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1221.

Phaedra 

 Tangerine Dream

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"This was my first taste of electronic-prog-ambient-krautrock. And the album develops some quite mezmerizing soundscapes. The end of the title track is really chilling. Like landing on some cold, dead planet."  Reply

- CellarDoor | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1974

Appears in:

305 charts

Rank Score:

1,429

Rank in 1974:

22

Rank in 1970s:

245

Overall Rank:

1,221

Average Rating:

 79 (337 votes)

Comments:

21

1222.

Stranger In The Alps 

 Phoebe Bridgers

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"Out of all the 2010s indie singer-songwriter albums this one is the best"  Reply

- Jhlffc | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2017

Appears in:

214 charts

Rank Score:

1,429

Rank in 2017:

18

Rank in 2010s:

176

Overall Rank:

1,222

Average Rating:

 78 (217 votes)

Comments:

11

1223.

Blade Runner 
Soundtrack

 Vangelis

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"As an avid fan of the Greek electronic music scene, I can confirm that 3 composers have stood the test of time, that is Vangelis, Yanni, and Sakis Gouzonis. The album Blade Runner by Vangelis is the soundtrack for Ridley Scott’s 1982 science-fiction noir film of the same name. Blade Runner is ren...""As an avid fan of the Greek electronic music scene, I can confirm that 3 composers have stood the test of time, that is Vangelis, Yanni, and Sakis Gouzonis. The album Blade Runner by Vangelis is the soundtrack for Ridley Scott’s 1982 science-fiction noir film of the same name. Blade Runner is renowned for its innovative use of electronic music to create a haunting and atmospheric soundscape that perfectly complements the film’s dystopian setting. Vangelis recorded the score in his London studio, using a variety of synthesizers, including the Yamaha CS-80, which is prominently featured throughout the album. The music blends elements of ambient, new-age, and classical genres, with tracks like Love Theme featuring saxophone by Dick Morrissey and vocals by Demis Roussos. The soundtrack’s emotive and futuristic sound has been highly influential in the history of electronic music, earning acclaim for its ability to evoke the film’s bleak yet mesmerizing vision of the future. Analyzing the album, one can appreciate how Vangelis’s compositions enhance the narrative and emotional depth of Blade Runner. The use of synthesizers to produce both diegetic and non-diegetic sounds creates an immersive auditory experience that mirrors the film’s visual aesthetic. Tracks like Blade Runner Blues and Tears In Rain are particularly notable for their melancholic and reflective tones, which underscore the film’s themes of identity, memory, and humanity."  [+]  Reply

- BestMusicAlbums | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1994

Appears in:

187 charts

Rank Score:

1,429

Rank in 1994:

35

Rank in 1990s:

224

Overall Rank:

1,223

Average Rating:

 83 (225 votes)

Comments:

9

1224.

Dig Your Own Hole 

 The Chemical Brothers

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""Dig Your Own Hole" is a masterpiece. Why ? The answer in 10 points: 1) This is the best big beat album ever made. We have never heard such a powerful mix of electro-hip-hop-rock. 2) You can dance without stopping on the first 8 tracks. 3) My body temperature rises to 39 ° when I hear the intro o..."""Dig Your Own Hole" is a masterpiece. Why ? The answer in 10 points: 1) This is the best big beat album ever made. We have never heard such a powerful mix of electro-hip-hop-rock. 2) You can dance without stopping on the first 8 tracks. 3) My body temperature rises to 39 ° when I hear the intro of "Electrobank". 4) "It Does not Matter" is the best tribute to Daft Punk. 5) It's a real electro record. Not a pop album, like the excellent "Surrender", released 2 years later. 6) You can also choose to listen to it sitting on your rockingchair. 7) This is a real album designed in its entirety. 8) The last two songs are more psyche things, in a 1967 mode. 9) Noel Gallagher participates in a song. 10) This album is just perfect. 9/10 Best track: "Setting Sun""  [+]  Reply

- Kurtco | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1997

Appears in:

310 charts

Rank Score:

1,425

Rank in 1997:

24

Rank in 1990s:

225

Overall Rank:

1,224

Average Rating:

 76 (425 votes)

Comments:

20

1225.

Flying Microtonal Banana 

 King Gizzard & The Lizard Wizard

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"I had high expectations for this album and it's even better than I hoped. The jamming nature of opening track Rattlesnake sets up the album allowing the listener to adjust to the microtonal sound and from then on it's a lot of fun. Immediately wanted to listen to it again after first listen."  Reply

- Purplepash | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2017

Appears in:

269 charts

Rank Score:

1,422

Rank in 2017:

19

Rank in 2010s:

177

Overall Rank:

1,225

Average Rating:

 79 (460 votes)

Comments:

31

1226.

