Listed below are the best albums of the 1970s as calculated from their overall rankings in over 58,000 greatest album charts. (Chart last updated: 3 hours ago).
"This album changed my life, and these guys could have easily been the next Beatles if their record company didn't screw them over. Every song has that perfect crystallized pop sound that gives me goosebumps, and I think "Give Me Another Chance" has some of the most moving harmonies and lyrics eve...""This album changed my life, and these guys could have easily been the next Beatles if their record company didn't screw them over. Every song has that perfect crystallized pop sound that gives me goosebumps, and I think "Give Me Another Chance" has some of the most moving harmonies and lyrics ever, despite Alex Chiltons sometimes wavering singing voice. This is a severely underrated album, and album that SHOULD be placed among the pantheon of classic 70's and sixties pop albums with The Stones & Zeppelin, floyd and others. Perhaps I am exaggerating to some, but I intend to devote much of my time and energy to making sure this album gets more exposure! #1 record baby!!!!"[+]Reply
"Here's an updated review I just posted on www.listology.com (another great site)..."Arranged as a complete bout of stream-of-consciousness, cast from a holy scripting of instrumental brotherhood, comes a deep exhale of "oneness" steeped in universal tragedy and spearheaded by a tra...""Here's an updated review I just posted on www.listology.com (another great site)..."Arranged as a complete bout of stream-of-consciousness, cast from a holy scripting of instrumental brotherhood, comes a deep exhale of "oneness" steeped in universal tragedy and spearheaded by a trance of destiny through an enigmatic malaise, Wyatt assumes an improbable plethora of emotional identities, each magnified by an impossible sense of self awareness and clarity that, en masse, forces into existence an otherwise impenetrable subjectivity of the greatest integrity, character and conviction. In a communal mustering of the affinities of the universe: elemental, spiritual, physical and natural, the work progresses as a prodigal event. A happening. Not just a recording of an event, but a miracle unfolding. As a single entity where each aspect is interconnected to a greater whole, a single thrust, a single emotion that encapsulates within it, all emotions, all expressions, all viewpoints and beingness. A spiritual ascension that, incredibly, becomes increasingly disoriented, flummoxed and senseless the more awareness it acquires, the more profundity it emotes; thus mired in an ultimate dichotomy, blossoming from a gradually upending kaleidescope of succumbing emotional episodes. Sea Song, fraught with a narcotic, otherworldly milieu and contemplated by a profound, painfully heavy impression of sorrow, is a funeral march on a despairing search for answers. It magically erupts into a submerged, overwhelmed choir and then into the passionate, lost grief of Wyatt's lone, plaintive and confused cries as the keyboards strike repeating chords, haunting and ominous. A Last Straw floats oceanic, ascending and descending in eternal swim. It moves in an unorthodox, cyclic, rhythmic pulse as Wyatt calls out like a dying, drowning mammal, in between flexibly patterned, elastic percussion before the bottom drops out in a series of descending, increasingly dreadful, low notes. Little Red Riding Hood Hit the Road explodes in a sensational, vibrant show, a coalescing influx of multi-faceted liberation, the unfurling of states of being; of mind over matter; Buddhi. It is a confused, colliding series of transformations, infusing Wyatt into and out of existence. His words carry in and out of the brilliant, frenzied strobe light vacuum, slowing down, speeding up, and dramatically reversing direction into inverse semantics and back again. Alifib/Alife opens as a dramatic rebirth, an ode to his loved one, a naked solitude at the beginning of the universe. Wyatt casts tears of regret into constellations of sparkling love beneath a calm and drifting sea, and sinking ever so slowly he gradually drowns away, farther and farther from her. Beneath his lonely keyboard strokes, his voice calls out over and over in a sacred whisper of paralyzed and comatose cardiac arrest. He is praying for her from the brink of death, trying to bring himself back, trying to postulate their togetherness back into reality. Simultaneously he sings a hymn from the edge of birth, mourning their distance and failures in an aching poem of clumsy baby talk, thus dying for her and living for her, now reborn in a heartbreaking show of eternal dependency; as with a newborn to his mother. Drowning further, a gradual rise of calamity, confusion and suspense ensues. Wyatt repeats his words in a less formulated, dying stupor as narcoleptic fits take hold. Clarinet and sax figures contort and spit and squeal and squirm, anxiously contriving a strange, brewing storm of pent up intensity, before spewing out a wrenching, overflowing spastic attack of uncontrolled, unmitigated abandon, bursting and then calming into a striking and damning retort from his loved one while a haunting sense of eternal damnation seems to swell before them. Little Red Robin Hood Hit the Road explodes in a relentless storm of manic, increasingly frantic percussion and instrumental fireworks while Wyatt repeats a mantra of prayers behind the screaming call of his keyboard play, before passing out and drowning into a heavenly backdrop of dreamy viola where an awkward stupor of unintelligible vocals drift about, hypnotized and stuck indefinitely in a void and godless world.""[+]Reply
"Love everything about thks album. Maybe just some of the lyrics don't interest me much but everything is still very poetic and original. Can't even try to duplicate the unique songwriting Joni had on this one. I don't really love other albums by her but this album grabbed me from the first listen...""Love everything about thks album. Maybe just some of the lyrics don't interest me much but everything is still very poetic and original. Can't even try to duplicate the unique songwriting Joni had on this one. I don't really love other albums by her but this album grabbed me from the first listen and it is one of my all time favorite albums."[+]Reply
"I came around to more Prog Rock via Pink Floyd and then King Crimson, and like any genre of music there is good and bad to discover, and to my surprise I found the good to include Rush, Yes and early Genesis. All three I would've turned my nose up to 20 years ago, maybe it's an age thing... Here ...""I came around to more Prog Rock via Pink Floyd and then King Crimson, and like any genre of music there is good and bad to discover, and to my surprise I found the good to include Rush, Yes and early Genesis. All three I would've turned my nose up to 20 years ago, maybe it's an age thing...
