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2251.

The Album 

 ABBA

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"Is there anything more beautiful in this world than a woman's voice? If we agree then this album is a grand exposition of female vocalising on a level that can enchant even the most skeptical listener. With Eagle Agnetha and Frida arrive from the heavens it seems bearing tidings of profound optim...""Is there anything more beautiful in this world than a woman's voice? If we agree then this album is a grand exposition of female vocalising on a level that can enchant even the most skeptical listener. With Eagle Agnetha and Frida arrive from the heavens it seems bearing tidings of profound optimism in a world grown old and cold and weary. However their stories are not all happy. They represent life as it is. Love is strange and success has its price, but its in the music itself that the beauty of living is made most apparent. Musically this is ABBA's most artistic album. In attempting to break into the American market, they began to incorporate some american sounds onto what has been up until then a decidely european template. What could be a risk, works perfectly and as a listening experience you are carried on a journey from the magestic opening of Eagle on through a variety of styles that instead of hindering actually make the journey more interesting. The biggest risk of all is the Mini-musical of three songs, which will test the sensibilities of even the most tolerant of critics, until you see that below the "broadway" you uncover brilliantly composed and executed music. If Rock is about going against the grain and giving the two fingers while moving your soul, then this album accomplishes exactly that perfectly and as a thing of beauty."  [+]  Reply

- jomclane | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1977

Appears in:

139 charts

Rank Score:

726

Rank in 1977:

38

Rank in 1970s:

408

Overall Rank:

2,251

Average Rating:

 73 (198 votes)

Comments:

11

2252.

Slipknot 

 Slipknot

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"If this band died young they would've been worshipped. In the vein of The Rolling Stones, and Morissey, they continue on, making corporate, egotistical asses of themselves. Especially Corey Taylor, the guy is several miles up his own ass. I'm no expert on nu-metal. I tend to gravitate towards mor...""If this band died young they would've been worshipped. In the vein of The Rolling Stones, and Morissey, they continue on, making corporate, egotistical asses of themselves. Especially Corey Taylor, the guy is several miles up his own ass. I'm no expert on nu-metal. I tend to gravitate towards more prog oriented stuff. That disclaimer out of the way, this band's first two records are worth listening to. The debut especially is wonderfully edgy and chaotic. Is it well-written? Of course not. It's not supposed to be. The whole point is to thrash the fuck out without thinking about it. And it does just that. Very well."  [+]  Reply

- AReasonableMan | Helpful?  (Log in to vote) | +4 votes (5 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1999

Appears in:

121 charts

Rank Score:

726

Rank in 1999:

39

Rank in 1990s:

389

Overall Rank:

2,252

Average Rating:

 72 (234 votes)

Comments:

8

2253.

Couldn't Stand The Weather 

 Stevie Ray Vaughan & Double Trouble

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"SRV's rendition of Voodoo Chile is reason enough to own this album. What an impresario he was. America's best - he is sorely missed."  Reply

- | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1984

Appears in:

149 charts

Rank Score:

725

Rank in 1984:

36

Rank in 1980s:

342

Overall Rank:

2,253

Average Rating:

 79 (165 votes)

Comments:

6

2254.

White Pepper 

 Ween

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"It's absolute insanity that an album this good sits so far down the charts. I can only assume it's because not enough people have listened to Ween or White Pepper in particular. This is not a couple of clowns trying to make a novelty record. This is a collection of outstanding songs by gifted son...""It's absolute insanity that an album this good sits so far down the charts. I can only assume it's because not enough people have listened to Ween or White Pepper in particular. This is not a couple of clowns trying to make a novelty record. This is a collection of outstanding songs by gifted songwriters, that have been arranged and performed with a high degree of skill. I can see a casual listener quickly bouncing through the album and thinking that Ween were merely trying to do sendups of several musical styles, but listen closely and you'll hear that in most cases they surpass the originals. Yes, they do it with tongue firmly in cheek but that shouldn't take away from how solid these songs are. "Bananas and Blow" is a parody of Jimmy Buffet, but I'd rather listen to this than anything in his discography; "Pandy Fackler" sounds as if it was ripped straight from Steely Dan's Pretzel Logic album; "Even If You Don't" is Paul McCartney from the Sgt. Pepper era; "Stoker Ace" is Motorhead. Throw in prog rock like "Back to Basom" and the gorgeous hippie anthem "Flutes of Chi" and this is an astounding collection of songs. At this point Ween enter the conversation of best American band ever. "  [+]  Reply

- KGB | Helpful?  (Log in to vote) | +10 votes (10 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2000

Appears in:

134 charts

Rank Score:

725

Rank in 2000:

42

Rank in 2000s:

370

Overall Rank:

2,254

Average Rating:

 81 (187 votes)

Comments:

7

2255.

