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551.

Hysteria 

 Def Leppard

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"This is not heavy metal. As an example of the hard rock/glam metal genre, this is the pinnacle of pop music. People dismiss this album as a mechanised sell-out, but this is a masterpiece. Mutt Lange's production on this LP is technically flawless. Such outstanding work done by him and the enginee...""This is not heavy metal. As an example of the hard rock/glam metal genre, this is the pinnacle of pop music. People dismiss this album as a mechanised sell-out, but this is a masterpiece. Mutt Lange's production on this LP is technically flawless. Such outstanding work done by him and the engineers on the production of this album. Soundwise, still sounds fresh and contemporary in 2018. Def Leppard were never known for their deep and provoking lyrics, so the offerings of good old party-rock are welcome. The album's best track however is the disarmingly powerful song "Gods of War", which is decidely more serious than the other tracks. This is a fantastic pop-metal album. Subjectively however, my favourite is "Armaggedon It". Highlights: "Pour Some Sugar on Me", "Armageddon It", "Love Bites", "Animal", "Gods of War", "Women", "Rocket", "Hysteria" Questionable: "Love and Affection", "Excitable", "Don't Shoot Shotgun""  [+]  Reply

- kingofstorm | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

420 charts

Rank Score:

1,836

Rank in 1987:

9

Rank in 1980s:

81

Overall Rank:

551

Average Rating:

 72 (568 votes)

Comments:

45

552.

Ray Of Light 

 Madonna

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"After dipping her toe in the sea of electronica with Bjork's help on her last album, Madonna enlisted William Orbit to helm "Ray Of Light" and it sure paid off. Unlike other madonna albums that sound like singles & filler, this sounds like an "album" -- a thought-out, cohesive idea. And it's pret...""After dipping her toe in the sea of electronica with Bjork's help on her last album, Madonna enlisted William Orbit to helm "Ray Of Light" and it sure paid off. Unlike other madonna albums that sound like singles & filler, this sounds like an "album" -- a thought-out, cohesive idea. And it's pretty solid for a pop-electronica album. "drowned world / substitute for love" is humble and almost brooding with its shuffling backing beat breaking with madonna's passion near the end. "ray of light" is a kickin' club track as is "skin". "frozen" is easily the best track though, haunting even in hummed, unspoken word, beautiful with the opening notes. "how can life be what you want it to be? / You're frozen when your heart's not open." She sounds sad and hopeful and earnest. (The video matched the song's mood well, too.) "the power of good-bye" is a good epilogue to "frozen", playing off of the previous song's mood and content with an acoustic guitar skeleton while learning to say good-bye. The album trails off at the end, but doesn't break the cohesive thread, so the last 2 only-decent songs can be forgiven. It comes off as a successful experiment."  [+]  Reply

- paladisiac | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1998

Appears in:

437 charts

Rank Score:

1,835

Rank in 1998:

8

Rank in 1990s:

99

Overall Rank:

552

Average Rating:

 74 (639 votes)

Comments:

46

553.

Sketches Of Spain 

 Miles Davis

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"So what if it's not Jazz? Who said it had to be Jazz?"  Reply

- daftpunter | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1960

Appears in:

569 charts

Rank Score:

1,834

Rank in 1960:

2

Rank in 1960s:

56

Overall Rank:

553

Average Rating:

 82 (699 votes)

Comments:

28

554.

7 

 Beach House

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"I have this album in my top 10 for 2018. I think its a very beautiful album, as Beach House always delivers in that aspect, and has a handful and standout songs. However, I don't like when people get down voted for having reasonable opinions, even if they're perhaps opposing viewpoints from your ...""I have this album in my top 10 for 2018. I think its a very beautiful album, as Beach House always delivers in that aspect, and has a handful and standout songs. However, I don't like when people get down voted for having reasonable opinions, even if they're perhaps opposing viewpoints from your own. I wouldn't down vote someone unless I suspected them of being a troll or making a waaaaayyy too extreme or inaccurate comment. Seems like as soon as anyone makes a negative comment on a "good" album it gets down voted..."  [+]  Reply

- elo269megv | Helpful?  (Log in to vote) | +21 votes (22 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2018

Appears in:

508 charts

Rank Score:

1,834

Rank in 2018:

5

Rank in 2010s:

78

Overall Rank:

554

Average Rating:

 80 (696 votes)

Comments:

71

555.

Please Please Me 

 The Beatles

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"So this is where it all started with ten of the songs recorded in an eleven hour session. It features their two singles up to that point, love me do and the title track. The other standouts from Lennon-McCartney are the rollicking opener, I saw her standing there and the beautiful and overlooked ...""So this is where it all started with ten of the songs recorded in an eleven hour session. It features their two singles up to that point, love me do and the title track. The other standouts from Lennon-McCartney are the rollicking opener, I saw her standing there and the beautiful and overlooked ask me why. The best of the covers is Lennon's take on Arthur Alexander's anna(go to him) and off course the gritty take on twist and shout, recorded at the very end of that mammoth session. The album really has the sound of Hamburg and the cavern all over it. A very, very good start. I wonder whatever happened to them. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1963

Appears in:

716 charts

Rank Score:

1,830

Rank in 1963:

3

Rank in 1960s:

57

Overall Rank:

555

Average Rating:

 77 (1,745 votes)

Comments:

101

556.

