Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 58,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 2 hours ago).
"Not a single weak song on it. Not a single instrument out of place. Not a single production mistake. Not a single line that Tweedy doesn't inflect like if he really cared about his art. It's complex at every level, but it doesn't feel challenging because the music invites you to appreciate it lik...""Not a single weak song on it. Not a single instrument out of place. Not a single production mistake. Not a single line that Tweedy doesn't inflect like if he really cared about his art. It's complex at every level, but it doesn't feel challenging because the music invites you to appreciate it like if it was the dumbest pop music ever. Yankee Hotel Foxtrot channels every possible mood or emotion that contemporary americana can deliver and enhances them through the new sonic palette that the new millenium (and Tweedy's insatiable perfectionism) had to offer. Amazing work."[+]Reply
"LED ZEPPELIN (I) is magnificent showcase for a band that has since attained almost godlike status among their diehard fans. The bombastic volume of their heavier numbers easily matched (and often surpassed) the intensity of their contemporaries in 1969. At the same time, their songs were quite dy...""LED ZEPPELIN (I) is magnificent showcase for a band that has since attained almost godlike status among their diehard fans. The bombastic volume of their heavier numbers easily matched (and often surpassed) the intensity of their contemporaries in 1969. At the same time, their songs were quite dynamic and borrowed widely from different genres including folk & blues. It seems obvious that Jimmy Page had been paying close attention to Jeff Beck's debut TRUTH while crafting the sound of his new band, even going as far as covering "You Shook Me". It's never been any great secret that Zeppelin borrowed & stole many of its ideas from other songwriters. Still, they were great interpreters and often knew how to elevate these songs & ideas to their full potential. Their debut album remains a towering achievement to behold, both for musicians wanting to follow in their footsteps and more casual music fans."[+]Reply
"Pitchfork called this the best album of the '70s, a move I thought was pretty dubious until I got around to spinning Low half a dozen times on a long bus ride home from college. Low manages to embody the depth of absolute melancholy through manifestations vocal and instrumental, brash and serene;...""Pitchfork called this the best album of the '70s, a move I thought was pretty dubious until I got around to spinning Low half a dozen times on a long bus ride home from college. Low manages to embody the depth of absolute melancholy through manifestations vocal and instrumental, brash and serene; the feeling is strong even in the album's perkier tunes, like "Sound and Vision," which holds up as one of the best songs of his career. Declaring an absolute best album for a decade is still pretty arbitrary, especially for a decade with such immense scope as the '70s, but maybe Pitchfork had the right idea."[+]Reply
"you know, i've realised how utterly pointless it is arguing the toss over what has value and what doesn't with regard to music.. nothing is intrinsically worthless. before stumbling upon this site i knew of otherwise respectable people who would be genuinely moved by listening to happy-hardcore t...""you know, i've realised how utterly pointless it is arguing the toss over what has value and what doesn't with regard to music.. nothing is intrinsically worthless. before stumbling upon this site i knew of otherwise respectable people who would be genuinely moved by listening to happy-hardcore trance (kanye west on speed essentially). now i'm beginning to accept that others can be equally enthralled by the most existential, formless discord. the point is, 56 million people are right, if they believe they are. similarly, you are too. but being in a minority is certainly not tantamount to some kind of cultural supremacy, conversley isn't being anti-popular part of the same innate human desire to establish yourself individually within a collective? ..of anti-popularist/elitist types that is? and the fact is, in 1983 and everyday since, people have been hitting the studio desparate to make an album this big and none have succeeded. with success on this scale, simply turning up and going head first into the marketing machine is not sufficient. the quality of the songs is undeniable, even if you can only appreciate that from a technical perspective, and that, along with the distinctive stylings of the man himself, is why 56 million people got it."[+]Reply
"This remains for me one of those albums where its clear something strange and abstract and almost divine happened. Like few albums before or since such as A Love Supreme, this album almost feels like it has a Godly influence. I don't know how to explain it, but almost every aspect of this record ...""This remains for me one of those albums where its clear something strange and abstract and almost divine happened. Like few albums before or since such as A Love Supreme, this album almost feels like it has a Godly influence. I don't know how to explain it, but almost every aspect of this record seems soft as air, like a fleeting moment of clarity, like some gossamer in the air which when you reach for it, it is gone, never quite attainable in terms of full conception.
The music, a brilliant mix of irish folk, soul, jazz, blues, and a hundred other things seemingly, is impossible for me to really pin down or categorize. There are moments here of musical beauty and ascendance which is rarely heard. And the vocals by a 23 year old master Van Morrison are mercurial, passionate, they sweep from extreme to extreme as if guided by some unseen hand of some unseen higher power. And the words keep the theme of dichotomy going. Insofar as there are words here that just feel right, they conjure up images and feelings so innate in us as human beings, so true to our conceived form or essence, and yet when you really try to analyze them they, again, seem completely unknowable and abstract.