Songs For Drella 

 Lou Reed / John Cale

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"Songs for Drella is a musical retelling of the life of Andy Warhol as told by two of the great musicians whose careers he launched. Every song feels unique, and every one brings something to the table, my only complaint would be that Lou Reed sings the vast majority of the songs, John Cale only s...""Songs for Drella is a musical retelling of the life of Andy Warhol as told by two of the great musicians whose careers he launched. Every song feels unique, and every one brings something to the table, my only complaint would be that Lou Reed sings the vast majority of the songs, John Cale only singing a third of them, but that’s only a problem if, like me, your more of a John Cale fan. You really feel the love these two had for old Andy, but they don’t act as if it was all good times, the album really does portray the life of someone who they (Reed particularly) loved and hated in equal mesure at different times in their lives. The best tracks here are most of the tracks on which Cale provides the vocal (“Style It Takes”, “Forever Changed” and the spoken word story “The Dream” particularly) and Reed’s brilliant “Slip Away”, “I Believe” and the beautiful, haunting “Hello It’s Me”, which may be my favourite song Lou Reed has sang since the Velvet Underground."  [+]  Reply

- Crumpet | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1990

Appears in:

143 charts

Rank Score:

725

Rank in 1990:

31

Rank in 1990s:

390

Overall Rank:

2,255

Average Rating:

 76 (139 votes)

Comments:

4

2256.

A Storm In Heaven 

 The Verve

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"My favourite album of all time. Track-by-track review with a rating for each track out of 100: Star Sail: A dreamy opener with guitar that simultaneously floats dreamily and roars loudly. Ashcroft's vocals soar. 93 Slide Away: The album's first and catchiest single, though not as ambient and drea...""My favourite album of all time. Track-by-track review with a rating for each track out of 100: Star Sail: A dreamy opener with guitar that simultaneously floats dreamily and roars loudly. Ashcroft's vocals soar. 93 Slide Away: The album's first and catchiest single, though not as ambient and dreamy as some of the other highlights. Deserved more than the mild attention it got, it's a track in awe of the endless soundscape it's perusing. 94 Already There: The album's first masterpiece and one of Verve's finest tracks, from the solitary opening strums which ooze sadness, to Ashcroft's mournful vocals edging the song to a heavenly place. When McCabe's guitar kicks in and gets the track pumping, it's like floating away to an unknown destination. And you don't want to leave. 100 Beautiful Mind: A massively expansive head-trip, a stumble into a blue abyss. A song filled with emotions fleeing and dreams fleeting. McCabe's guitar strums echo and reverberate, moving all around, bouncing off walls of sound. The final haunting strums that close the song are some of the saddest sounds I've ever heard from a guitar. 98 The Sun, The Sea: The first half of the album closes loudly as Ashcroft croons and pleads. The energy here makes the song loud and fast enough to have been a single and as the whole thing descends into a chaotic mess, saxophones sighing and Ashcroft fading away. 94 Virtual World: To me personally, the opening sounds of Virtual World are iconic. I feel like I've heard them all my life and they haunt my skull each time they float through it. It is one of the purest expressions of happiness, head out the window of a speeding car, smile brushing the breeze like old friends meeting again. 100 Make It Till Monday: An almost scary awakening from a dream within a nightmare (or perhaps the other way round), the shortest track on Storm tells of a drug-fuelled weekend burning away into oblivion and leaving behind nothing but regret. I really hope they do make it. 98 Blue: To say the lead single from Storm is my least favourite track on the album isn't really saying much because it is still a very solid track, despite the fact I'm not the hugest fan of the pre-Urban Hymns pop/rock sound (at least, not on this album where it seems curiously out-of-place) or the catchy 'swallow you' lyric. Still, it's a decent track and a brief but lovely listen. Also, it contains the fantastic lyric "You shot him down, there's blood on my face, his heart's in the right place." 92 Butterfly: What, really, can I say about what's probably my favourite song of all time? That it meshes saxophone and guitar so beautifully to describe it as anything less than orgasmic is insulting? That Ashcroft's poetic lyrics and snarling delivery are so beautifully crafted that my eyes moisten at the thought and shivers run down at the experience? That he can create one of the scariest sounds in the world simply by moaning the titular 'butterflyyyyy'? If the guitar stumbling to a halt at 1:14 isn't enough to blow your mind, listen to Ashcroft scream 'butterfly' four times at 1:46, or better yet, the countless guitar screeches around the 5-minute mark that absolutely jolt you awake and make you feel like your whole body is about to implode, the saxophone howl inviting warmly your newly freed organs to float around around the zero-gravity playground? Butterfly, for me, was a landmark musical experience, and a criminally underrated one at that. To listen is to experience musical emotion and evocativeness at its peak. It's a marvel. 100 See You In The Next One (Have A Good Time): Displaying all too endearingly keenly the sadness of saying goodbye to a loved one without being hackneyed or over-the-top, See You In The Next One expresses in bitter words the feeling of loss at its heart: "I liked the way it was. I hate the way it is now." That's really all there is to it. So sad it rips your heart open and the tears feel as if they may never stop flowing. 100 Key Tracks: Already There, Virtual World, Butterfly, See You In The Next One"  [+]  Reply

- astorminrainbows | Helpful?  (Log in to vote) | +15 votes (15 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1993

Appears in:

153 charts

Rank Score:

725

Rank in 1993:

36

Rank in 1990s:

391

Overall Rank:

2,256

Average Rating:

 75 (224 votes)

Comments:

12

2257.

