Listed below are the best albums of the 1980s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 2 hours ago).
"Look, I can't stand lots of what U2 have put out and bono gets on my tits but I can't deny this record. It contains some of the best singles of the 80s. This and achtung baby are just quality. Sunday bloody Sunday...wash the car, mow the lawn. Cheers Alan."Reply
"The psychotic, psychedelic sound is still fresh and the songwriting is perfect. The band achieved a sound and sensibility that was soaked in neurosis and melancholy but rushed madly forward with the noise and chaos of a derailed driverless train or an acid trip gone wrong. There was a mix of nost...""The psychotic, psychedelic sound is still fresh and the songwriting is perfect. The band achieved a sound and sensibility that was soaked in neurosis and melancholy but rushed madly forward with the noise and chaos of a derailed driverless train or an acid trip gone wrong. There was a mix of nostalgia, resignation, anxiety and barely controlled manic energy in the music that maybe had no precedent except for the Meat Puppets or Pere Ubu. I can't think of any earlier band that came close to this sound, as most gritty guitar bands up to this point were not exploring vulnerability or internal states to this degree. J. Mascis' fantastically unambitious vocals were the first I had ever heard to come close to approximating my own state of mind.
When the music press and marketing started using the word "grunge" in the 90s to refer to bands like Nirvana and Pearl Jam, I immediately thought of this album -- maybe the song title "sludgefeast" inspired the "grunge" term -- but of course they weren't referring to Dinosaur Jr., whose outsider style of madness wasn't marketable. Nirvana, Pearl Jam and many others that were far worse offered a marketable brand of disaffection that kids could pick up at Target and make out to after the friday night football game. The mainstream "grunge" bands were borrowing some stylistic qualities from more authentic and artistic predecessors and contemporaries like Dinosaur Jr. and Meat Puppets, who in turn were inspired by earlier artists like the Stooges, Neil Young and MC5. While the SST bands were inspired by their predecessors to explore new sounds, the mainstream grunge bands were mostly ripping off some elements of the SST bands' guitar sound and disaffected sensibilities, while steering clear of the emotional honesty and challenging artistry that could make their records a hard sell to less committed listeners. "Grunge" bands opted for themes and messages that would appeal to bored, horny adolescents and could be played in the free weight room of the gym without dampening the testosterone. You're not going to hear Dinosaur Jr. at Powerhouse Gym because the energy in their sound comes from anxiety, yearning and creative restlessness rather than testosterone and sexual boredom. Dinosaur Jr., Meat Puppets and Husker Du all belonged to the SST label, and they had some things in common that you would not find in the mainstream "grunge" bands they inspired -- mainly their ability to write fantastic songs grounded in compassion for the human experience and to create original, riveting sounds. It's unfortunate, but not surprising, that the mindblowing music of the Stooges, Meat Puppets and Dinosaur Jr. would lead eventually to the cheapened, inauthentic and incredibly dull adolescent marketing brand called "grunge," which might have come close to killing guitar-based rock altogether. "[+]Reply
"For a short flash in time back in 1985 this was the biggest album on the planet topping the charts in more country's than it wasn't and T.F.F's were close to the biggest band. Heady times for 2 fellows from humble beginnings in Bath England Listening to this album once more in 2019 for the first ...""For a short flash in time back in 1985 this was the biggest album on the planet topping the charts in more country's than it wasn't and T.F.F's were close to the biggest band. Heady times for 2 fellows from humble beginnings in Bath England
Listening to this album once more in 2019 for the first time since I was a teenager (yikes !) unfortunately it hasn't aged well. The hits still sound great but the remaining tracks sound , well ...very 80's . Meaning they were great some 34 years ago but not so much today
Big surprise for me was hearing the live tracks on this album , something that I hadn't recalled up until that point "[+]Reply
"My favorite Metallica album, love the structure of the songs and they don't seem to long to me. I would agree with others about the production. The bass is virtually absent here and who knows why. The lyrics are very interesting as there are songs about political corruption, discrimination, alien...""My favorite Metallica album, love the structure of the songs and they don't seem to long to me. I would agree with others about the production. The bass is virtually absent here and who knows why. The lyrics are very interesting as there are songs about political corruption, discrimination, alienation, the environment, and so on. Such subjects can be applied in real life which also adds on to why this is my favorite Metallica album. To Live Is to Die is a great instrumental tribute to the late Cliff Burton"[+]Reply
"While I really enjoy Remain in Light, this is by far my favourite Talking Heads album I’ve heard so far and has spurred me on to explore the parts of their discography that I have yet to delve into. The opener is amazing, actually the first three tracks are amazing, all very listenable. The rest ...""While I really enjoy Remain in Light, this is by far my favourite Talking Heads album I’ve heard so far and has spurred me on to explore the parts of their discography that I have yet to delve into.
