Overall Rank:

293

Average Rating:

 82 (1,329 votes)

Comments:

82

294.

Urban Hymns 

 The Verve

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"Britpop's softer and most eloquent side. A songbook for the disenfranchised, Urban Hymns is beautiful from start to finish, capturing the disgruntled tinge of its contemporaries and presenting it in a conversational and delicate attire. It's a flawed masterpiece, too long and too soft for its own...""Britpop's softer and most eloquent side. A songbook for the disenfranchised, Urban Hymns is beautiful from start to finish, capturing the disgruntled tinge of its contemporaries and presenting it in a conversational and delicate attire. It's a flawed masterpiece, too long and too soft for its own good in places, but it's hard to deny how reassuring and how comforting Richard Ashcroft's words are. I have a lot of sentiment with this record. It came out just around the time I was born, and the CD copy I still play in the car all the time is the same as the one my parents bought shortly after its release; Lucky Man inadvertently soundtracked a lot of big moments in my life, and very aptly too I must add; the album has opened me up to a hell of a lot of other 90s alternative bands, and continues to shape my taste to this day. It's for those reasons that I can forgive the slow pacing and dragged feel that others pick out. Urban Hymns packs the depth and approachability that I crave on occasion - a healthy dose of slightly dreamy alt rock, with enough 90s guitar riffs for all the family and a diorama of melancholic, politically tinged lyrics - and has been there for me enough to have earned a prized place among my collection. A flawed masterpiece for sure, but like all flawed masterpieces, it's what you see in it that matters most. "  [+]  Reply

- DeusExMackia | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1997

Appears in:

853 charts

Rank Score:

3,353

Rank in 1997:

8

Rank in 1990s:

59

Overall Rank:

294

Average Rating:

 77 (1,119 votes)

Comments:

71

295.

The New Abnormal 

 The Strokes

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"I don't think I've ever seen a larger disparity between the critics' and audiences' reaction to an album as for this one. Everyone seems to be loving the album except the music critics and honestly, this is the victory The Strokes deserved. For a band who were put on the highest pedestal by the c...""I don't think I've ever seen a larger disparity between the critics' and audiences' reaction to an album as for this one. Everyone seems to be loving the album except the music critics and honestly, this is the victory The Strokes deserved. For a band who were put on the highest pedestal by the critics before they even really started the career, their whole discography since Is This It has felt like an attempt to gain that acclaim back, and they kept failing to impress them, and along the way, their fans. But this album is a goddamn beast! a spectacle worth the 7 year wait, a redemption arc for one of the biggest band of the indie rock era; and I am almost glad that the critics are shitting on this obvious masterpiece, since now majority of their GP audience can finally tear the band's image away from their critique. And maybe this will help The Strokes themselves become more liberated from the Is This It era. Because, honestly, I was getting real tired of reading about how "they used to be so good in their first two albums" in literally every article about the band thereafter (and that one The National song). I absolutely adore this album, and I cant wait to scream "drums please Fab" when they finally start performing it live. Fuck the critics man. This is the Strokes' year."  [+]  Reply

- Vatsal | Helpful?  (Log in to vote) | +17 votes (17 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2020

Appears in:

592 charts

Rank Score:

3,352

Rank in 2020:

1

Rank in 2020s:

2

Overall Rank:

295

Average Rating:

 82 (832 votes)

Comments:

88

296.

