Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 1 hour ago).
"This album is breathtaking. It's a kind of merging of the Cramps 'voodoobilly', Robert Johnson's Delta blues, Louisiana's swamp rhythms, Jim Morrison's dark and sensual dialectics, and California's hardcore scene. The end result is an hypnotic amphetaminic demonic rock'n'roll that bridged a fine ...""This album is breathtaking. It's a kind of merging of the Cramps 'voodoobilly', Robert Johnson's Delta blues, Louisiana's swamp rhythms, Jim Morrison's dark and sensual dialectics, and California's hardcore scene. The end result is an hypnotic amphetaminic demonic rock'n'roll that bridged a fine balance of suspense and despair on the one hand, and nihilist anger on the other...Brilliant. "[+]Reply
"Everyone of course this sounds like Thom Yorke's solo project. The reason the band formed was to initially perform songs from The Eraser live, a few years later they decided to release an album so that's why it sounds similar. Flea is so talented, you think the only way he knows how to play bass ...""Everyone of course this sounds like Thom Yorke's solo project. The reason the band formed was to initially perform songs from The Eraser live, a few years later they decided to release an album so that's why it sounds similar. Flea is so talented, you think the only way he knows how to play bass is the funky RHCP way, no he can do this too. This isn't supposed to sound like a brand new band it's a continuation of The Eraser. And it's freaking amazing."[+]Reply
"This is my favorite Leonard Cohen album. It is my favorite for many of the same reasons the self titled Townes Van Zandt album is my favorite Townes album or why Nebraska is the best Springsteen album, or Pink Moon is my fave Nick Drake, or or or etc. Its one of the most starkly grim albums I've ...""This is my favorite Leonard Cohen album. It is my favorite for many of the same reasons the self titled Townes Van Zandt album is my favorite Townes album or why Nebraska is the best Springsteen album, or Pink Moon is my fave Nick Drake, or or or etc. Its one of the most starkly grim albums I've ever heard. This album has shadows and pits of blackness so deep, when I listen to this record I am transported to some sort of bleak world with brief flashes of wonder and humanity. This album takes me on a surreal tour through the more shadow lands which exists right before me but is never seen or fully confronted, and my guide is a grizzled wiseman who has seen it clear and has charted and documented all its byroads and ramifications.
I don't know how to talk about this album without getting lost in some ethereal goo. Leonard Cohen was such an accomplished writer and artist by this point. A relatively "old" and very wise 35, already a published and respected Poet. He had more questions and insights than maybe any songwriter at the time of this album. Yet, this album isn't just some scholarly exercise. There is such a depth of feeling in this album which is unleashed in waves of pain and awe due, i think, to the fact that the words are so carefully chosen and so spot on that it strikes a very deep and up that point sleeping nerve.
The opener "Bird On The Wire" is truly one of the very few sacred moments in music history for me. The hugeness of its simple verses, the sheer pain of it, the emotion which that song wells up for me, is something I can't fathom. The sorrow, the need for forgiveness, the brittle vocal delivery, everything....oh man.
The album from that stunning opener, continues to hit you with bleak, austere portraits of friends lost to suicide (Seems So Long Ago, Nancy), of biblical visions of the darkest side of human beings (Story of Isaac), of the immutable devotion to freedom and the endless struggle to overcome evil no matter how futile and no matter what the cost (The Partisan), andof the mysteries of long nights of transient liberty and romance (Lady Midnight), etc.
Musically, there are eccentric touches. The sound backing Cohen on "The Old revolution" (i've no idea what that is, but its cool), the dirgey, low end chug of the acoustic guitar in "The Butcher", hell there is a similar strange effect on "A Bunch of Lonesome Heroes" and "Lady Midnight as on "The Old Revolution"(can someone smarter than me explain to me what that rattly effect is? I am ignorant, but I like it.) also that sweet, far-off electric guitar is freaking awesome, the women speaking french in the most angellic and doomed way on "The Partison,
the organ in "Lady Midnight", etc. There are a lot of little moments on here which push this album, somehow, to new heights.