A Specific moment which for some reason never fails to send shivers down my body is in "Madame George". You know that point at the very beginning when you've just gotten done being happy and exuberant on the previous track "The Way Young Lovers Do" when the bass comes in all slack and earthy like and at that moment Van comes in with his sweet soul? That part for some reason, that exact moment and the whole concatenation of moments leading up to it for some reason makes me think of mental clouds opening, like a person (could be me or you when you listen or Van) is having a moment of spiritual oneness, when he is experiencing a moment of true epiphany and clarity. That for some reason just blows me away every time.
Also the horn on "Slim Slow Rider" is unearthly. Anyway, I won't go into all the points which are exemplary of this albums majesty, cuz, I just don't wanna. Just listen to it again (and again and again and again...) or for the first time.
Just a little inside baseball, I have had this post open and being edited for 3 days. I'm a freak about these lists. I do a lot of listening and dorky "Research". Anyway, you know you have a true towering classic when you find it nearly impossible to move away from an album long enough to even consider other albums for a list. Well, that's been the struggle with Astral Weeks lately.
In closing, How this album came to be is one of those truly miraculous moments. 50 years later and there has still been nothing like Astral Weeks. And every time I go to listen to this profound statement of humanism and spiritual inspiration, I know that I am in for some sort of unearthly reward. This album... my God... Love Applause Love Applause Love
"In another world
In another world
In another time
Got a home on high
Ain't nothing but a stranger in this world
I'm nothing but a stranger in this world
I got a home on high
In another land
So far away
So far away
Way up in the heaven
Way up in the heaven
Way up in the heaven
Way up in the heaven" - Astral Weeks
Grade: 10/10"[+]Reply
"The death of one's mother is usually always hard to take and Sufjan's grief is keenly felt. Stevens has plenty to draw on here, the sporadic relationship they had, her drug addiction and her mental instability. It can be uncomfortable listening - particularly in the way it explores feelings we of...""The death of one's mother is usually always hard to take and Sufjan's grief is keenly felt. Stevens has plenty to draw on here, the sporadic relationship they had, her drug addiction and her mental instability. It can be uncomfortable listening - particularly in the way it explores feelings we often pretend aren't there or in expressing that feeling of being very lonely and very adrift in the world but nothing says 'I Love You' more than the music on offer here and that's good enough."[+]Reply
"There are a few words used to describe music that typically indicate I won't like it. Sparse, intimate, and voice-driven are some of them. And all three of them describe this album perfectly - as others have said, it is the sound of an artist laying their life bare with songs reflecting over thei...""There are a few words used to describe music that typically indicate I won't like it. Sparse, intimate, and voice-driven are some of them. And all three of them describe this album perfectly - as others have said, it is the sound of an artist laying their life bare with songs reflecting over their experiences. But somehow, in this case, it all comes together and creates what I believe to be the most perfect album ever crafted.
It's one thing to have a great voice, and it's quite another to be able to use that voice and make it sound honest. If there's one word that describes (nearly) all of the music I enjoy it's honest. And if someone is clearing trying to hit high notes and sing in key that honesty is lost; that's why I often prefer bad singers to good ones. But Joni makes hitting the high notes sound incredibly effortless, and she integrates them perfectly into the rest of the song so that they don't stand out as if she's trying to impress with her voice. It's an album that is so well crafted that the voice is irrelevant, but she still manages to sing perfectly.
And the song-writing - the stream-of-consciousness style she writes in is just tremendous. Picture Kurt Cobain if the thoughts in his head actually made sense. There is no pretense, there is no thought. These are the things she is thinking, and she's not manipulating them to sound like poetry. There are moments on this record that are incredibly general and could apply to anyone, and there are moments where the specificity is brilliant ("Richard got married to a figure skater, and he bought her a dishwasher and a coffee percolator"). The songs reflect the era she lived in (Little Green / Blue) and her dreams for the future (River). Even when the lyrics blend into a more manufactured poetry they sound so heartbreakingly beautiful you can't fault it (Case of You). And of course there's a central theme that ties things together nicely - it wouldn't be a true album if the songs didn't feel like they belonged together. Not only is there the general sentiment of heartbreak that is described by colors (Blue and Green, obviously), but each song seems to dwell on a different aspect of the feeling (or the moments leading up to it). The songs also progress nicely, starting off hopeful and glad and then straying into sadness, depression, and what I wouldn't hesitate to call despair. It starts with hopes and dreams (the dream theme culminates in Carey and California) but by the end the illusion is shattered and the truths about love and life come out.
My love for this album goes even beyond words, but somehow it's the one I find the most to say about and the most to discover more in. The number of times I've broken down sobbing to this album is not a single digit number."[+]Reply
"well, ironically it's become one of my favourite albums.. perhaps it was a little unlike what i was accustomed to hip-hop-wise, even nas-wise for that matter.. and after declaring my indifference for it, i actually found myself listening to it all the time.. and it soon painted this awesome pictu...""well, ironically it's become one of my favourite albums.. perhaps it was a little unlike what i was accustomed to hip-hop-wise, even nas-wise for that matter.. and after declaring my indifference for it, i actually found myself listening to it all the time.. and it soon painted this awesome picture of what it might have been like to grow up in new york circa the early 90s.. it's definitely an albums album."[+]Reply