Help! 
Soundtrack

 The Beatles

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"Help! is just packed with the most fantastic 2:30 minute songs ever written, let me refresh your memory: "Help!" - abso-bloody-lutely rockin' - the whole world knows what's coming when they strike that first chord... "The Night Before" - great hit... "You've Got to Hide Your Love Away" - John doi...""Help! is just packed with the most fantastic 2:30 minute songs ever written, let me refresh your memory: "Help!" - abso-bloody-lutely rockin' - the whole world knows what's coming when they strike that first chord... "The Night Before" - great hit... "You've Got to Hide Your Love Away" - John doing Bob Dylan, and he's better at it than mr. Zimmerman! "I Need You" - No, You need to get this album! "Another Girl" - They just keep 'em coming! "You're Going to Lose That Girl" - Not amazing lyrics, hehe, but the tunes are fantastic... "Ticket to Ride" - Ringo at his best... "Act Naturally" - Every rose has it's thorns :-) "It's Only Love" - Well, that's how I feel about "Help!" "You Like Me Too Much" - It's a great, happy album free of suicide wishes and self-destruction! "Tell Me What You See" - Even the greatest album has a filler! "I've Just Seen a Face" - Or two! "Yesterday" - Yes, here we find the world's most recorded song - right here on "Help!" "Dizzy Miss Lizzy" - Rock'n'Roll, baby!"  [+]  Reply

- Michael S. Hansen | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1965

Appears in:

988 charts

Rank Score:

3,346

Rank in 1965:

5

Rank in 1960s:

39

Overall Rank:

296

Average Rating:

 81 (1,963 votes)

Comments:

126

297.

Tommy 

 The Who

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"The opera-rock label has made this album huge in the past but makes people lift up an eyebrow today. It was ambitious and stepforward when it came out but to judge it for what it was THEN is just as unfair as judge it from the POV of "hey other people made more coherent rock opera after that" as ...""The opera-rock label has made this album huge in the past but makes people lift up an eyebrow today. It was ambitious and stepforward when it came out but to judge it for what it was THEN is just as unfair as judge it from the POV of "hey other people made more coherent rock opera after that" as if all that matters about an album would be some sort of plot. I like to judge it for the music itself. How it sounds today and how it sounds in the context of what was being made at that time. And I find this to be a hell of a good album. Who's next and Quadrophenia could arguably be better in performance and sound but here we got superb riffs, a very powerful backsection and Roger Daltrey finally finding his voice as a frontman and singer. A lot of subtle electronica and imaginative use of studio possibilities too (just listen to "amazing journey" for example). As with any double album there are some fillers, interludes and songs that are not up there with the best ones. Anyway it works very well in one sitting. Overall an outstanding record."  [+]  Reply

- | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1969

Appears in:

1,020 charts

Rank Score:

3,337

Rank in 1969:

13

Rank in 1960s:

40

Overall Rank:

297

Average Rating:

 81 (1,474 votes)

Comments:

81

298.

Future Days 

 Can

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"While I have to give Tago Mago and Ege Bamyasi at least one more listen, I still think that this album is better than both. Future Days (the song) is really sth special. I can't quite explain it, but I've listened to that song about 20 times today"  Reply

- 19loveless91 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1973

Appears in:

536 charts

Rank Score:

3,335

Rank in 1973:

9

Rank in 1970s:

81

Overall Rank:

298

Average Rating:

 82 (602 votes)

Comments:

27

299.