And finally the closer "Tonight Will Be Fine" is such a great closer. Its by far the least bleak moment on the album, Cohen humsa sweet childish tune, he makes funny rhymes, he talks sex, he whistles, and the bass line is a playful bounce. If I am thinking of this album as a tour through the darkness, then this is the moment toward the end of the tour when the wise man, seeing you are really shook up takes pity, gives a soft smile, shakes you out of your glossy-eyed horror and looks you straight in the eyes and says in his deep, baritone voice "It's okay, there is much beauty and there is some hope and there are reasons to love and to live and to care. It will be fine for awhile.".
"It seems so long ago,
Nancy was alone,
a forty five beside her head,
an open telephone.
We told her she was beautiful,
we told her she was free
but none of us would meet her in
the House of Mystery,
the House of Mystery.
And now you look around you,
see her everywhere,
many use her body,
many comb her hair.
In the hollow of the night
when you are cold and numb
you hear her talking freely then,
she's happy that you've come,
she's happy that you've come." - Leonard Cohen
Rating: 9.8/10"[+]Reply
"Can't enjoy this as much as her previous works. And I seldom heard high notes from her now on this record, perhaps due to her aging. But her vocal line still sounds sweet, only less sexy though. It's still a very edgy work when compared to other messes on the current market. Fav track: Nocturn."Reply
"Pom Pom is absolutely one of 2014's strangest albums. I remain a little on the fence as to whether or not it's one of the year's best. In its favor I'll say it succeeds utterly in busting down any notion of musical genre, residing somewhere in the ambiguous terrain carved out by the likes of Fran...""Pom Pom is absolutely one of 2014's strangest albums. I remain a little on the fence as to whether or not it's one of the year's best. In its favor I'll say it succeeds utterly in busting down any notion of musical genre, residing somewhere in the ambiguous terrain carved out by the likes of Frank Zappa in the 1970s. At its best Pom Pom is campy, funny, bizarre, and oddly mesmerizing. Then again, it's also obnoxious at times, with a kind of smirking irony that I find generally distasteful. The fact that you're seeing it appear in my 2014 chart is indication that I've tentatively come down on the side of finding it more a valuable contribution than a detraction, but I'll also confess that five years later I'm still chewing on it but not quite able to digest it. A polarizing album that still leaves me unsure which pole I'm drawn to."[+]Reply
"This group has one of the most interesting and unique dynamics amongst any folk group I have listened to and that keeps this record engaging even during the slower moments. To start with there is the fantastic vocal performance which is classically British and leads the instrumentation perfectly....""This group has one of the most interesting and unique dynamics amongst any folk group I have listened to and that keeps this record engaging even during the slower moments. To start with there is the fantastic vocal performance which is classically British and leads the instrumentation perfectly. It fits the style of music so well and the energy and rawness she can put into her voice is simply stunning. She absolutely dominates songs like Tam Lin and Matty Groves where she makes those songs fill with life and emotion. Then there is the stellar cast backing up Sandy Denny with Dave Swarbrick and Richard Thompson being the most significant. The instrumental performances these two put in are simply phenomenal and they take some of the songs here to the next level. The viola especially is absolutely beautiful on this album and is so delicately played that you can only sit back and admire what you are listening to. Everything then comes together to form this unique classic sound that transports you back to an easier time and creates a wonderful atmosphere to enjoy. Overall, a thoroughly enjoyable album with some outstanding performances that are just a joy to be able to experience. "[+]Reply
"This album is often overlooked, even in indie circles. I usually just see BTS mentioned in the context of Modest Mouse and not as their own band."Reply
"REM's third album is actually my favourite of their early records, it has a very rustic feel, their first genuine Americana moment, featuring tales of the great outdoors, of railroads, and, old men with stories to tell. It's REM as The Band. It's got some of their best early songs, feeling gravit...""REM's third album is actually my favourite of their early records, it has a very rustic feel, their first genuine Americana moment, featuring tales of the great outdoors, of railroads, and, old men with stories to tell. It's REM as The Band. It's got some of their best early songs, feeling gravitas pull, driver 8, and, old man Kensey, are all great, as are, green grow the rushes, and, maps and legends. In fact It's all great, the most atmospheric of the band's early records. It ends nicely with the beautiful, Wendell Gee. It all sounds like it was recorded in a barn, or around a campfire. This is REM in the great wide open. Brilliant. "[+]Reply