Never For Ever (studio album) by Kate Bush
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Kate Bush bestography
Never For Ever is ranked 6th best out of 17 albums by Kate Bush on BestEverAlbums.com.
The best album by Kate Bush is Hounds Of Love which is ranked number 53 in the list of all-time albums with a total rank score of 19,262.
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Never For Ever track list
The tracks on this album have an average rating of 83 out of 100 (all tracks have been rated).
Top-rated track as rated by BestEverAlbums.com members.
Never For Ever rankings
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Never For Ever ratings

where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
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Showing latest 5 ratings for this album. | Show all 374 ratings for this album.
Rating | Date updated | Member | Album ratings | Avg. album rating |
---|---|---|---|---|
75/100 ![]() | 01/17/2025 08:48 | TheWongs | ![]() | 71/100 |
70/100 ![]() | 01/10/2025 03:40 | bonnequestion | ![]() | 70/100 |
100/100 ![]() | 01/03/2025 22:19 | DenseQuarters | ![]() | 79/100 |
80/100 ![]() | 12/27/2024 15:07 | davidleewrong | ![]() | 81/100 |
85/100 ![]() | 12/22/2024 06:02 | CokeBabies | ![]() | 82/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
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This album is rated in the top 2% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 78.9/100, a mean average of 77.9/100, and a trimmed mean (excluding outliers) of 79.1/100. The standard deviation for this album is 14.5.
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Never For Ever comments
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Side one is a treat.
The second side, though, opens with the slightly weaker "The Wedding List, followed by what I can only decribe as horrendous "Violin".
After that, my enjoyment picked up again but,overall, the second side pales in comparison.

A return to form after Lionheart. Maybe not as consistently surprising as The Kick Inside, but Never for Ever sees Kate Bush setting aside the baroque textures of her first two albums in favor of the more atmospheric, electronic-friendly sounds she'll go on to perfect. And right away, she has a strong handle on these sounds.
Excellent album, worth owning the album just for Babooshka and Army dreamers! Whenever I play this album, I end up singing these two songs for days after.
Here Kate goes more experimental than on The Kick Inside and somtimes the experiments work well and sometimes not.
Favorites: Babooshka, Wedding List, Breathing.

Kate, you, my beautiful elf...
Glad I listened to this one. Maybe it's not as solid as TKI or as amazing as TD or HOL, but this is still a very enjoyable album full of beautiful moments and great songs.

Another very worthwhile album from Kate Bush, the best of the first three. Army Dreamers and Babooshka are great tracks, but for me the highlight is Breathing, one of my favourite tracks.
The whimsy of her first two albums collides with the avaunt guard of the next two and it is just beautiful. Diverse and interesting.

This is definitely my favorite Kate Bush album, so I was surprised to find it so low. The words “too effiminate” for a moment made me lose all faith in humankind; will there ever be a day where feminine will not mean childish or dumb or... you know the drill. And the dislikes are nice, but I see everyone saying the same thing with their ratings and charts.
But still, I don’t really get why this one is so low; it’s certainly not more feminine than her last two albums. The reason for the albums that followed to be liked by people on this site seems clear, since people here seem to have an indie fetish, and Kate apparently became more and more independent in the course of the ‘80s. I feel like this album is a bit in the middle of that process, which is why I like it so much: the production isn’t as sparse as on the following two albums and the vocals aren’t as clean as on the preceding two albums. This is Kate Bush at her weirdest and at her Kate Bush-est.
Her first six albums are all great! I enjoy them all, though this one doesn’t make my top 3.
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