Here we have Rush's best album, the 20 minute title track is very interesting and seems to pass quite quickly, I don't hear anything wrong with Geddy Lee's vocals which seem to put some people off. The album does perhaps fade somewhat towards the end but there is still enough quality here by far."[+]Reply
"Superb album .. i ain't the one great song to start the album , tuesday gone still one of my favourites,and what can you say about free bird......pity these guys didn't get the recognition they deserved until it was too late."Reply
"Up there with Band of Gypsys and Made in Japan for one of the most respected live albums. Duane left us too early but his work will never be forgotten thanks to beautiful albums like this."Reply
"One of my favorite albums of all time, not a weak track to avoid. Carlos is at his creative peak and the percussion is measured and not over indulging. Would love the release of an official live document from that period. It would be all downhill from there. Santana III is all over the place and ...""One of my favorite albums of all time, not a weak track to avoid. Carlos is at his creative peak and the percussion is measured and not over indulging. Would love the release of an official live document from that period. It would be all downhill from there. Santana III is all over the place and then Rolie and Schon left and Santana never had a decent vocalist again. I know that Carlos is an icon and he deserves the recognition, but Abraxas remains his master piece."[+]Reply
"Here is a list of things Jonathan Richman loves: -Massachusetts -Neon when it's cold outside -The highway when it's late at night -Modern moonlight -128 when it's dark outside -Massuchesetts (again) -Rock & Roll -His parents -The old world -The 50's -Your eyes -This power -These streets -The USA ...""Here is a list of things Jonathan Richman loves:
-Massachusetts
-Neon when it's cold outside
-The highway when it's late at night
-Modern moonlight
-128 when it's dark outside
-Massuchesetts (again)
-Rock & Roll
-His parents
-The old world
-The 50's
-Your eyes
-This power
-These streets
-The USA
-The modern world
Hippy Johnny only gets a 'like' thrown his way, poor guy. 'I'm Straight' is my favourite track, my interpretation is that it's Richman's faux promise to his girlfriend to get clean and shun his stoner alter-ego.
Musically, the songs are primitive, usually revolving around two chords and a third where adventurous. The recordings give the impression of being lazily rehearsed, which allows for some spontaneous sounding guitar and improvised instrumental sections (usually with an organ solo). The Modern Lovers are bare bones rock and roll at it's most fun, played by your friends band, except they are good. I suppose part of the appeal is that the exciting elements of the Velvet's sound are present here but Richman sidesteps their overt aim of producing art. Instead his main aim is to have fun, and for you to have fun too.
Key tracks: Roadrunner, I'm Straight, She Cracked, Pablo Picasso, Somone I Care About, Modern World"[+]Reply
"This album is part of my personal Album top 100 (I was tempted to put "Deepest Purple: the very best of Deep Purple" in this top 100 because there are so many fantistic Deep Purple songs which don't appear on this album like "Highway Star" and many others, but I chose this one because it does sta...""This album is part of my personal Album top 100 (I was tempted to put "Deepest Purple: the very best of Deep Purple" in this top 100 because there are so many fantistic Deep Purple songs which don't appear on this album like "Highway Star" and many others, but I chose this one because it does stand out) which you can check out by clicking on m link.
It contains one song that has been my absolute favourite song for a very long time: "Child in Time". It is not my favourite song anymore but still a stand-out with the fantastic voice of Ian Gillan and the incredible build-up of the song (two times) to the shredding of the guitar solos.
The other great tracks on this album are "Speed King" and "Flight of the Rat".
"[+]Reply
"What strikes me about this album is how LISTENABLE it is. While the songs certainly qualify as prog rock, they never fall into the trap of being overly complex and challenging for the sake of it, a criticism that can be made of many of the legendary prog rock groups such as ELP or King Crimson (n...""What strikes me about this album is how LISTENABLE it is. While the songs certainly qualify as prog rock, they never fall into the trap of being overly complex and challenging for the sake of it, a criticism that can be made of many of the legendary prog rock groups such as ELP or King Crimson (not to mention later Yes).
As it is, The Yes Album is an exceptionally enjoyable album to listen to. The vocals of Jon Anderson, as well as Steve Howe and Chris Squire in harmony, are a treat to hear. The instrumentation is, of course, excellent.
The standout tracks to me are Starship Trooper and I've Seen All Good People, which expertly mix quite distinct musical sections into cohesive wholes. Both songs have beautiful openings and truly epic conclusions, with Trooper's gradual intensification and I've Seen All Good People's descending key changes being particularly hair-raising moments.
90/100"[+]Reply