This Is All Yours 

 alt-J

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"Now, at last, an indie sensibility is turning into a movement. This (not the repetitive "An Awesome Wave") is the document. Featuring warm foothills, female rebels, and duels. Above all, "love is the warmest color""  Reply

- poppmusic | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

269 charts

Rank Score:

1,421

Rank in 2014:

19

Rank in 2010s:

178

Overall Rank:

1,226

Average Rating:

 73 (521 votes)

Comments:

29

1227.

Between The Buttons 

 The Rolling Stones

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"This is an odd album in the stones cannon. After the excellent aftermath this record comes as bit of a disappointment. The weird thing is that there's nothing bad on here, it's just good all the way through. That's it's problem. It's so consistently good that nothing really stands out. Yesterday'...""This is an odd album in the stones cannon. After the excellent aftermath this record comes as bit of a disappointment. The weird thing is that there's nothing bad on here, it's just good all the way through. That's it's problem. It's so consistently good that nothing really stands out. Yesterday's papers is the nearest the album comes to a bona fide stones classic but everything else is all, well, sort of good. It doesn't really have an identity, like it's not quite sure what it wants to be. It's still a good album, but hardly essential for casual fans. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1967

Appears in:

373 charts

Rank Score:

1,419

Rank in 1967:

24

Rank in 1960s:

124

Overall Rank:

1,227

Average Rating:

 77 (625 votes)

Comments:

37

1228.

Eli And The Thirteenth Confession 

 Laura Nyro

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"An absolutely stunning record. Eli, is constantly overlooked and underrated, it is simply one of the greatest albums ever. Fusing pop, jazz, folk, and, soul, Nyro creates something wholly original and continually uplifting. Every song is a mini masterpiece, including, sweet soul picnic, and my fa...""An absolutely stunning record. Eli, is constantly overlooked and underrated, it is simply one of the greatest albums ever. Fusing pop, jazz, folk, and, soul, Nyro creates something wholly original and continually uplifting. Every song is a mini masterpiece, including, sweet soul picnic, and my favourite track, sweet blindness. Nyro's voice is excellent throughout, as is her piano playing. This is an excellent album that deserves way more attention than it has now. Everyone should have a copy. Brilliant. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1968

Appears in:

245 charts

Rank Score:

1,417

Rank in 1968:

23

Rank in 1960s:

125

Overall Rank:

1,228

Average Rating:

 79 (213 votes)

Comments:

13

1229.

