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1271.

Rodeo 

 Travis Scott

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"saying "black guy making trap, dollar sign + no shirt = cliche and unoriginal" is cliche and unoriginal the IRONY lmao"  Reply

- SuedeSwede | Helpful?  (Log in to vote) | +9 votes (9 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2015

Appears in:

183 charts

Rank Score:

1,347

Rank in 2015:

19

Rank in 2010s:

192

Overall Rank:

1,271

Average Rating:

 80 (299 votes)

Comments:

20

1272.

The Lion And The Cobra 

 Sinéad O'Connor

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"Though her subsequent work often leaves me cold, O'Connor's debut is a brilliant, eclectic collection in which even the love songs, such as the gorgeous "Just Like U Said It Would B," sound fiery and raw. "Troy," one of the finest songs of the decade, is a devastating entreaty to an ex-lover she ...""Though her subsequent work often leaves me cold, O'Connor's debut is a brilliant, eclectic collection in which even the love songs, such as the gorgeous "Just Like U Said It Would B," sound fiery and raw. "Troy," one of the finest songs of the decade, is a devastating entreaty to an ex-lover she can't—or won't—shake free of. "Drink Before the War" is a passionate anti-war cry housed in a lovely ballad. "I Want Your (Hands On Me)" is a lusty little dance, catchy and about as subtle as the title would suggest. Songs such as "Jackie," "Just Call Me Joe," "Mandinka," "Never Get Old," and "Jerusalem" show an extraordinary array of subjects, styles and influences. These songs are deep and literate and often sound as if they cost O'Connor a piece of her soul to get them on record."  [+]  Reply

- subtleman22 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

217 charts

Rank Score:

1,347

Rank in 1987:

24

Rank in 1980s:

207

Overall Rank:

1,272

Average Rating:

 78 (211 votes)

Comments:

6

1273.

Summertime '06 

 Vince Staples

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"I usually begin by commenting on the production, but here I feel like making an exception., becayse I am such a big fan of his rapping. His delivery is a bit weird, a bit like he doesn't even care anymore, maybe that's why it's so addictive and so memorable. Most of the guests are in the same moo...""I usually begin by commenting on the production, but here I feel like making an exception., becayse I am such a big fan of his rapping. His delivery is a bit weird, a bit like he doesn't even care anymore, maybe that's why it's so addictive and so memorable. Most of the guests are in the same mood, too. This attitude is further reflected on the production. It's like something is about to happen, it slowly builds up, but it never comes to fruition, it stops the very last moment before it does, it simply doesn't bother any more. All of the above are closely related to the concept of the album and in that regard make more sense. It deals with the summer of 2006 - wow, how did you figure this out, amazing - and how it changed everything for the worse, it signified the loss of innocence ("Rounds up in that chamber, I'm a gangsta like my daddy My mama caused another problem when she had me They found another dead body in the alley They found another dead body in the alleyway Stacking paper, I'm a gangsta like my granny It's money over everything if you ask me They found another dead body in the alley They found another dead body in the alleyway I'm "stop-and-pop"-ing like a shooting guard My seat is back, I'm too relaxed, not moving out this car") and with it the loss of everything he loved ("My teachers told me we was slaves My mama told me we was kings I don't know who to listen to I guess we somewhere in between My feelings told me love is real But feelings known to get you killed I feel as if I'm misconstrued I spend my moments missin' you I'm searchin' for atonement Do I blame my darker tone? I know somethings are better left unsaid And people left alone Pick up the phone Don't leave me alone in this cruel, cruel world"). 20 tracks are arguably too much and it doesn't fully justify its length, but that's more or less my only complaint about this album."  [+]  Reply

- kokkinos | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2015

Appears in:

261 charts

Rank Score:

1,346

Rank in 2015:

20

Rank in 2010s:

193

Overall Rank:

1,273

Average Rating:

 77 (287 votes)

Comments:

17

1274.