The opener is amazing, actually the first three tracks are amazing, all very listenable. The rest of the album up until the penultimate track varies from good to great, and said penultimate track ‘Pull Up the Roots’ is another amazing one and the closer ‘This Must Be the Place’ is one of my favourite songs and is one of the best album closers of the 80s.
This album is one that I loved from the first listen, and I have found myself sticking it on more often than any of the other TH/David Byrne albums that I own."[+]Reply
"While Dead Kennedys get lauded for their incisive lyrics (rightfully so) the musicianship and tunes on this album are simple, aggressive, and cutting. Appropriate for the music. For me, they are as influential as the Sex Pistols or the Ramones."Reply
"One of the most brilliant punk records- or just any record, ever. It's hard to comprehend how expansive of a reach the trio of D. Boon, Mike Watt, and George Hurley on this album. Stretching across many fields to create some of the most creative, energetic, and flat line rockin'. After listening ...""One of the most brilliant punk records- or just any record, ever. It's hard to comprehend how expansive of a reach the trio of D. Boon, Mike Watt, and George Hurley on this album. Stretching across many fields to create some of the most creative, energetic, and flat line rockin'. After listening to 43 songs in 75 minutes, your mind opens undiscovered doors- kicking them down, disloding hinges and replacing what you thought rock was. The most feeling from a guitar since Hendrix himself, the bass is more free than America, and the drums compliment the High-Low duo, being the gravity of the group, a very groovin', gravity you grow love for. "Our band could be your life"- and with the purest of hope from my heart, I believe than I can achieve that greatness."[+]Reply
"REM's fifth album, sees the band starting to lean towards the mainstream, at least in terms of commercial success. Document, is similar to predecessor, life's rich pageant, in that it's predominately a rock album, but this record has a bigger, fuller sound. It kicks off with an REM classic, fines...""REM's fifth album, sees the band starting to lean towards the mainstream, at least in terms of commercial success. Document, is similar to predecessor, life's rich pageant, in that it's predominately a rock album, but this record has a bigger, fuller sound. It kicks off with an REM classic, finest worksong, is one of the band's great opening tracks. The album also contains two other gems, it's the End of the world as we know it, is Michael Stipe's, subterranean homesick blues, a waterfall of nonsensical words, which would become one of REM's most enjoyable songs. The one I love, is another important song, and the band's first hit, an excellent track. Other standouts are fireplace, welcome to the occupation, and the brilliant, exhuming McCarthy. There's a cover of Wire's, strange, and, the record ends with the slight eastern drone of, king of birds, and then finally, oddfellows local 151. It's a very good LP, though the band were swiftly moving away from their independent roots. This would be the last album on the IRS label, Warner Bros. lie in wait, as does superstardom. "[+]Reply
"The Cure can go two ways: either very gothic or extremely pop sounding. The Head on the Door is the latter and it's the best Cure pop album. I once read somewhere that every song in this record could easily be a single and I strongly agree. Every time I listen to this my love for it only deepens....""The Cure can go two ways: either very gothic or extremely pop sounding. The Head on the Door is the latter and it's the best Cure pop album. I once read somewhere that every song in this record could easily be a single and I strongly agree. Every time I listen to this my love for it only deepens. "Inbetween Days" is one of my favorite album openers ever, "Push" is a song I love listening to on an afternoon, "Close to Me" always makes me want to dance and "A Night Like This" makes me want to cry. I can never get tired of Robert Smith."[+]Reply