The Powers That B 
Compilation

 Death Grips

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"For a while, The Money Store was Death Grips' best album. But The Powers That B (TPTB) is really contending for that spot. It's a bit of an unfair competition considering the fact that TPTB's two sides give it great variety. One really interesting pointer is that both sides feature someone who ha...""For a while, The Money Store was Death Grips' best album. But The Powers That B (TPTB) is really contending for that spot. It's a bit of an unfair competition considering the fact that TPTB's two sides give it great variety. One really interesting pointer is that both sides feature someone who has not directly worked with the band before. On the first part, Niggas on the Moon (NOTM) it's Icelandic singer Bjork. On the second half, Jenny Death (JD) it's guitarist Nick Reinhart of Tera Melos. While all the songs on NOTM feature Bjork's vocals (in fact, it features none of Flatlander's abrasive synths. Replacing that is Bjork's heavily edited vocals), only tracks 3, 4, 7, 8 and 9 feature Nick's guitar. NOTM is another foray into the experimental side of Death Grips, more or less continuing on from the path they took starting from No Love Deep Web. While not nearly as abrasive and in-your-face as, say, Exmilitary and The Money Store, NOTM is still an entertaining listen, with Zach really pulling of some great drumming in each of the 8 tracks. However, NOTM's variety is, unfortunately, a bit too homogenous. Each track sounds very similar to the last, and none of them have MC Ride's infamous yelled vocals (although several songs hint at it). To put simply, all the songs are far softer and less abrasive. Instead a lot of the real content is in the lyrics, which thankfully are far more understandable due to MC Ride not shouting (this may possibly be the explanation for the lack of his shouted vocals). The songs' themes range from racism (Black Quarterback, Say Hey Kid) and paranoia (Up My Sleeves) to the lifelessness of modern sex (Billy Not Really, Have a Sad Cum, Fuck Me Out) and the idolization of celebrities (Voila). Either way the lyrical content on here is, as always, cryptic but has some sort of meaning behind it. JD, the much hyped second half, is quite literally the culmination of everything they've done. From the extremely loud, harsh and unforgiving I Break Mirrors With My Face in the United States to the almost ballad-like instrumentation of On GP (which stands for On General Principle by the way. It has absolutely nothing to do with their previous album Government Plates), this side has far more variety and content than the 32 minute NOTM (JD is 50 minutes, in comparison). It opens with the I Break Mirrors With My Face in the United States, which as I described earlier, is extremely loud, harsh and unforgiving. It features MC Ride's infamous yelled vocals, something which was completely absent from NOTM. The track is so quickly paced and short that despite how much there is going on, it goes by in a flash, as if it never happened. Then we get Inanimate Sensation, which is probably the most progressive song Death Grips has ever written. Although following the old "verse-chorus-verse" structure, each verse is drastically different from the other. The track opens with a chorus of voices ascending pitch. It's quite difficult to explain, really. The first verse is your average Death Grips verse, opening with the line "IN-ANIMATE SEN-SUH-A-TION", in MC Rides typical yelled rapping style. Then we get the chorus "BLOWNOUT, BASE", which leads to the second verse, which is rapped entirely in MC Ride's whispering voice, with the exception of the line "I'M NOT WITH YOU". Then we have the chorus again, and we move on to the third verse, which is rapped entirely with MC Ride's shouted vocals pitch shifted down. The third chorus continues with these pitch shifted vocals, and we have the fourth verse, where MC Ride makes multiple references to classic rock and popular music in general. Then we have the chorus again, and we have a miniature fifth verse which is quite similar to the first verse. And then we finally end with the chorus. Either way the entire 6 minute experience is extremely thrilling. The next song is Turned Off, which really does sound like a nu metal piece. Thankfully, it isn't terrible, in fact it's one of the best songs on the album. Then we have Why a Bitch Gotta Lie?, which follows the same nu metal style that Turned Off had. Although this song is less accessible than Turned Off due to the strange digital manipulation on MC Ride's vocals, it's actually pretty good once you get used to it. Then Pss Pss plays, a song about the lifelessness of sex. This song, quite interestingly, also references Have a Sad Cum early on. After that we get the title track, which is easily the loudest, sludgiest, heaviest, and most brutal thing Death Grips has ever put out. It's quite the experience, and really is quite indescribable. Then it's Beyond Alive, which would probably be my least favorite track on here if not for the final track (I'll get to that one later). It retains the nu metal style from tracks 3 and 4 but simply does not have the same magic that the aforementioned tracks have. Then we have Centuries of Damn, which, while good, has nothing too special about it to make it stand out. After this we have On GP, which in my opinion is one of the best tracks on JD as a whole, alongside Inanimate Sensation. Nick's guitar is extremely prominent on this track, and he really adds on to Flatlander's sound. It's also probably the closest Death Grips will be to a ballad or anything of the sort. The track glitches into the final (and most disappointing) track, Death Grips 2.0. From its name you'd expect some sort of amazing and revolutionary piece that will mark a complete change in Death Grips' style. But unfortunately, it isn't. It's just a repetitive instrumental track which was stretched out for way too long. Either way, the LP is abso-fucking-lutely phenomenal, perhaps even better than 2012's critically acclaimed The Money Store. Only time will tell if Death Grips can continue their streak of amazing albums. "  [+]  Reply

- | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2015

Appears in:

196 charts

Rank Score:

1,414

Rank in 2015:

16

Rank in 2010s:

179

Overall Rank:

1,229

Average Rating:

 80 (379 votes)

Comments:

31

1230.

Elvis 

 Elvis Presley

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"Elvis Presley's second album is obviously nowhere near as significant or important as his first, but it is a more consistent record. Some great rock'n'roll classics sung with gusto serve to make this a thoroughly enjoyable album. Elvis at his early best."  Reply

- garycottier | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1956

Appears in:

215 charts

Rank Score:

1,413

Rank in 1956:

7

Rank in 1950s:

33

Overall Rank:

1,230

Average Rating:

 76 (212 votes)

Comments:

6

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Total albums: 10,000. Page 123 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	35	0%
1950s	303	3%
1960s	709	7%
1970s	1,426	14%
1980s	1,409	14%
1990s	1,600	16%
2000s	1,743	17%
2010s	1,950	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,013	50%
	2,652	27%
	430	4%
	335	3%
	219	2%
	157	2%
	133	1%
Show all

Compilation?	Albums	%
No	9,728	97%
Yes	272	3%

Live?	Albums	%
No	9,738	97%
Yes	262	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%