Madonna 

 Madonna

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"I know, a 10/10 sounds like too much. The album is certainly flawed, GOD is it flawed. But that is mostly because of the fact that her approach of making music was completely unknown at the time. She makes the song and has a vision and then makes sure she finds a producer that understands her. An...""I know, a 10/10 sounds like too much. The album is certainly flawed, GOD is it flawed. But that is mostly because of the fact that her approach of making music was completely unknown at the time. She makes the song and has a vision and then makes sure she finds a producer that understands her. And if the product isn’t good enough, she doesn’t settle for less and continues her search for the perfect sound. Basically, the same tactic that she advices in her lyrics that should be used in relationships. It doesn’t sound like a big deal now, because almost all female artists after her, followed this formula, and it was also the most logical outcome for women, because culture has been (and somewhat still is) presenting music production (as well as playing certain instruments) as a male thing. This approach also created a blueprint for electropop in general. The way that the producer’s creative input is of almost equal importance can be found back in artists like Drake and Future today. Suddenly there wasn’t just one song, there were remixes too; the vocals could be thrown around and reinterpretated endlessly. Again, today it’s hard to realize what the big deal is, because that’s the norm now, but that’s because of Madonna. And of course she gave a voice to feminine sexuality in music."  [+]  Reply

- Boltzmann | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1983

Appears in:

252 charts

Rank Score:

1,346

Rank in 1983:

23

Rank in 1980s:

208

Overall Rank:

1,274

Average Rating:

 71 (355 votes)

Comments:

19

1275.

Time (The Revelator) 

 Gillian Welch

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"This is not an album I would listen to with full attention-maybe I should, as I randomly caught some interesting lines-, but as background music it's extremely effective. Simple and relaxing vocals/guitar, just what the doctor ordered after a tiring and stressful day. Another thing I liked is how...""This is not an album I would listen to with full attention-maybe I should, as I randomly caught some interesting lines-, but as background music it's extremely effective. Simple and relaxing vocals/guitar, just what the doctor ordered after a tiring and stressful day. Another thing I liked is how balanced it is. It is clearly influenced by everything that preceeded it, but not too much, it has a modern vibe too. I am reasonably confident I could approximately guess when it came out hadn't I already known it, which is usually tricky in this genre. One complaint would be that the opening track sets the bar a bit too high and the rest of the album struggles to catch up. Still, no moments where I felt it dragged or it got dull, even the last track was ok despite my initial fear that it would be too long,"  [+]  Reply

- kokkinos | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2001

Appears in:

219 charts

Rank Score:

1,345

Rank in 2001:

21

Rank in 2000s:

191

Overall Rank:

1,275

Average Rating:

 77 (205 votes)

Comments:

11

1276.

Cavalcade 

 Black Midi

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"(Avant-Prog, Prog rock, Jazz rock, noise rock, ooooh babayyyy! Prog is back! - for a more cogent statement I’ll say that this is the best Prog rock album I’ve heard that’s been released in years. And it’s bloody brilliant almost the whole way through.) What a rock solid album. Feels like somethin...""(Avant-Prog, Prog rock, Jazz rock, noise rock, ooooh babayyyy! Prog is back! - for a more cogent statement I’ll say that this is the best Prog rock album I’ve heard that’s been released in years. And it’s bloody brilliant almost the whole way through.) What a rock solid album. Feels like something significant. But maybe that is just the hype and me getting swept up in it. I have been delaying and delaying on writing any sort of comment on this beast. I have listened to it a dozen or more times. And I notice my opinions change with almost every listen. Sometimes I feel like saying hyperbolic things like “This is this generation’s In The Court of the Crimson King”, and sometimes I feel like this is a bit of an uneven and yet vibrant and exciting avant-Prog album for a new generation. I switch between feeling effusive love - and merely feeling strong, healthy respect. Haven’t landed yet on what my final thoughts are. Maybe only time can tell, after we have seen the progression of black midi, that Windmill scene, and underground rock in general over the next 3-10 years time. I don’t know. I do know that “John L” is my song of the year so far. Something special it is, indeed. I know that “Marlene Dietrich” is gorgeous and features a brilliant subdued groove that I adore. I know that the 1-2 punch of “Chondromalacia Patella” and of course the masterpiece that is “Slow” never fail to blow me away, and sweep me up and away somewhere fresh and new. I’m confident that “Diamond Stuff” is beautiful if a bit too slow in its development and a bit anti-climactic. I know that “Dethroned” is very solid but one that hasn’t yet clicked with me fully. I know that “Hogwash and Balderdash” is excellent and the closest to the sound of “John L” that this album ever comes back to and I know it’s too short. And, finally, I think “Ascending Forth” is… a bit lost on me and for some reason, despite most people considering it a stand out track or even THE standout, I think it’s my least favorite song here. Of course “Ascending Forth” is still like, idk, 70% incredible. That is an indicator of how much I like this album through and through. I also love that these songs do flow. Like, this feels like a concise yet complete album statement, where each track logically rolls to the next despite at times featuring INSANELY massive changes in tone and style. Not sure how the guys in black midi pulled that off but they did. I’m closing, I have a feeling this will be one of those memorable albums for years and decades to come. I hope it does become something of a classic as time goes on. For now, it’s too new for all that. But it is for sure amd without a doubt one of the few albums that managed to fully live up to my expectations (hopes more like) and, I think, the music fandom’s as well. "  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