Mr. Morale & The Big Steppers 

 Kendrick Lamar

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"I don't comment on here too often but really wanted to give my opinion on Auntie Diaries and some first impressions of the album. Obviously can't speak for any other trans or queer people but there's so much I love about Auntie Diaries and I think it tackles ideas around prejudice, tolerance and ...""I don't comment on here too often but really wanted to give my opinion on Auntie Diaries and some first impressions of the album. Obviously can't speak for any other trans or queer people but there's so much I love about Auntie Diaries and I think it tackles ideas around prejudice, tolerance and acceptance so well. I've seen some criticism of Kendrick using misgendering and deadnaming* from people who still see the positive intent of the track but I think these are actually vital to getting his point across. A lot of the song comes from a place of tolerating but not understanding the trans people in his life. Saying 'my auntie was a man now, we cool with it' gets across a kind of acceptance but the misgendering in this line and in the verses show that his uncle still isn't being seen as who he really is. The final verse changes this. When push comes to shove and Kendrick is forced to challenge this mindset he doesn't just tolerate his cousin, he accepts her. There's a deeper understanding from this point on. Ending the verse by talking to her directly really gets this new closeness across. Through transition I've been scared of people not accepting me at all but I've also been scared of people accepting me as a surface level thing. Like they're being polite and playing along instead of seeing me for who I am. It often starts that way with people but after some time you see a shift from tolerance to acceptance in the way Kendrick's last verse describes. Without the uncomfortable moments in the track, it wouldn't have been able to get across these subtle points at all. If Kendrick had written a track just about how proud he was of the trans people he knew it would be nice and all, but it wouldn't really get to a deeper level, challenge the listener or keep within the themes of the record. The record as a whole is very dense and I'll have to give it a few listens before I can form anything like a full opinion but some stuff has stood out on first listen. Most tracks here are really good but a couple didn't do much for me, I think a bit of an edit could have made things a bit more focussed. I really appreciate the lyrical themes of breaking destructive cycles through forgiveness and mutual understanding. The individual songs build to this brilliantly but Kendrick making a point of including Kodak Black on the album hinders this message, I think his inclusion here is a mistake. Mother I Sober is one of Kendrick's best songs and shows that he is a one of a kind artist. I'm really looking forward to going back over this and seeing how much reveals itself on repeat listens. * I do wish he hadn't deadnamed Caitlin Jenner though. He knew the other people who were deadnamed in the song and probably had their blessing before releasing it, this won't have been the case with Caitlin. Deadnaming her felt very unnecessary."  [+]  Reply

- JamesMowbray | Helpful?  (Log in to vote) | +17 votes (18 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2022

Appears in:

481 charts

Rank Score:

1,828

Rank in 2022:

3

Rank in 2020s:

10

Overall Rank:

556

Average Rating:

 81 (457 votes)

Comments:

34

557.

Juju 

 Siouxsie And The Banshees

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"The only album I'll practice witchcraft to"  Reply

- | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1981

Appears in:

414 charts

Rank Score:

1,826

Rank in 1981:

4

Rank in 1980s:

82

Overall Rank:

557

Average Rating:

 80 (454 votes)

Comments:

26

558.