...And Then There Were Three 

 Genesis

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"It's basically a slightly more commercialized and stripped down Wind and Wuthering. By this point, Genesis were becoming stagnant because Rutherford and Banks were basically the only songwriters left, and they had been there since day one: it was probably best that they changed musical directions...""It's basically a slightly more commercialized and stripped down Wind and Wuthering. By this point, Genesis were becoming stagnant because Rutherford and Banks were basically the only songwriters left, and they had been there since day one: it was probably best that they changed musical directions with the next album, Duke, by giving Collins more to do. I don't mind Genesis going mainstream, but this album was just too romantic and mellow for my taste. I prefer the opposite kind of mainstream: upbeat, powerful, aggressive, bombastic. At its best it's intriguingly atmospheric...and not much more. It's Wind and Wuthering meets singer-songwriter mediocrity. The definition of an average album. Most of the tracks are forgettable, but I do enjoy Follow You Follow Me."  [+]  Reply

- Deckiller | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1978

Appears in:

145 charts

Rank Score:

725

Rank in 1978:

42

Rank in 1970s:

409

Overall Rank:

2,257

Average Rating:

 73 (287 votes)

Comments:

22

2258.

The Sidewinder 

 Lee Morgan

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"This is a quintessential hard bop album. The tunes are excellent and the improvising spectacular. Lee Morgan is at his peak both as a soloist and as a leader here."  Reply

- Fischman | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1964

Appears in:

174 charts

Rank Score:

723

Rank in 1964:

12

Rank in 1960s:

205

Overall Rank:

2,258

Average Rating:

 81 (149 votes)

Comments:

4

2259.

Ultra Mono 

 Idles

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"The Quietus don’t like IDLES, so eager were the noise-drone-loving-blur-hating online UK equivalent of Pitchfork that they published their review of the new record a month early. They hated it. The most exciting band in the UK and they were found with their pants round their ankles. It seems the ...""The Quietus don’t like IDLES, so eager were the noise-drone-loving-blur-hating online UK equivalent of Pitchfork that they published their review of the new record a month early. They hated it. The most exciting band in the UK and they were found with their pants round their ankles. It seems the august journal have decided that what the kids need are badly recorded rip offs of Metal Machine Music. What’s that? Fun?! Don’t be so vulgar. The record is of course fine, although not quite as as good as Joy but it does include 12 reasons why 2020 won’t quite be remembered why rock’n’roll curled up & died. Fuck ‘em."  [+]  Reply

- johnner | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2020

Appears in:

194 charts

Rank Score:

722

Rank in 2020:

31

Rank in 2020s:

123

Overall Rank:

2,259

Average Rating:

 75 (215 votes)

Comments:

10

2260.

Women In Music Pt. III 

 Haim

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"It’s a golden era for women in music 2018 saw incredible albums from Mitski and Boygenius feat Phoebe Bridgers 2019 was even better with Lana Del Rey , Uboa , Big Theif and Sharon Van Etten smashing it out of the park And in 2020 we’ve already had Fiona Apple , Waxahatche, Phoebe Bridgers and Bea...""It’s a golden era for women in music 2018 saw incredible albums from Mitski and Boygenius feat Phoebe Bridgers 2019 was even better with Lana Del Rey , Uboa , Big Theif and Sharon Van Etten smashing it out of the park And in 2020 we’ve already had Fiona Apple , Waxahatche, Phoebe Bridgers and Beach Bunny soar high and you can now add sisters Alana , Este and Danielle HAIM with ‘WIM 3’ to the honour roll After the somewhat disappointing ‘Something to Tell You’ in 2017 the girls have righted the ship with a superb collection of wonderful harmony’s spiced with mature lyrics showing another side we haven’t seen before. Highlights include “Up From a Dream”, lead single “The Steps” ( a real grower), the largely acoustic “Man From The Magazine” and my personal favourite track “Hallelujah” strangely listed as a Bonus Track (??) and is a love letter to the 3 sisters and the lyric “3 Roads One Life” Clearly and completely one of 2020’s very best album releases "  [+]  Reply

- Brad1770 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2020

Appears in:

221 charts

Rank Score:

722

Rank in 2020:

32

Rank in 2020s:

124

Overall Rank:

2,260

Average Rating:

 75 (201 votes)

Comments:

16

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Total albums: 10,000. Page 226 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	710	7%
1970s	1,425	14%
1980s	1,413	14%
1990s	1,602	16%
2000s	1,720	17%
2010s	1,967	20%
2020s	825	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,998	50%
	2,656	27%
	432	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%