294 charts

Rank Score:

1,342

Rank in 2021:

8

Rank in 2020s:

34

Overall Rank:

1,276

Average Rating:

 79 (330 votes)

Comments:

19

1277.

Eldorado, A Symphony By The Electric Light Orchestra 

 Electric Light Orchestra

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"Consistently interesting listen, with less of the ELO generic orchestra gimmickry. Probably their second best album for me, after their first. Best songs are the El Dorado Overture, Laredo Tornado and the finale."  Reply

- clockworkfiction3 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1974

Appears in:

249 charts

Rank Score:

1,342

Rank in 1974:

25

Rank in 1970s:

253

Overall Rank:

1,277

Average Rating:

 78 (326 votes)

Comments:

18

1278.

Going For The One 

 Yes

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"An astonishing performance by Yes on a record that is very under appreciated. The instrumentals on this album are amazing and stun me every time I hear them. The guitar work is just outstanding and this is exemplified by the 15 minute epic Awaken which is the best track on this album. This song e...""An astonishing performance by Yes on a record that is very under appreciated. The instrumentals on this album are amazing and stun me every time I hear them. The guitar work is just outstanding and this is exemplified by the 15 minute epic Awaken which is the best track on this album. This song encapsulates everything that is great about Yes from the incredible build up to the phenomenal crescendo. Another strength of this album is the vocal which is consistently great and carries us through the music with some brilliant lyrical delivery. However, I think the album starts off a little slow and takes its time to properly settle. It also can feel a little slow in places and a little dated. Overall, a Yes album that deserves a lot more love than it gets as it is up there amongst their best ever albums. "  [+]  Reply

- Untitled | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1977

Appears in:

239 charts

Rank Score:

1,342

Rank in 1977:

27

Rank in 1970s:

254

Overall Rank:

1,278

Average Rating:

 76 (372 votes)

Comments:

25

1279.

Father, Son, Holy Ghost 

 Girls

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"When this was released back in 2011 it was on repeat for several weeks on my stereo and Ipod. This may be the greatest pure rock album released in 10 years or so. This is so plain and pure as it gets. Draws on all big references from 60's and 70's rock music. A shame Girls broke up, because Chris...""When this was released back in 2011 it was on repeat for several weeks on my stereo and Ipod. This may be the greatest pure rock album released in 10 years or so. This is so plain and pure as it gets. Draws on all big references from 60's and 70's rock music. A shame Girls broke up, because Christopher Owens solo album didn't peak the same heights as neither this album or their equally great EP."  [+]  Reply

- | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2011

Appears in:

264 charts

Rank Score:

1,341

Rank in 2011:

26

Rank in 2010s:

194

Overall Rank:

1,279

Average Rating:

 76 (365 votes)

Comments:

27

1280.

Uprising 

 Bob Marley & The Wailers

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"Bob Marley and The Wailers save one of their best for last. Coming In From The Cold, Real Situation, Work, Pimpers Paradise, Could You Be Loved & Redemption song are my favs here."  Reply

- Brandon8 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1980

Appears in:

265 charts

Rank Score:

1,339

Rank in 1980:

34

Rank in 1980s:

209

Overall Rank:

1,280

Average Rating:

 77 (288 votes)

Comments:

11

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Total albums: 10,000. Page 128 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	37	0%
1950s	304	3%
1960s	715	7%
1970s	1,439	14%
1980s	1,435	14%
1990s	1,616	16%
2000s	1,727	17%
2010s	1,999	20%
2020s	726	7%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Various Artists	26	0%
Neil Young	25	0%
Show all

Country	Albums	%
	5,011	50%
	2,665	27%
	429	4%
	315	3%
	222	2%
	160	2%
	137	1%
Show all

Compilation?	Albums	%
No	9,721	97%
Yes	277	3%

Live?	Albums	%
No	9,727	97%
Yes	271	3%

Soundtrack?	Albums	%
No	9,880	99%
Yes	118	1%