Tusk 

 Fleetwood Mac

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"Rumors was an incredibly focused, accessible, and well written album. Most of Fleetwood Mac's fanbase undoubtedly came from that album for those reasons. Tusk has the misfortune of being the followup to Rumors, and was specifically designed to turn the Rumors formula on its head, while still maki...""Rumors was an incredibly focused, accessible, and well written album. Most of Fleetwood Mac's fanbase undoubtedly came from that album for those reasons. Tusk has the misfortune of being the followup to Rumors, and was specifically designed to turn the Rumors formula on its head, while still making a great piece of art. This means that Tusk was designed to be messy, inaccessible, but still well written. I feel that a lot of the detractors that this album has are hung up on the fact that this album is long and varied, and tend to overlook the incredible innovation and incredible songwriting on this beast. I first listened to this album probably seven years ago, and I could not make it through on my first few listens. However, as I have grown older, I have learned to appreciate this album more than Rumors. If Rumors is about the deconstruction of relationships, then Tusk is about the deconstruction of the self. Here we have a band who know each other very intimately- Stevie and Lindsay were a couple, Stevie and Mick had a fling, and the McVie's recently had a divorce. Each member is dealing with the memories of their intense relationships with each other, and coping in different ways. Buckingham has devolved into a paranoid cocaine abuser, Stevie Nicks is clearly traumatized by the betrayal of her new lover Mick Fleetwood as well as her recent abortion, and Christine McVie is still processing her divorce, and the breakdown of the band. This leads to a variety of music that ranges from beautiful, to heart-wrenching, to utterly deranged. "Sara" has one of my favorite drumming performance of all time, and is an utterly beautiful song where Nicks alludes to her aborted baby, Sara, as well as her friend that Fleetwood left her for (also Sara). Fleetwood apparently put 24 hours straight of effort into making the drumming for this song as perfect as possible, and it shows. I could be reading into it to much, but the drum tone almost conveys a sense of remorse that adds to the ethereal bitter-sweetness of the song. McVie's songs aren't quite as depressing as Nicks' contributions, but they exude a similar energy. "Over and Over" is a beautiful opener that sets the tone for what the rest of the album will be, but then is quickly subverted by the bonkers "The Ledge". Buckingham had succumbed to a "blizzard of cocaine" when writing this album, and was apparently obsessed with appealing to Talking Heads fans and Beach Boys fans alike with his compositions. This leads to occasionally beautiful harmonies like those in "Save Me a Place", but usually results in paranoid, angry songs like "Not that Funny". "Tusk" is the culmination of Buckingham's paranoia, which is essentially a song about telling Nicks and Fleetwood that he knows their dirty little secret and can blackmail them whenever he wants, then forces Fleetwood to give the best damn drumming performance of his career on it. At this point I am rambling, but that in a way is part of what Tusk is. It is rambling and unfocused, but contrary to what other commenters on here say, is devoid of filler. Filler implies that an artist wanted to reach the length of time required for a full album, but that is definitely not what is going on here. Each song has a unique soundscape and purpose that contributes to themes and sound that is Tusk."  [+]  Reply

- BLO | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1979

Appears in:

435 charts

Rank Score:

1,826

Rank in 1979:

10

Rank in 1970s:

136

Overall Rank:

558

Average Rating:

 77 (615 votes)

Comments:

41

559.

Lola Versus Powerman And The Moneygoround, Part One 

 The Kinks

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"The Kinks 'Lola Versus Powerman And The Moneygoround, Part One' is arguably part of rocks greatest album streak bettered only by the Fab 4 . Starting in 1967 with the sublime 'Something Else by The Kinks' , followed in 1968 by 'The Kinks Are the Village Green Preservation Society ' which may well...""The Kinks 'Lola Versus Powerman And The Moneygoround, Part One' is arguably part of rocks greatest album streak bettered only by the Fab 4 . Starting in 1967 with the sublime 'Something Else by The Kinks' , followed in 1968 by 'The Kinks Are the Village Green Preservation Society ' which may well be one of the best albums ever , 1969 saw the release of the excellent 'Arthur (Or the Decline and Fall of the British Empire) , followed in 1970 by the album . Unfortunately these same years The Kinks were over shadowed by The Beatles creative peak but as the years have gone on The Kinks have begun to receive there right dues for their sustained excellence 'Lola vs Powerman' is a concept album that is easy to follow and tells the tale of an up and coming band craving success ("The Contenders" , "Get Back In Line") who finally hit it big ("Top of the Pops") only to become disillusioned with the business side of music and touring constantly ("The Moneygoround" ,"Powerman" , "This Time Tomorrow" , "A Long Way From Home") and ultimately seeking a simpler life away from success ("Apeman" , "Got to Be Free" ) This album contains not one but 2 perfect 100/100 tracks in the breathtaking "Strangers" and "This Time Tomorrow" This album and 3 preceding it are simply sublime "  [+]  Reply

- Brad1770 | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1970

Appears in:

407 charts

Rank Score:

1,824

Rank in 1970:

20

Rank in 1970s:

137

Overall Rank:

559

Average Rating:

 81 (516 votes)

Comments:

29

560.

Let Love In 

 Nick Cave & The Bad Seeds

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"A deranged maniac is hitting on you at the bar. His words sound profound, but also sinister. What’s your next move?"  Reply

- meccalecca | Helpful?  (Log in to vote) | +8 votes (9 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1994

Appears in:

490 charts

Rank Score:

1,821

Rank in 1994:

17

Rank in 1990s:

100

Overall Rank:

560

Average Rating:

 82 (545 votes)

Comments:

21

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Total albums: 10,000. Page 56 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	3	0%
1940s	2	0%
1950s	180	2%
1960s	666	7%
1970s	1,536	15%
1980s	1,387	14%
1990s	1,612	16%
2000s	1,771	18%
2010s	1,986	20%
2020s	857	9%

Artist	Albums	%
Bob Dylan	36	0%
The Rolling Stones	33	0%
David Bowie	32	0%
Various Artists	30	0%
Miles Davis	26	0%
Pink Floyd	24	0%
Genesis	23	0%
Show all

Country	Albums	%
	4,970	50%
	2,628	26%
	427	4%
	332	3%
	223	2%
	160	2%
	145	1%
Show all

Compilation?	Albums	%
No	9,717	97%
Yes	283	3%

Live?	Albums	%
No	9,713	97%
Yes	287	3%

Soundtrack?	Albums	%
No	9,884	99%
Yes	116	1%