Late Registration 

 Kanye West

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"Spoiler alert: The upcoming review is totally biased. I am not sure if I can maintain the slightest degree of objectivity (not a fan of the term when it comes to music, but you get the point) To my mind Kanye West is a godlike figure not only in hip hop but music in general. To say he single – ha...""Spoiler alert: The upcoming review is totally biased. I am not sure if I can maintain the slightest degree of objectivity (not a fan of the term when it comes to music, but you get the point) To my mind Kanye West is a godlike figure not only in hip hop but music in general. To say he single – handedly ignited my interest for this particular genre would be a fair assessment. One might argue that he leans towards the poppier end of the spectrum, so it’s understandable that I find him more accessible than other hip hop greats. He is not too hip hop, but also not too non hip hop, if that makes sense. Maybe that’s the case. No matter how he did it, he opened a whole new world for me and made me realise the endless arising possibilities. Ok, I am a fanboy, point taken, let’s move on. To follow up the widely acclaimed and commercially successful College Dropout was no easy task, but he delivered. Production is once more the major attraction, it’s head and shoulders above every other aspect of the album. Lyrics are often the center of attention in hip hop. Well, not here. For all I care, he could be mumbling random nonsense that nobody understands and it would still sound majestic nonetheless. I don’t mean to suggest that he does, there are many great lines here. In the space of a year he managed to reinvent the sound of his debut album. The themes are a bit more serious (though there are still some moments of fun) but he doesn’t hold anything back, he is as honest and ever. The sound is, well, massive. Bigger than a Hollywood blockbuster, more epic than Homer’s poems, you name it. The variety is also outstanding. Every song is unique. The core of his sound is still a pop take on soul/funk, but he has expanded in many different directions. Picking some highlights would be close to impossible, it’s more or less the whole album (yes, even the skits were entertaining). In Heard’ em Say he struggles dealing with the difficulties of life (“So this is in the name of love like Robert say Before you ask me to go get a job today Can I at least get a raise of the minimum wage? And I know that the government administer AIDS So I guess we just pray like the minister say Allāhu Akbar and throw in some hot cars”) , but he accompanies it with none other than Adam Levine (crazy, I know). He makes a song with Adam Levine work, for that alone he deserves full credit, don’t know who else could have pulled that off. Touch the Sky comes with a pinch of disco, followed by the club/party oriented Gold Digger which provides tons of fun. Drive Slow has an irresistible jazzy vibe, the saxophone is on steroids. By the way, Paul Wall also belongs to the Adam Levine category (in the sense that Kanye makes these things work seemingly out of nowhere, even though they seem destined to fail). Crack Music is another cool tune with a wonderful gospel touch as the icing on the cake. Roses flows as smooth as anything I can think of. Kanye is on top form there (as a rapper I mean). Even the silly Addiction is so addictive (these cringeworthy puns are becoming a thing). Diamonds From Sierra Leone (Remix) is just a huge song. Not a fan of remixes in general, but this is exemplary. If I had to pick one track that represents the whole album the most accurate, it would most likely be this one. We Major features Nas and is considered one of the weaker tracks. This speaks volumes about the depth of the album. Hey Mama is the pinnacle of songwriting, one of the most emotional and touching songs you can possibly encounter (“I wanna tell the whole world about a friend of mine This little light of mine and I'm finna let it shine I'm finna take y'all back to them better times I'm finna talk about my mama if y'all don't mind”). Then, as the title suggests, it’s time for Celebration- and deservedly so. And after all this insane ride, it seems he saved best for last. Gone keeps improving verse by verse. That’s what it means to go out with a bang. It’s worth noting that what I usually complain about in other album, here works the other way around. The most obvious example is the duration. It is 70 minutes long and it feels so short, it leaves you thirsty for more."  [+]  Reply

- kokkinos | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2005

Appears in:

772 charts

Rank Score:

3,322

Rank in 2005:

3

Rank in 2000s:

44

Overall Rank:

299

Average Rating:

 82 (1,216 votes)

Comments:

71

300.

Power, Corruption & Lies 

 New Order

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"I wear a shirt with this album cover on it and it's made me more than a few friends."  Reply

- PsychologistHD | Helpful?  (Log in to vote) | +11 votes (11 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1983

Appears in:

801 charts

Rank Score:

3,318

Rank in 1983:

3

Rank in 1980s:

35

Overall Rank:

300

Average Rating:

 81 (941 votes)

Comments:

51

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Total albums: 10,000. Page 30 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	3	0%
1940s	2	0%
1950s	180	2%
1960s	666	7%
1970s	1,536	15%
1980s	1,387	14%
1990s	1,612	16%
2000s	1,771	18%
2010s	1,986	20%
2020s	857	9%

Artist	Albums	%
Bob Dylan	36	0%
The Rolling Stones	33	0%
David Bowie	32	0%
Various Artists	30	0%
Miles Davis	26	0%
Pink Floyd	24	0%
Genesis	23	0%
Show all

Country	Albums	%
	4,970	50%
	2,628	26%
	427	4%
	332	3%
	223	2%
	160	2%
	145	1%
Show all

Compilation?	Albums	%
No	9,717	97%
Yes	283	3%

Live?	Albums	%
No	9,713	97%
Yes	287	3%

Soundtrack?	Albums	%
No	9,884	99%
Yes	116	1%